From the defeat of the Army of the Republic of Vietnam at Ap Bac to the battles of the Ia Drang Valley, Khe Sanh, and more, Storms over the Mekong offers a reassessment of key turning points in the Vietnam War. Award-winning historian William P. Head not only reexamines these pivotal battles but also provides a new interpretation on the course of the war in Southeast Asia. In considering Operation Rolling Thunder, for example-which Head dubs as "too much rolling and not enough thunder"-readers will grasp the full scope of the campaign, from specifically targeted bridges in North Vietnam to the challenges of measuring success or failure, the domestic political situation, and how over time, Head argues, "slowly, but surely, Rolling Thunder dug itself into a hole." Likewise, Head shows how the battles for Saigon and Hue during the Tet Offensive of 1968 were tactical defeats for the Communist forces with as many as 40,000 killed and no real gains. At the same time, however, Tet made it clear to many in Washington that victory in Vietnam would require a still greater commitment of men and resources, far more than the American people were willing to invest. Storms over the Mekong is a blow-by-blow account of the key military events, to be sure. But beyond that, it is also a measured reconsideration of the battles and moments that Americans thought they already knew, adding up to a new history of the Vietnam War.

""102 Minutes" does for the September 11 catastrophe what Walter Lord did for the Titanic in his masterpiece, "A Night to Remember" . . . Searing, poignant, and utterly compelling."
--Rick Atkinson, Pulitzer Prize-winning author of "An Army at Dawn"

Hailed upon its hardcover publication as an instant classic, the critically acclaimed "New York Times" bestseller "102 Minutes" is now available in a revised edition timed to honor the tenth anniversary of the attacks of September 11, 2001.

At 8:46 a.m. that morning, fourteen thouosand people were inside the World Trade Center just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out.

Dwyer and Flynn have woven an epic and unforgettable account of the struggle, determination, and grace of the ordinary men and women who made 102 minutes count as never before.

The combatants in the three Vietnam wars from 1945 to 1975 employed widely contrasting supply methods. This fascinating book reveals that basic traditional techniques proved superior to expensive state of the art systems. During the Indochina or French' war, France's initial use of wheeled transport and finally air supply proved vulnerable given the terrain, climate and communist adaptability . The colonial power gave up the unequal struggle after the catastrophic defeat at Dien Bien Phu. To stem the advance of Communism throughout the region, the Americans stepped in to support the pro-Western South Vietnam regime and threw vast quantities of manpower and money at the problem. The cost became increasingly unpopular at home. General Giap's and Ho Chi Minh's ruthless use of coolies most famously on the Ho Chi Minh Trail proved resistant to carpet-bombing and Agent Orange defoliation. The outcome of the final war between the Communist North Vietnam and the corrupt Southern leadership, now with minimal US support, was almost a forgone conclusion. The Author is superbly qualified to examine these three wars from the logistic perspective. His conclusions make for compelling reading and will be instructive to acting practitioners and enquiring minds.

Updated Edition, October 2007

"A gripping story. . . . Griffin richly documents the Black Mafia's organization, outreach and over-the-top badness."--"Philadelphia Inquirer"

"Griffin's reporting on the Black Mafia and its interaction with law enforcement, the Nation of Islam and the Italian mob is fascinating."--"Philadelphia Weekly"

"A confident chronicle of Philly's Black Mafia, the decades-long collaboration among drug dealers, Muslim clerics and local politicians."--"Philadelphia Magazine"

"A richly detailed narrative of the murderous history of the city's first African-American crime syndicate."--"Philadelphia Daily News"

"A great, sprawling epic."--Duane Swierczynski, editor-in-chief, "Philadelphia City Paper"

"If you're a crime buff, a history lover, or if you just want something fascinating to read, it's a book you can't refuse."--Terri Schlichenmeyer, syndicated reviewer and host of www.BookWormSez.com

"I couldn't put this book down."--Keith Murphy, award-winning broadcaster and host of "The Urban Journal" on XM Radio's The Power

"Sean Patrick Griffin has given us a really extensive look into the Black Mafia . . . and has produced one of best pieces of research on the underworld . . . that I have ever seen."--Elmer Smith, "The Exchange," 1340AM WHAT

"The book is incredible . . . amazing stuff."--Dom Giordano, radio host, 1210AM WPHT

"Sean Patrick Griffin, in surreal detail, lays out the twist and turns, the political and religious associations . . . a guaranteed chilling read."--"The Melting Pot"

"Searing, unrelenting and ruthlessly precise, a nose-in-the-bloodstains account of the violence that splattered black Philadelphia in the late 60s and early 70s."--Henry Schipper, producer of "Philly Black Mafia" in the "American Gangster" TV series

The Black Mafia is one of the bloodiest crime syndicates in modern US history. From its roots in Philadelphia's ghettos in the 1960's, it grew from a rabble of street toughs to a disciplined, ruthless organization based on fear and intimidation. Known in its "legitimate" guise as Black Brothers Inc, it held regular meetings, appointed investigators, treasurers and enforcers, and controlled drug dealing, loan-sharking, numbers rackets, armed robbery and extortion.

