When zoologist Magrieta Prinsloo is put on the wrong antidepressant, her head comes unstuck. She insults the head of her department, and impulsively resigns from her job. She accepts a position at the Bureau for Continuing Education, with the inscrutable Markus Potsdam as her boss. When he disappears one morning, matters become very complicated. Winterbach's extraordinary gift as a novelist, and uncanny understanding of the human psyche, are again as evident as ever.

How do stories begin, and why? What are the conditions for writing fiction? Need, compulsion, a listener, opportunity, rhetoric …

In The Snow Sleeper, the art and meaning of storytelling is illuminated in four magically interwoven tales of friendship. In each, a narrator’s narrow vision is gradually broadened and transformed into piercing self-knowledge.

“The Swan Whisperer”: A creative writing lecturer receives a series of bizarre missives from an eccentric student, which bring into question her most dearly held literary convictions.

“The Percussionist”: At his best friend’s funeral, a clockmaker delivers a eulogy that, in recalling the writer’s voyeuristic obsessions, explores the nature of love and friendship.

“The Snow Sleeper”: A fieldworker interviewing the homeless is confronted with her own grief by a most articulate and charismatic vagrant.

“The Friend”: The confidante of a famous photographer acknowledges her role in his decline. A story that resonates with the interplay of the artistic and political in South Africa today.

These characters, all alter egos, are linked each to the other in strange, recurring loops, drawing the reader into the depths of a beautiful snowstorm.     

Die dag toe Pappie die kaleidoskoop stukkend gekap het, het ’n paar van die gekleurde skywe ver weggespat en in die lang gras gaan skuil. Later, nadat die ouman weg was poskantoor toe, het hy die stukkies gaan bymekaar maak – ’n paar geles, ’n mooi groene en ’n klompie bloues en perses. Die res was gewone spieëltjies en hy het net ’n paar daarvan opgetel. Maar daar was bitter min van sy droom oor.

Hy voel die hitte van daardie dag se woede deur hom spoel. Sien weer die arend teen die lug draai en die skelm blink van die paar stukkies glas in die lang gras. Dan ontspan hy. Sy lewe was nooit heel nie. Altyd in stukke. Tronk was sy voorland – soos Pa voorspel het …

NOU gaan Schoeman huis toe.

MAAR sal hy nou die liefde en aanvaarding kry waarna hy smag, of sal hy steeds nie goed genoeg wees nie …?

KALEIDOSKOOP is ‘n historiese roman wat die verhaal van Schoeman en sy familielede vertel. Die besonderse verhaal van lief en leed sal jou as kieskeurige leser enduit boei.

The Five Firm Friends – Edith, Cordelia, Amanda, Doris and Beauty – are five sassy career women who confront life head- on. But when Beauty suddenly becomes ill and, after six short weeks, passes away, their world is thrown into confusion. On her deathbed Beauty begs Amanda to promise her one thing – that she and the rest of the FFF will not waste their lives as she has done. All because of an unfaithful husband ... ‘Ukhule,’ she begs of Amanda. May you live a long life, and may you become old.

Beauty’s Gift is a moving tale of how four women decide to change their own fate as well as the lives of those closest to them. This is Sindiwe Magona at her very best – writing about social issues, and not keeping quiet. Speak up, she says to women in Africa. Stand up, and take control of your own lives.

In her debut collection of short stories, Lindiwe Nkutha takes us through the minds of people you may overlook on an ordinary day: The wayward neighbour you vaguely remember seeing every day as a child until the day he vanished. The face you see every weekend at the local drinking hole, you exchange a polite nod but know little about, not even her name. The young woman who is caught between her faith and her love for a woman. Their lives are untidy, tainted with the pain, joy and violence as they share with us stories they wouldn't share with anyone else.

Nkutha's words weave in and around the weights we drag behind us from one place to another, with a sensitivity and wit required for such vulnerabilities and intimate moments.

And they didn't die dramatises the heroism of Jezile, a young rural woman. Her story also depicts the emergence of collective resistance by rural women in South Africa of the 1950s and 60s. Above all it is a story of redemption in the strength and vitality of one woman who will not allow intense suffering to deplete her humanity. The author draws upon her relationship with the 'very strong, very proud' women who raised her and her knowledge of their history to create a novel that is sensitive, human and political.

In a moment of weakness, lawyer Ian Brand sends out a tweet; it changes his life irrevocably. Thuli Khumalo, Fallist leader on a campus that stinks of petrol and teargas, must choose between betraying her father and forsaking her principles. Snaar Windvogel, once the little violin girl of Matjiesfontein, is now in transition under the knife of Piekenier Leqluerck, plastic surgeon and fossa impresario.

