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Books > Social sciences > Politics & government > Political ideologies > Fascism & Nazism
This book collects Mudde's old and new blog posts, interviews and
op-eds on the topic of the US far right, ranging from right-wing
populists to neo-Nazi terrorists. The main emphasis of the book is
on the two most important far right developments of the 21st
century, the Tea Party and Donald Trump. Primarily aimed at a
non-academic audience,the book explains terminology, clarifies the
key organizations and people and their relationship to (liberal)
democracy.
In Different Drummers, Michael Kater explores the underground history of jazz in Hitler's Germany. He offers a frightening and fascinating look at life and popular culture during the Third Reich, showing that for the Nazis, jazz was an especially threatening form of expression. In tracing the growth of what would become a bold and eloquent form of social protest, Kater mines a trove of previously untapped archival records and assembles interviews with surviving witnesses as he brings to life a little-known aspect of wartime Germany. In the end we come to realize that jazz not only survived persecution, but became a powerful symbol of political disobedience, and even resistance, in wartime Germany. A provocative account of a counterculture virtually unexamined until now, Different Drummers is certain to revise previously held notions about the nature of resistance to the Third Reich within Germany itself.
Exploring the concepts of collaboration, resistance, and postwar
retribution and focusing on the Chetnik movement, this book
analyses the politics of memory. Since the overthrow of Slobodan
Milosevic in 2000, memory politics in Serbia has undergone drastic
changes in the way in which the Second World War and its aftermath
is understood and interpreted. The glorification and
romanticisation of the Yugoslav Army in the Homeland, more commonly
referred to as the Chetnik movement, has become the central theme
of Serbia's memory politics during this period. The book traces
their construction as a national antifascist movement equal to the
communist-led Partisans and as victims of communism, showing the
parallel justification and denial of their wartime activities of
collaboration and mass atrocities. The multifaceted approach of
this book combines a diachronic perspective that illuminates the
continuities and ruptures of narratives, actors and practices, with
in-depth analysis of contemporary Serbia, rooted in ethnographic
fieldwork and exploring multiple levels of memory work and their
interactions. It will appeal to students and academics working on
contemporary history of the region, memory studies, sociology,
public history, transitional justice, human rights and Southeast
and East European Studies.
The compelling story of a trek across an exotic land– and the sinister consequences It was an SS mission led by two complex individuals– one who was using the Nazis to pursue his own ends, and one so committed to Nazism that afterward he conducted racial experiments using the skulls of prisoners at Auschwitz. Himmler’ s Crusade relates the 1938 Nazi expedition through British India to the sacred mountains of Tibet in search of the remnants of the Aryan people, the lost master race. Based on a wide range of previously unused sources, this intriguing book reveals the mission– a pet project of Reichsfuhrer Heinrich Himmler– to be the result of both a bizarre historical fantasy and a strategy to provoke insurgency in British India. Providing rare glimpses into Himmler’ s SS stronghold, this riveting tale sheds new light on the occult component of the racial theories that obsessed Himmler and his fellow Nazis. Christopher Hale (London, UK, and New York, NY) is an award-winning writer and producer who has worked for the BBC, Discovery, WGBH, and National Geographic.
David G. Lewis explores Russia's political system under Putin by
unpacking the ideological paradigm that underpins it. He
investigates the Russian understanding of key concepts such as
sovereignty, democracy and political community. Through the
dissection of a series of case studies - including Russia's legal
system, the annexation of Crimea, and Russian policy in Syria -
Lewis explains why these ideas matter in Russian domestic and
foreign policy.
Composers of the Nazi Era is the final book in the critically acclaimed trilogy on music and musicians in the Third Reich. This provides a detailed examination of the careers of eight prominent German composers who lived and worked among the dictatorship of the Third Reich. Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned.
