The first book-length presentation on the social origins of the prewar SS leadership, this volume offers a complete picture of the men who, between 1925 and 1939, joined the vanguard of National Socialism and rose to the rank of SS-Fuhrer. Herbert Ziegler reveals that the Black Order was composed of people from all walks of life. Young Gymnasium and university graduates rubbed elbows with former gardeners, mechanics, and office clerks, while "old fighters" of the pre-1933 Nazi movement climbed the ladder of SS ranks alongside those who did not find their enthusiasm for Hitler's new order until after the Nazi seizure of power. Within the confines of Heinrich Himmler's new knighthood was created a people's community in microcosm, furnishing many a recruit a vehicle for upward social mobility. Moving beyond earlier explanations of who provided the support for National Socialism, Ziegler describes practices within the SS that were akin to a democracy of personnel selection and that resulted, by 1939, in a leadership corps characterized by social heterogeneity rather than homogeneity. Taking advantage of the detailed information contained in the thousands of SS personnel files located at the Berlin Document Center, and using the tools of statistical analysis, he also probes the connections between social reality and the ideological credos and promises of the Third Reich. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice. In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.

In a searing takedown of the populist authoritarian vision of America, The Terror of the Unforeseen tackles the resurgence of fascism in the age of Donald Trump's presidency. Through the mendacious exchange of facts for "fake news," Henry A. Giroux examines the language of hatred that activates neoliberal fascism, complete with state-sanctioned racism, casino capitalism, and fear-mongering at federal and local levels. In this "age of disposability," Trump's rhetoric eschews reason and democratic principles in favor of impetuous politics rooted in bigotry, all to injuriously catastrophic effect. Through protests, strikes, and education, Giroux proposes an international social movement that joins together various modes of resistance to illuminate a democratic renewal, and proves himself once again as one of the great public intellectuals of our time.

Divided societies, tormented pasts, and unrepentant perpetrators. Why are some countries more intent on vanquishing uncomfortable pasts than others? How do public and often unsightly attempts at memorialisation both fail the victims and valorize their oppressors? This book offers fresh and original perspectives on dictatorship, fascism and victimization from the bloodiest decades in Europe's, Australia's and Central America's colonial and modern history. Chapters include analyses of Francoist memorials in Spain, assessments of the El Mozote massacre in El Salvador, the forgetting of frontier colonial violence in Tasmania, Romania's treatment of its Roma populations in the midst of Holocaust memorialization in Bucharest's urban development, and whether or not the Holocaust continues to serve as an instructional model or impossible aspiration for cross-cultural genocide memorialization strategies. In an era of ongoing political, ethnic and religious conflict, and unrepentant insurgent activity around the world, this collection reminds readers that genocidal actions, wherever and whenever they occurred, must be held to account by more than rhetoric and concrete memory. This book was originally published as a special issue of the Journal of Genocide Research.

"[A] superb study. . . . Goodrick-Clarke has done a service to sanity, even if the gullible will go on swallowing [Devi's] recycled poison rather than his antidote."
"--Times Literary Supplement"

"An excellent, thought-provoking volume. . . . We may readily accept that Devi was a revolting creature. But it is as well that we realise that such demons in human form existed and still do exist."
"--Independent"

"An admirably cool-headed history of an inflammatory subject. . . . It is likely to stand as the definitive study of a subject that a lesser author would have exploited for maximum sensationalism."
"--Gnosis"

"An engrossing, disturbing, and important book. Well-researched and evocatively told, the strange story of Savitri Devi is a mirror of the twentieth century's dark undercurrents and deserves to be widely read and pondered."
"--Robert S. Ellwood, University of Southern California"

"[A] provoking volume."
--"Bulletin of the Arnold and Leona Finkler Institute of Holocaust Research, No. 10"

In this window onto the roots and evolution of international neo-Nazism, Nicholas Goodrick-Clarke reveals the powerful impact of one of fascism's most creative minds.

Savitri Devi's influence on neo-Nazism and other hybrid strains of mystical fascism has been continuos since the mid-1960s. A Frenchwoman of Greek-English birth, Devi became an admirer of German National Socialism in the late 1920s. Deeply impressed by its racial heritage and caste-system, she emigrated to India, where she developed her racial ideology, in the early 1930s. Her works have been reissued and distributed through various neo-Nazi networks and she has been lionized as a foremother of Naziideology. Her appeal to neo-Nazi sects lies in the very eccentricity of her thought - combining Aryan supremacism and anti-Semitism with Hinduism, social Darwinisn, animal rights, and a fundamentally biocentric view of life - and has resulted in curious, yet potent alliances in radical ideology.

