|
|
Books > History > Asian / Middle Eastern history > From 1900
A The Spectator Book of the Year 2022 A New Statesman Book of the
Year 2022 'An illuminating and riveting read' - Jonathan Dimbleby
Jeremy Bowen, the International Editor of the BBC, has been
covering the Middle East since 1989 and is uniquely placed to
explain its complex past and its troubled present. In The Making of
the Modern Middle East - in part based on his acclaimed podcast,
'Our Man in the Middle East' - Bowen takes us on a journey across
the Middle East and through its history. He meets ordinary men and
women on the front line, their leaders, whether brutal or benign,
and he explores the power games that have so often wreaked
devastation on civilian populations as those leaders, whatever
their motives, jostle for political, religious and economic
control. With his deep understanding of the political, cultural and
religious differences between countries as diverse as Erdogan's
Turkey, Assad's Syria and Netanyahu's Israel and his long
experience of covering events in the region, Bowen offers readers a
gripping and invaluable guide to the modern Middle East, how it
came to be and what its future might hold.
Following the release of Ridley Scott's Gladiator in 2000 the
ancient world epic has experienced a revival in studio and audience
interest. Building on existing scholarship on the Cold War epics of
the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this
original study explores the current cycle of ancient world epics in
cinema within the social and political climate created by September
11th 2001. Examining films produced against the backdrop of the War
on Terror and subsequent invasions of Iraq and Afghanistan, this
book assesses the relationship between mainstream cinema and
American society through depictions of the ancient world, conflict
and faith. Davies explores how these films evoke depictions of the
Second World War, the Vietnam War and the Western in portraying
warfare in the ancient world, as well as discussing the influence
of genre hybridisation, narration and reception theory. He
questions the extent to which ancient world epics utilise allegory,
analogy and allusion to parallel past and present in an industry
often dictated by market forces. Featuring analysis of Alexander,
Troy, 300, Centurion, The Eagle, The Passion of the Christ and
more, this book offers new insight on the continued evolution of
the ancient world epic in cinema.
Joseph A. Fry's Letters from the Southern Home Front explores the
diversity of public opinion on the Vietnam War within the American
South. Fry examines correspondence sent by hundreds of individuals,
of differing ages, genders, racial backgrounds, political views,
and economic status, reflecting a broad swath of the southern
population. These letters, addressed to high-profile political
figures and influential newspapers, took up a myriad of war-related
issues. Their messages enhance our understanding of the South and
the United States as a whole as we continue to grapple with the
significance of this devastating and divisive conflict.
|
|