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Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
Hugh MacDiarmid (born Christopher Murray Grieve) is a huge, and still controversial, figure in modern Scottish literature. Called variously "the most important figure in Scottish life in the twentieth century" and "a symbol of all that's perfectly hideous in Scotland", his poetry is of historic, and national, significance. Alan Riach's SCOTNOTE study guide outlines MacDiarmid's life and work, providing an overview of the poet's beliefs, opinions and influences, for senior school pupils and students at all levels.
This study analyses the major poems of the World War I and brings into focus some of the more neglected voices of that conflict. It draws attention also to women poets of the period.
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
Discusses Orwell's writings from his first book, Down and Out In Paris and London, through his documentaries, novels and essays to his last major works - Animal Farm and Nineteen Eighty-Four.
The author's grasp of the vast, often obscure, but highly
interesting body of literature which emerged in the sixteenth to
nineteenth centuries commands the attention of a wide readership
outside purely academic boundaries. Stagl weaves together a series
of separate studies, emphasizing links between the figures, the
philosophies and the literature of early modern times; links which
have previously only been suspected.
From a devoted reader and lifelong bookseller, an eloquent and charming reflection on the singular importance of bookstores Do we need bookstores in the twenty-first century? If so, what makes a good one? In this beautifully written book, Jeff Deutsch-the director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world-pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts-perhaps audaciously-a future in which the bookstore not only endures, but realizes its highest aspirations. In exploring why good bookstores matter, Deutsch draws on his lifelong experience as a bookseller, but also his upbringing as an Orthodox Jew. This spiritual and cultural heritage instilled in him a reverence for reading, not as a means to a living, but as an essential part of a meaningful life. Central among Deutsch's arguments for the necessity of bookstores is the incalculable value of browsing-since, when we are deep in the act of looking at the shelves, we move through space as though we are inside the mind itself, immersed in self-reflection. In the age of one-click shopping, this is no ordinary defense of bookstores, but rather an urgent account of why they are essential places of discovery, refuge, and fulfillment that enrich the communities that are lucky enough to have them.
Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Gluck, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops a methodology he calls "botanical criticism" that aims to redress the lack of emphasis on plant life in studies of poetry. As a subset of ecocriticism, botanical criticism investigates how poets engage with plants literally and figuratively, materially and symbolically, in their works. Key themes covered in this volume include plants as invasives and weeds in human settings; as sources of physical and spiritual nourishment; as signifiers of region, home, and identity; as objects of aesthetics and objectivism; and, crucially, as beings with their own perspectives, voices, and modes of dialogue. Ryan demonstrates that poetic imagination is as essential as scientific rationality to elucidating and appreciating the mysteries of plant-being. This book will appeal to a multidisciplinary readership in the fields of ecocriticism, ecopoetry, environmental humanities, and ecocultural studies, and will be of interest to researchers in the emerging area of critical plant studies.
This collection examines new comic-book cultures, graphic writing, and bande dessinee texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts. The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape. This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.
With the "Tangentopoli" corruption scandals of the early 1990s, Italy is purported recently to have experienced a period of political change comparable to the period immediately following World War II. This latter being the socio-political environment in which the concept of "impegno" - political commitment - in literature became current, this work asks whether an equivalent moment of constitutional crisis in the 1990s has had a comparable impact on perceptions of the role of the writer and of literature in Italian society. This volume traces the development of "impegno" (political commitment) in post-war Italian prose literature using the metaphor of fragmentation: the monolithic notion of commitment to an overarching political agenda has splintered, facilitating a fragmentary attention to specific issues.Part One examines the early "impegno" debate through the critical works of Vittorini, Calvino and Pasolini, tracing it forward into the 1960s and 1970s. The remaining three parts study in detail the "fragments of impegno" offered by contemporary authors - Tabucchi, Ramondino, De Carlo, Tondelli, Ballestra, and African immigrant writers, including Fazel, Melliti and Methnani. This range of authors and texts illustrates the ways in which socio-political issues are explicitly or implicitly addressed, represented, or embedded in contemporary Italian literature.
This is a study of the noted newspaper proprietor, publisher and editor, George Newnes and his involvement in the so-called New Journalism in Britain from 1880 to 1910. The author examines seven of Newnes's most successful periodicals - Tit-Bits (1881), The Strand Magazine (1891), The Million (1892), The Westminster Gazette (1893), The Wide World Magazine (1898), The Ladies' Field (1898) and The Captain (1899) - from a biographical, journalistic and broader cultural perspective. Newnes assumed a pioneering role in the creation of the penny miscellany paper, the short-story magazine, the true-story magazine and the respectable boys' paper, in the development of colour printing, magazine illustration and photographic reproduction, and in the redefinition of both political and sporting journalism. His publications were shaped by his own distinctive brand of paternalism, his professional progression within the field of journalism, his liberal-democratic and imperialist beliefs, and his particular skill as an entrepreneur. This innovative periodical publisher utilised the techniques of personalised journalism, commercial promotion and audience targeting to establish an interactive relationship and a strong bond of identification with his many readers. Kate Jackson employs an interdisciplinary approach, building on recent scholarship in the field of periodical research, to demonstrate that Newnes balanced and synthesised various potentially conflicting imperatives to create a kind of synergy between business and benevolence, popular and quality journalism, old and new journalism and , ultimately, culture and profit.
This reference treats a broad range of individual poets and poems, along with many articles devoted to discrete topics, schools, or periods of American verse in the 20th century. Entries are divided into: poet entries - providing biographical and cultural contexts for the author's career, with critical evaluation of the most salient poems or volumes of verse in her/his development; entries on individual works - offering closer explication of the most resonant poems in the 20th-century canon; and topical entries - offering analyses of a given period of literary production such as the Harlem Renaissance, a formal rubric (Free Verse), a school or a distinctive mode of expression (Black Mountain School, Confessional Poetry), a more thematically constructed category (Gay and Lesbian Poetry), and other verse traditions that historically have been in dialogue with the poetry of the United States (Canadian Poetry, Caribbean Poetry).
Guy Butler was a substantial public figure in South Africa over the second half of the 20th century: professor, poet, playwright, autobiographer, historian, and cultural politician. Nevertheless, his is not a familiar name to the majority of South Africans and, where he is known, Butler remains a problematic figure. Author Chris Thurman's assessment of Butler's life and work also represents a response to life in South Africa preceding, during, and at the end of the apartheid era. The book is more than the study of one man, it is the examination of an era and the role of white, English-speaking liberals in South Africa. Guy Butler was seen as a 'grand old man' in South African literature rather than as a writer for a new generation of readers. Yet much of Butler's work was, and still is, subversive and intellectually compelling with an enduring literary value. His response to the South African situation presents readers with a challenge to acknowledge frankly those elements in his oeuvre that distance him from us, without losing sight of the significance it holds. This book makes use of Butler's private correspondence and unpublished archive material, combining biographical insight with criticism of his publications in various genres to offer a balanced explication of his life and work.
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