At Easter 1972, North Vietnam invaded the South, and there were almost no US ground troops left to stop it. But air power reinforcements could be rushed to the theater. Operation Linebacker's objective was to destroy the invading forces from the air and cut North Vietnam's supply routes – and luckily in 1972, American air power was beginning a revolution in both technology and tactics.

Most crucial was the introduction of the first effective laser-guided bombs, but the campaign also involved the fearsome AC-130 gunship and saw the debut of helicopter-mounted TOW missiles. Thanks to the new Top Gun fighter school, US naval aviators now also had a real advantage over the MiGs.

This is the fascinating story of arguably the world's first “modern” air campaign. It explains how this complex operation – involving tactical aircraft, strategic bombers, close air support and airlift – defeated the invasion. It also explains the shortcomings of the campaign, the contrasting approaches of the USAF and Navy, and the impact that Linebacker had on modern air warfare.

This volume tells the story of the American civil rights movement through the rousing and often wrenching photographs that recorded, promoted and protected it. After an introduction explaining the vital importance of photography to the movement, the book proceeds from the Montgomery bus boycott through the student, local and national movements; the big marches in Washington and Selma; Freedom Summer; Malcolm X and Black Power; and the death of Martin Luther King. Each chapter begins with a fast-paced narrative of a crucial event in the movement, complemented by a portfolio of effective and evocative photographs of the subject. Ranging from the well-known to the rare, these images were shot by photographers including Richard Avedon, Danny Lyon, Charles Moore, Gordon Parks, Dan Weiner, and over 50 others. Many of the pictures are accompanied by remembrances and analysis by various photographers and participants. The book also features a concise chronology of the major civil rights events of the period and suggestions for additional reading.

Memories of a Lost War is a unique study of poetry born of the Vietnam War, out of the trauma of rewritten history. The book analyses poems written by American veterans, protest poets, and Vietnamese, within political, aesthetic, and cultural contexts. It highlights the haunting, indeed, deliberately ignored presence of Vietnam in mainstream culture.

Many jazz fans and critics -- and even some jazz musicians -- contend that white players have contributed little of substance to the music. Now, with Lost Chords, musician-historian Richard M. Sudhalter challenges this narrow view, with a book that pays definitive tribute to a generation of white jazz players, many unjustly forgotten -- while never scanting the role of the great black pioneers.

In 1963, a frustrated President Kennedy turned to the Pentagon for help in carrying out subversive operations against North Vietnam- a job the CIA had not managed to handle effectively. Thus was born the Pentagon's Special Operations Group(SOG). Under the cover name"Studies and Observation Group," SOG would, over the next eight years, dispatch numerous spies to North Vietnam, create a triple-cross deception program, wage psychological warfare by manipulating North Vietnamese POW's and kidnapped citizens, and stage deadly assaults on enemy soldiers traveling the Ho Chi Minh Trail. Written by the country's leading expert on SOG, here is the story of that covert war-one that would have both spectacular and disastrous results.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

Drawing on a wealth of new evidence from all sides, Triumph Forsaken, first published in 2007, overturns most of the historical orthodoxy on the Vietnam War. Through the analysis of international perceptions and power, it shows that South Vietnam was a vital interest of the United States. The book provides many insights into the overthrow of South Vietnamese President Ngo Dinh Diem in 1963 and demonstrates that the coup negated the South Vietnamese government's tremendous, and hitherto unappreciated, military and political gains between 1954 and 1963. After Diem's assassination, President Lyndon Johnson had at his disposal several aggressive policy options that could have enabled South Vietnam to continue the war without a massive US troop infusion, but he ruled out these options because of faulty assumptions and inadequate intelligence, making such an infusion the only means of saving the country.

""102 Minutes" does for the September 11 catastrophe what Walter Lord did for the Titanic in his masterpiece, "A Night to Remember" . . . Searing, poignant, and utterly compelling."
--Rick Atkinson, Pulitzer Prize-winning author of "An Army at Dawn"

Hailed upon its hardcover publication as an instant classic, the critically acclaimed "New York Times" bestseller "102 Minutes" is now available in a revised edition timed to honor the tenth anniversary of the attacks of September 11, 2001.

At 8:46 a.m. that morning, fourteen thouosand people were inside the World Trade Center just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out.

Dwyer and Flynn have woven an epic and unforgettable account of the struggle, determination, and grace of the ordinary men and women who made 102 minutes count as never before.