As one of the earliest Holocaust deniers and the first to suggest that Adolf Hitler was an avatar-- a god come to earth in human form to restore the world to a golden age - Devi became a fixture in the shadowy neo-Nazi world. In Hitler's Priestess, Nicholas Goodrick-Clarke examines how someone with so little tangible connection to Nazi Germany became such a powerful advocate of Hitler's misanthropy.

Hitler's Priestess illuminates the life of a woman who achieved the status of a prophetess for her penchant for redirecting authentic religious energies in the service of regenerate fascism.

Hunter S. Thompson is best remembered today as a caricature: drug-addled, sharp-witted, and passionate; played with bowlegged aplomb by Johnny Depp; memorialized as a Doonesbury character. In all this entertainment, the true figure of Thompson has unfortunately been forgotten. In this perceptive, dramatic book, Tim Denevi recounts the moment when Thompson found his calling. As the Kennedy assassination and the turmoil of the 60s paved the way for Richard Nixon, Thompson greeted him with two very powerful emotions: fear and loathing. In his fevered effort to take down what he saw as a rising dictator, Thompson made a kind of Faustian bargain, taking the drugs he needed to meet newspaper deadlines and pushing himself beyond his natural limits. For ten years, he cast aside his old ambitions, troubled his family, and likely hastened his own decline, along the way producing some of the best political writing in our history. This remarkable biography reclaims Hunter Thompson for the enigmatic true believer he was: not a punchline or a cartoon character, but a fierce, colorful opponent of fascism in a country that suddenly seemed all too willing to accept it.

Neoliberalism Reloaded: Authoritarian Governmentality and the Rise of the Radical Right analyzes the violent enforcement of neoliberal governmentality and its relationship to the emergence of a new political and cultural Right that combines political authoritarianism, ethnocentric nationalism, racism, misogyny, and antifeminism with neoliberal economic principles. Many critical thinkers have defined this post-2008 crisis phase as a fascist moment of neoliberalism since far-Right movements and parties are not only enhancing their political representation but also setting the agenda of today's politics. However, such a crucial political moment needs more precise analytical tools. In this framework, Neoliberalism Reloaded: Authoritarian Governmentality and the Rise of the Radical Right seeks to understand the emergence of the New Right and punitive neoliberalism not only as a reaction to a crisis of accumulation but also as an outcome of neoliberal reason and the historical neoliberal alliance with conservative and reactionary political forces. Therefore, far from thinking this moment as exceptional, this book seeks the roots of today's punitive neoliberalism in its theoretical framework and in the violence inherent to neoliberal capitalism towards those racialized, colonized, genderized and precarized populations that cannot adjust to the norm of competitiveness. Thus, Neoliberalism Reloaded seeks to contribute to understanding the challenges of our present as a necessary step to imagine alternative futures.

Social Media in Disaster Response focuses on how emerging social web tools provide researchers and practitioners with new opportunities to address disaster communication and information design for participatory cultures. Both groups, however, currently lack research toolkits for tracing participant networks across systems; there is little understanding of how to design not just for individual social web sites, but how to design across multiple systems. Given the volatile political and ecological climate we are currently living in, the practicality of understanding how people communicate during disasters is important both for those researching solutions and for those putting that research into practice. Social Media in Disaster Response addresses this situation by presenting the results of a large-scale sociotechnical usability study on crisis communication in the vernacular related to recent natural and human-made crisis; this is an analysis of the way social web applications are transformed, by participants, into a critical information infrastructure in moments of crisis. This book provides researchers with methods, tools, and examples for researching and analyzing these communication systems while providing practitioners with design methods and information about these participatory communities to assist them in influencing the design and structure of these communication systems.

Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism's infatuation with fascism has been extensive and widespread. He questions postmodernism's claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political regeneration and how this misapprehension affected the intellectual core of their work. The result is a compelling and unsettling reinterpretation of the history of modern thought. In a new preface, Wolin revisits this illiberal intellectual lineage in light of the contemporary resurgence of political authoritarianism.

