In An American Brothel, Amanda Boczar considers sexual encounters between American servicemen and civilians throughout the Vietnam War, and she places those fraught and sometimes violent meetings in the context of the US military and diplomatic campaigns. In 1966, US Senator J. William Fulbright declared that "Saigon has become an American brothel." Concerned that, as US military involvement in Vietnam increased so, too, had prostitution, black market economies, and a drug trade fueled by American dollars, Fulbright decried an arrogance of power on the part of Americans and the corrosive effects unchecked immorality could have on Vietnam as well as on the war effort. The symbol, at home and abroad, of the sweeping social and cultural changes was often the so-called South Vietnamese bar girl. As the war progressed, peaking in 1968 with more than half a million troops engaged, the behavior of soldiers off the battlefield started to impact affect the conflict more broadly. Beyond the brothel, shocking revelations of rapes and the increase in marriage applications complicated how the South Vietnamese and American allies cooperated and managed social behavior. Strictures on how soldiers conducted themselves during rest and relaxation time away from battle further eroded morale of disaffected servicemen. The South Vietnamese were loath to loosen moral restrictions and feared deleterious influence of a permissive wWestern culture on their society. From the consensual to the coerced, sexual encounters shaped the Vietnam War. Boczar shows that these encounters-sometimes facilitated and sometimes banned by the US military command-restructured the South Vietnamese economy, captivated international attention, dictated military policies, and hung over diplomatic relations during and after the war.

Taking the reader in the mountains and forests that the Americans called 'Indian country,' Stevens presents the Viet Nam War as an extension of the romantic myth of the American frontier. In seven operations on the Ho Chi Minh Trail, the reader enters an exotic, exhilarating, terrifying world. Documented by military reports, Steven's powerful and poetic prose and his complex examination of the Viet Nam War elevate his Trail journey into the realm of myth.

The March 1965 landing of the US Marine Corps at Da Nang, South Vietnam, marked the first large-scale deployment of US forces to the region. From then on, the Marine Corps fought continuously until May 1975, when two Marines became the last US servicemen killed in that war during the Mayaguez battle. With over 200 archival photos, many never before published, the weapons, vehicles, and equipment of the Marines in theater are documented in this volume. Small arms, mortars and artillery, tanks, amphibious, armored and soft-skinned vehicles, helicopters, uniforms, and personal and specialist equipment are featured in superb-quality photos and detailed captions, including photos from such legendary Marine Corps battles as Hue and Khe Sanh.

An action-filled memoir by Medal of Honor recipient Bennie Adkins, whose heroic deeds as a Green Beret in Vietnam in March 1966 became legend in the Army For four days in early March 1966, then-sergeant Bennie Adkins and sixteen other Green Berets held their undermanned and unfortified position at Camp A Shau, a small training and reconnaissance camp located right next to the infamous Ho Chi Minh Trail, North Vietnam's major supply route. Surrounded 10-to-1, the Green Berets endured constant mortar and rifle fire, treasonous allies, and a violent jungle rain storm. But there was one among them who battled ferociously, like a tiger, and, when they finally evacuated, carried the wounded to safety. Forty-eight years later, Bennie Adkins's valor was recognized when he received this nation's highest military award. A Tiger among Us tells the story of how this small group of warriors out-fought and out-maneuvered their enemies, how a remarkable number of them lived to tell about it, and how that tiger became their savior. It is also the tale of how Adkins repeatedly risked his life to help save his fellow warriors through acts of bravery and ingenuity. Filled with the sights, smells, and sounds of a raging battle fought in the middle of a tropical forest, A Tiger among Us is alive with the emotional intensity of the besieged men as they lose many of their own while inflicting incredible losses on the North Vietnamese forces. A US pilot flying over the post-battle carnage described it as a "Wall of Death." A Tiger among Us is a riveting tale of bravery, valor, skill, resilience, and perhaps just plain luck, brought to vivid life through the oral histories of Adkins and five of his fellow soldiers who fought in the Battle of A Shau.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.