Ho Chi Minh is one of the towering figures of the twentieth century, considered an icon and father of the nation by many Vietnamese. Pierre Brocheux's biography of Ho Chi Minh is a brilliant feat of historical engineering. In a concise and highly readable account, he negotiates the many twists and turns of Ho Chi Minh's life and his multiple identities, from impoverished beginnings as a communist revolutionary to his founding of the Indochina Communist Party and the League for the Independence of Vietnam and ultimately to his leadership of the Democratic Republic of Vietnam and his death in 1969. Biographical events are adroitly placed within the broader historical canvas of colonization, decolonization, communism war, and nation building. Brocheux's vivid and convincing portrait of Ho Chi Minh goes further than any previous biography in explaining both the myth and the man, as well as the times in which he was situated.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

In the summer of 1967, the Marines in I Corps, South Vietnam's northernmost military region, were doing everything they could to lighten the pressure on the besieged Con Thien Combat Base. Still fresh after months of relatively light action around Khe Sanh, the 3d Battalion, 26th Marines, was sent to the Con Thien region to secure the combat bases' endangered main supply route. On 7 September 1967, its first full day in the new area of operations, separate elements of the battalion were attacked by at least two battalions of North Vietnamese infantry, and both were nearly overrun in night-long battles. On 10 September, while advancing to a new sector near Con Thien, the 3d Battalion, 26th Marines, was attacked by at least a full North Vietnamese regiment, the same NVA unit that had attacked it two days earlier. Divided into two separate defensive perimeters, the Marines battled through the afternoon and evening against repeated assaults by waves of NVA regulars intent upon achieving a major victory. In a battle described as 'Custer's Last Stand-With Air Support', the Americans prevailed by the narrowest of margins. Ambush Valley is an unforgettable account of bravery and survival under impossible conditions. It is told entirely in the words of the men who faced the ordeal together - an unprecedented mosaic of action and emotion woven into an incredibly clear and vivid combat narrative by one of today's most effective military historians. Ambush Valley achieves a new standard for oral history. It is a war story not to be missed.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

The book describes my first seven months in Viet Nam, as a platoon leader in Bravo Company of the Third Battalion, 187th Infantry. I wanted to make it about the men I led and served with, and in some measure my reaction to the events of those seven months. The first part of the book deals with the routine tactics, unending work, misery and occasional hilarity of infantry life. The bulk of the book, however, deals with two events, within three weeks of each other: The battle of Dong Ngai and the battle of Dong Ap Bia - Hamburger Hill. The Rakkasans - the 3/187th - are the most highly decorated unit in the history of the United States Army, and two of those decorations were awarded for those two battles. By happenstance, I was in the middle of both. These are truly historical events. I wanted to convey the real face of war, both its mindless carnage and its nobility of spirit. Above all, I want to convey what happened to both the casual reader and the military historian and make them aware of the extraordinary spirit of the men of First Platoon, Bravo Company. They were ordinary men doing extraordinary things.

Presenting new perspectives on the Vietnam War, its global repercussions, and its role in modern history, this volume reveals "America's War" as an international event that reverberated worldwide. The essays address political, military, and diplomatic issues and the cultural and intellectual consequences of "Vietnam." They compare the Vietnam War to other major conflicts in world history. "America's War" is depicted as a global event whose origins and characteristics deserve an interdisciplinary treatment.

A finalist for the Pulitzer Prize, Duong Van Mai Elliott's The Sacred Willow illuminates recent Vietnamese history by weaving together the stories of the lives of four generations of her family. Beginning with her great-grandfather, who rose from rural poverty to become an influential landowner, and continuing to the present, Mai Elliott traces her family's journey through an era of tumultuous change. She tells us of childhood hours in her grandmother's silk shop, and of hiding while French troops torched her village, watching while blossoms torn by fire from the trees flutter "like hundreds of butterflies" overhead. She makes clear the agonizing choices that split Vietnamese families: her eldest sister left her staunchly anti-communist home to join the Viet Minh, and spent months sleeping in jungle camps with her infant son, fearing air raids by day and tigers by night. And she follows several family members through the last, desperate hours of the fall of Saigon-including one nephew who tried to escape by grabbing the skid of a departing American helicopter. Based on family papers, dozens of interviews, and a wealth of other research, this is not only a memorable family saga but a record of how the Vietnamese themselves have experienced their times.

Chronicles the 1975 offensive of the Vietnam People's Army and the uprisings that secured the liberation of South Vietnam.

Updated Edition, October 2007

"A gripping story. . . . Griffin richly documents the Black Mafia's organization, outreach and over-the-top badness."--"Philadelphia Inquirer"

"Griffin's reporting on the Black Mafia and its interaction with law enforcement, the Nation of Islam and the Italian mob is fascinating."--"Philadelphia Weekly"

"A confident chronicle of Philly's Black Mafia, the decades-long collaboration among drug dealers, Muslim clerics and local politicians."--"Philadelphia Magazine"

"A richly detailed narrative of the murderous history of the city's first African-American crime syndicate."--"Philadelphia Daily News"

"A great, sprawling epic."--Duane Swierczynski, editor-in-chief, "Philadelphia City Paper"

"If you're a crime buff, a history lover, or if you just want something fascinating to read, it's a book you can't refuse."--Terri Schlichenmeyer, syndicated reviewer and host of www.BookWormSez.com

"I couldn't put this book down."--Keith Murphy, award-winning broadcaster and host of "The Urban Journal" on XM Radio's The Power