The Third Reich: Politics and Propaganda re-appraises one of the most closely studied issues in European history - the appeal of the Nazi party and analyses the reasons behind the remarkable and sustained success of National Socialism in Germany. David Welch challenges previously held assumptions about the effectiveness of Nazi Propaganda, summarizes the major current debates and argues that in order to be successful, propaganda must preach to the partially converted. This second edition brings the book up to date with a revised introduction and postscript to reflect the historiographical debates of the 1990s. It includes new material on many topics such as: * continuities and discontinuities between Weimar and the Third Reich * the medium of radio * the 'Hitler myth' * Nazi targeting of specific classes and social groups * racial purity.
Based on extensive archival work, Stormtrooper Families combines
stormtrooper personnel records, Nazi Party autobiographies,
published and unpublished memoirs, personal letters, court records,
and police-surveillance records to paint a picture of the
stormtrooper movement as an organic product of its local community,
its web of interpersonal relationships, and its intensely emotional
internal struggles. Extensive analysis of Nazi-era media across the
political spectrum shows how the public debate over homosexuality
proved just as important to political outcomes as did the actual
presence of homosexuals in fascist and antifascist politics. As
children in the late-imperial period, the stormtroopers witnessed
the first German debates over homosexuality and political life. As
young adults, they verbally and physically battled over these
definitions, bringing conflicts over homosexuality and masculinity
into the center of Weimar Germany's most important political
debates. Stormtrooper Families chronicles the stormtroopers'
personal, political, and sexual struggles to explain not only how
individual gay men existed within the Nazi movement but also how
the public meaning of homosexuality affected fascist and
antifascist politics-a public controversy still alive today.
Our understanding of culture and of the catastrophe unleashed by
National Socialism have always been regarded as interrelated. For
all its brutality, Nazism always spoke in the name of the great
German tradition, often using such "high culture" to justify
atrocities committed. Were not such actions necessary for the
defense of classical cultural values and ideal images against the
polluted, degenerate groups who sought to sully and defile them?
Ironically, some of National Socialism's victims confronted and
interpreted their experiences precisely through this prism of
culture and catastrophe. Many of these victims had traditionally
regarded Germany as a major civilizing force. In fact, from the
late eighteenth century on, German Jews had constructed themselves
in German culture's image. Many of the German-speaking Jewish
intellectuals who became victims of National Socialism had been
raised and completely absorbed in the German humanistic tradition.
One of the most stark existential dilemmas they were forced to
confront was the stripping away of this spiritual inheritance, the
experience of expropriation from their own culture. Steven Aschheim
here engages the multiple aspects of German and German-Jewish
cultural history which touch upon the intricate interplay between
culture and catastrophe, providing insights into the relationship
between German culture and the origins, dispositions, and aftermath
of National Socialism. He analyzes the designation of Nazism as
part of the West's cultural code representing an absolute standard
of evil, and sheds light on the problematics of current German,
Jewish, and Israeli inscriptions of Nazism and its atrocities,
capturing the ongoing centralrelevance of that experience to
contemporary culture and collective individual self-definitions.
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This volume investigates a galaxy of diverse networks and
intellectual actors who engaged in a broad political environment,
from conservatism to the most radical right, between the World
Wars. Looking beyond fascism, it considers the less-investigated
domain of the 'Latin space', which is both geographical and
cultural, encompassing countries of both Southern Europe and Latin
America. Focus is given to mid-level civil servants, writers,
journalists and artists and important 'transnational agents' as
well as the larger intellectual networks to which they belonged.
The book poses such questions as: In what way did the intellectuals
align national and nationalistic values with the project of
creating a 'Republic of Letters' that extended beyond each
country's borders, a 'space' in which one could produce and
disseminate thought whose objective was to encourage political
action? What kinds of networks did they succeed in establishing in
the interwar period? Who were these intellectuals-in-action? What
role did they play in their institutions' and cultural
associations' activities? A wider and intricate analytical
framework emerges, exploring right-wing intellectual agents and
their networks, their travels and the circulation of ideas, during
the interwar period and on a transatlantic scale, offering an
original contribution to the debate on interwar authoritarian
regimes and opening new possibilities for research.
