Mister Winston is a substantial man, an honest man, a ‘good’ politician. Or at least, this is how he likes to see himself.

But as his life falls apart and his political party’s hypocrisies and failings become impossible to ignore, this easy image begins to crack, and he goes from being a potential president to a man washing dishes and sleeping under bridges.

With lucid prose and startingly beautiful imagery, Nthikeng Mohlele reaches into the consciousness of a man fallen from grace, and the disillusionment, fractured morals and unravelling personal life which led to this spiritual exile is revealed.

Revolutionaries’ House is an electrifying novel of love, power and attachment, and their many betrayals.

This poetic and subtle novel, first published in 1926, deals with the eternal human problems of guilt and remorse, of love and sorrow.

It explores the simplicity of the lonely life in an isolated Boer community among the stark Karoo mountains.

Pandora se kruik is oop ...

Ná ’n liefdesteleurstelling en ’n moeilike inperktyd, is Emma uiteindelik reg om weer uit haar dop te kruip. Net betyds vir baas Wim se aanloklike aanbod: ’n Projek neem hom Midde-Ooste toe en hy kort haar ondersteuning. Binnekort verdaag Emma na Siprus onder die voorwendsel om by haar suster te gaan kuier.

Maar die skone Siprus is nie net kristablou waters, sonnige strande en Griekse oudhede nie. Emma is immers daar om internasionale geldwasnetwerke oop te vlek, en gou ontdek sy dat die gevaar nader is as wat sy of Wim besef.

Wat kom maak die superseiljag saans naby die seegrotte? Waar lê hulle plaaslike agent Nikos se lojaliteit? Weet die vissermanne dalk meer as wat hulle voorgee?

Skielik lyk dit asof Pandora al die wêreld se euwels opnuut vrygelaat het. As Emma ooit weer vir Wim wil sien, en hom wil vertel hoe sy oor hom voel, sal sy een stappie voor moet bly.

In haar derde boek soek Marie Spruyt in die antieke wêreld na liefde en hoop vir al ons moderne euwels.

From the best-selling author of How We Buried Puso, Three Egg Dilemma is set at a homestead overlooking a valley and around a bar in the Kingdom of Lesotho. The story follows the life of EG (short for ‘Example’) and a group of ill-assorted friends and neighbours as they attempt to survive a breakdown of civil certainty.

A visionary novel, Morojele has built worlds and characters with his dazzling prose. It is set to become a classic of Southern African literature.

Kan jy vlug van wie jy regtig is?

Lula Prins wil oor begin op Heydendal. ’n Nuwe lewe, ’n nuwe dorp, ’n nuwe naam. Anoniem. Dan stap ’n nuwe man ongenooid by haar lewe in en haar verlede begin haar inhaal.

Kriek Kruger wil uitvind wat met sy laatlambroer, Dian, gebeur het. Het hy werklik na sy dood gespring of wil iemand dit na selfdood laat lyk? En wie het daardie verdoemende verslag geskryf wat hom finaal laat knak het?

Terwyl Kriek na antwoorde soek en Lula van die spoke in haar verlede vlug, gooi die noodlot hulle saam in ’n opwindende, gevaarlike wentelbaan. Gaan Kriek uitvind wie sy regtig is? En kan ’n mens ooit werklik van jou jouself weg vlug?

Ná ’n jagongeluk is niks op die familieplaas Soetkloof ooit weer dieselfde nie. Die 15-jarige De Viljee is dood en sy broer en suster, die 18-jarige tweeling Cornél en Ragel, se lewe is verwoes. Cornél slaan op die vlug, want hy kan nie sy gebroke ouers in die oë kyk nie. Die koeël het immers uit sy jaggeweer gekom.

In die nasleep van die tragedie moet Ragel meisie-alleen red wat te redde is op Soetkloof. Dan kom daar ’n groot droogte en die Opkomsrivier, hul laaste oorblywende reddingsboei, verdor. Boonop is hul grond in die gedrang, want ’n yslike bewaringsgroep wil al die plase in die distrik op koop.