A New Yorker staff writer, investigates his grandfather, a Nazi Party Chief, in this "unflinching, gorgeously written, and deeply moving exploration of morality, family, and war” Patrick Radden Keefe, author of Empire of Pain ‘The book we need right now’ Atul Gawande, author of Being Mortal What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold. Karl Gönner was a schoolteacher and Nazi party member from the Black Forest. In 1940, he was sent to a village in occupied France and tasked with turning its children into proper Germans. A fervent Nazi when the war began, he grew close to the villagers over the next four years, till he came to think of himself as their protector, shielding them from his own party’s brutality. Yet he was arrested in 1946 and accused of war crimes. Was he guilty or innocent? A vicious collaborator or just an ordinary man, struggling to atone for his country’s crimes? Bilger goes to Germany to find out. What follows is a literary suspense story: a tale of chance encounters and serendipitous discoveries in villages and dusty archives across Germany and France. Intimate and far-reaching, Fatherland is an extraordinary odyssey through the great upheavals of the past century, tracing one family’s path through history’s wreckage. For readers of Bart van Es’s The Cut Out Girl or Edmund de Waal’s The Hare with the Amber Eyes, this is a story of middle lands, torn allegiances and loaded family inheritance.

The first complete English translation of a far-seeing polemic, written in 1933 by the preeminent German-language satirist, unmasking the Nazi seizure of power Austrian satirist and polemicist Karl Kraus's Third Walpurgis Night was written in immediate response to the Nazi seizure of power in 1933 but was withheld from publication for fear of reprisals against Jews trapped in Germany. Acclaimed when finally published by Koesel Verlag in 1952, it is a devastatingly prescient exposure, giving special attention to the regime's corruption of language as masterminded by Joseph Goebbels. Bertolt Brecht wrote to Kraus that, in his indictment of Nazism, "you have disclosed the atrocities of intonation and created an ethics of language." This masterful translation, by the prizewinning translators of Kraus's The Last Days of Mankind, aims for clarity where Kraus had good reason to be cautious and obscure. The Austrian Jewish author Karl Kraus (1874-1936) was the foremost German-language satirist of the twentieth century. As editor of the journal Die Fackel (The Torch) he single-handedly after 1912 conducted a sustained critique of propaganda and the press, expressed through polemical essays, satirical plays, witty aphorisms, and resonant poems.

Concerns over the rise of fascism have been preoccupied with the Trump presidency and the Brexit vote in the UK, yet, globally, we are witnessing a turn towards anti-democratic and illiberal forces. From the tragic denouement of the Egyptian Revolution to the consolidation of the so-called Gujarat Model in India under the leadership of Prime Minister Narendra Modi and the consolidation of the power of Turkish President Recep Tayyip Erdogan, to the recent election of Jair Bolsonaro in Brazil, fascist ideology, aesthetics and fascist personalities appear across the globe. Spectres of Fascism makes a significant contribution to the unfolding discussion on whether what we are witnessing today is best understood as a return to classic twentieth-century 'fascism,' or some species of what has been called 'post-fascism.' Applying a uniquely global perspective, it combines analyses of historical contexts, theoretical approaches and contemporary geopolitics.

The question of how ordinary people related to totalitarian regimes is still far from being answered. The tension between repression and consensus makes analysis difficult; where one ends and the other begins is never easy to determine. In the case of fascist Italy, recent scholarship has tended to tilt the balance in favour of popular consensus for the regime, identifying in the novel ideological and cultural aspects of Mussolini's rule a 'political religion' which bound the population to the fascist leader. The Fascist Party and Popular Opinion in Mussolini's Italy presents a different picture. While not underestimating the force of ideological factors, Paul Corner argues that 'real existing Fascism', as lived by a large part of the population, was in fact an increasingly negative experience and reflected few of those colourful and attractive features of fascist propaganda which have induced more favourable interpretations of the regime. Distinguishing clearly between the fascist project and its realisation, Corner examines the ways in which the fascist party asserted itself at the local level in the widely-differing areas of Italy, at its corruption and malfunctioning, and at the mounting wave of popular resentment against it during the course of the 1930s - resentment and hostility which, in effect, signalled the failure of the project. The Fascist Party and Popular Opinion in Mussolini's Italy, based largely on unpublished archival material, concludes by suggesting that the abuse of power by fascists mirrors much wider problems in Italy related to the relationship between the public and the private and to the modes of utilisation of power, both in the past and in the present.

