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Books > History > Asian / Middle Eastern history > From 1900
All of Which I Saw captures the United States Marine Corps during some of the most dramatic and important moments of the Iraq War. The book takes the viewer across the Pacific aboard ship, into the Battle of Najaf and Second Battle of Fallujah-where Read took his now-iconic photograph of a wounded Sergeant Major Bradley Kasal-and beyond into the bloody streets of Ramadi and the darkness of the Haditha massacre . . . only to return to the light of homecoming. During the Iraq War, no other photojournalist spent more time with the Marines, and this is a singular, stunning, and indispensable record of the conflict and the Marine Corps at war. Throughout, the book also contains Read's own contemporaneous accounts that tell the stories behind the photos and capture the grim truths about the war in all its violence, tragedy, heroism, and sacrifice.
'Gripping ... A terrific action narrative' Max Hastings 'Reads like a Tom Clancy thriller, yet every word is true ... This is modern warfare close-up and raw' Andrew Roberts Bestselling and Orwell Prize-winning author Toby Harnden tells the gripping and incredible story of the six-day battle that began the War in Afghanistan and how it set the scene for twenty years of conflict. The West is in shock. Al-Qaeda has struck the US on 9/11 and thousands are dead. Within weeks, UK Special Forces enter the fray in Afghanistan alongside the CIA's Team Alpha and US troops. Victory is swift, but fragile. Hundreds of jihadists surrender and two operatives from Team Alpha enter Qala-i Jangi - the 'Fort of War' - to interrogate them. The prisoners revolt, one CIA man falls, and the other is trapped inside the fort. Seven members of the SBS - elite British Special Forces - volunteer for the rescue force and race into danger and the unknown. The six-day battle that follows proves to be one of the bloodiest of the Afghanistan war as the SBS and their American comrades face an enemy determined to die in the mud citadel. Superbly researched, First Casualty is based on unprecedented access to the CIA, SBS, and US Special Forces. Orwell Prize-winning author Toby Harnden recounts the gripping story of that first battle in Afghanistan and how the haunting foretelling it contained - unreliable allies, ethnic rivalries, suicide attacks, and errant bombs - was ignored, fueling the twenty-year conflict to come.
December 1967: Richard Burns had just arrived in Vietnam as part of the fourteen-man 101st Pathfinder Detachment. Within just one month, during a holiday called Tet, the Communists would launch the largest single attack of the war--and he would be right in the thick of it. . . .
A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.
A strike pattern is a signature of violence carved into the land-bomb craters or fragments of explosives left behind, forgotten. In Strike Patterns, poet and anthropologist Leah Zani journeys to a Lao river community where people live alongside such relics of a secret war. With sensitive and arresting prose, Zani reveals the layered realities that settle atop one another in Laos-from its French colonial history to today's authoritarian state-all blown open by the war. This excavation of postwar life's balance between the mundane, the terrifying, and the extraordinary propels Zani to confront her own explosive past. From 1964 to 1973, the United States carried out a covert air war against Laos. Frequently overshadowed by the war with Vietnam, the Secret War was the longest and most intense air war in history. As Zani uncovers this hidden legacy, she finds herself immersed in the lives of her hosts: Chantha, a daughter of war refugees who grapples with her place in a future Laos of imagined prosperity; Channarong, a bomb technician whose Thai origins allow him to stand apart from the battlefields he clears; and Bounmi, a young man who has inherited his bomb expertise from his father but now struggles to imagine a similar future for his unborn son. Wandering through their lives are the restless ghosts of kin and strangers. Today, much of Laos remains contaminated with dangerous leftover explosives. Despite its obscurity, the Secret War has become a shadow model for modern counterinsurgency. Investigating these shadows of war, Zani spends time with silk weavers and rice farmers, bomb clearance crews and black market war scrap traders, ritual healers and survivors of explosions. Combining her fieldnotes with poetry, fiction, and memoir she reflects on the power of building new lives in the ruins.
Friendly Fire, in this instance, refers not merely to a tragic error of war, witnessed at least as much in Vietnam as in American wars before and since - it also refers, metaphorically, to America's war with itself during the Vietnam years. Starting from this point, Kinney's book considers the concept of 'friendly fire' from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself shattered - pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Stones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site for art, media, politics, and ideology.
Tracing the use of air power in World War II and the Korean War, Mark Clodfelter explains how U. S. Air Force doctrine evolved through the American experience in these conventional wars only to be thwarted in the context of a limited guerrilla struggle in Vietnam. Although a faith in bombing's sheer destructive power led air commanders to believe that extensive air assaults could win the war at any time, the Vietnam experience instead showed how even intense aerial attacks may not achieve military or political objectives in a limited war. Based on findings from previously classified documents in presidential libraries and air force archives as well as on interviews with civilian and military decision makers, "The Limits of Air Power" argues that reliance on air campaigns as a primary instrument of warfare could not have produced lasting victory in Vietnam. This Bison Books edition includes a new chapter that provides a framework for evaluating air power effectiveness in future conflicts.
