On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice. In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.

In 1945, disguised in German greatcoat and helmet, Mussolini attempted to escape from the advancing Allied armies. Unfortunately for him, the convoy of which he was part was stopped by partisans and his features, made so familiar by Fascist propaganda, gave him away. Within 24 hours he was executed by his captors, joining those he sent early to their graves as an outcome of his tyranny, at least one million people. He was one of the tyrant-killers who so scarred interwar Europe, but we cannot properly understand him or his regime by any simple equation with Hitler or Stalin. Like them, his life began modestly in the provinces; unlike them, he maintained a traditonal male family life, including both wife and mistresses, and sought in his way to be an intellectual. He was cruel (though not the cruellest); his racism existed, but never without the consistency and vigor that would have made him a good recruit for the SS. He sought an empire; but, in the most part, his was of the old-fashioned, costly, nineteenth century variety, not a racial or ideological imperium. And, self-evidently Italian society was not German or Russian: the particular patterns of that society shaped his dictatorship. Bosworth's Mussolini allows us to come closer than ever before to an appreciation of the life and actions of the man and of the political world and society within which he operated. With extraordinary skill and vividness, drawing on a huge range of sources, this biography paints a picture of brutality and failure, yet one tempered with an understanding of Mussolini as a human being, not so different from many of his contemporaries. 'The definitive study of the Italian dictator.' - Library Journal

'A fascinating journey into our relationship with the physical book...I lost count of the times I exclaimed with delight when I read a nugget of information I hadn't encountered before' Val McDermid, The Times Most of what we say about books is really about the words inside them: the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. And just as we crack their spines, loosen their leaves and write in their margins, so they disrupt and disorder us in turn. All books are, as Stephen King put it, 'a uniquely portable magic'. Here, Emma Smith shows us why. Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium's worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books' physical form - their 'bookhood' - that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper's Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways. Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a 'classic'-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal - and more turbulent - than we tend to imagine.

Divided societies, tormented pasts, and unrepentant perpetrators. Why are some countries more intent on vanquishing uncomfortable pasts than others? How do public and often unsightly attempts at memorialisation both fail the victims and valorize their oppressors? This book offers fresh and original perspectives on dictatorship, fascism and victimization from the bloodiest decades in Europe's, Australia's and Central America's colonial and modern history. Chapters include analyses of Francoist memorials in Spain, assessments of the El Mozote massacre in El Salvador, the forgetting of frontier colonial violence in Tasmania, Romania's treatment of its Roma populations in the midst of Holocaust memorialization in Bucharest's urban development, and whether or not the Holocaust continues to serve as an instructional model or impossible aspiration for cross-cultural genocide memorialization strategies. In an era of ongoing political, ethnic and religious conflict, and unrepentant insurgent activity around the world, this collection reminds readers that genocidal actions, wherever and whenever they occurred, must be held to account by more than rhetoric and concrete memory. This book was originally published as a special issue of the Journal of Genocide Research.

The cult of the Duce is the first book to explore systematically the personality cult of the Fascist dictator Benito Mussolini. It examines the factors which informed the cult and looks in detail at its many manifestations in the visual arts, architecture, political spectacle and the media. The conviction that Mussolini was an exceptional individual first became dogma among Fascists and then was communicated to the people at large. Intellectuals and artists helped fashion the idea of him as a new Caesar while the modern media of press, photography, cinema and radio aggrandised his every public act. The book considers the way in which Italians experienced the personality cult and analyses its controversial resonances in the postwar period. Academics and students with interests in Italian and European history and politics will find the volume indispensable to an understanding of Fascism, Italian society and culture, and modern political leadership. Among the contributions is an Afterword by Mussolini's leading biographer, R.J.B. Bosworth. -- .