"Sean Patrick Griffin has given us a really extensive look into the Black Mafia . . . and has produced one of best pieces of research on the underworld . . . that I have ever seen."--Elmer Smith, "The Exchange," 1340AM WHAT

"The book is incredible . . . amazing stuff."--Dom Giordano, radio host, 1210AM WPHT

"Sean Patrick Griffin, in surreal detail, lays out the twist and turns, the political and religious associations . . . a guaranteed chilling read."--"The Melting Pot"

"Searing, unrelenting and ruthlessly precise, a nose-in-the-bloodstains account of the violence that splattered black Philadelphia in the late 60s and early 70s."--Henry Schipper, producer of "Philly Black Mafia" in the "American Gangster" TV series

The Black Mafia is one of the bloodiest crime syndicates in modern US history. From its roots in Philadelphia's ghettos in the 1960's, it grew from a rabble of street toughs to a disciplined, ruthless organization based on fear and intimidation. Known in its "legitimate" guise as Black Brothers Inc, it held regular meetings, appointed investigators, treasurers and enforcers, and controlled drug dealing, loan-sharking, numbers rackets, armed robbery and extortion.

Its ferocious crew of gunmen was led by Sam Christian, the most feared man on Philly's streets. They developed close ties with the influential Nation of Islam and soon were executing rivals, extorting bookies connected to the city's powerful Cosa Nostra crew, and cowing local gangs. Police say the Black Mafia was responsible for over forty killings, the most chilling being the massacre of two adults and five children in a feud between rival religious factions. Despite the arrests that followed, they continued their rampage, exploiting their ties to prominent lawyers and civil rights leaders. Convictions and sentences eventually shattered their strength--only for the crack-dealing Junior Black Mafia to emerge in their wake.

Author Sean Griffin, a former Philadelphia police officer turned university professor, conducted scores of interviews and gained access to informant logs, witness statements, wiretaps and secret FBI files to make "Black Brothers Inc." the most detailed account ever of an African American organized crime mob, and a landmark investigation into the modern urban underworld.

This is an account of the battle of Kham Duc, one of the least known and most misunderstood battles in the American Phase of the Second Indochina War (1959 to 1975). At the time it was painted as a major American defeat, but this new history tells the full story. The authors have a unique ability to reassess this battle - one was present at the battle, the other was briefed on it prior to re-taking the site two years later. The book is based on exhaustive research, revisiting Kham Duc, interviewing battle veterans, and reading interview transcripts and statements of other battle participants, including former North Vietnamese Army (NVA) officers. Based on their research, the authors contend that Kham Duc did not 'fall' and was not 'overrun'. In fact, it was a successful effort to inflict mass attrition on a major NVA force with minimum American losses by voluntarily abandoning an anachronistic little trip-wire border camp serving as passive bait for General Westmoreland's 'lure and destroy' defensive tactics, as at Khe Sanh.

In the Tet Offensive of 1968, Viet Cong and North Vietnamese forces launched a massive countrywide attack on South Vietnam. Though the Communists failed to achieve their tactical and operational objectives, James Willbanks claims Hanoi won a strategic victory. The offensive proved that America's progress was grossly overstated and caused many Americans and key presidential advisors to question the wisdom of prolonging combat.

Willbanks also maintains that the Communists laid siege to a Marine combat base two weeks prior to the Tet Offensive-known as the Battle of Khe Sanh--to distract the United States. It is his belief that these two events are intimately linked, and in his concise and compelling history, he presents an engaging portrait of the conflicts and singles out key problems of interpretation.

Willbanks divides his study into six sections, beginning with a historical overview of the events leading up to the offensive, the attack itself, and the consequent battles of Saigon, Hue, and Khe Sahn. He continues with a critical assessment of the main themes and issues surrounding the offensive, and concludes with excerpts from American and Vietnamese documents, maps and chronologies, an annotated list of resources, and a short encyclopedia of key people, places, and events.

An experienced military historian and scholar of the Vietnam War, Willbanks has written a unique critical reference and guide that enlarges the debate surrounding this important turning point in America's longest war.

As the Vietnam War was beginning to turn towards its bitter end, Le Quan fought under beloved general Tran Ba Di in the army of South Vietnam. An unlikely encounter thrust the two men together, and they developed a mutual respect in their home country during wartime. Forty years later, the two men reconnected in a wholly unlikely setting: a family road trip to Key West. Soldier On is written by Le Quan's daughter, who artfully crafts the road trip as a frame through which the stories of both men come to life. Le Quan and Tran Ba Di provide two different views of life in the South Vietnamese army, and they embody two different realities of the aftermath of defeat. Le Quan was able to smuggle his family out of Saigon among the so-called boat people, eventually receiving asylum in America and resettling in Texas. General Tran Ba Di, on the other hand, experienced political consequences: he spent seventeen years in a re-education camp before he was released to family in Florida. A proud daughter's perspective brings this intergenerational and intercontinental story to life, as Tran herself plumbs her remembrances to expand the legacy of the many Vietnamese who weathered conflict to forge new futures in America.