High quality reprint of a recently declassified 1970 study. The French founded the VNAF in 1951 as a liaison flight. Manned by Vietnamese, it was part of the French Air Force under the command of French officers. In 1953, two observation squadrons manned by Vietnamese were added, but command, administration, and logistics support remained in French hands. The departure of the French in 1955 left the VNAF with an inventory of aging Morane-Saulnier observation aircraft, Grumman F-8F Bearcats, and C-47s. The new VNAF staff organized these resources into two liaison squadrons, two fighter squadrons, a special-airlift-mission squadron, and a transport squadron. Throughout South Vietnam's first year of independence, the advisors to the VNAF were French. In May 1956, a U.S. Military Assistance Advisory Group (MAAG) assumed responsibility for training the South Vietnamese Army and entered into a joint arrangement with the French to advise and train the Vietnamese Navy and Air Force. The Franco-American association lasted a year. At a time when unification of North and South Vietnam began to appear more and more impossible, the U.S. took action to expand the South Vietnamese armed forces. The next five years saw a remodeling of the force following the organization of the USAF, with English-language training and American management techniques. Expansion of the VNAF was still relatively modest. In November 1961, the USAF established a special unit at Bien Hoa VNAF AS to train Vietnamese pilots and maintenance personnel--Operation FARM GATE. For nearly three years, there were joint, operations under this program, with VNAF personnel required on each mission. As VNAF officers and airmen became familiar with USAF equipment and techniques from 1956 to 1961, the air effort became standardized, with more efficient aid possible under the Military Assistance Program (MAP). The period also laid the foundation for a much more extensive and accelerated expansion program over the next three years.
Andrew Johns argues that recent scholars of the Vietnam War have grossly underestimated the importance of partisan politics, election-year maneuvering, and domestic political culture in their understanding of the origins and escalation of America's longest war. In Vietnam's Second Front: Domestic Politics, the Republican Party, and the War, Johns evaluates the profound influence of the Republican Party - its congressional leadership, governors, elder statesmen, grass-roots organizations, as well as Richard Nixon's administration - on the prosecution of the war. Beginning his analysis in 1961 and continuing through the Paris Peace Accords, Johns argues that the hawkish rhetoric of Republican leaders fomented Democratic fears of a replay of the "who lost China" debate in the event of the "loss" of Vietnam. Johns argues that domestic political considerations were central to the decisions made or postponed by Kennedy and Johnson regarding Southeast Asia. Johns also analyzes how the splintering of a bipartisan consensus on foreign policy which characterized much of the Cold War, influenced American failure to resolve the Vietnam conflict. While much attention has been paid to Nixon's role in the Vietnamization of the war and peace negotiations, Johns is among the first historians to critically evaluate Nixon's role in prodding the Johnson administration to act more aggressively in Vietnam. To demonstrate his arguments, Johns cites Nixon's hawkish pronouncements on the war prior to 1967, his rhetorical retreat to a more moderate position in an effort to win the White House, and his contradictory escalation and disengagement of the war during his first years in office. Vietnam's Second Front makes an important contribution to our understanding of the relationship between American domestic politics and foreign policy.
Horn, a combat veteran of the Vietnam War who also suffers from PTSD (Post Traumatic Stress Disorder), draws attention to the subject in a text free of technical terms.
The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- .
'Afghanistan is just like Iraq hot, dusty and full of people who want to kill you', SSgt Simon Fuller, Royal Engineer Search Advisor Bomb Hunters tells the story of the British army's elite bomb disposal experts, men who face death every day in the most dangerous region of the most lethal country on earth Helmand Province, Afghanistan. Bomb Hunters are up against the Improvised Explosive Device the IED the deadly homemade bombs planted by the Taliban. Hard to detect and easy to trigger, an estimated 10 bombs for every one of the 10,000 British troops have been planted in the region. IEDs are now the main killer of British troops in Afghanistan and the ultimate psychological weapon. Bomb Hunters work in 50-degree heat as they take the 'long walk' into the kill zone, defusing as many as 15 bombs a day. In the past year the casualty rate has soared as the troops have become locked into a deadly game of cat and mouse to locate and deactivate the deadly bombs before they maim and kill soldiers, police and civilians. Skill, cold courage and inevitably pure luck play a huge part in the survival of these men and as the British public have already seen a single lapse of concentration can result in instant death. Ex-paratrooper, now defence journalist, Sean Rayment, takes the reader on a journey into the heat and dust of Helmand Province as he meets these courageous soldiers while they put their lives at risk to prevent other British troops falling victim to the IED. He interviews the Bomb Hunters as they perform their duties on the frontline and paints a breathtaking picture of what life is like for the men who play poker with their own lives every day, who live knowing the enemy watches their every move, waiting for a weakness to show itself, a pattern in technique to be exploited, or an error to be made that triggers the device itself. This is as vivid and dramatic as war reporting gets, mixing 'close to the bone' narrative and dead-pan black humour from the Bomb Hunters themselves, some of whom were subsequently killed in action. No punches will be pulled on what these men feel about the war, their place in it, the politicians and generals who send them there, and how they deal with the relentless pressure of the job itself in the heart of the world's most hostile combat environment."