Aged eight, Thomas Graumann excitedly boarded a train in Prague, Czechoslovakia, to embark on what he believed was a three-month holiday. "Go to Britain, learn English, and when the Germans leave, you can come home again," his mother assured him. Thomas carried two suitcases and a bag of food. At the time he knew his country had been taken over by the Germans and now was under Nazi control. That was the last he would see of his mother and most of his Jewish family, who died in concentration camps. He had also never heard of Nicholas Winton, the hero who saved 669 children (Thomas was one of the last, #652), transporting them from Czechoslovakia to the UK to save their lives. This was Thomas' first rescue, aboard what became known as the Kindertransport. His second came a year later when an evangelist from the Scottish village he was taken to for safety shared the good news of Jesus Christ with him. Saying a prayer on bent knee, Thomas' soul was rescued, and he soon dedicated himself to missionary service, which he fulfilled as an adult in the Philippines, eventually moving to the U.S. But his missionary zeal returned after the fall of Communism-and the return of his grandmother's property to his family. Both actions ushered in a way for him to return to the Czech Republic. The former rescued child was now free to travel throughout his homeland, speaking in schools of how he was rescued ... not once, but twice.

In the years between the two world wars, fascism triumphed in Italy, Germany, Spain and elsewhere, coming to power after intense struggles with the labour movements of those countries. This book, available in paperback for the first time, analyses the way in which the British left responded to this new challenge. How did socialists and communists in Britain explain what fascism was? What did they do to oppose it, and how successful were they? In examining the theories and actions of the Labour Party, the TUC, the Communist Party and other, smaller left-wing groups, the book explains their different approaches, while at the same time highlighting the common thread that ran through all their interpretations of fascism. The author argues that the British left has been largely overlooked in the few specific studies of anti-fascism that exist, with the focus being disproportionately applied to its European counterparts. He also takes issue with recent developments in the study of fascism, and argues that the views of the left, often derided by modern historians, are still relevant today. -- .

Social Media in Disaster Response focuses on how emerging social web tools provide researchers and practitioners with new opportunities to address disaster communication and information design for participatory cultures. Both groups, however, currently lack research toolkits for tracing participant networks across systems; there is little understanding of how to design not just for individual social web sites, but how to design across multiple systems. Given the volatile political and ecological climate we are currently living in, the practicality of understanding how people communicate during disasters is important both for those researching solutions and for those putting that research into practice. Social Media in Disaster Response addresses this situation by presenting the results of a large-scale sociotechnical usability study on crisis communication in the vernacular related to recent natural and human-made crisis; this is an analysis of the way social web applications are transformed, by participants, into a critical information infrastructure in moments of crisis. This book provides researchers with methods, tools, and examples for researching and analyzing these communication systems while providing practitioners with design methods and information about these participatory communities to assist them in influencing the design and structure of these communication systems.

A classic book that analyzes and defines media appeals specific to American pro-fascist and anti-Semite agitators of the 1940s, such as the application of psychosocial manipulation for political ends. The book details psychological deceits that idealogues or authoritarians commonly used. The techniques are grouped under the headings "Discontent", "The Opponent", "The Movement" and "The Leader". The authors demonstrate repetitive patterns commonly utilized, such as turning unfocused social discontent towards a targeted enemy. The agitator positions himself as a unifying presence: he is the ideal, the only leader capable of freeing his audience from the perceived enemy. Yet, as the authors demonstrate, he is a shallow person who creates social or racial disharmony, thereby reinforcing that his leadership is needed. The authors believed fascist tendencies in America were at an early stage in the 1940s, but warned a time might come when Americans could and would be "susceptible to ... [the] psychological manipulation" of a rabble rouser. A book once again relevant in the Trump era, as made clear by Corey Robin's new introduction.