Gaan Ragel aanhou om vir haar erfgrond te baklei of gaan die noodlot die oorhand kry? Kan die luiperdman die jong, taai vrou weer ’n proesel van lewensvreugde gee? En gaan Cornél ooit lewend na Soetkloof terugkeer?

Solank as die aarde, Lucia Prinsloo se derde roman, is uiteindelik ’n verhaal van oorwinning en hoop. Want solank as die aarde bly staan, sal saaityd en oestyd nie ophou nie, sal koue weer warm word, winter weer somer en nag weer dag.

Four strangers, two cities, one chance online meeting.

Jess is a yummy mummy of two whose life is slowly unravelling and who has recently separated from her husband. Ginger is a happily widowed granny with a salty tongue and a wicked sense of humour. The gorgeous and sensitive Matt is an almost-qualified psychologist, who still lives with his parents. And Queenie, a librarian from Cape Town, has an absent boyfriend and a secret writing habit.

What could these four strangers possibly have in common?

They are all die-hard Marian Keyes fans. And when they hear that Marian is due to visit South Africa to attend a literary festival, they are all desperate to meet her. Together they come up with a mad-cap plan.

Will they succeed – or will life intervene?

Ella Olivia is ’n kranige lysiemaker wat haar hele lewe fyn probeer beplan, want sy glo alle slegte dinge gebeur op Vrydae.

Na ’n belaglike insident waarin sy ’n meme geword het (natuurlik op ’n Vrydag), is haar laaste minuut aanvaarding by Kovsies om medies te studeer ’n nuwe begin vir haar. Maar na nóg ’n belaglike verwarring, bevind sy haarself in die laaste situasie waarin sy wil wees: die kollig. Sy moet Con Trubleau, gewilde kitaarspeler en hoofsanger van die boyband Vuurvreter, se fake meisie wees.

Hierdie is só nie deel van haar plan nie.

Journalist and public relations maven Lucy Khambule is flying high in her life and career. Her book on convicted serial killer Napoleon Dingiswayo is a bestseller, Lucy is in demand for talks and interviews, and her company is involved in early stage organising for the 2010 FIFA World Cup. Then comes the terrifying news that Dingiswayo has escaped from C-Max – or has he, as shortly thereafter Detective Morapedi confirms to Lucy that the charred remains found in a prison pipe shaft, along with a suicide note, are those of Dingiswayo. An official statement from Correctional Services further confirms this.

But who is the person stalking her on Facebook? What should Lucy and Detective Morapedi make of the violent and disturbing ‘copycat’ killings happening in eSwatini and the hushed rumours that are swirling around the annual Reed Dance? As Lucy and her events management team work on the historical FIFA World Cup Preliminary Draw at the Durban International Convention Centre, events unfold at breakneck speed.

Is this the work of an exconvict on a deadly mission or are there other dangers lurking on Lucy’s path?

Who can she trust and how can she stay safe?

Monique and Ben Klein have been married for twenty years. They both know that they didn’t get married for all the right reasons, but they’re happy with the decision they made. They have a good life in a beautiful house, with three children who they adore.

It all worked out in the end.

Or did it?

Monique has become obsessed with being the perfect wife and mother. Her sense of self is attached to the compliments she receives from friends and relatives. From her appearance to her home to her children, nobody is allowed to see the cracks. They might be normal for other people, but not for Monique. Ben knows that he gave up on a part of himself and his dreams when he married Monique. He’s an actuary, working for a corporate, and not the artist that he longed to be. He ignores as best he can the difference in their thinking. If anyone asks, he is happy.

Their daughter Rosie is struggling with her friendships and the daunting world of teenage parties. But with a strict mother like Monique, she knows that even if she gets frustrated, Monique’s rules will keep her safe.

Until Ben meets Daisy. And Rosie meets Margie. And everything starts to fall apart.

In ’n Tyd om lief te hê keer Marina Joubert uit Griekeland terug na haar geboortedorp. Sal die dorpsmense haar ooit vergewe vir die fout wat sy jare gelede begaan het?

