The Mysteries of Haditha is a war story unlike any other. This riveting and hilarious memoir of M. C. Armstrong's journey into the Iraq War as an embedded journalist pulls no punches and lifts the veil on the lies we tell each other-and the ones we tell ourselves. This is a story about both the strong women in Armstrong's life and his road to true manhood. Armstrong's family was nearly ripped at the seams as he struggled to secure his embed with Navy SEALs in the Al Anbar Province in 2008. Armstrong's searingly honest narrative about his relationship with his father, his fiance, and his friend in the SEAL team takes the reader on a nosedive ride from a historically black college in the American South straight into Baghdad, the burn pits, and the desert beyond the mysterious Haditha dam. Honest and vulnerable, tender but fearless, The Mysteries of Haditha is an incredible coming-of-age story and a unique glimpse into the world of the war on terror.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

Fifty years since the signing of the Paris Peace Accords signaled the final withdrawal of U.S. troops from Vietnam, the war's mark on the Pacific world remains. The essays gathered here offer an essential, postcolonial interpretation of a struggle rooted not only in Indochinese history but also in the wider Asia Pacific region. Extending the Vietnam War's historiography away from a singular focus on American policies and experiences and toward fundamental regional dynamics, the book reveals a truly global struggle that made the Pacific world what it is today. Contributors include: David L. Anderson, Mattias Fibiger, Zach Fredman, Marc Jason Gilbert, Alice S. Kim, Mark Atwood Lawrence, Jason Lim, Jana K. Lipman, Greg Lockhart, S. R. Joey Long, Christopher Lovins, Mia Martin Hobbs, Boi Huyen Ngo, Wen-Qing Ngoei, Nathalie Huynh Chau Nguyen, Noriko Shiratori, Lisa Tran, A. Gabrielle Westcott

Fifty years since the signing of the Paris Peace Accords signaled the final withdrawal of U.S. troops from Vietnam, the war's mark on the Pacific world remains. The essays gathered here offer an essential, postcolonial interpretation of a struggle rooted not only in Indochinese history but also in the wider Asia Pacific region. Extending the Vietnam War's historiography away from a singular focus on American policies and experiences and toward fundamental regional dynamics, the book reveals a truly global struggle that made the Pacific world what it is today. Contributors include: David L. Anderson, Mattias Fibiger, Zach Fredman, Marc Jason Gilbert, Alice S. Kim, Mark Atwood Lawrence, Jason Lim, Jana K. Lipman, Greg Lockhart, S. R. Joey Long, Christopher Lovins, Mia Martin Hobbs, Boi Huyen Ngo, Wen-Qing Ngoei, Nathalie Huynh Chau Nguyen, Noriko Shiratori, Lisa Tran, A. Gabrielle Westcott