How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.

The involvement of the United States in the Vietnam War has been the most polarizing issue within post-war American history. It was divisive at the time, both domestically and internationally, and debates continue to the present day. At the heart of the disputes has always been the question of 'failure' - why was the United States unable to achieve its objectives? Was failure inherent in the decision to go to war? Was it inherently an unwinnable war, or was failure the result of inept strategy, poor leadership, and a biased media? In Vietnam, Gary R. Hess describes and evaluates the main arguments of scholars, participants, and journalists, both revisionist and orthodox in their approach, as they consider why the United States was unable to achieve its objectives. While providing a clear and well-balanced account of existing historical debate, Hess also offers his own interpretation of the events and opens a dialogue about the usefulness of historical argument in reaching a deeper understanding of the conflict. This concise book is essential reading for students and teachers of the Vietnam War as both a clear and well-balanced account of existing historical debate and a thought-provoking look at the future of historical scholarship.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

Featuring modern portraits and first-hand accounts, this book offers a unique perspective on the Vietnam War, bringing together the stories of American Vietnam war veterans, southern Vietnamese war veterans and civilians. The surreal imagery of Thomas Sanders' vivid portraits encourages the viewer to take a closer look at those who experienced the war, giving them a chance to read the haunting, inspirational, and sometimes comical stories of the individuals of the Vietnam War. Set in a surreal jungle environment, the portraits evoke the sense of darkness and uncertainty felt by those who experienced the war. Some of the portraits hold objects that relate to their role or experience during their time in the service. The objects tell a deeper story of a dark and confusing war: the common cigarette pack smoked by the vets while in the jungle; a homemade grenade made by the northern Vietnamese; and a "order to report" document - a piece of paper that changed many a life. Vietnam Portraits serves as a form of catharsis for the many people involved in the Vietnam War and honours them by giving them an opportunity to tell their story, bearing witness to their service, their experiences and the aftermath.

From "Library Journal"At long last, the familiar and overused photographs of the "Day of Infamy" can be retired. The 430 prints in this new and welcome collection were gathered from various Japanese and U.S. sources, and most have never been seen by the general public. The majority were taken during the height of the air raid itself, many from Japanese cockpits. Along with numerous maps and sketches, they are arranged according to the various phases of the battle and are supplemented with commentary by two of Gordon Prange's coauthors (Goldstein and Katherine V. Dillon). The overall effect is to give the reader an uncanny sense of being present at the battle. This book will make a wonderful companion piece to Prange's now-classic "At Dawn We Slept,"

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.

"Hunt deliciously complicates the history of the 1960s by introducing a protest element not bound to college campuses or the counterculture. . . . It is a disturbing story, one that Hunt tells well."
--"Choice"

"All students of the concluding years of America's longest war should be grateful to Andrew Hunt for the clarity and grace with which he has told V.V.A.W.'s story."
--"Canadian Journal of History"

"This extraordinary and deeply moving history explodes all the encrusted stereotypes of GIs on one side of the barricades and anti-war protestors on the other. At along last we can again hear the voices of the thousands of courageous veterans who refused to be silent about the immoral war in Indochina."
"--Mike Davis, author of City of Quartz"

"A splendid addition to the growing literature on Vietnam veterans and their experiences during and after the war. Hunt's complex and moving history is a vital corrective to accounts which equate the anti-war movement with student activists as well as to those who persist in seeing veterans as passive victims."
"--Marilyn B. Young, author of The Vietnam Wars"

"Explodes one of the most persistent and pernicious myths attached to the 1960s: that the anti-war movement was anti-GI and anti-veteran. How could that be, when, as Hunt shows, many of the most committed and eloquent opponents of the Vietnam war were themselves veterans of the conflict in Southeast Asia. The Vietnam Veterans Against the War were heroes then, and they deserve to be remembered as heroes today."
"--Maurice Isserman, Hamilton College"

"For all kinds of veterans of the Sixties era, this book offers powerful testimony on the meaning of patriotismand moral courage. For younger people, whose images of the Sixties are often caught in the caricatures of the mass media, Hunt's sophisticated account of veterans' anti-war protest evokes new understanding, and I think, hard questions about a difficult time."
"--David Farber, author of The Age of Great Dreams"

The anti-Vietnam War movement in the United States is perhaps best remembered for its young, counterculture student protesters. However, the Vietnam War was the first conflict in American history in which a substantial number of military personnel actively protested the war while it was in progress.

