The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the novelist Virginia Woolf.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This first volume of a set covers the works of Irish writer, James Joyce between 1907-1927.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the Irish writer, James Joyce.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the English novelist, George Orwell.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers English novelist Evelyn Waugh.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the English novelist W. Somerset Maugham.

This individual volume covers American novelist Mark Twain. The 42 volumes that comprise the series covering 19th and 20th-century European and American authors are available as a complete set, mini boxed sets (by theme) or as individual volumes. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

This individual volume covers American novelist John Dos Passos. The 42 volumes that comprise the series covering 19th and 20th-century European and American authors are available as a complete set, mini boxed sets (by theme) or as individual volumes. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

The "Collected Critical Heritage II" series comprises 40 volumes covering 19th and 20th century European and American authors. These volumes are available as a complete set, mini box sets (by theme) or as individual volumes. The series gathers together a large body of critical figures in literature. These sources include contemporary reviews from both popular and literary media. In these students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers, or what Ibsen's "Doll's House" meant to the early women's movement. The series also includes little-published documentary material such as diaries and correspondence - often between authors and their publishers and critics - and significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time. This volume is devoted to William Carlos Williams

The second volume of two covering the novelist T.S. Eliot whose writings include: "Prufrock and other Observations", "The Wasteland" and "Murder in the Cathedral". The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

Thomas Molnar's "Bernanos "is an illuminating study of the personal evolution of the French Catholic novelist Georges Bernanos from a reactionary royalist to a religiously principled anti-fascist. It also provides a detailed account of the intellectual divisions within the French Catholic Right and suggests a number of parallels with intellectual and literary figures on the secular and religious left including Zola, Peguy, and Simone Weil. But, as Molnar points out, the significance of Bernanos is not exhausted by his writings. Bernanos the man is as deserving of attention as is Bernanos the novelist, essayist, and social critic.

Molnar shows Bernanos against the troubled political-religious background of modern France: the Dreyfus case, the disillusionment following World War I, the Franco regime, Vichy, and the beginnings of the cold war. Whatever touched France touched Bernanos, and he flung himself into each crisis, not armed with a political system nor an academically sanctioned philosophy, but with a peasant's respect for what is and a Christian's sense of what might be. The portrait that Molnar draws is that of a passionately concerned Christian who knows that truth is hard to come by, but who is ready to follow it wherever it leads, regardless of the consequences.

A crucial theme covered by Molnar is Bernanos' long and conflicted relations with Charles Maurras and the "Action Francaise. "He makes clear the extent to which Bernanos' fervent Catholicism set him apart from Maurras whose positivistic inspiration and passion for order helped lay the groundwork for the political collapse that led to the Vichy regime. Thomas Molnar's book is a fascinating account of Georges Bernanos' stature as both a political thinker and an important novelist. "Bernanos "will be enjoyed by historians, political scientists, philosophers, theologians, and scholars of literature.

The first volume of two covering the novelist T.S. Eliot whose writings include: "Prufrock and other Observations", "The Wasteland" and "Murder in the Cathedral". The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media.

This book explores responses to the strangeness and pleasures of modernism and modernity in four commercial British women's magazines of the interwar period. Through extensive study of interwar Vogue (UK), Eve, Good Housekeeping (UK), and Harper's Bazaar (UK), Wood uncovers how modernism was received and disseminated by these fashion and domestic periodicals and recovers experimental journalism and fiction within them by an array of canonical and marginalized writers, including Storm Jameson, Rose Macaulay, Gertrude Stein, and Virginia Woolf. The book's analysis is attentive to text and image and to interactions between editorial, feature, and advertising material. Its detailed survey of these largely neglected magazines reveals how they situated radical aesthetics in relation to modernity's broader new challenges, diversions, and opportunities for women, and how they approached high modernist art and literature through discourses of fashion and celebrity. Modernism and Modernity in British Women's Magazines extends recent research into modernism's circulation through diverse markets and publication outlets and adds to the substantial body of scholarship concerned with the relationship between modernism and popular culture. It demonstrates that commercial women's magazines subversively disrupted and sustained contemporary hierarchies of high and low culture as well as actively participating in the construction of modernism's public profile.

A fascinating journey into the life of H.G. Wells, from one of Britain's best biographers How did the first forty years of H. G. Wells' life shape the father of science fiction? From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his twenties and thirties, his complicated marriages, and love affair with socialism, the first forty years of H. G. Wells' extraordinary life would set him on a path to become one of the world's most influential writers. The sudden success of The Time Machine and The War of The Worlds transformed his life and catapulted him to international fame; he became the writer who most inspired Orwell and countless others, and predicted men walking on the moon seventy years before it happened. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other, driven by curiosity and desiring reform, a socialist and a futurist whose new and imaginative worlds continue to inspire today. 'The finest of biographers' Hilary Mantel 'A most intelligent and sympathetic biographer' Daily Telegraph 'One of the best biographers of her generation' Guardian

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. "The Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the American poet, Walt Whitman.

