In the wake of her beloved grandfather’s death, Lou and her family gather at their coastal family home for a long-awaited family reunion.

The windswept and wild surroundings remind Lou of who she was before being a mother, a wife, and a professional failure. They bring back memories of Michael, her toxic first love and, according to the family, her ‘bad luck penny’. Then a shocking crisis in the country disrupts the funeral arrangements and forces the family together for longer than planned.

As secrets rise to the surface, the threads of Lou’s life unravel and she faces a difficult choice – after all, it’s only a bad luck penny if you pick it up.

Speurder-kaptein Alek Strauss van die FSO word saam met sy span uitgeroep na ’n raaiselagtige moordtoneel. Die liggaam van ’n vrou is in ’n afgeleë bouval in Pretoria-Oos gevind. Advokaat Lynn Rawlins is skynbaar verwurg. Teen die muur staan in bloed geskrywe: Sprich nichts Böses.

Doktor Nadiya Patel, forensiese sielkundige, is vas oortuig die moordenaar se modus operandi is ’n waarskuwing dat nog lewens in gevaar is.

’n Meesleurende spanningsroman deur Marie Lotz, die skrywer van Roofdier.

From the acclaimed and award-winning author of What Will People Say?, Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.

Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.

Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.

Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?

Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

Speurder-sersant Luna Joubert van die Stellenbosch polisiediens word gestuur om die eienaardige dubbele moord op die eienaar van ’n kwekery en sy vrou te ondersoek. Die De Winters is beide met ’n skerp voorwerp aangeval, maar daar was geen teken van ‘n struweling of enige getuies om sin te maak van die voorval nie.

Terwyl Luna sukkel om ’n moord sonder verdagtes of leidrade op te los, maak Mike Grant weer sy onverwagte verskyning. Hierdie keer is hy op ’n geheime sending onder die geledere van ’n plaaslike dwelmsindikaat. Ten spyte van sy nuwe voorkoms vind Luna dit onmoontlik om nie die deur oop te maak wanneer hy klop nie.

Soos Mike homself in die onderwêreld ingrawe, begin Luna op tone trap om haar eie raaisel op te los. Was die De Winters wie almal dink hulle was? Weet die kinders dalk meer as wat hulle voorgee? Wat gaan aan by die studentehuis oorkant die straat? En wie is die man in die sportmotor wat so op die buitewyke van haar ondersoek beweeg?

Om antwoorde te kry sal Luna die donkerte en als wat daarin skuil moet trotseer. Bloedbande is die vierdie boek in Jeanette Stals se Luna Joubert-reeks.

Speuradjudant Storm van der Merwe is terug vir die grootste uitdaging van haar loopbaan. Al is sy steeds besig om haar pa se dood twee jaar tevore te verwerk.

Intussen hou Hermanus ’n eerste skrywersfees. Deel van Storm se afgesaagde verpligtinge is om by die gemeenskapsaal kywie te hou voor die laaste Covid-regulasies uiteindelik opgehef word. Maar toe daag Isa du Bois, die sterskrywer van die dorp, nie op vir haar sessie nie. Haar liggaam word dieselfde oggend nog in Kwaaiwater se Mosselrivier gevind. Vier en twintig uur later kom ’n visterman af op nóg ’n lyk – weer ’n vrou, dié keer jonk en swart. En dan is daar ’n derde slagoffer, ’n belangrike kulturele rolspeler op die dorp. Drie dae, drie vroue. Hoekom drie, hoekom hierdie drie?

Storm is so toegegooi onder werk, sy is skoon bly oor oudkollega Andreas Moerdyk se knaende aanbod om haar te help. En al sukkel sy om dit aan haarself te erken, is dit nogals lekker om ’n slag weer spanmaats te wees . . .

Jou diepste vrees is sy grootste begeerte...

Geen lang naels nie. Geen skoenveters nie. Dit is maar enkele van die reëls in die Molenberg-Psigiatriese hospitaal. Selfmoord is ʼn inwoner hier, en die pasiënte word as psigopate bestempel.