In Lelie van die laagte moet die jong Mia Dijkstra vrede maak met die feit dat sy moet blom waar sy geplant is.

In Die skadubelofte keer dr Pierre Greeff terug na sy tuisdorp en word heinner aan die belofte wat hy destyds aan Madel gemaak het.

Sedert die dag toe die maan deur ’n asteroïde getref is, weet almal dat dit onafwendbaar is: dis die begin van die Einde.

Tog gaan die lewe op Dennehoop eintlik ongesteurd voort. Maar dan verdwyn Stegman, die makelaar wat alewig versekering aan almal probeer verkwansel, spoorloos.

En terwyl Kaptein Emma Rosely die saak ondersoek, kom sy agter dat die inwoners van Dennehoop ’n klomp geheime vir mekaar wegsteek.

Nadia en haar nefie Xavie is op Groenplaas in die Overberg grootgemaak deur hul ouma, Sylvia McKinney, die “stammoeder van lieg”. Hulle twee kyk terug op hul kinderjare en probeer die dinge ontbloot waaroor daar in hul familie geswyg word.

Kompoun vertel die verhaal van vriendskap tussen ’n groep nefies en niggies, gesmee deur oorlewing in ’n harde werklikheid, en hoe hulle van die ouer geslag wegbreek, maar ook vind dat die verstrengelde bande van familie ’n mens nie maklik laat los nie.

When Mpisi Mpisani travels to his home village for the burial of his mother and a visit to his first wife, he is anxious to hurry back to Johannesburg. His second wife, waiting in Soweto, will give birth soon. Giyani, his eight year old son, accompanies him.

But when Giyani disappears, Mpisi stays to search for him. He tries to ignore the villagers who blame magic for the boy’s disappearance. Meanwhile Mpisi’s city wife, Ntombazi, bears a boy with a birthmark that seems to be a sign . . .

The modern classic from double Booker Prize winner J.M. Coetzee - soon to be a major film starring Mark Rylance, Robert Pattinson and Johnny Depp For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire, whose servant he is. But when the interrogation experts arrive, he is jolted into sympathy with the victims and into a quixotic act of rebellion which lands him in prison, branded as an enemy of the state. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency.

Petrus wil sy kleinseun opspoor sodat hy sy geliefde plaas aan iemand kan nalaat.

Anina is ’n maatskaplike werker wat as kind al deur mans seksueel misbruik is.

Petrus vertrou nie jong vroue nie. Anina haat ou mans. Tog besluit hulle om mekaar te help.

Maar hoe oorkom jy jare se seer en wantroue? En hoe vind jy ’n aangenome kind as die ma doelbewus haar spore doodgevee het? Kan twee generasies wat op verskillende maniere en plekke mishandel is, mekaar ooit daarvan oortuig dat vergifnis die enigste weg na vryheid uit hul wrokkigheid is?

A collection of ten witty, tightly written, upbeat short stories about people making new beginnings after significant losses (the death of their partners, home invasions, etc) set in the upmarket northern suburbs of Johannesburg, like Parkview.

It is filled with memorable characters and incidents.

Rocco de Witt se argitekspraktyk in Kaapstad doen goed, hy is verloof aan 'n pragtige vrou en hy woon in 'n droomhuis. Maar nou staan oudmakker Gert Malan voor sy deur . . . en die geweld van destyds kom opnuut Rocco se lewe binne. Sy bestaan ontaard in 'n nagmerrie - tot die onvermydelike konfrontasie wat op hom wag, daar op die plasie Nadraai.

The stories in Once Removed traverse the theatres, artist studios and archives that characterise the world of contemporary art and performance. But they also zero in on the homes, private lives, daily journeys and emotional interiorities of the various characters that inhabit them. While the stories in Once Removed draw from the undercurrents of the South African art world, their concerns and evocations are not limited to it.

“Once Removed is for readers who are familiar with the worlds of art and performance, and those for whom it is completely foreign. A reader doesn’t need to be immersed in the world of artists, critics, exhibitors, gallerists or academics to access the collection, and to enjoy the imbalances, precarity, hilarity, and possibilities represented in it,” explains Mann.