'An intimate portrait ... Critical, generous and heartfelt' Ahdaf Soueif, Guardian 'An intriguing account of an alluring but evasive character' Daily Telegraph Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life. Places of Mind charts the intertwined routes of Said's intellectual development, revealing him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences of Said's thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said turned these resources into a groundbreaking counter-tradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, Places of Mind captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.

This book, originally published in 1955 and reissued in 1973, is a study of the flourishing of an ancient literary form which had only recently been recognized and systematically studied as a proper genre - utopian fiction. Beginning with the imaginary journeys of writers like H. G. Wells at the end of the nineteenth century, Professor Gerber traces the evolving themes and forms of the genre through their culmination in the sophisticated nightmares of Aldous Huxley and George Orwell. It is a two-fold transformation: On the one hand, the optimism of social reformers whose visions of the future were nurtured by the theories of Darwin and the triumph of science and industry gradually gives way to the pessimism of moral philosophers alarmed at the power science and technology have put at the disposal of totalitarian rulers. On the other hand, the earlier writers' dependence on framing and distancing devices for their stories and heavy emphasis on technical details give way to the subtlety of complex psychological novels whose artistry makes the reader a citizen of the tragic worlds depicted.

This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies. Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including: a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one's 'negative' emotions; and the endorsement of choice as a primary marker of women's empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women's vulnerability to male violence.

In this book, Margaret Atwood's dystopian novels-The Handmaid's Tale, The MaddAddam trilogy, The Heart Goes Last and The Testaments-are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched and explored in almost every intellectual field. My book is aimed at world-wide readers, not only those interested in Margaret Atwood's oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, post-graduates, researchers, and college students in general.

1) This book presents a comprehensive account of the eminent Bengali writer and activist, the Ramon Magsaysay Awardee Mahasweta Devi's oeuvre in its full range and versatility. 2) It draws attention to Devi's role as a woman writer with a difference and her image outside Bengal. 3) This book will be of interest to departments of South Asian Literature and Cultural studies across UK.

"The Confessions of the Critics" shatters a certain silence. Autobiographical criticism has until now skated relatively free from the challenges that usually assail a new literary critical method. It has had this immunity from critique largely because feminists and third-world liberation fighters--such as Alice Walker, Adrienne Rich and Jane Gallop--ushered it to the North American academic stage. Other women and men, including Rigoberta Menchu, Nawal al-Sadawi, Mahasweta Devi and Malcolm X, wrote in the tradition and genre of "testimonio." These and other unimpeachably militant backgrounds gave confessional criticism a certain cache among the largely liberal community of literary scholars. We have hesitated to express misgivings about a form that seemed intrinsically tied to the most vital, powerful strivings.
"Telling stories about one's own past is probably our culture's richest way of characterizing the effects of social injustice and developing what it takes to resist various kinds of victimage," writes contributor Charles Altieri. "Confessions of the Critics" provides a revealing look into the thoughts and experiences of some of the most influential and important critics of the 20th century. The writers included avoid pretention and gross self-misrepresentation, giving way to raw, sometimes embarrassing, always wholly believable emotion. Describing cumulative literary shocks and episodes of self-recognition, contributors offer insights to their ruling passions and works. Powerful sensations, emotions, recognitions and revelations make up the heart of "Confessions of the Critics." It is a book that none will put aside or easily forget.
Contributors: Charles Altieri, William Andrews, Michael F. Berube, Timothy Brennan, Gillian Brown, Cathy Davidson, Elizabeth Fox-Genovese, Diane Freedman, Marjorie Garber, Gerald Graff, Stephen J. Greenblatt, Michael Hill, Marianne Hirsch, Alice Yeager Kaplan, AmitavaKumar, Candace Lang, Louis Menand, Judith Lowder Newton, Linda Orr, Vincent Pecora, David Simpson, Gayatri Chakravorty Spivak, Madelon Sprengnether, Jane Tompkins, Marianna Torgovnick, H. Aram Veeser, Jeffrey Williams, Elizabeth Young-Bruehl.

Steven Connor provides in-depth analyses of the novel and its relationship with its own form, with contemporary culture and with history. He incorporates an extensive and varied range of writers in his discussions such as
* George Orwell
* William Golding
* Angela Carter
* Doris Lessing * Timothy Mo
* Hanif Kureishi
* Marina Warner
* Maggie Gee
Written by a foremost scholar of contemporary culture and theory, The English Novel in History, 1950 to the Present offers not only a survey but also a historical and cultural context to British literature produced in the second half of this century.

This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.

"The Critical Heritage" series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. "The Critical Heritage" is available as a set of 67 volumes and the series is also available in mini-sets selected by period (in slipcase boxes) or as individual volumes.