These colourful characters populate a carnivalesque landscape where the only certainty is that the Mother City’s mysterious crossbow killer will strike again . . . while Twitter gangs spread suspicion, truck drivers are attacked on national roads, and Number One meets with gang leaders – all under the watchful eye of the Institute for Encouragement in a nameless city in China.

An astonishing novel documenting the turbulent time in which we live, where issues such as privacy and identity, fake news and fact, and race and ethnicity inflame passions.

Translated by Henrietta RoseInnes.

A single moment can change a life forever… A van full of men armed with AK47s is stopped by two policemen while driving through Bethlehem in the Free State. They open fire on the policemen and, from that moment, their lives are irrevocably changed. So to for Fusi Mofokeng, resident of Bethlehem, who was not at the scene of the crime but was the brother-in-law of one of the perpetrators. He is accused of being an accomplice and tried, sentenced and jailed.

Nineteen years later, in 2011, Fusi is released into a world that has changed beyond recognition, a world in which his mother, father and brother have all died. Throughout his incarceration he fought for his release, appearing before the TRC, and schooling himself in law. Even today, he seeks a presidential pardon.

It is to this life that award-winning author Jonny Steinberg turns his attention in One Day in Bethlehem. In examining the life and struggle of Fusi Mofokeng, Steinberg shines a searing light on the burden of the 'everyman' in his quest for justice. In doing so, he also captures a country as it violently sheds the skin of the past to emerge, blinking, into the modern era.

A Big Hand For The Spirits explores the space where science, religion and magic come together – where the world behaves in ways that are at once absolutely normal but also utterly amazing.

An ecologist on the run from a hit man joins up with a brilliant physicist struggling to reconcile his traditional African beliefs with science, an anaesthetist dealing with a bad marriage, a physically powerful, but emotionally distraught river guide, and an enigmatic recovering drug addict who alternates wildly between reality and fantasy.

Together they travel overland from Vic Falls to Malawi, encountering many adventures, some intellectual, some fun, and some downright terrifying.

As they explore the power of their individual and collective unconscious, they discover that they are connected in unexpected ways and, through means both mystical and prosaic, work together to survive and achieve each other’s goals.

The action, which includes wild white water rafting, tracking elephants, dabbling in witchcraft, catching snakes and learning to dive, mirrors the characters’ exploration of the nature of reality, time and truth – and whether there are, in fact, only three thousand people in the world. The climax on the edge of Lake Malawi revolves around a dramatic performance of the Gule Wamkulu spirit dancers that may – or may not – be instrumental in bringing it all together.

Reisgenote bevat ʼn keur uit die kortverhaalbundel, Die reisgenoot, wat oorspronklik in 2013 ingedien is as kreatiewe komponent van ʼn meestersgraadstudie aan die Universiteit van die Vrystaat (onder leiding van prof HP van Coller).

As simboliese “reisgenote” is enkele gedigte getoonset wat tematies aansluit by Joanita se eie verhale. Die “reisgenote” is tematies van aard, maar ook in die gesprek tussen tekste, musikale werke en die kunstenaars wat betrokke was by die projek.

The sun begins to set and twilight falls over the Cape Town suburb of Salt River. The year is 1960, the year of the Sharpeville massacre. Three friends, Ainey, Haroun and Cassius, comrades in arms and merry pranksters, make a discovery that changes their lives. Mired in their troubled families, they valiantly struggle through their childhood. With the help of a mysterious yet powerful woman they confront an awful truth that forever changes their lives…

The prologue of By The Fading Light sets up the story by an unidentified narrator who, it is later discovered, is one of the three main characters, now grown up, reflecting on the past. A young boy, Amin Gabriels, disappears, an event that creates fear and anxiety in the community, especially for his friends, the main characters, who are three eleven-year-old boys, Ainey, Haroun and Cassius.

The boys’ adventures offer a poignant, compelling but also humorous glimpse into the world from their youthful perspectives. Ainey lives with his fussy grandmother and his authoritarian father who blames him for his mother’s death. Haroun lives with his depressed mother and bigamist father. Cassius lives with his sister and snobbish mother who wishes that she were white. Through these and other minor characters, a mysterious yet powerful older woman, a police officer, and a murderer, the reader encounters a spirited and robust community.

With its elements of historical fiction, literary realism and absurdist humour, By The Fading Light weaves together themes of troubled families, vibrant Muslim culture, South African politics, the resilience of children, loss of innocence and coming of age.

If only a young boy had not taken the long way home on a cold winter’s day. If only he had gone straight home, things might have been different. But he did not, and events in the tight-knit community of Salt River take a turn that inspire fear…

Look closely around you. Have you ever asked yourself what happens to all the girls who are in the system?

