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Books > Local Author Showcase > Fiction - adults > Drama
Die Kapenaars Hester Human en haar argitekman, André, het besluit om ’n verwaarloosde huis op ’n plattelandse dorp in Frankryk te koop en te restoureer as ’n vakansiehuis. ’n Jaar in Provence sal hulle en hul twee kinders, Manon en Emile, net goed doen. Maar net voordat hul jaar in Provence aanbreek, gebeur daar iets tragies wat die Humans se lewe vir altyd verander. Die huisrestourasie gaan voort, maar die gesin spartel om te verwerk wat gebeur het.
Wanneer spraakstramme skaapboer Jada Olivier op sy Karooplaas Erfdeel
met die bewustelose, gebroke liggaam van ’n vreemdeling
aankom, sluit hy die ketting van die plaashek en
raak ’n gevangene van sy besluit.
This is indeed a story of mercy - and the redemption it offers. On the eve of his retirement, Spokes Moloi, a police officer of spotless integrity, investigates one final crime: the possible murder of Emil Coetzee, head of the sinister Organisation of Domestic Affairs, who disappears on the same day a ceasefire is declared and the country's independence beckons. In following the tangled threads of Coetzee's life, Spokes raises and resolves conundrums that have haunted him, and his country, for decades under colonial rule. In all this, he is staunchly supported by his paragon spouse, Loveness, and his unofficially adopted daughter, the unorthodox postman Dikiledi. In her most magnificent novel yet, award-winning author Siphiwe Gloria Ndlovu showcases the history of a country transitioning from a colonial to a postcolonial state with a deft touch and a compassionate eye for poignant detail. Linked to The Theory of Flight and The History of Man, Ndlovu's novel nevertheless stands alone in its evocation of life in the City of Kings and surrounding villages. Dickensian in its scope, with the proverbial bustling cast of colleagues both good and bad, villagers, guerrillas, neighbours, ex-soldiers, suburban madams, shopkeepers, would-be politicians and more, The Quality of Mercy proposes that ties of kinship and affiliation can never be completely broken - and that love can heal even the most grievous of wounds.
In this haunting tale of love and learning, the existential chaos of a life ravaged by circumstance takes on a rhythm of its own, one bound by loss and loneliness, but also an intelligent awareness of self. Sometimes melancholy, sometimes brutal, occasionally funny and infuriating, a journalist-comrade-lover caught up in the shade and shadow of politics and social injustice faces treachery and betrayal on every level. Set against the backdrop of a cityscape that taunts and tantalises, this is where love fails and passion wanes, “where suffering has no meaning”, where an individual escapes death only to find himself confronted with choices wrought by remorse and retribution, by conscience and character. And yet, with all trauma, there is a distinct musicality to the lyrical unpacking that follows a string of small things …
A modern South African romance novel. It is set in Soweto, a vibrant black township, as well as in Sandton, the latter being a symbol of affluence. The novel follows Bantu, an advertising executive, and her husband, Mdu, an investment manager. Both work in Sandton but live in Soweto. Mdu wants to move the family to Sandton, believing it is where the rich belong. Bantu inherited the Soweto home, which is why she is skeptical of the move and its impact on their love and sex life. Personal and professional conflicts are explored, and sometimes they merge. Sleaze is one of the themes explored, as the skulduggery of modern love and business affairs is brought to the surface.
Dit is die tweede boek in die Zeus van Wyngaardt-reeks. Hierdie keer word Zeus se buurman, Atif Dinali, se tienerdogter Tahina vermis. Zeus vermoed dat mensehandel en prostitusieringe iets met haar verdwyning te doen het. Sy ondersoek lei hom na die verleidelike Wildene du Bois, ’n courtisane wat eens op ’n tyd betrokke was by ’n mensehandelsindikaat. Zeus besef egter gou dat hierdie saak maar net een tentakel van ’n groter monster is.
"Claire is less cynical. ‘Fall in love, if you must. But do your research. And meet his people early on. They’ll give you a sense of who he is.’ Solid advice. And ultimately, this is how I found myself on a flight to Bloemfontein one Friday afternoon." An instant classic, the lies and betrayals of love and party politics are told in gorgeous prose with an ear for our time’s intimate and public language. The Comrade’s Wife follows a turbulent marriage between a rising politician and an academic, told through her life and lens.
