The Battle of An Loc was one of the bloodiest battles in the Vietnam War and a defining moment in the history of the Republic of South Vietnam. A few square blocks tucked among vast rubber tree plantations, the provincial town was thought to be of little strategic value to the North Vietnamese. Yet for 66 days in 1972, it was the scene of savage house-to-house street fighting as artillery and mortar fire pounded the town daily until almost nothing was left standing. Facing three North Vietnamese infantry divisions, General Le Van Hyng defended the town with 7,500 men, vowing to "die with An Loc". A decisive victory for the South Vietnamese, the battle came at a time when the United States had begun pulling out of Vietnam and few American troops were on the ground. No foreign reporters were on hand and the action was ignored or misreported by the world press. This book tells the story of An Loc from the unique perspective of an officer who shared a bunker with the general during the fight.

Britain's peacekeeping role in Southeast Asia after World War II was clear enough but the Commonwealth's purpose in the region later became shadowy. British involvement in the wars fought in Vietnam between 1946 and 1975 has been the subject of a number of books-most of which focus on the sometimes clandestine activities of politicians-and unsubstantiated claims about British support for the United States' war effort have gained acceptance. Drawing on previously undiscovered information from Britain's National Archives, this book discusses the conduct of the wars in Vietnam and the political ramifications of UK involvement, and describes Britain's actual role in these conflicts: supplying troops, weapons and intelligence to the French and U.S. governments while they were engaged in combat with Ho Chi Minh's North Vietnamese.

Peace in the Mountains analyzes student activism at the University of Pittsburgh, Ohio University, and West Virginia University during the Vietnam War era. Drawing from a wide variety of sources including memoirs, periodicals, archival manuscript collections, and college newspapers such as The Pitt News, author Thomas Weyant tracks the dynamics of a student-led campus response to the war in real time and outside the purview of the national media. Along the way, he musters evidence for an emerging social and political conscience among the student bodies of northern Appalachia, citing politics on campus, visions of patriotism and dissent, campus citizenship, antiwar activism and draft resistance, campus issues, and civil rights as major sites of contention and exploration.Through this regional chronicle of student activism during the Vietnam War era, Weyant holds to one reoccurring and unifying theme: citizenship. His account shows that political activism and civic engagement were by no means reserved to students at elite colleges; on the contrary, Appalachian youth were giving voice to the most vexing questions of local and national responsibility, student and citizen identity, and the role of the university in civil society. Rich in primary source material from student op-eds to administrative documents, Peace in the Mountains draws a new map of student activism in the 1960s and early 1970s. Weyant's study is a thoughtful and engaging addition to both Appalachian studies and the historiography of the Vietnam War era and is sure to appeal not only to specialists-Appalachian scholars, political historians, political scientists, and sociologists-but to college students and general readers as well.

Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam--the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation's most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in just three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider's perspective, this book tells the complete story of the memorial's creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.

Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. While popular memory of the Vietnam War centers on the combat moment, refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism; the treacherous and mysterious dragon lady, who served as a metaphor for Vietnamese women and South Vietnam; the John Wayne figure, entrusted with the duty of protecting civilization from savagery; and the gentle warrior, whose humanitarian efforts were intended to win the favor of the South Vietnamese. Heather Stur also examines the ways in which ideas about masculinity shaped the American GI experience in Vietnam and, ultimately, how some American men and women returned from Vietnam to challenge homefront gender norms.

Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. While popular memory of the Vietnam War centers on the combat moment, refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism; the treacherous and mysterious dragon lady, who served as a metaphor for Vietnamese women and South Vietnam; the John Wayne figure, entrusted with the duty of protecting civilization from savagery; and the gentle warrior, whose humanitarian efforts were intended to win the favor of the South Vietnamese. Heather Stur also examines the ways in which ideas about masculinity shaped the American GI experience in Vietnam and, ultimately, how some American men and women returned from Vietnam to challenge homefront gender norms.