Across Europe and the world, far right parties have been enjoying
greater electoral success than at any time since 1945. Right-wing
street movements draw huge supporters and terrorist attacks on Jews
and Muslims proliferate. It sometimes seems we are returning to the
age of fascism. To explain this disturbing trend, David Renton
surveys the history of fascism in Europe from its pre-war origins
to the present day, examining Marxist responses to fascism in the
age of Hitler and Mussolini, the writings of Trotsky and Gramsci
and contemporary theorists. Renton theorises that fascism was
driven by the chaotic and unstable balance between reactionary
ambitions and the mass character of its support. This approach will
arm a new generation of anti-fascists to resist those who seek to
re-enact fascism. Rewritten and revised for the twentieth
anniversary of its first publication, Renton's classic book
synthesises the Marxist theory of fascism and updates it for our
own times.
For decades scholars have pored over Hitler's autobiographical
journey/political treatise, debating if Mein Kampf has genocidal
overtones and arguably led to the Holocaust. For the first time,
Hitler's Mein Kampf and the Holocaust sees celebrated international
scholars analyse the book from various angles to demonstrate how it
laid the groundwork for the Shoah through Hitler's venomous attack
on the Jews in his text. Split into three main sections which focus
on 'contexts', 'eugenics' and 'religion', the book reflects
carefully on the point at which the Fuhrer's actions and policies
turn genocidal during the Third Reich and whether Mein Kampf
presaged Nazi Germany's descent into genocide. There are
contributions from leading academics from across the United States
and Germany, including Magnus Brechtken, Susannah Heschel and
Nathan Stoltzfus, along with totally new insights into the source
material in light of the 2016 German critical edition of Mein
Kampf. Hitler's views on Marxism, violence, and leadership, as well
as his anti-Semitic rhetoric are examined in detail as you are
taken down the disturbing path from a hateful book to the
Holocaust.
From 1931 to 1937, as Germany's police merged with security services of the National Socialists, the standards of police work, such as professionalism, protecting the state, and the image of `good' guys fighting `bad' were perverted. Browder closely details this transition by following the lives of the men who participated in it.
In this authoritative study, one of the first to appear in English,
Erik Levi explores the ambiguous relationship between music and
politics during one of the darkest periods of recent cultural
history. Utilising material drawn from contemporary documents,
journals and newspapers, he traces the evolution of reactionary
musical attitudes which were exploited by the Nazis in the final
years of the Weimar Republic, chronicles the mechanisms that were
established after 1933 to regiment musical life throughout Germany
and the occupied territories, and examines the degree to which the
climate of xenophobia, racism and anti-modernism affected the
dissemination of music either in the opera house and concert hall,
or on the radio and in the media.
This book revolves around the intricate interplay between culture
and catastrophe. It seeks to engage the various permutations, the
complexity and the unresolved dimensions of this connection,
especially as it relates to the origins, disposition and aftermath
of National Socialism. It examines various German and Jewish
responses to Nazism and its roots, and demonstrates the ongoing
relevance of that experience to contemporary culture and collective
and individual self-definitions.
The image of Hitler as a demagogic 'pied piper' leading astray the
'little people' of Austria is as misleading as it is powerful.
Nazism and the Working Class in Austria is a case study of the
ambiguous relationship between state and society in Austria under
the Nazis. It places the experience of Austrian industrial workers
in the Third Reich in a broader historical context, from the
origins of the earliest 'national socialist' movements in the
backwaters of the Habsburg empire to the end of the Second World
War. Workers did not seriously attempt or even expect to overthrow
the Nazi regime in the face of unprecedented surveillance and
terror; but neither were they converted, and their oppositional
strategies and disgruntled political opinions reveal a truculent
workforce, rather than one that was contented and converted.
In 2003, the occupation of a state-owned building in Rome led to
the emergence of a new extreme-right youth movement: CasaPound
Italia (CPI). Its members described themselves as 'Fascists of the
Third Millennium', and were unabashed about their admiration for
Benito Mussolini. Over the next 15 years, they would take to the
street, contest national elections, open over a hundred centres
across Italy, and capture the attention of the Italian public.