Dominique du Randt word in Molenberg opgeneem ná haar ma se wrede moord. Niemand glo dat sy nie verantwoordelik is vir haar ma se dood nie. Niemand glo dat sy deur ʼn man agtervolg is wat homself die Bewonderaar noem nie. Haar sielkundige, Martin, het wel sy bedenkinge. Daarom dat hy sy eie speurwerk doen.

Wat Martin ontdek, is die Ophelia-klub. ’n Plek van grusame geheime, fantasieë en donker vergrype. Wanneer een van die vroulike pasiënte in Molenberg-Psigiatriese hospitaal verdwyn, is Dominique oortuig die Bewonderaar weet presies waar sy is. Hy is, soos voorheen, weer in beheer van dié skrikwekkende spel.

Maar hoe beskerm jy jouself in ’n plek soos Molenberg? Hier waar niemand jou glo en jy geen vryheid of beheer het nie?

Liefdeskortverhale deur 27 bekende Afrikaanse skrywers om jou naweek op ’n romantiese noot mee te begin.

Laat die week en sy gewoel agter met dié stories uit die pen van Juanita Aggenbach, Bernette Bergenthuin, Henk Breytenbach, Malene Breytenbach, Alma Carstens, Alta Cloete, Leona Conradie, Trisa Hugo, Madelie Human, Jaco Jacobs, Anzil Kulsen, Kristel Loots, Cliffordene Norton, Susan Olivier, Didi Potgieter, Gerrit Rautenbach, Felicia Snyman, Cecilia Steyn, Dibi Symington, Louise van der Merwer, Santie van der Merwe, Nanette van Rooyen, Frenette van Wyk, Antoinette Venter, Louise Viljoen, Magdaleen Walters en Elsa Winckler.

Na ’n huwelik van twaalf jaar wat sy aan Gerhardus se magsbeheptheid en seksuele sadisme onderwerp was, het Maria genoeg gehad. Op 10 April 2022 verlaat sy die Baai met net haar handsak, ’n koff er en haar viool in die kar. Sy wil die deur fi naal toetrek op ’n lewe van aftakeling, perversie en die dreigemente waarmee Gerhardus haar sedert hul egskeiding aanhou teister.

Nie eens haar ma, Selina, weet waarheen Maria op pad is om ’n nuwe begin te maak nie. Die enigste mens wat van haar planne bewus is, is Lukas Delport, eienaar van Matoli Meadow, ’n gastehuis op ’n plaas in die Maclear-distrik waar Maria haar voete as bestuurder gaan vind.

Maar binne minute nadat sy op die plaas aankom, tref die godsverskrikkende wete haar dat al die jare saam met Gerhardus net ’n leerskool was om haar voor te berei op hierdie dag van ontgogeling. Hier, in ’n donker kelder, gekatvis deur ’n gewetenlose bedrieër, is elke oorlewingsminuut suiwer grasie.

Samuel has lived alone for a long time; one morning he finds the sea has brought someone to offer companionship and to threaten his solitude …

A young refugee washes up unconscious on the beach of a small island inhabited by no one but Samuel, an old lighthouse keeper. Unsettled, Samuel is soon swept up in memories of his former life on the mainland: a life that saw his country suffer under colonisers, then fight for independence, only to fall under the rule of a cruel dictator; and he recalls his own part in its history. In this new man’s presence he begins to consider, as he did in his youth, what is meant by land and to whom it should belong. To what lengths will a person go in order to ensure that what is theirs will not be taken from them?

A novel about guilt and fear, friendship and rejection; about the meaning of home.

A woman in post-apartheid South Africa confronts her family’s troubling past in this taut and daring novel about national trauma and collective guilt—from the Booker Prize–longlisted author of An Island.

Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer.

In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?

Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied—repeatedly—the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her aging mother and make do with government help and the fading generosity of her neighbors while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.

In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.