Girls that are orphans…
The boys…
The mothers in shelters…
All the battered women…
The downfall of the most powerful…

I’m leaving the agenda BARE for those who seek to find it. I have a story for you. No mercy…

Back like I never left!

Tim Morgan
Undisclosed location

The savage, senseless murders of children and the youth. It carries Treasure’s story from Book 1 and ends with the fight for life between Paul and Tim Morgan. We look at the disappearance of young people, human trafficking, cults and mental illness in men.

This story is inspired by real-life events and researched data from global social ills and Jackie looks into SA political faces that have sex scandals as part of her research.

Wouter Wessels praktiseer as prokureur vanuit ’n omskepte woonhuis in ‘n voorstad van Pretoria. Na ‘n reeks terugslae in sy lewe, is beide sy regsloopbaan en persoonlike lewe weer besig om op koers te kom. Totdat daar op ’n gewone werksdag ‘n skynbaar gewone klient by sy praktyk instap.

Sy het egter nie die deursnee regsprobleem nie. Nadat hy haar begin bystaan, kom hy onverwags op ’n katnes van bedrog en swendelary af waarby hooggeplaastes en invloedrykes betrokke is. Skielik bars alle hel rondom hom los en sy lewe is in gevaar.

Hy betrek spoedig ’n vriendin, wat ’n joernalis by ’n dagblad is, asook ’n eksentrieke forensiese wetenskaplike om hom by te staan om dié bedrogspul te probeer ontrafel. Hy het egter nie die luukse van tyd nie, en boonop verdwyn sy sleutelgetuie skielik spoorloos.

A page turning, gender and genre-bending novel set on the Cape Flats; a story of people who live in a place of violence which involves drugs, corrupt clergy, queerness, friendships - and how these survive in a society that is dysfunctional due to historical social problems; very much a novel of now, the 21st century.

A book that will change the literary landscape of this country.

When The Village Sleeps is a visionary novel about what the loss of identity and dignity can do to people afflicted by decades of brokenness.

Told through the lives and spirits of four generations of amaTolo women, including The Old, who speak wisdom with ever-increasing urgency, it moves between the bustling township setting of Kwanele and the different rhythms of rural village life. It recalls the sweeping sagas of the great A.C. Jordan and the Dhlomo brothers and invokes the poetry of S.E.K. Mqhayi, while boldly exploring urgent and contemporary issues.

An ode to the complex strengths of South African women, When The Village Sleeps is also a powerful call to respect the earth that nurtures human life, and to live in self-sufficiency and harmony with the environment and each other.

In 2019, Eva Mazza's Sex, Lies & Stellenbosch took the SA publishing world by storm. The sizzling novel, centred around the seemingly upstanding lives of Stellenbosch's elite, has remained in the Top 100 since publication. Now the much anticipated sequel will whet the appetites of thousands of readers obsessed with what happens next in the steamy lives of the winelands aristocracy.

At the end the first book, Jen, the main protagonist, receives a mysterious WhatsApp, which set book two in motion. The sequel masterfully tracks the next stage of the lives of the characters readers got to love and hate.

There is Jen's ex-husband, John, bent on a path of self-destruction; her ex-best friend, Frankie, who betrayed Jen in more ways than one; and the sultry Patty, who works at the Cape Town sex club secretly attended by the small town's elite, who now finds herself in New York. Is Lee still alive? And who is Captain Stranger?

Qabila’s marriage is falling apart – it has been for years. If she had not fallen pregnant she and Rashid might not have married in the first place. After all, he was seeing Thandi at the time. And now Qabila wonders if he ever stopped seeing her. Does that explain why Qabila has never felt the full measure of his love? At least he is not abusive, her mother would say, unlike Qabila’s father.

But with her mother’s passing, Qabila’s world is coming undone. She is dreaming of strange songs and making lists to stay sane. When she finds out Rashid is living a double life, she demands a divorce. Why does he still resist? Why not go to Thandi?

As she tries to pick up the pieces of her life, Qabila rails against the persistent legacy of discrimination in South Africa. Not least of which is the racism in her own community towards fellow black people. But she also rediscovers the joy of family, and her Muslim faith, and meets a group of musicians who might be the answer to her puzzling dreams.

Hannah Harrison escapes her stalled life in Cape Town for a small-town bookshop in the Free State.

A concentration-camp journal from the South African War, found in a dusty box of old stock, reveals the life of Rachel Badenhorst, a young girl separated from her family and enduring the crushing hardship of war. Hannah becomes obsessed with finding out what happened to Rachel.

Coveting the young girl’s courage and endurance, she is compelled to uncover Rachel’s story, never thinking it will lead her to pick open the wounds of a local farmer and dig up old tragedies, unearthing grief that even the land has held on to for over a century.

’n Verhaal oor sterk vroue, bendegeweld en aanvaarding.