Exploring how the boundary between the extremist far right and centre-right parties and politics became blurred, Normalization of the Global Far Right: Pandemic Disruption deconstructs one of the most pressing issues of today: the rise of the far right. Taking a critical look at the 'normalisation' of far-right thinking underpinned by gendered racisms, Vieten and Poynting trace the emergence of transnational far right populist movements and how these have been shaped by European colonialism, white supremacy, and ideological legacies of the Empire alike.

How do terror and popularity merge under a dictatorship? How did the Gestapo deal with critics of Nazism? Based on hundreds of secret police case files, Enemies of the People explores the day-to-day reality of political policing under Hitler. Examining the Gestapo's policy of 'selective enforcement', J. Ryan Stackhouse challenges the abiding perception of the Gestapo as policing exclusively through terror. Instead, he reveals the complex system of enforcement that defined the relationship between state and society in the Third Reich and helps to explain the Germans' abiding support for Hitler and their complicity in the regime's crimes. Stories of everyday life in Nazi Germany paint the clearest picture yet of just how differently the Gestapo handled certain groups and actions, and the routine investigation, interrogation, and enforcement practices behind this system. Enemies of the People offers penetrating insights into just how reasonable selective enforcement appeared to Germans, and draws unavoidable parallels with the contemporary threat of authoritarianism.

While research in right-wing populism has recently been blossoming, a systematic study of the intersection of right-wing populism and gender is still missing, even though gender issues are ubiquitous in discourses of the radical right ranging from "ethnosexism" against immigrants, to "anti-genderism." This volume shows that the intersectionality of gender, race and class is constitutional for radical right discourse. From different European perspectives, the contributions investigate the ways in which gender is used as a meta-language, strategic tool and "affective bridge" for ordering and hierarchizing political objectives in the discourse of the diverse actors of the "right-wing complex."

In Mussolini and Fascist Italy Martin Blinkhorn explains the significance of the man, the movement and the regime which dominated Italian life between 1922 and the closing stages of the Second World War. He examines:

• those aspects of post-Risorgimento Italy which provided the longterm context vital to an understanding of Fascism
• the social and political convulsions wrought by economic change after 1890 and by Italy 's intervention in the First World War
• the Fascist movement's rapid rise from obscurity to power and the subsequent establishment of Mussolini 's dictatorship
• the history of the Fascist regime until its demise during the Second World War
• the ways in which Italian Fascism has been understood by contemporary analysts and by historians.

The third edition of this best-selling Lancaster Pamphlet provides an expanded and fully updated analysis. New features include additional material on Fascist totalitarianism and a completely revised consideration of the ways in which Fascism has been interpreted.

Hindenburg reveals how a previously little-known general, whose career to normal retirement age had provided no real foretaste of his heroic status, became a national icon and living myth in Germany after the First World War, capturing the imagination of millions. In a period characterized by rupture and fragmentation, the legend surrounding Paul von Hindenburg brought together a broad coalition of Germans and became one of the most potent forces in Weimar politics.
Charting the origins of the myth, from Hindenburg's decisive victory at the Battle of Tannenberg in 1914 to his death in Nazi Germany and beyond, Anna von der Goltz explains why the presence of Hindenburg's name on the ballot mesmerized an overwhelming number of voters in the presidential elections of 1925. His myth, an ever-evolving phenomenon, increasingly transcended the dividing lines of interwar politics, which helped him secure re-election by left-wing and moderate voters. Indeed, the only two times in German history that the people could elect their head of state directly and secretly, they chose this national icon. Hindenburg even managed to defeat Adolf Hitler in 1932, making him the Nazi leader's final arbiter; it was he who made the final and fateful decision to appoint Hitler as Chancellor in January 1933.