Following on from the critical acclaim of Those Who Live in Cages, Terry-Ann Adam’s latest book is a collection of short stories set in Eldorado Park, the site of Terry-Ann’s inspiration. Her sentences positively glow as she documents the wonders and sadnesses of everyday life. These rich and powerful stories confirm Terry-Ann Adams’ place as one of the brightest stars of new South African writing. Everyday life in these stories centres can be pregnancy, death, getting the fahfee numbers from gran, what to wear to a matric ball if you are from Eldos and you want to look like Princess Diana. These stories are nothing short of miraculous and this fearless collection of stories takes the reader on an odyssey of love and grief. Terry-Ann Adam’s peerless writing brims with fire and wonder. You will be provoked and you will exult. Above all, you’ll remember where you were when you read White Chalk.
Owami has been happily married for years, until she gets blindsided by
her husband’s infidelity. She is pressured into staying in the marriage
even though their relationship never fully recovers.
Hans het geen begeerte om ná soveel jare sonder sy geliefde Saartjie weer vrou te vat nie. Hy leef heel gemaklik alleen in Huis Madeliefie. Maar alles verander wanneer ’n nuwe inwoner, Liefiediefie, in die ouetehuis land. Met haar Marilyn Monroe-gesiggie en Jane Fonda-lyfie veroorsaak sy ’n heidense herrie onder die mans en roer sy iets in Hans se gemoed los. Nog ’n aantreklike nuwe inkommer, Janneman Vermaak, en Hans se nuwe buurman, kry egter al Liefiediefie se aandag. Hy het die ander inwoners ook gou onder sy duim met die opwindende talentkompetisies wat hy reël, waar groot prysgeld elke keer gewen kan word. ’n Verdere pen word in Hans se hart gedryf toe hy besef hierdie opperse snoeshaan het sy posisie as leidsman in die tehuis oorgeneem. Hy begin aanvaar dat ’n ou viool nie meer nuwe liedjies kan speel nie. Maar die ou Hans van Kraaienburg ontwaak gou wanneer hy aan sy broek se naat voel daar vind ’n gekonkel by die talentkompetisies plaas . . .
Those who live on the surface desire what the darkness offers. In tough times, crime is the only thing that soothes their souls. It is the South Africa you choose not to see. The constitution forms the backbone of the South African democracy, yet the youth bleed for it. What does South Africa truly have when its children are traded for a good time and tenders? It is an accurate reflection of the social decay under the leadership of President Cyril Ramaphosa. Are your children safe in this trauma-infested country? Daphne Morgan's death results in two worlds colliding: Gibson Kente demands nothing more than respect for the bloodshed, while Tim Morgan seeks his mother. Treasure is caught in the crossfir eof hell and fury. She desires freedom, but Tim Morgan's business is blissful pleasure, camouflaged by revenge. Will Rita Thomas provide the answers to Treasure's prayers? If you had a choice to worship two gods, would you sell your soul for money or freedom? Will this curtain call be Treasure's last?
An intimate glimpse into diverse experiences, from our anxious present
to terrifying futures of climate wreckage to the brutalities of our
colonial past. These stories challenge our preconceived ideas around
queerness, mental health, family, society and loss. The Lucky Ones
champions love, kindness and connection against all odds. It is a
dazzling, poignant collection of stories that brims with unforgettable
characters and heart.
Die “roman” in die titel verwys na ’n spinnekop of baardskeerder, wat die teenwoordigheid van onheil, boosheid en gevaar verteenwoordig. Die Klein Karoo se berugte reeksmoordenaar, Gert Bloubaard Swanepoel het in die 1800’s op die spogplaas Rietfontein in die Attaquas tussen Oudtshoorn en Calitzdorp geboer. Swanepoel se pa was ’n siener wat glo met ’n halwe helm gebore is. Hy het groot onheil gesien voor Gert se geboorte. Sy ma was ’n wrede, ongenaakbare en sadistiese mens wat plaaswerkers se kinders se mangels uitgeskep het met ’n rooiwarm teelepel, sonder enige verdowing. Danie Gouws, akademikus van Stellenbosch, vertoef in die Klein Karoo om navorsing te doen oor kulturele gebruike en erfgoed. Waarin hy hom egter vasloop, is die spook van Gert Swanepoel: “Wat Danie Gouws nog nie weet nie, is dat Gert hom gister al sien aankom het toe hy in die pas oor die Gamka gery het.” Want, in die woorde van die oplettende, diepsinnige petroljoggie Willem Marsman: “As jy klippers in dié deel van die wêreld omrol, dan hardloop daar sommer gou gevaarlike goete soos skerpioene oor die vlaktes of ’n romans wat jou jaag om in jou skaduwee te kom”. Kan ’n mens oorlewering glo? Wie was Gert – voorslagboer, veedief, geweldenaar, moordenaar, minaar? Dit hang af met wie ’n mens gesels, want stories is plooibaar.