Its ferocious crew of gunmen was led by Sam Christian, the most feared man on Philly's streets. They developed close ties with the influential Nation of Islam and soon were executing rivals, extorting bookies connected to the city's powerful Cosa Nostra crew, and cowing local gangs. Police say the Black Mafia was responsible for over forty killings, the most chilling being the massacre of two adults and five children in a feud between rival religious factions. Despite the arrests that followed, they continued their rampage, exploiting their ties to prominent lawyers and civil rights leaders. Convictions and sentences eventually shattered their strength--only for the crack-dealing Junior Black Mafia to emerge in their wake.

Author Sean Griffin, a former Philadelphia police officer turned university professor, conducted scores of interviews and gained access to informant logs, witness statements, wiretaps and secret FBI files to make "Black Brothers Inc." the most detailed account ever of an African American organized crime mob, and a landmark investigation into the modern urban underworld.

On 21 March 1933, the National Socialists celebrated their alliance with the old Wilhelmine elites on the Day of Potsdam. Eighty years following 1933, the great year of upheaval, this volume more closely reexamines the historical context of the Day of Potsdam as a critical moment on the road to dictatorship. Nine scholarly articles reconstruct the events on the Day of Potsdam and analyze its importance in the culture of commemoration."

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

By 1969, following the French defeat at Dien Bien Phu, over 500,000 US troops were 'in country' in Vietnam. Before America's longest war had ended with the fall of Saigon in 1975, 450,000 Vietnamese had died, along with 36,000 Americans. The Vietnam War was the first rock 'n' roll war, the first helicopter war with its doctrine of 'airmobility', and the first television war; it made napalm and the defoliant Agent Orange infamous, and gave us the New Journalism of Michael Herr and others. It also saw the establishment of the Navy SEALs and Delta Force. At home, America fractured, with the peace movement protesting against the war; at Kent State University, Ohio National Guardsmen fired on unarmed students, killing four and injuring nine. Lewis's compelling selection of the best writing to come out of a war covered by some truly outstanding writers, both journalists and combatants, includes an eyewitness account of the first major battle between the US Army and the People's Army of Vietnam at Ia Drang; a selection of letters home; Nicholas Tomalin's famous 'The General Goes Zapping Charlie Cong'; Robert Mason's 'R&R', Studs Terkel's account of the police breaking up an anti-war protest; John Kifner on the shootings at Kent State; Ron Kovic's 'Born on the Fourth of July'; John T. Wheeler's 'Khe Sanh: Live in the V Ring'; Pulitzer Prize-winner Seymour Hersh on the massacre at My Lai; Michael Herr's 'It Made You Feel Omni'; Viet Cong Truong Nhu Tang's memoir; naval nurse Maureen Walsh's memoir, 'Burning Flesh'; John Pilger on the fall of Saigon; and Tim O'Brien's 'If I Die in a Combat Zone'.

Western historians have long speculated about Chinese military intervention in the Vietnam War. It was not until recently, however, that newly available international archival materials, as well as documents from China, have indicated the true extent and level of Chinese participation in the conflict of Vietnam. For the first time in the English language, this book offers an overview of the operations and combat experience of more than 430,000 Chinese troops in Indochina from 1968-73. The Chinese Communist story from the "other side of the hill" explores one of the missing pieces to the historiography of the Vietnam War. The book covers the chronological development and Chinese decision-making by examining Beijing's intentions, security concerns, and major reasons for entering Vietnam to fight against the U.S. armed forces. It explains why China launched a nationwide movement, in Mao Zedong's words, to "assist Vietnam and resist America" in 1965-72. It details PLA foreign war preparation, training, battle planning and execution, tactical decisions, combat problem solving, political indoctrination, and performance evaluations through the Vietnam War. International Communist forces, technology, and logistics proved to be the decisive edge that enabled North Vietnam to survive the U.S. Rolling Thunder bombing campaign and helped the Viet Cong defeat South Vietnam. Chinese and Russian support prolonged the war, making it impossible for the United States to win. With Russian technology and massive Chinese intervention, the NVA and NLF could function on both conventional and unconventional levels, which the American military was not fully prepared to face. Nevertheless, the Vietnam War seriously tested the limits of the communist alliance. Rather than improving Sino-Soviet relations, aid to North Vietnam created a new competition as each communist power attempted to control Southeast Asian communist movement. China shifted its defense and national security concerns from the U.S. to the Soviet Union.