Part ironic realism, part experimental surrealism, these stories will matter differently, but equally significantly, to those inside and outside the world they evoke and inhabit.

This is a story about wholeness and holes. The ones inside us and the ones that give us refuge; about the intersection of two lives from different backgrounds and circumstances, pulled together by the pain of loss.

Emanuel is a young refugee from Congo, surviving alone on the streets of Durban after being separated from his mother while escaping the turmoil of conflict. Winter is a reclusive writer whose life has come to a standstill after the loss of her young son, whose disappearance has never been solved.

As their fatelines cross, it is not immediately apparent what the nature of the pull between them is. Emanuel in particular is resistant to Winter's overtures.

It is when she takes him with her to the Antbear Cabin, her writing refuge, that the bond between them slowly begins to form. Painful realisations surface as each recognises in the other a reflection of what they have lost. There, in the cabin of peace overlooking the steep valley of storms, the stories of Winter and Emanuel begin, finally, to reveal themselves. Each must take the difficult journey back through the heart of the wound in order to heal and learn to love - and live - again.

One evening in early autumn, ten people drive into a tunnel through the Cape mountains – and find themselves trapped.

As their limited supplies dwindle, what do they do? Where can they go? What will they find?

Tunnel burrows deep into the psychologies and coping strategies that connect and disconnect these protagonists in a dark, tense and compelling human drama.

An urgent new novel, told through many eyes; a journey – terrific and mystical – through despair, memory, and love.

Daniel is a journalist, moving between London and Cape Town, until his elderly father passes away.

There is an unusual clause in the old man’s will: Daniel will only inherit his half of the estate once he has paid his estranged cousin a visit on the family farm in the Free State. It is a visit that will result in Daniel, his cousin and a sick young boy making a hopeful trip to Tokyo – a journey that will change all of their lives.

An exquisite, tender novel by the award-winning writer SJ Naudé.

Eugene ken van skollies, gangsters en crooks. Hy is streetwise, al lyk hy nou soos iemand uit die upper-middle class. Hy kom immers uit die ghetto se killing fields van die 60’s, 70’s en 80’s.

Maar nou is dit baie jare later. En die ou alliances met sy kindervriende Alan, Huey en Jenny ná alles destyds in Hillbrow tussen hulle skeefgeloop het, bestaan nie meer nie, en Eugene word aangekla van moord.

'n Aangrypende roman oor vriendskap en verraad.

Accomplished American artist Stella Wright’s beachside home in Cape Town is perched on the edge of land and sea, safety and vulnerability, the domestic and the wild. When Stella takes an afternoon swim, she is unprepared for the drama that unfolds. She and a nearby surfer are tracked by a giant great white shark that swims close enough so she can look it in the eye, leaving the two of them deeply traumatised.

The surfer – Ben – is a waterman who paints trawlers for a living. There is an almost instant attraction between them, but Stella is married to wealthy American financier Jack Barlow, and she and her husband are preparing to leave the country.

Stella and Ben begin a passionate affair. The two of them must face their fear of the water; Stella because beaches and oceans form the basis of her art, Ben because surfing is his passion. Into this situation Jack returns from overseas to tie up their affairs and bring Stella back to New York.

Stella must make a choice between the man who has reawakened her original passion for art, and the man who can give her everything else the world has to offer.

My Side of the Ocean is a novel of great empathy and insight, exploring essential questions about what it means to live, and love, when the secure foundations of a life have been ripped away.

Daniël voer ’n trekvoëlbestaan tussen Londen en Kaapstad.

Wanneer sy bejaarde pa sterf, bevat dié se testament ’n ongewone klousule: Daniël sal slegs sy deel van die boedel erf indien hy besoek aflê by sy neef Theon, op die ou familieplaas in die Vrystaat. Dié besoek lei tot ’n ander reis – hy en sy neef neem ’n siek seuntjie na Tokio, met die hoop dat ’n nuwe soort behandeling die kind sal genees.

’n Aangrypende roman deur die bekroonde skrywer SJ Naudé.