While CPI can count only on a few thousands votes, it enjoys
disproportionate attention in public debates from the media. So
what exactly is CasaPound? How can we explain the high profile
achieved by such a nostalgic group with no electoral support? In
this book, Caterina Froio, Pietro Castelli Gattinara, Giorgia Bulli
and Matteo Albanese explore CasaPound Italia and its particular
political strategy combining the organization and style of both
political parties and social movements and bringing together
extreme-right ideas and pop-culture symbols. They contend that this
strategy of hybridization allowed a fringe organization like
CasaPound to consolidate its position within the Italian far-right
milieu, but also, crucially, to make extreme-right ideas routine in
public debates. The authors illustrate this argument drawing on
unique empirical material gathered during five years of research,
including several months of overt observation at concerts and
events, face-to-face interviews, and the qualitative and
quantitative analysis of online and offline campaigns. By
describing how hybridization grants extremist groups the leeway to
expand their reach and penetrate mainstream political debates, this
book is core reading for anyone concerned about the nature and
growth of far-right politics in contemporary democracies. Providing
a fresh insight as to how contemporary extreme-right groups
organize to capture public attention, this study will also be of
interest to students, scholars and activists interested in the
complex relationship between party competition and street protest
more generally.
Right-wing populism is a global phenomenon that challenges several
pillars of liberal democracy, and it is often described as a
dangerous political ideology because it resonates with the fascist
idea of power in terms of anti-pluralism and lack of minorities'
protection. In Western Europe, many political actors are exploiting
the fears and insecurities linked to globalization, economic
crisis, and mass migrations to attract voters. However, while
right-wing populist discourses are mainstream in certain countries,
they are almost completely taboo in others. Why is right-wing
populism so successful in Italy, Austria, and France while in
Germany it is marginal and socially unacceptable? It is because
each country developed a certain collective memory of the fascist
past, which stigmatizes that past to different levels. For this
reason, right-wing populism can find favorable conditions to thrive
in certain countries, while in others it is considered as an
illegitimate and dangerous idea of power. Through a comparative
study of eight European countries, this book shows that short-term
factors linked to levels of corruption, economic situation, and
quality of democracy interact with long-term cultural elements and
collective memories in determining the social acceptability of
right-wing populist discourses.
Highlighting the "mass" nature of interwar European fascism has
long become commonplace. Throughout the years, numerous critics
have construed fascism as a phenomenon of mass society, perhaps the
ultimate expression of mass politics. This study deconstructs this
long-standing perception. It argues that the entwining of fascism
with the masses is a remarkable transubstantiation of a movement
which understood and presented itself as a militant rejection of
the ideal of mass politics, and indeed of mass society and mass
culture more broadly conceived. Thus, rather than "massifying"
society, fascism was the culmination of a long effort on the part
of the elites and the middle-classes to de-massify it. The
perennially menacing mass - seen as plebeian and insubordinate -
was to be drilled into submission, replaced by supposedly superior
collective entities, such as the nation, the race, or the people.
Focusing on Italian fascism and German National Socialism, but
consulting fascist movements and individuals elsewhere in interwar
Europe, the book incisively shows how fascism is best understood as
ferociously resisting what Elias referred to as "the civilizing
process" and what Marx termed "the social individual." Fascism,
notably, was a revolt against what Nietzsche described as the
peaceful, middling and egalitarian "Last Humans."
Over the past few decades, extreme-right political parties have won
increasing support throughout Europe. The largest and most
sophisticated of these is the French National Front. Led by the
charismatic Jean-Marie Le Pen, the Front is now the third most
important political force in France after the mainstream right and
the socialists.This clear and comprehensive book explores the
antecedents for the meteoric rise of the National Front. Beginning
with a political history of the extreme right from 1945 to 1995,
Harvey Simmons traces links between Le Pen and French neo-fascist
and extreme-right organizations of the 1950s and 1960s, and
concludes with analyses of the Front's antisemitism, racism,
organization, ideology, language, electorate, and views on women.
Simmons argues that the Front is not a party like any other, but a
major threat to French democracy.
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