How do terror and popularity merge under a dictatorship? How did the Gestapo deal with critics of Nazism? Based on hundreds of secret police case files, Enemies of the People explores the day-to-day reality of political policing under Hitler. Examining the Gestapo's policy of 'selective enforcement', J. Ryan Stackhouse challenges the abiding perception of the Gestapo as policing exclusively through terror. Instead, he reveals the complex system of enforcement that defined the relationship between state and society in the Third Reich and helps to explain the Germans' abiding support for Hitler and their complicity in the regime's crimes. Stories of everyday life in Nazi Germany paint the clearest picture yet of just how differently the Gestapo handled certain groups and actions, and the routine investigation, interrogation, and enforcement practices behind this system. Enemies of the People offers penetrating insights into just how reasonable selective enforcement appeared to Germans, and draws unavoidable parallels with the contemporary threat of authoritarianism.

In Mussolini and Fascist Italy Martin Blinkhorn explains the significance of the man, the movement and the regime which dominated Italian life between 1922 and the closing stages of the Second World War. He examines:

• those aspects of post-Risorgimento Italy which provided the longterm context vital to an understanding of Fascism
• the social and political convulsions wrought by economic change after 1890 and by Italy 's intervention in the First World War
• the Fascist movement's rapid rise from obscurity to power and the subsequent establishment of Mussolini 's dictatorship
• the history of the Fascist regime until its demise during the Second World War
• the ways in which Italian Fascism has been understood by contemporary analysts and by historians.

The third edition of this best-selling Lancaster Pamphlet provides an expanded and fully updated analysis. New features include additional material on Fascist totalitarianism and a completely revised consideration of the ways in which Fascism has been interpreted.

The Wolf's Lair was the most important German command post building during the Second World War. Orders sent from these secret headquarters would play a massive part in the outcome of the War. Ian Baxter looks in to the inner workings of Hitler's headquarters, highlighting the decisions that were made and analysing how they came about. Baxter not only utilises published works, unpublished records, military documents and archives on the subject, but also digs deep into the contemporary writings of Hitler's closest personal staff, seeking to disentangle the truth through letters written by wives, friends, adjutants, private secretaries, physicians, and of course his military staff. Baxter extensively examines life within the Fuhrerhauptquartiere, where from behind closed doors, inside the claustrophobic atmosphere of the bunkers Hitler planned and gossiped with his associates. However, as defeat loomed, Hitler surrounded himself not with his intimate circle of friends, but what he considered were illiterate soldiers. Baxter shows how Hitler's contempt for his war staff grew. It describes, during the onset of the traumatic German military reverses in Russia, how Hitler stood unbowed in the face of the enemy, and how he tried to infuse determination into his generals and friends, despite his rapid deterioration in health.

In Caesarism and Bonapartism in Gramsci, Francesca Antonini offers a fresh insight into Antonio Gramsci's thought. Building on the achievements of recent Gramscian scholarship, she investigates his usage of the concepts of Bonapartism and Caesarism, both in his pre-prison writings and in the Prison Notebooks. The Caesarist-Bonapartist paradigm relates crucially to Gramsci's reflections on hegemony and on its transformations across the nineteenth and twentieth centuries. While this model is essential to Gramsci's understanding of the interwar period and of the Fascist regime in Italy, it also sheds a meaningful light on other past and present scenarios, from the French Second Empire to the USSR of his time. Finally, Antonini's analysis illuminates Gramsci's approach towards the Marxian legacy. Caesarism and Bonapartism in Gramsci is winner of the prestigious Giuseppe Sormani International Prize for works on Antonio Gramsci.

A New Yorker staff writer, investigates his grandfather, a Nazi Party Chief, in this "unflinching, gorgeously written, and deeply moving exploration of morality, family, and war” Patrick Radden Keefe, author of Empire of Pain ‘The book we need right now’ Atul Gawande, author of Being Mortal What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold. Karl Gönner was a schoolteacher and Nazi party member from the Black Forest. In 1940, he was sent to a village in occupied France and tasked with turning its children into proper Germans. A fervent Nazi when the war began, he grew close to the villagers over the next four years, till he came to think of himself as their protector, shielding them from his own party’s brutality. Yet he was arrested in 1946 and accused of war crimes. Was he guilty or innocent? A vicious collaborator or just an ordinary man, struggling to atone for his country’s crimes? Bilger goes to Germany to find out. What follows is a literary suspense story: a tale of chance encounters and serendipitous discoveries in villages and dusty archives across Germany and France. Intimate and far-reaching, Fatherland is an extraordinary odyssey through the great upheavals of the past century, tracing one family’s path through history’s wreckage. For readers of Bart van Es’s The Cut Out Girl or Edmund de Waal’s The Hare with the Amber Eyes, this is a story of middle lands, torn allegiances and loaded family inheritance.