Niemand spreek haar as Nicola de Wee aan nie. Vir Blackie, die kollega in wie se plek sy telkens bevorder word, is sy “ounooi”; vir Peters, wat onredbaar beenaf op haar is, is sy “kaptein”; haar priestervriendin Sally noem haar “Nic”. Dis net die Khayelitsha-stasiebevelvoerder vir wie sy “kaptein De Wee” heet.

Die nag toe hulle na ’n brandende voertuig uitgeroep word, kon kaptein De Wee nie droom dat dit Thandi se motor is nie, dat sy later haar grusaam verminkte lyk sou moes uitken, en watter verreikende uitwerking die moord op haar vriendekring sou hê nie. Allermins dat sy uiteindelik die ondersoek na die moord sou moes lei.

Maar om die agt moordenaars op te spoor en hul motief te ontrafel, is nie die enigste uitdaging waarvoor Nicci in hierdie ongewoon verweefde misdaadroman taan nie. Sy het self ’n geheim wat sy slim verdoesel. Tot die aand dat sy en Blackie en Peters ’n potjie maak.

Meet Tannie Maria - recipe writer turned crime fighter - and before she has time to take her Venus Chocolate Cake out of the oven, our glorious heroine finds herself embroiled in another mystery. In this wonderful sequel to Recipes for Love and Murder, Slimkat the bushman finds his life under threat and Tannie Maria is determined to find out who wants to kill him. But her boyfriend is keen to keep Tannie out of danger, and she's pretty sure he's hiding something so Tannie has mysteries of her own solve . . . Blending a perfect whodunnit with lovable characters, Sally Andrew really does have the perfect recipe for a crime series.

Black women are labelled as strong; their tears often seen as indulgent, their suffering expected to have an imminent expiration date.

In Michelle Kekana’s ambitious debut, three modern South African women find themselves brought to breaking point as they navigate the complexities of life, love and mental health.

Utterly engrossing from the first page, The Fragile Mental Health of Strong Women is a bold exploration of what it means to be ‘strong’.

6 December 2013, Johannesburg. Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata's death... So begins Johannesburg, Fiona Melrose's searing second novel.

An irascible mother, an anxious daughter trying to negotiate her birthplace and her past, her former lover, their domestic workers, a homeless hunchback fighting for justice, a mining magnate, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.

Set across the course of a single day, responsive to Virginia Woolf's Mrs Dalloway, Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

Die man met wie Danika vir ’n baie kort rukkie dolgelukkig was, het in ’n vreemdeling ontaard. Sy verloor haar baba nadat hy haar aanrand, en jare later worstel sy steeds om te herstel. Sy skryf jeugboeke en doen vrywillige werk by die neonatale afdeling van ’n hospitaal om die honger na haar eie kind te stil.

Malan verloor sy swanger vrou in ’n motorongeluk. Die medici kon hul tweelingbabas red, maar nie vir haar nie. Hy verkeer in skok en dat hy nou alleen na sy pasgebore babas moet omsien voel vir hom onwerklik. Maar hy sien hoe liefdevol Danika die babas by die hospitaal behandel en vra haar om hom met die versorging van sy dogtertjies te help. Sy verloor haar hart op hulle en toe Malan se skoonouers dreig om voogdyskap oor die kinders te verkry, stel Malan se prokureurvriend ’n gerieflikheidshuwelik voor ter wille van die kinders.

Maar Danika sukkel om weer ’n man in haar hart en lewe toe te laat, en Malan voel dat hy ontrou aan sy oorlede vrou is. En toe Danika se eks in die tronk vermoor word, word sy van die moord verdink wat dinge verder kompliseer.

Hul beste vriende vind na twintig jaar weer geluk, maar kan Danika en Malan hulle verlede ontsnap en hierdie tweede kans op geluk aangryp?

South African playwright Hannah Meade arrives in London for the opening night of her new play. She has arranged to meet Pierre, the student she was in love with when she taught English in Paris. During their time together, they lied their way towards truths they were too young and inexperienced to endure. Perhaps this time they will have a second chance.

As the reader is drawn from contemporary London back to Paris on the eve of the war in Iraq, the mystery of past events is brought to vivid life in a series of dramatic, intriguing and deeply moving encounters. Written in layered, stark prose, The White Room lays bare many of our assumptions about language, identity, memory, loss and love.

‘Craig Higginson is at the vanguard of the latest and most exciting novelists in South Africa, both robust and sensitive, offering a barometer of the best to be expected from the newest wave of writing in the country.’ – André Brink

‘In its conception and execution, The White Room is remarkable ... Evocative and dreamlike, yet all too nightmarishly real, this is a story so moving that it leaves a powerful afterimage on the reader’s imagination.’ – Craig Mackenzie