In The Turning, Andrew Hunt reclaims the history of the Vietnam Veterans Against the War (VVAW), an organization that transformed the antiwar movement by placing Vietnam veterans in the forefront of the nationwide struggle to end the war. Misunderstood by both authorities and radicals alike, VVAW members were mostly young men who had served in Vietnam and returned profoundly disillusioned with the rationale for the war and with American conduct in Southeast Asia. Angry, impassioned, and uncompromisingly militant, the VVAW that Hunt chronicles in this first history of the organization posed a formidable threat to America's Vietnam policy and further contributed to the sense that the nation was under siege from within.

Based on extensive interviews and in-depth primary research, including recently declassified government files, The Turning is a vivid history of the men who risked censures, stigma, even imprisonment for a cause they believed to be "an extended tour of duty."

The Vietnam War examines this conflict from its origins up until North Vietnam's victory in 1975. Historian Mitchell K. Hall's lucid account is an ideal introduction to the key debates surrounding a war that remains controversial and disputed in American scholarship and collective memory. The new edition has been fully updated and expanded to include additional material on the preceding French Indochina War, the American antiwar movement, North Vietnamese perspectives and motivations, and the postwar scholarly debate. The text is supported by a documents section and a wide range of study tools, including a timeline of events, glossaries of key figures and terms, and a rich "further reading" section accompanied by a new bibliographical essay. Concise yet comprehensive, The Vietnam War remains the most accessible and stimulating introduction to this crucial 20th-century conflict.

In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters-sometimes facilitated and sometimes banned by the US military command-restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.

A riveting historical narrative of the shocking events surrounding the assassination of John F. Kennedy, and the follow-up to mega-bestselling author Bill O'Reilly's "Killing Lincoln"

More than a million readers have thrilled to Bill O'Reilly's "Killing Lincoln," the page-turning work of nonfiction about the shocking assassination that changed the course of American history. Now the anchor of "The O'Reilly Factor "recounts in gripping detail the brutal murder of John Fitzgerald Kennedy--and how a sequence of gunshots on a Dallas afternoon not only killed a beloved president but also sent the nation into the cataclysmic division of the Vietnam War and its culture-changing aftermath.

In January 1961, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while he learns the hardships, solitude, and temptations of what it means to be president of the United States. Along the way he acquires a number of formidable enemies, among them Soviet leader Nikita Khrushchev, Cuban dictator Fidel Castro, and Alan Dulles, director of the Central Intelligence Agency. In addition, powerful elements of organized crime have begun to talk about targeting the president and his brother, Attorney General Robert Kennedy.

In the midst of a 1963 campaign trip to Texas, Kennedy is gunned down by an erratic young drifter named Lee Harvey Oswald. The former Marine Corps sharpshooter escapes the scene, only to be caught and shot dead while in police custody.

The events leading up to the most notorious crime of the twentieth century are almost as shocking as the assassination itself. "Killing Kennedy" chronicles both the heroism and deceit of Camelot, bringing history to life in ways that will profoundly move the reader. This may well be the most talked about book of the year.

Over the eight years of the Vietnam War, US forces used three major types of equipment sets, with numerous modifications for particular circumstances. Different equipments were also used by Special Forces, the South Vietnamese, and other allied ground troops. Vietnam War US & Allied Combat Equipments offers a comprehensive examination of the gear that US and allied soldiers had strapped around their bodies, what they contained, and what those items were used for. Fully illustrated with photographs and artwork detailing how each piece of equipment was used and written by a Special Forces veteran of the conflict, this book will fascinate enthusiasts of military equipment and will be an ideal reference guide for re-enactors, modellers and collectors of Vietnam War memorabilia.