Stella Mertens, Mark Dejongh en Riaan Steytler probeer elkeen iets uit hul verlede wegsteek . . . maar elke geheim het ’n vervaldatum. Daar is net ’n sekere tydperk wat ’n sekere hoeveelheid mense ’n geheim kan hou. In Vuurvoël, Elmarie Viljoen-Massyn se debuutroman, word donker geheime ontrafel wanneer die oënskynlik uiteenlopende wêrelde van Big Pharma en ’n Serwiese dwelmkartel paaie kruis. ’n Hoogs leesbare roman wat getuig van puik navorsing.
Darlings of Durban follows the stories of four friends and how their lives intersect and influence each other. Natasha owns a successful beauty company and is in a serious long-term relationship with the charming Sizwe. Natasha worries that his family will never truly accept her because of her mixed heritage. Does she even believe in marriage? Natasha often seeks the advice of her friend Sofia who's happily married with children. Sofia is the glue that holds the darlings together. The cousins, Farhana and Razia, both have their own complicated marriages. Farhana tries her best to support her husband in his harebrained schemes - even when it's to the detriment of her friendships. While Razia, the only darling in Johannesburg, feels stuck in her role as subservient wife to a husband whose attention is elsewhere. All four women are navigating the complexities of love and life. But whatever life throws their way, the darlings always have each other.
Mia Steyn is nog bloedjonk wanneer haar broer haar een laatmiddag by ’n losieshuis in Bloemfontein, aflaai. Dis toe sy ’n stowwerige boekwinkel instap dat Mia besef dis waar sy wil werk. Kort voor lank vind sy haar voete, én verloor sy haar hart. Die laaste kanariegeel notaboek is die jongste roman uit die pen van blitsverkoperskrywer Anchien Troskie. Niks is ooit soos dit lyk op die oppervlak nie, besef ’n mens weer met die lees van hierdie aangrypende storie binne 'n storie.
Loss and life are the themes that weave through this tale of three generations of Muslim women living in suburban South Africa, originally published in 2011. Khadeejah is a hard-working and stubborn first-generation Indian woman who longs for her beloved homeland and often questions what she is doing on the tip of Africa. At 37, her daughter Summaya is struggling to reconcile her South African and Indian identities, while Summaya’s own daughter, eleven-year-old Aneesa, is a girl who has some difficult questions of her own. Is her mother lying to her about her father’s death? Why won’t she tell her what really happened? Gradually, the past merges with the present as the novel meanders through their lives, uncovering the secrets people keep, the words they swallow, and the emotions they elect to mute. For this family, faintly detectable through the sharp spicy aromas that find their way out of Khadeejah’s kitchen, the scent of tragedy is always threatening. Eventually, it will bring this family together. If not, it will tear them apart.
Part 1 of a new two-book series by bestselling author Jackie Phamotse!
Hans van Kraaienburg, verlosser van die inwoners van Huis Madeliefie (2017 se Hans steek die Rubicon oor), is óp van al hul klagtes. Noudat hul drakoniese matrone iets van die verlede is, is daar steeds etlike klein probleempies wat Hans as beheerraadslid moet oplos – en dít met gans te min geld in die kietie. Wanneer sy vriend Vasie hom dus nooi vir ’n vakansietjie op Hermanus, as huisgaste van dié se neef Herklaas, is Hans maar te gretig om sy safaripakke te pak. Op Hermanus gekom, vind die twee dat Herklaas in die sop is: sy blyplek staan net mooi op die plek wat die Overstrand se rykste skobbejak, Grond Graaffwater, geoogmerk het vir sy enorme nuwe hotel – maar Herklaas wil nié verkoop nie. Wanneer Grond en sy kriminele handlangers hardhandig raak, tree Hans tot die stryd toe – Herklaas moet ’n stel horings kry, en vir Grond trompop loop! Hans steek die Rubicon oor was ’n topverkoper, veral na voorlesing op RSG. Hans se tweede avontuur gaan lesers net so laat kraai van die lag.