Lives Reclaimed tells an extraordinary story of resistance against the Nazi regime and help for Jews in the Third Reich. Still largely unknown today, 'The Bund' were a small left-wing group based in Germany's industrial heartland. Initially preoccupied with surviving the Nazi onslaught and adapting to clandestine life under a dictatorship, in 1938 the men and women of the Bund were shocked by the anti-Jewish violence of Kristallnacht into reaching out to their Jewish neighbours. Using an unparalleled trove of previously undiscovered private papers, Mark Roseman places support for Jews under the shadow of Nazism in a completely new light, exploring the striking palette of gestures and actions that proved possible even in Nazi Germany - from simple symbolic acts of solidarity, through sending parcels to the Polish ghettos and Theresienstadt, to providing false identities and hiding people on the run. In doing so, he uncovers the challenges of living and acting under a dictatorship when neighbours and acquaintances might be as great a threat as the Gestapo, and examines the experiences of those assisted by the group, as they hid in plain sight, moving from address to address. Throughout, we are prompted to ask what drove and equipped the Bund to step into the broken glass of Kristallnacht, to visit Jewish organizations and Jewish barracks to ascertain local needs, to line up in the post-office with packages for Theresienstadt, or to brave a visit to the cells in a local police station with a message for imprisoned Jews? Although not the first book to tell the story of Jews saved from Nazi persecution, the story of the Bund is unique in the way it is able to pursue the choices, dilemmas, fears, and hopes of the helpers themselves, observing them through the changing conditions of both war and Holocaust.

In 1935-37 America passed several Neutrality Acts, vowing never again to take sides in a European conflict. In 1938 public attitudes changed, with the American people beginning to favour Britain and turn against Germany - but what caused this shift of opinion? One reason was a tip-off received by the FBI on the eve of the Second World War, which led to the exposure of a Nazi spy ring operating right there in America. The FBI was able to bring the group to justice and launch a campaign to warn the American people about the Nazi threat to their shores and society. In Ring of Spies, Rhodri Jeffreys-Jones reveals how this case helped to awaken America to the Nazi menace, and how it skewed American opinion, thus spelling the end of US neutrality. Using evidence from FBI files he uncovers a story straight out of a detective novel featuring honey traps, fast cars and double agents.

This book analyzes sensationalized Nazi and Holocaust representations in Anglo-American cultural and political discourses. Recognizing that this history is increasingly removed from contemporary life, it explains how irreverent representations can help rejuvenate the story for successive generations of new learners. Surveying seventy-five-years of transatlantic activities, the work erects counterposing categorizes of "constructive and destructive memorializing," providing scholars with a new framework for elucidating both this history and its historicization.

In 1946 many Jewish soldiers returned to their homes in England imagining that they had fought and defeated the forces of fascism in Europe. Yet in London they found a revived fascist movement inspired by Sir Oswald Mosley and stirring up agitation against Jews and communists. Many felt that the government, the police and even the Jewish Board of Deputies were ignoring the threat; so they had to take matters into their own hands, by any means necessary. Forty-three Jewish servicemen met together and set up a group that tirelessly organised, infiltrated meetings, and broke up street demonstrations to stop the rebirth of the far right. The group included returned war heroes; women who went undercover; and young Jews, such as hairdresser Vidal Sassoon, seeking adventure. From 1947, the 43 Group grew into a powerful troop that could muster hundreds of fighters turning meetings into mass street brawls at short notice. The history of the 43 Group is not just a gripping story of a forgotten moment in Britain's postwar history; it is also a timely lesson in how to confront fascism, and how to win.

A fascinating look at Nazi Germany as revealed in its films. This collection of essays offers a view of Nazi Germany through an analysis of twenty films, representing a sampling of the period's directors and reflecting the film medium's major genres. In spite of the control that Goebbels's film industry exercised over all aspects of filmmaking in the Third Reich, the films reveal an individuality that belies subsuming them under any one rubric or containing them within any one theory. Films such as Hitlerjunge Quex, Die große Liebe, and Auf Wiedersehen Franziska represent the Nazi film industry's efforts to propagandize through entertainment. Others such as Immensee, Kleider machen Leute, and Der Schimmelreiter reveal an attempt to expropriate Germany's rich literary past for the regime. These literary adaptations and films like Glückskinder, La Habanera, and Der Kaiser von Kalifornien today seem void of Nazi ideology if viewed outside the context of Nazism. But another film, Der ewige Jude, shocks us with its virulent anti-Semitism and hateful propaganda almost sixty years after its release. All of the films treated, regardless of their fame or notoriety or the level of commitment of their directors to the Nazi cause, played an important role in a cinema that not only represents the dreams and lives of the citizens of the Third Reich, but influencedthem as well. Robert C. Reimer is professor of German at the University of North Carolina, Charlotte.

From rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.