"A GRIPPING CLASSIC. Exhaustively researched, The Hunter Killers puts you directly into a Wild Weasel fighter cockpit during the Vietnam War. Dan Hampton lets you feel it for yourself as no one else could."--Colonel LEO THORSNESS, Wild Weasel pilot and Medal of Honor recipient At the height of the Cold War, America's most elite aviators bravely volunteered for a covert program aimed at eliminating an impossible new threat. Half never returned. All became legends. From New York Times bestselling author Dan Hampton comes one of the most extraordinary untold stories of aviation history. Vietnam, 1965: On July 24 a USAF F-4 Phantom jet was suddenly blown from the sky by a mysterious and lethal weapon-a Soviet SA-2 surface-to-air missile (SAM), launched by Russian "advisors" to North Vietnam. Three days later, six F-105 Thunderchiefs were brought down trying to avenge the Phantom. More tragic losses followed, establishing the enemy's SAMs as the deadliest anti-aircraft threat in history and dramatically turning the tables of Cold War air superiority in favor of Soviet technology. Stunned and desperately searching for answers, the Pentagon ordered a top secret program called Wild Weasel I to counter the SAM problem-fast. So it came to be that a small group of maverick fighter pilots and Electronic Warfare Officers volunteered to fly behind enemy lines and into the teeth of the threat. To most it seemed a suicide mission-but they beat the door down to join. Those who survived the 50 percent casualty rate would revolutionize warfare forever. "You gotta be sh*#@ing me!" This immortal phrase was uttered by Captain Jack Donovan when the Wild Weasel concept was first explained to him. "You want me to fly in the back of a little tiny fighter aircraft with a crazy fighter pilot who thinks he's invincible, home in on a SAM site in North Vietnam, and shoot it before it shoots me?" Based on unprecedented firsthand interviews with Wild Weasel veterans and previously unseen personal papers and declassified documents from both sides of the conflict, as well as Dan Hampton's own experience as a highly decorated F-16 Wild Weasel pilot, The Hunter Killers is a gripping, cockpit-level chronicle of the first-generation Weasels, the remarkable band of aviators who faced head-on the advanced Soviet missile technology that was decimating fellow American pilots over the skies of Vietnam.

Despite all that has been written about Vietnam, the story of the 1-A-O conscientious objector, who agreed to put on a uni-form and serve in the field without weapons rather than accept alternative service outside the military, has received scarce atten-tion. This joint memoir by two 1-A-O combat medics, James C. Kearney and William H. Clamurro, represents a unique approach to the subject. It is a blend of their personal narratives—with select Vietnam poems by Clamurro—to illustrate noncombatant objection as a unique and relatively unknown form of Vietnam War protest. Both men initially met during training and then served as frontline medics in separate units “outside the wire� in Vietnam. Clamurro was assigned to a tank company in Tay Ninh province next to the Cambodian border, before reassignment to an aid station with the 1st Air Cavalry. Kearney served first as a medic with an artillery battery in the 1st Infantry Division, then as a convoy medic during the Cambodian invasion with the 25th Infantry Division, and finally as a Medevac medic with the 1st Air Cavalry. In this capacity Kearney was seriously wounded during a “hot hoist� in February 1971 and ended up being treated by his friend Clamurro back at base. Because of their status as “a new breed of conscientious objector�—i.e., more political than religious in their convictions—the authors’ experience of the Vietnam War differed fundamentally from that of their fellow draftees and contrasted even with the great majority of their fellow 1-A-O medics, whose conscientious objector status was largely or entirely faith-based.

On the evening of July 11, 1967, a Navy surveillance aircraft spotted a suspicious trawler in international waters heading toward the Quang Ngai coast of South Vietnam. While the ship tried to appear innocuous on its deck, Saigon quickly identified it as an enemy gunrunner, codenamed Skunk Alpha. A four-seaborne intercept task force was established and formed a barrier inside South Vietnam’s twelve-mile territorial boundary. As the enemy ship ignored all orders to surrender and neared the Sa Ky River at the tip of the Batangan Peninsula, Swift Boat PCF-79 was ordered to take the trawler under fire. What followed was ship-to-ship combat action not seen since World War II. Capturing Skunk Alpha relates that breathtaking military encounter to readers for the first time. But Capturing Skunk Alpha is also the tale of one sailor’s journey to the deck of PCF-79. Two years earlier, Raúl Herrera was growing up on the west side of San Antonio, Texas, when he answered the call to duty and joined the US Navy. Raúl was assigned to PCF Crew Training and joined a ragtag six-man Swift Boat crew with a mission to prevent the infiltration of resupply ships from North Vietnam. The brave sailors who steered into harm’s way in war-torn Vietnam would keep more than ninety tons of ammunition and supplies from the Viet Cong and NVA forces. The Viet Cong would post a bounty on PCF-79; Premier Nguyễn Cao Kỳ and Chief of State Nguyễn Văn Thiệu would congratulate and decorate them for their heroism. Capturing Skunk Alpha provides an eyewitness account of a pivotal moment in Navy operations while also chronicling one sailor’s unlikely journey from barrio adolescence to perilous combat action on the high seas. 