Liela Oloffson se ouers is in ’n huisbrand oorlede toe sy tien jaar oud was, maar vandag het sy alles wat meeste mense begeer. Skoonheid, roem, en ’n blink loopbaan as aktrise. Maar dan verdwyn sy een Vrydagnag spoorloos en kaptein Kgomotso vra gesoute misdaadjoernalis Ami Prinsloo se hulp.

Soos ’n bloedhond volg Ami Liela se spoor van waar sy laas by ’n Engen-garage in Johannesburg gesien is. Maar waarom lyk dit op die CCTV-kamera of Liela alleen van die garage wegry? Kruip Liela weg of is sy gekaap? Of dalk ontvoer? En waaroor het sy en haar verloofde so hewig baklei net voor sy verdwyn het?

Die Verkeerde Vrou is die tweede boek in Irma Venter se nuwe reeks met misdaadjoernalis Ami Prinsloo as hoofkarakter. Die Verkeerde Vrou volg op Minder As Niks, maar kan ook alleen gelees word.

In Junie 2070 skenk die 27-jarige Jenesis Baron geboorte aan ’n tweeling in haar woonstel in Xin Xianggang, voorheen bekend as Bloemfontein. Maar swangerskap sonder ’n genetiese toestemmingspermit van die owerhede is taboe, en die pasgeborenes word deur generaal Ben Wagner uitgesnuffel en aan die MediBot oorhandig, ’n robot wat ontwerp is om ongewenste lewens te beëindig. Genadedood noem hulle dit. Want, sê die regering, daar is nie genoeg kos, water en blyplek vir almal nie.

Jenesis is hartgebroke. Met haar hele hart smag sy daarna om vir Adam te vertel van die twee seuntjies wat nes hý lyk. Maar Adam is weg. Haar halsstarrige siening oor die huidige bewind en haar onvermoë om in te sien dat slegs die elite in die slimstede floreer, het hom verdryf. Vir haar bestaan gewone burgers nie, diegene wat na die buitewyke van die oorloggeteisterde ou stede uitgewerp word om van honger te sterf.

Moederland bied ’n fassinerende blik op die toekoms. ’n Puik nagevorsde, aksiebelaaide riller.

Vimbai, a final-year law student at the University of Zimbabwe, is determined not to join the long line of unemployed graduates. She'd would rather trade sexual favours to get a job than go back to living with her aunt-turned-stepmother. Unlike her roommate, Nosihle, she prides herself on being pragmatic. Nosihle is the good girl who mistakenly falls in love with the wrong man and then there’s Ruby, the spoilt socialite who is leading a double life.

Through their messy choices, their lives become intertwined. Vimbai is looking for someone who can offer her the opulence and grandeur of the Sunshine City. Even if it means sleeping with Cheropa, the former first son and Ruby’s boyfriend. It’s a dog-eat-dog world after all. But Vimbai soon learns that every action has a consequence and some of our wishes come to haunt us when we are at our happiest.

Her carefully orchestrated life takes a nosedive when her secrets are held against her by a mysterious well-connected man.

A week before her wedding Janien Steyn is found dead, grotesquely arranged on a bike in her wedding dress, with a long red bridal train in her wake, as if in mid flight. Retired policeman Jaap Reyneke asks Sarah Fourie, a hacker with a criminal record and zero social skills, to help solve the case.

Janien was a successful artist and business woman, and on the point of marrying her university sweetheart.

Was it suicide or murder? Why was her body arranged so carefully, almost artfully? And why did she wipe her computer’s memory so thoroughly before her death?

Die Kapenaars Hester Human en haar argitekman, André, het besluit om ’n verwaarloosde huis op ’n plattelandse dorp in Frankryk te koop en te restoureer as ’n vakansiehuis. ’n Jaar in Provence sal hulle en hul twee kinders, Manon en Emile, net goed doen.

Maar net voordat hul jaar in Provence aanbreek, gebeur daar iets tragies wat die Humans se lewe vir altyd verander.