Professor Havens analyzes the efforts of Japanese antiwar organizations to portray the war as much more than a fire across the sea" and to create new forms of activism in a country where individuals have traditionally left public issues to the authorities. This path-breaking study examines not only the methods of the protesters but the tightrope dance performed by Japanese officials forced to balance outspoken antiwar sentiment with treaty obligations to the U.S.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ho Chi Minh is one of the towering figures of the twentieth century, considered an icon and father of the nation by many Vietnamese. Pierre Brocheux's biography of Ho Chi Minh is a brilliant feat of historical engineering. In a concise and highly readable account, he negotiates the many twists and turns of Ho Chi Minh's life and his multiple identities, from impoverished beginnings as a communist revolutionary to his founding of the Indochina Communist Party and the League for the Independence of Vietnam, and ultimately to his leadership of the Democratic Republic of Vietnam and his death in 1969. Biographical events are adroitly placed within the broader historical canvas of colonization, decolonization, communism, war, and nation building. Brocheux's vivid and convincing portrait of Ho Chi Minh goes further than any previous biography in explaining both the myth and the man, as well as the times in which he was situated.

They were outnumbered and underrated. They were fresh from the training fields in America and ordered to fight an enemy that had rewritten the book of war and brutally controlled a continent and the air above it. But the men of the 56th fighter group had courage and, more importantly, they had the P-47 Thunderbolt.

This is the incredible story of the U.S. 56th Fighter Group as told by one of its best pilots, Robert S. Johnson, who would rack up a score of twenty-eight kills against the Luftwaffe and become one of America¹s top aces‹one of a special breed of men who changed the course of history.

Outspoken, professional and fearless, Lt.Col.John Paul Vann went to Vietnam in 1962, full of confidence in America's might and right to prevail. He was soon appalled by the South Vietnamese troops' unwillingness to fight, by their random slaughter of civilians and by the arrogance and corruption of the US military. He flouted his supervisors and leaked his sharply pessimistic - and, as it turned out, accurate - assessments to the US press corps in Saigon. Among them was Sheehan, who became fascinated by the angry Vann, befriended him and followed his tragic and reckless career.

History. Cartoons. Asian American Studies. Originally published in Japanese in San Francisco in 1931, "The Four Immigrants Manga" is Henry Kiyama's visual chronicle of his immigrant experience in the United States. Drawn in a classic gag-strip comic-book style, this heartfelt tale -- rediscovered, translated, and introduced by manga expert Frederick L. Schodt -- is a fascinating, entertaining depiction of early Asian American struggles.

This collection of photographs offers a glimpse into what it was like for a soldier to fight and live in the jungles of Vietnam. All aspects are covered here: weapons, from M-16 machine guns to grenades; uniforms, including boots, headgear, and wet-weather gear; equipment, such as rucksacks and binoculars; rations; ground vehicles like jeeps, armoured personnel carriers, and tanks; aerial vehicles like helicopters and troop transports; terrain and jungle conditions; conditions in camp; the effects of combat; leisure time activities like drinking and smoking; USO performances; and Vietnamese civilians. Most of the photos are colour, and most of them come from private collections and have never been published before. Complementing the photos, in addition to captions, are anecdotes from the men who served in Vietnam, who knew the "bloody jungle" firsthand. This is a unique look at a war that looms large in recent history.

Although the Paris Peace Accords ended direct United States military involvement in Vietnam on January 27, 1973, the process of withdrawal lasted over three years. This illuminating volume chronicles this withdrawal, its background, and its impact through a combination of official history and first-person accounts from key players at every level. Brief historical narratives join recollections from U.S. servicemen and support staff, North and South Vietnamese soldiers, and such notable figures as Henry Kissinger, Alexander Haig and Richard Nixon to reveal the human story behind the history. With a biographical dictionary summarising the lives of important individuals mentioned in the text, a glossary of unusual terms and acronyms, and an analysis of the war casualties under each U.S. president, this volume provides a singular perspective on the Vietnam War's denouement.

This is our moment. This is our time, Barack Obama declared in his victory speech on November 4, 2008. Such a moment is an opportunity to explore who we are, where we've been, and what the emergence of a leader like Obama can tell us about our culture, our politics, and our future. In "What Obama Means", Jabari Asim, author of the acclaimed "The N Word", provides the context needed to understand what the Obama presidency means to people of all backgrounds. Asim moves easily from the contemporary to the historical, showing how performers and athletes, such as Michael Jackson and Michael Jordan, laid the groundwork for Obama as much as did leaders such as Frederick Douglass, W. E. B. DuBois, and Martin Luther King Jr. He examines the impact of Sidney Poitier (whose "Guess Who's Coming to Dinner" could have been the story of the president's parents) and how the actor's navigation of Hollywood was a forerunner for Obama's own path in wooing America's white voters. Asim places Obama within the history of the black rhetorical tradition, alongside such figures as James Baldwin, Fannie Lou Hamer, and Barbara Jordan. He also describes how the 'Obama phenomenon' grew from the ground up, focusing on the people who caught on even before their leaders did. He demonstrates how Obama turned the old civil-rights model of African American leadership on its head, and shows that Obama's election is evidence of the progress that has been made in healing wounds and broadening America's concept of leadership and inspiration.