Did America's departure from Vietnam produce the "peace with honor" promised by President Richard Nixon or was that simply an empty wish meant to distract war-weary Americans from a tragic "defeat with shame"? While James Willbanks doesn't offer any easy answers to that question, his book convincingly shows why America's strategy for exiting the Vietnam War failed miserably and left South Vietnam to a dismal fate.

That strategy, "Vietnamization," was designed to transfer full responsibility for the defense of South Vietnam to the South Vietnamese, but in a way that would buy the United States enough time to get out without appearing to run away. To achieve this goal, America poured millions of dollars into training and equipping the South Vietnamese military while attempting to pacify the countryside. Precisely how this strategy was implemented and why it failed so completely are the subjects of this eye-opening study.

Drawing upon both archival research and his own military experiences in Vietnam, Willbanks focuses on military operations from 1969 through 1975. He begins by analyzing the events that led to a change in U.S. strategy in 1969 and the subsequent initiation of Vietnamization. He then critiques the implementation of that policy and the combat performance of the South Vietnamese army (ARVN), which finally collapsed in 1975.

Willbanks contends that Vietnamization was a potentially viable plan that was begun years too late. Nevertheless some progress was made and the South Vietnamese, with the aid of U.S. advisers and American airpower, held off the North Vietnamese during their massive offensive in 1972. However, the Paris Peace Accords, which left NVA troops in the south, and the subsequent loss of U.S. military aid negated any gains produced through Vietnamization. These factors coupled with corruption throughout President Thieu's government and a glaring lack of senior military leadership within the South Vietnamese armed forces ultimately led to the demise of South Vietnam.

A mere two years after the last American combat troops had departed, North Vietnamese tanks rolled into Saigon, overwhelming a poorly trained, disastrously led, and corrupt South Vietnamese military. But those two years had provided Nixon with the "decent interval" he desperately needed to proclaim that "peace with honor" had been achieved. Willbanks digs beneath that illusion to reveal the real story of South Vietnam's fall.

The Vietnam War examines this conflict from its origins up until North Vietnam's victory in 1975. Historian Mitchell K. Hall's lucid account is an ideal introduction to the key debates surrounding a war that remains controversial and disputed in American scholarship and collective memory. The new edition has been fully updated and expanded to include additional material on the preceding French Indochina War, the American antiwar movement, North Vietnamese perspectives and motivations, and the postwar scholarly debate. The text is supported by a documents section and a wide range of study tools, including a timeline of events, glossaries of key figures and terms, and a rich "further reading" section accompanied by a new bibliographical essay. Concise yet comprehensive, The Vietnam War remains the most accessible and stimulating introduction to this crucial 20th-century conflict.

1970 - the height of the Vietnam War. A group of young Forward Air Controllers based in Thailand are assigned with supporting the Truck War and the People's War in southern Laos, where the fate of the Vietnam War, and Laos' very future, is being decided. Tasked with shutting down the Ho Chi Minh Trail - the North Vietnamese supply lines running into South Vietnam - literally stopping the constant stream of trucks in their tracks, these American airmen, call sign "Nail," fly missions 24 hours a day. Daily they run the gauntlet of intense anti-aircraft fire to bring in accurate attacks by American fighter bombers. At night, streams of red tracers scream up from the ground, seeking the metallic flesh of their fragile craft. During the day, they search the skies for the telltale black puffs of smoke that reveal the self-destructive warheads of the North Vietnamese gunners. Even when tragedy befalls the group, they perserve with their mission. But will courage and dedication be enough?

More than half a million copies of "Chickenhawk" have been sold since it was first published in 1983. Now with a new afterword by the author and photographs taken by him during the conflict, this straight-from-the-shoulder account tells the electrifying truth about the helicopter war in Vietnam. This is Robert Masonas astounding personal story of men at war. A veteran of more than one thousand combat missions, Mason gives staggering descriptions that cut to the heart of the combat experience: the fear and belligerence, the quiet insights and raging madness, the lasting friendships and sudden deathathe extreme emotions of a achickenhawka in constant danger.