Die huisrestourasie gaan voort, maar die gesin spartel om te verwerk wat gebeur het.

This is indeed a story of mercy - and the redemption it offers.

On the eve of his retirement, Spokes Moloi, a police officer of spotless integrity, investigates one final crime: the possible murder of Emil Coetzee, head of the sinister Organisation of Domestic Affairs, who disappears on the same day a ceasefire is declared and the country's independence beckons. In following the tangled threads of Coetzee's life, Spokes raises and resolves conundrums that have haunted him, and his country, for decades under colonial rule. In all this, he is staunchly supported by his paragon spouse, Loveness, and his unofficially adopted daughter, the unorthodox postman Dikiledi.

In her most magnificent novel yet, award-winning author Siphiwe Gloria Ndlovu showcases the history of a country transitioning from a colonial to a postcolonial state with a deft touch and a compassionate eye for poignant detail. Linked to The Theory of Flight and The History of Man, Ndlovu's novel nevertheless stands alone in its evocation of life in the City of Kings and surrounding villages. Dickensian in its scope, with the proverbial bustling cast of colleagues both good and bad, villagers, guerrillas, neighbours, ex-soldiers, suburban madams, shopkeepers, would-be politicians and more, The Quality of Mercy proposes that ties of kinship and affiliation can never be completely broken - and that love can heal even the most grievous of wounds.

Vividly set against the backdrop of 19th century India and the British-owned sugarcane plantations of Natal, written with great tenderness and lyricism, Children of Sugarcane paints an intimate and wrenching picture of indenture told from a woman’s perspective.

Shanti, a bright teenager stifled by life in rural India and facing an arranged marriage, dreams that South Africa is an opportunity to start afresh. The Colony of Natal is where Shanti believes she can escape the poverty, caste, and troubling fate of young girls in her village. Months later, after a harrowing sea voyage, she arrives in Natal only to discover the profound hardship and slave labour that await her.

Spanning four decades and two continents, Children of Sugarcane demonstrates the lifegiving power of love, heartache, and the indestructible bonds between family and friends. These bonds prompt heroism and sacrifice, the final act of which leads to Shanti's redemption.

Following on from the critical acclaim of Those Who Live in Cages, Terry-Ann Adam’s latest book is a collection of short stories set in Eldorado Park, the site of Terry-Ann’s inspiration. Her sentences positively glow as she documents the wonders and sadnesses of everyday life. These rich and powerful stories confirm Terry-Ann Adams’ place as one of the brightest stars of new South African writing.

Everyday life in these stories centres can be pregnancy, death, getting the fahfee numbers from gran, what to wear to a matric ball if you are from Eldos and you want to look like Princess Diana. These stories are nothing short of miraculous and this fearless collection of stories takes the reader on an odyssey of love and grief.

Terry-Ann Adam’s peerless writing brims with fire and wonder. You will be provoked and you will exult. Above all, you’ll remember where you were when you read White Chalk.

"Claire is less cynical. ‘Fall in love, if you must. But do your research. And meet his people early on. They’ll give you a sense of who he is.’ Solid advice. And ultimately, this is how I found myself on a flight to Bloemfontein one Friday afternoon."

An instant classic, the lies and betrayals of love and party politics are told in gorgeous prose with an ear for our time’s intimate and public language.

The Comrade’s Wife follows a turbulent marriage between a rising politician and an academic, told through her life and lens.

Those who live on the surface desire what the darkness offers. In tough times, crime is the only thing that soothes their souls. It is the South Africa you choose not to see.

The constitution forms the backbone of the South African democracy, yet the youth bleed for it. What does South Africa truly have when its children are traded for a good time and tenders? It is an accurate reflection of the social decay under the leadership of President Cyril Ramaphosa. Are your children safe in this trauma-infested country?

Daphne Morgan's death results in two worlds colliding: Gibson Kente demands nothing more than respect for the bloodshed, while Tim Morgan seeks his mother. Treasure is caught in the crossfir eof hell and fury. She desires freedom, but Tim Morgan's business is blissful pleasure, camouflaged by revenge. Will Rita Thomas provide the answers to Treasure's prayers?