It is difficult for Italians to have much faith in the future. The last Labour Minister said it was a good thing if young people emigrated, to stop them 'getting under our feet'; one recent Prime Minister said that young Italians should not invest their hopes in securing a stable job, for that would be 'boring', anyway. Examining Italy's history since the end of the Cold War, Italy is the Future argues that its dismal situation should not be understood in terms of a stereotyped narrative of Italian chaos or backwardness. In a country that could once boast Europe's strongest Left, Italy today epitomises the crisis of democracy in the West. The scandals of Silvio Berlusconi's rule, the pervasive corruption of public life and sky-high youth unemployment are indicators of a particularly sick society. Yet what is also apparent is the difficulty of any new force emerging to renew Italy's institutions, as its atomised citizens lose hope in political change. What has broken apart in Italy is not just its once-mighty Left but the very bases of social solidarity. The parties of the 1990s and 2000s directly express the social demolition wrought by neoliberalism, as isolated and endangered individuals face the consequences of the crisis alone. Not this or that political party, but public life itself, is in full-scale collapse

While research in right-wing populism has recently been blossoming, a systematic study of the intersection of right-wing populism and gender is still missing, even though gender issues are ubiquitous in discourses of the radical right ranging from "ethnosexism" against immigrants, to "anti-genderism." This volume shows that the intersectionality of gender, race and class is constitutional for radical right discourse. From different European perspectives, the contributions investigate the ways in which gender is used as a meta-language, strategic tool and "affective bridge" for ordering and hierarchizing political objectives in the discourse of the diverse actors of the "right-wing complex."

In 1935-37 America passed several Neutrality Acts, vowing never again to take sides in a European conflict. In 1938 public attitudes changed, with the American people beginning to favour Britain and turn against Germany - but what caused this shift of opinion? One reason was a tip-off received by the FBI on the eve of the Second World War, which led to the exposure of a Nazi spy ring operating right there in America. The FBI was able to bring the group to justice and launch a campaign to warn the American people about the Nazi threat to their shores and society. In Ring of Spies, Rhodri Jeffreys-Jones reveals how this case helped to awaken America to the Nazi menace, and how it skewed American opinion, thus spelling the end of US neutrality. Using evidence from FBI files he uncovers a story straight out of a detective novel featuring honey traps, fast cars and double agents.

From rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.

The early twenty-first century has been defined by a rise in Islamist radicalisation and a concurrent rise in far right extremism. This book explores the interaction between the 'new' far right and Islamist extremists and considers the consequences for the global terror threat. Julia Ebner argues that far right and Islamist extremist narratives - 'The West is at war with Islam' and 'Muslims are at war with the West' - complement each other perfectly, making the two extremes rhetorical allies and building a spiralling torrent of hatred - 'The Rage'. By looking at extremist movements both online and offline, she shows how far right and Islamist extremists have succeeded in penetrating each other's echo chambers as a result of their mutually useful messages. Based on first-hand interviews, this book introduces readers to the world of reciprocal radicalisation and the hotbeds of extremism that have developed - with potentially disastrous consequences - in the UK, Europe and the US. With a new foreword, this new edition discusses the events of recent years, and how the phenomenon of reciprocal radicalisation - the interplay between Islamist and far-right extremism - has become more pronounced and, sadly, more dangerous.