When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator. What compulsion drove the printmaker to make art for four decades, and why did he so seldom show his prints? When the curator discovers a single, sealed box addressed to a man in Zimbabwe, she feels compelled to go in search of him to present him with the package, hoping to find an answer to the enigma of the printmaker's solitary life. Bronwyn Law-Viljoen’s subtle and sophisticated novel reflects on one man’s obsessive need to make meaning through images and to find, in art, the traces of love and friendship.
Faye Mackenzie and her friends' anorexic daughter, Clare, are thrown together when a flood separates them from their hiking group in the remote, mountainous Tsitsikamma region of South Africa. With Clare critically injured, Faye is compelled to overcome her self-doubt and fear of the wild to take care of the younger woman, who opens her heart to Faye. As their new friendship takes the women on an unexpected journey of discovery, the rest of the group wrestles with the harrowing aftermath of their own near tragedy. When the hiking party is reunited, their number is reduced by one. Juxtaposing physical and psychological suspense, The Wilderness Between Us is a tale of two fragile women who unexpectedly find clarity, independence, and renewed purpose as they fight to survive. It is a vivid, moving story about family, friendship, adventure, and the healing power of nature and compassion.
Wenner van die Hertzogprys vir Fiksie vanaf die Suid-Afrikaanse Akademie vir Wetenskap en Kuns. Etienne is twee-en-twintig en studeer filmkuns in London nadat hy uit Suid- Afrika gevlug het om diensplig te vermy. Dit is 1986, die tyd van Thatcher, optogte teen apartheid, en Vigs, maar ook van eksperimentele kuns, postpunk en die Royal Vauxhall Tavern. Etienne raak verlief op ’n Duitse kunstenaar in hierdie skadustad waar mense in bouvallige kunstenaarskommunes woon. In Londen kom Etienne af op die eerste van drie filmspoele wat tydens die dertigerjare in Duitsland verfilm is. Etienne begin na die verlore spoele soek, ’n soektog wat ’n obsessie word wanneer sy geliefde vermis raak in Berlyn. Terwyl Etienne die gevaarlike ruimtes weerskante van die Muur navigeer, begin die verhaal van ’n groepie Joodse filmmakers in Nazi-Duitsland vorm aanneem. Etienne word egter teruggeruk na die hede en na Suid-Afrika, maar sy soektog na die vermiste film duur voort. Argitektuur, kinematografie, seks, musiek, siekte, verlies en liefde deurweek SJ Naudé se kosmopolitaanse en roerende Die Derde Spoel, waarmee hy nuwe grond vir die roman in Afrikaans breek.
Huis Madeliefie word deur die staat se vlak 5-inperking in die gesig gestaar. Hans besef teen dié virus groei geen kruid nie, maar die drakoniese reëls van die tehuis se interne bevelsraad kry nie vatplek by Hans en kie nie. Voorts is Hans oor die hoof gesien as leier van dié raad. Altoon Ahlers, befaamde akteur van weleer, neem die leisels. Hans se plan om die inwoners met die verbode vrug se sap aan sy kant te kry, boemerang sleg. Hy sal Ahlers op ’n ander manier moet onttroon . . .
Making sure the end of the world never happens again – that is Enver Eleven’s task. A spy for the Historical Agency, Enver is based in Johannesburg, the only city to survive – thanks to its mining tunnels – when a supernova hit. In Enver’s Joburg, time-travelling agents jump between the past and future, searching for an elusive enemy plotting against the Agency. Enver’s mission starts off on shaky ground: when his mentor Shanumi Six disappears, Enver must prove that he is no double agent, an allegation as frightening as a white skin in a world where it has become vanishingly rare. But if you could go back and change the past, would the future turn out the way you want it to? Imraan Coovadia’s dazzlingly original A Spy In Time is an extraordinary tale for extraordinary times.
WINNER OF THE DINAANE DEBUT FICTION AWARD 2020. The novel is set over a hundred years ago, and chronicles a tale of migrancy very different to what we have come to expect in African literature. It incorporates myth and ritual, and the stories of extraordinary, ordinary women. What Scatterlings illustrates is that it is possible to write what you know without limiting yourself to your own actual, physical, lived experience. |
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