If you had a choice to worship two gods, would you sell your soul for money or freedom?

Will this curtain call be Treasure's last?

Stella Mertens, Mark Dejongh en Riaan Steytler probeer elkeen iets uit hul verlede wegsteek . . . maar elke geheim het ’n vervaldatum. Daar is net ’n sekere tydperk wat ’n sekere hoeveelheid mense ’n geheim kan hou.

In Vuurvoël, Elmarie Viljoen-Massyn se debuutroman, word donker geheime ontrafel wanneer die oënskynlik uiteenlopende wêrelde van Big Pharma en ’n Serwiese dwelmkartel paaie kruis.

’n Hoogs leesbare roman wat getuig van puik navorsing.

Darlings of Durban follows the stories of four friends and how their lives intersect and influence each other.

Natasha owns a successful beauty company and is in a serious long-term relationship with the charming Sizwe. Natasha worries that his family will never truly accept her because of her mixed heritage. Does she even believe in marriage? Natasha often seeks the advice of her friend Sofia who's happily married with children. Sofia is the glue that holds the darlings together. The cousins, Farhana and Razia, both have their own complicated marriages. Farhana tries her best to support her husband in his harebrained schemes - even when it's to the detriment of her friendships. While Razia, the only darling in Johannesburg, feels stuck in her role as subservient wife to a husband whose attention is elsewhere.

All four women are navigating the complexities of love and life. But whatever life throws their way, the darlings always have each other.

Sana and Meena will never meet. The two women share little beyond Akbar Manzil, the sprawling mansion they call home. When Meena fell in love with the owner of the house, it was the grandest residence on South Africa’s east coast near Durban. Eight decades later when Sana and her father move to the house, the latest of Akbar Manzil's long list of tenants, it is in near-ruins, crumbling, shabby and dark. This is a place where people come to forget. Or to be forgotten.

Full of questions about her new home, Sana is drawn to the deserted east wing, home to a clutter of broken and abandoned objects – and to the locked door at its end, unopened for decades. Soon, Sana begins to discover the tangled, troubling history of the house, awakening the memories of the house itself and dredging up old and terrible secrets that will change the lives of everyone – living and dead – at Akbar Manzil.

Sublime, heart-wrenching and lyrically stunning, The Lost Love of Akbar Manzil is a haunting, a love story and a mystery, all entertwined beautifully into one young girl's search for belonging.

Mia Steyn is nog bloedjonk wanneer haar broer haar een laatmiddag by ’n losieshuis in Bloemfontein, aflaai. Dis toe sy ’n stowwerige boekwinkel instap dat Mia besef dis waar sy wil werk. Kort voor lank vind sy haar voete, én verloor sy haar hart.

Die laaste kanariegeel notaboek is die jongste roman uit die pen van blitsverkoperskrywer Anchien Troskie. Niks is ooit soos dit lyk op die oppervlak nie, besef ’n mens weer met die lees van hierdie aangrypende storie binne 'n storie.

Loss and life are the themes that weave through this tale of three generations of Muslim women living in suburban South Africa, originally published in 2011.

Khadeejah is a hard-working and stubborn first-generation Indian woman who longs for her beloved homeland and often questions what she is doing on the tip of Africa. At 37, her daughter Summaya is struggling to reconcile her South African and Indian identities, while Summaya’s own daughter, eleven-year-old Aneesa, is a girl who has some difficult questions of her own. Is her mother lying to her about her father’s death? Why won’t she tell her what really happened? Gradually, the past merges with the present as the novel meanders through their lives, uncovering the secrets people keep, the words they swallow, and the emotions they elect to mute.

For this family, faintly detectable through the sharp spicy aromas that find their way out of Khadeejah’s kitchen, the scent of tragedy is always threatening. Eventually, it will bring this family together. If not, it will tear them apart.