A fascinating look at Nazi Germany as revealed in its films. This collection of essays offers a view of Nazi Germany through an analysis of twenty films, representing a sampling of the period's directors and reflecting the film medium's major genres. In spite of the control that Goebbels's film industry exercised over all aspects of filmmaking in the Third Reich, the films reveal an individuality that belies subsuming them under any one rubric or containing them within any one theory. Films such as Hitlerjunge Quex, Die große Liebe, and Auf Wiedersehen Franziska represent the Nazi film industry's efforts to propagandize through entertainment. Others such as Immensee, Kleider machen Leute, and Der Schimmelreiter reveal an attempt to expropriate Germany's rich literary past for the regime. These literary adaptations and films like Glückskinder, La Habanera, and Der Kaiser von Kalifornien today seem void of Nazi ideology if viewed outside the context of Nazism. But another film, Der ewige Jude, shocks us with its virulent anti-Semitism and hateful propaganda almost sixty years after its release. All of the films treated, regardless of their fame or notoriety or the level of commitment of their directors to the Nazi cause, played an important role in a cinema that not only represents the dreams and lives of the citizens of the Third Reich, but influencedthem as well. Robert C. Reimer is professor of German at the University of North Carolina, Charlotte.

In 1946 many Jewish soldiers returned to their homes in England imagining that they had fought and defeated the forces of fascism in Europe. Yet in London they found a revived fascist movement inspired by Sir Oswald Mosley and stirring up agitation against Jews and communists. Many felt that the government, the police and even the Jewish Board of Deputies were ignoring the threat; so they had to take matters into their own hands, by any means necessary. Forty-three Jewish servicemen met together and set up a group that tirelessly organised, infiltrated meetings, and broke up street demonstrations to stop the rebirth of the far right. The group included returned war heroes; women who went undercover; and young Jews, such as hairdresser Vidal Sassoon, seeking adventure. From 1947, the 43 Group grew into a powerful troop that could muster hundreds of fighters turning meetings into mass street brawls at short notice. The history of the 43 Group is not just a gripping story of a forgotten moment in Britain's postwar history; it is also a timely lesson in how to confront fascism, and how to win.

The Third Reich was the name Hitler and the Nazi Party gave to the dictatorship that began in 1933 and ended twelve years later with the utter destruction of Germany and Hitler's suicide. Defined by the messianic, iconic figure of the Fuhrer, the Third Reich was one of the pivotal periods of the modern age.

From small beginnings in the 1920s, Hitler's movement came to dominate German society in the 1930s, bringing with it the militarization of German society, the apparatus of state terror and a policy of violent discrimination against political opponents, the so-called 'asocials': gypsies, homosexuals, and, above all, the Jews. The history of the Reich is bound up with territorial aggression, total war and genocide. The end result was the complete defeat of Germany and the annihilation of millions of Europeans, a historical drama without precedent that still lies as a shadow over modern-day Germany.

Richard Overy charts the rise and fall of Nazi power in a compelling narrative of the period, amplified by extensive quotations from documents, letters, diaries and oral testimony, and accompanied by many original and striking images of the era. There are also fact boxes which explore many of the important aspects of the Third Reich in greater detail.

Authoritative, informative and sumptuously illustrated, written by a scholar steeped in knowledge of the period, The Third Reich brings the bloody realities of war, conquest and genocide vividly to life. It is an ideal book for anyone fascinated by the stormy history of the twentieth century, World War II and the age of dictators.

In this book, acclaimed historian David Brewer investigates explores 1940s Greece -- one of the most tumultuous decades in Greece's modern history. Beginning in 1941, the occupation of Greece by Germany was intensely brutal: children starved on the streets of Athens; the Jewish population was decimated in the Holocaust; heroic acts of resistance were met with vicious reprisals. When Greece was finally freed from Nazi rule in 1944, the fractured and embittered nation became engulfed in civil war, as conflict flared between the British and American-sponsored government and communist-led rebels. In Greece, The Decade of War, Brewer expertly analyses these events and in doing so provides a compelling military and political history.