In the course of his forty-year-career as one of America's most admired journalists, Robert Scheer's work has been praised by Gore Vidal, Susan Sontag, and Joan Didion, who deems him "one of the best reporters of our time." Now, Scheer brings a lifetime of wisdom and experience to one of the most overlooked and dangerous issues of our time - the destructive influence of America's military-industrial complex.
Scheer examines the expansion of our military presence throughout the world, our insane nuclear strategy, the immorality of corporations profiting in Iraq, and the arrogance of our foreign policy. Although Scheer is a liberal, his view echoes that of former Republican president General Dwight Eisenhower, who, in his farewell speech to the American people, spoke prophetically about need to guard against the growing influence of the military-industrial complex. In George W. Bush's America, politicians like Ike and Richard Nixon seem like prudent centrists.
The views of libertarians, liberals, and pacifists are often overlooked or ignored by America's mainstream media. "The Pornography of Power" is the culmination of a respected journalist's efforts to change the terms of debate. At a time when many are exploiting fears of terrorist attacks and only a few national leaders are willing to advocate cuts in defense spending, nuclear disarmament, and restrained use of American force, Robert Scheer has written a manifesto for enlightened reform.

No Wider War is the second volume of a two-part exploration of America's involvement in Indochina from the end of World War II to the Fall of Saigon. Following on from the first volume, In Good Faith, which told the story from the Japanese surrender in 1945 through America's involvement in the French Indochina War and the initial advisory missions that followed, it traces the story of America's involvement in the Vietnam War from the first Marines landing at Da Nang in 1965, through the traumatic Tet Offensive of 1968 and the gradual Vietnamisation of the war that followed, to the withdrawal of American forces and the final loss of the South in 1975. Drawing on the latest research, unavailable to the authors of the classic Vietnam histories, including recently declassified top secret National Security Agency material, Sergio Miller examines in depth both the events and the key figures of the conflict to present a masterful narrative of America's most divisive war.

The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Studies took jobs in the burgeoning post-war structure of university-based military research and intelligence agencies, bringing large infusions of government money into many fields. The essays in this text explore what happened to the university in these years and why. They show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos, and discuss the rise of new fields, such as area studies, and the changing nature of dissent and academic freedom during and since the Cold War.

This book considers the Vietnam war in light of U.S. foreign policy in Vietnam, concluding that the war was a direct result of failed state-building efforts. This U.S. nation building project began in the mid-1950s with the ambitious goal of creating a new independent, democratic, modern state below the 17th parallel. No one involved imagined this effort would lead to a major and devastating war in less than a decade. Carter analyzes how the United States ended up fighting a large-scale war that wrecked the countryside, generated a flood of refugees, and brought about catastrophic economic distortions, results which actually further undermined the larger U.S. goal of building a viable state. Carter argues that, well before the Tet Offensive shocked the viewing public in late January, 1968, the campaign in southern Vietnam had completely failed and furthermore, the program contained the seeds of its own failure from the outset.

This is a fascinating and truly groundbreaking study of the Vietnamese experience and memory of the Vietnam War through the lens of popular imaginings about the wandering souls of the war dead. These ghosts of war play an important part in postwar Vietnamese historical narrative and imagination and Heonik Kwon explores the intimate ritual ties with these unsettled identities which still survive in Vietnam today as well as the actions of those who hope to liberate these hidden but vital historical presences from their uprooted social existence. Taking a unique approach to the cultural history of war, he introduces gripping stories about spirits claiming social justice and about his own efforts to wrestle with the physical and spiritual presence of ghosts. Although these actions are fantastical, this book shows how examining their stories can illuminate critical issues of war and collective memory in Vietnam and the modern world more generally.