Going beyond the dominant orthodox narrative to incorporate insight from revisionist scholarship on the Vietnam War, Michael G. Kort presents the case that the United States should have been able to win the war, and at a much lower cost than it suffered in defeat. Presenting a study that is both historiographic and a narrative history, Kort analyzes important factors such as the strong nationalist credentials and leadership qualities of South Vietnam's Ngo Dinh Diem; the flawed military strategy of 'graduated response' developed by Robert McNamara; and the real reasons South Vietnam collapsed in the face of a massive North Vietnamese invasion in 1975. Kort shows how the US commitment to defend South Vietnam was not a strategic error but a policy consistent with US security interests during the Cold War, and that there were potentially viable strategic approaches to the war that might have saved South Vietnam.

A poignantly written and heartfelt memoir that recounts the author's hair raising-and occasionally hilarious-experience as a young Marine artilleryman in Vietnam. Gritty, unvarnished and often disturbing at times, the book provides a unique window into the lasting physical and emotional wounds of war. Realistic and highly readable, the story is not the typical gung-ho narrative of a combat Marine eager to die for God and country. A somewhat different and interesting perspective and a must read for veterans, Marine Corps buffs, students of the 1960's culture as well as those seeking a better understanding of the influence and relevancy of America's long and indecisive misadventure in Vietnam.

Charged with monitoring the huge civilian press corps that descended on Hue during the Vietnam War's Tet offensive, US Army Captain George W. Smith witnessed firsthand a vicious twenty-five day battle. Smith recounts in harrowing detail the separate, poorly coordinated wars that were fought in the retaking of the Hue. Notably, he documents the little-known contributions of the South Vietnamese forces, who prevented the Citadel portion of the city from being overrun, and who then assisted the US Marine Corps in evicting the North Vietnamese Army. He also tells of the social and political upheaval in the city, reporting the execution of nearly 3,000 civilians by the NVA and the Vietcong. The tenacity of the NVA forces in Hue earned the respect of the troops on the field and triggered a sequence of attitudinal changes in the United States. It was those changes, Smith suggests, that eventually led to the US abandonment of the war.

The conflict in Vietnam has been rewritten and reframed into many corners of American life and has long shadowed contemporary political science and foreign policy. The war and its aftermath have engendered award-winning films and books. It has held up a mirror to the twentieth century and to the wars of the twenty-first. Set in wartime Vietnam and contemporary Vietnam, in wartime America and in America today, the stories that comprise Memorial Days were written from 1973 to the present. As our continuing reappraisals of the war's shadow have unspooled over the last half-decade, so too has Wayne Karlin returned to the subject in his fiction, collected and published together here for the first time. A girl in Maryland runs away from Civil War reenactors she imagines to be American soldiers in Vietnam, while a woman in Vietnam hides in the jungle from an American helicopter and another tries to bury the relics of the war. A man mourns a friend lost in Iraq while a helicopter crewman in Quang Tri loads the broken and dead into his aircraft. Extras playing soldiers in a war film in present-day Vietnam model themselves after other war films while a Marine in a war sees himself as a movie character. A snake coiled around the collective control of a helicopter in Vietnam uncoils in a soldier come home from Iraq. The chronology is the chronology of dreams or nightmares or triggered flashbacks: images and incidents triggering other images and incidents in a sequence that seems to make no sense-which is exactly the sense it makes. Some stories burn with the fresh experiences of a Marine witnessing war firsthand. Some stories radiate a long-abiding grief. All the stories reflect and reconfigure the Vietnam War as it echoes into the present century, under the light of retrospection.

When Bob Greene went home to central Ohio to be with his dying father, it set off a chain of events that led him to knowing his dad in a way he never had before -- thanks to a quiet man who lived just a few miles away, a man who had changed the history of the world.

Greene's father -- a soldier with an infantry division in World War II -- often spoke of seeing the man around town. All but anonymous even in his own city, carefully maintaining his privacy, this man, Greene's father would point out to him, had "won the war." He was Paul Tibbets. At the age of twenty-nine, at the request of his country, Tibbets assembled a secret team of 1,800 American soldiers to carry out the single most violent act in the history of mankind. In 1945 Tibbets piloted a plane -- which he called Enola Gay, after his mother -- to the Japanese city of Hiroshima, where he dropped the atomic bomb.

On the morning after the last meal he ever ate with his father, Greene went to meet Tibbets. What developed was an unlikely friendship that allowed Greene to discover things about his father, and his father's generation of soldiers, that he never fully understood before.

Duty is the story of three lives connected by history, proximity, and blood; indeed, it is many stories, intimate and achingly personal as well as deeply historic. In one soldier's memory of a mission that transformed the world -- and in a son's last attempt to grasp his father's ingrained sense of honor and duty -- lies a powerful tribute to the ordinary heroes of an extraordinary time in American life.

What Greene came away with is found history and found poetry -- a profoundly moving work that offers a vividly new perspective on responsibility, empathy, and love. It is an exploration of and response to the concept of duty as it once was and always should be: quiet and from the heart. On every page you can hear the whisper of a generation and its children bidding each other farewell.