In January 1966, navy nurse Lieutenant Kay Bauer stepped off a pan am airliner into the stifling heat of Saigon and was issued a camouflage uniform, boots, and a rifle. "What am I supposed to do with this?" she said of the weapon. "I'm a nurse."

Bauer was one of approximately six thousand military nurses who served in Vietnam. Historian Kim Heikkila here delves into the experiences of fifteen nurse veterans from Minnesota, exploring what drove them to enlist, what happened to them in-country, and how the war changed their lives.

Like Bauer, these women saw themselves as nurses first and foremost: their job was to heal rather than to kill. after the war, however, the very professional selflessness that had made them such committed military nurses also made it more difficult for them to address their own needs as veterans. Reaching out to each other, they began healing from the wounds of war, and they turned their energies to a new purpose: this group of Minnesotans launched the campaign to build the Vietnam Women's Memorial. In the process, a collection of individuals became a tight-knit group of veterans who share the bonds of a sisterhood forged in war.

Kim Heikkila is an adjunct instructor in the history department at St. Catherine University, where she teaches courses on U.S. history, U.S. women's history, the Vietnam War, and the 1960s.

The U.S. Navy SEALs have long been considered among the finest, most courageous, and professional soldiers in American military history--an elite fighting force trained as parachutists, frogmen, demolition experts, and guerrilla warriors ready for sea, air, and land combat. Born out of a proud naval tradition dating back to World War II, the first SEAL teams were commissioned in the early 1960s. Vietnam was their proving ground.

In this remarkable volume, fifteen former SEALs--most of them original founding team members, or "plankowners"--share their vivid first-person remembrances of action in Vietnam. Here are honest, brutal, and relentlessly thrilling stories of covert missions, ferocious firefights, and red-hot chopper insertions and extractions, revealing astonishing little-known truths that will only add strength to the enduring SEAL legend.

A new collection of Bill Ehrhart's essays, 25 of them written between 2002 and 2011 on subjects ranging from the failures of American policymakers during the Vietnam War to life in 21st century Vietnam, from the trenches of the Western Front to the crossing of the Rhine to the mountains of Korea to the sands of Iraq, from the value of one's name to the cowardice of Congress, from mountain gorillas in Rwanda to the National Book Award-winning journalist Gloria Emerson, from teaching poetry to teenagers to luxuriating in a Japanese hot spring spa, on the famous (Wilfred Owen) and the obscure (Robert James Elliott), these essays explore the fallacies of history, the madness of war, the craft of poetry, the profession of teaching, and the art of living.

The story of an extraordinary campaign in the Vietnam War - fought in a 200-mile labyrinth of underground tunnels and chambers. The campaign in the tunnels of Cu Chi was fought with cunning and savagery between Viet Cong guerrillas and special teams of US infantrymen called 'Tunnel Rats'. The location: the 200-mile labyrinth of underground tunnels and secret chambers that the Viet Cong had dug around Saigon. The Tunnel Rats were GIs of legendary skill and courage. Armed only with knives and pistols, they fought hand-to-hand against a cruel and ingenious enemy inside the booby-trapped blackness of the tunnels. For the Viet Cong the tunnel network became their battlefield, their barracks, their arms factories and their hospitals, as the ground above was pounded to dust by American shells and bombs.

In late January 1968, some 84,000 North Vietnamese and Viet Cong troops launched a country-wide general offensive in South Vietnam, mounting simultaneous assaults on 36 of 44 provincial capitals, and five of the six autonomous cities (including the capital city of Saigon). The longest and bloodiest battle occurred in Hue, the most venerated place in Vietnam. The bitter fighting that raged there for more than three weeks drew the attention of the world. Hue was the ancient capital of Vietnam, and as such, had been previously avoided by both sides; it had not seen any serious fighting prior to 1968. All that changed on the night of January 31 that year when four North Vietnamese battalions and supporting Viet Cong units simultaneously attacked and occupied both parts of the city straddling the Perfume River. The Communist forces dug in and prepared to defend their hold on the city. US Marines and South Vietnamese soldiers were ordered to clear the city, supported by US Army artillery and troops. A brutal urban battle ensued as combat raged from house to house and door to door. It was a bloody fight and resulted in large-scale destruction of Hue. Eventually, the Marines and the South Vietnamese forces retook Hue, but it turned out to be one of the longest and bloodiest battles of the Tet Offensive, and led to a sea change in US policy in Vietnam.