Low-intensity conflict (LIC) often has been viewed as the wrong kind of warfare for the American military, dating back to the war in Vietnam and extending to the present conflicts in Iraq and Afghanistan. From the American perspective, LIC occurs when the U.S. military must seek limited aims with a relatively modest number of available regular forces, as opposed to the larger commitments that bring into play the full panoply of advanced technology and massive commitments of troops. Yet despite the conventional view, U.S. forces have achieved success in LIC, albeit "under the radar" and with credit largely assigned to allied forces, in a number of counterguerrilla wars in the 1960s."Scenes from an Unfinished War: Low-Intensity Conflict in Korea, 1966-1969" focuses on what the author calls the Second Korean conflict, which flared up in November 1966 and sputtered to an ill-defined halt more than three years later. During that time, North Korean special operations teams had challenged the U.S. and its South Korean allies in every category of low-intensity conflict - small-scale skirmishes along the Demilitarized Zone between the two Koreas, spectacular terrorist strikes, attempts to foment a viable insurgency in the South, and even the seizure of the USS Pueblo - and failed. This book offers a case study in how an operational-level commander, General Charles H. Bonesteel III, met the challenge of LIC. He and his Korean subordinates crafted a series of shrewd, pragmatic measures that defanged North Korea's aggressive campaign. According to the convincing argument made by "Scenes from an Unfinished War," because the U.S. successfully fought the "wrong kind" of war, it likely blocked another kind of wrong war - a land war in Asia. The Second Korean Conflict serves as a corrective to assumptions about the American military's abilities to formulate and execute a winning counterinsurgency strategy. Originally published in 1991. 180 pages. maps. ill.
On 30 March 1972 the South Vietnamese positions along the Demilitarized Zone (DMZ) that separated the North from South Vietnam were suddenly shelled by hundreds of heavy guns and multiple rocket launchers. Caught in a series of outposts of what was the former 'McNamara Line', the shocked defenders had just enough time to emerge from their bunkers at the end of the barrage before they were attacked by regular North Vietnamese Army divisions, supported by hundreds of armoured vehicles that crashed though their defensive lines along the border. Thus began one of the fiercest campaigns of the Vietnam War but also one of the less well documented because by then most of the American ground forces had been withdrawn. Following on from the details of the downsizing of American forces and the setting up of the'Vietnamization' policy, the build up of both the Army of the Republic of Vietnam (ARVN) in the South and the People's Army of Vietnam (PAVN) in the North is discussed at length. A special emphasis is devoted to the study of the development the North Vietnamese armoured corps that would spearhead the coming offensive. Consequently, the nature of the war changed dramatically, evolving from a guerrilla one into a conventional conflict. The South Vietnamese resistance shuddered, and then crumbled under the communist onslaught, putting Hue the ancient imperial capital at risk. It was only thanks to US airpower, directed by a small group of courageous American advisers, which helped to turn the tide. Under the command of a new capable commander, the South Vietnamese then methodically counterattacked to retake some of the lost ground. This culminated in the ferocious street fighting for Quang Tri. This first volume describes the combat taking place in the northern part of South Vietnam, and uses not only American archives but also Vietnamese sources, from both sides. The book contains 130 photos, five maps and 18 colour profiles. Asia@War - following on from our highly-successful Africa@War series, Asia@War replicates the same format - concise, incisive text, rare images and high quality colour artwork providing fresh accounts of both well-known and more esoteric aspects of conflict in this part of the world since 1945.
A groundbreaking look at how the interrogation rooms of the Korean War set the stage for a new kind of battle-not over land but over human subjects Traditional histories of the Korean War have long focused on violations of the thirty-eighth parallel, the line drawn by American and Soviet officials in 1945 dividing the Korean peninsula. But The Interrogation Rooms of the Korean War presents an entirely new narrative, shifting the perspective from the boundaries of the battlefield to inside the interrogation room. Upending conventional notions of what we think of as geographies of military conflict, Monica Kim demonstrates how the Korean War evolved from a fight over territory to one over human interiority and the individual human subject, forging the template for the US wars of intervention that would predominate during the latter half of the twentieth century and beyond. Kim looks at how, during the armistice negotiations, the United States and their allies proposed a new kind of interrogation room: one in which POWs could exercise their "free will" and choose which country they would go to after the ceasefire. The global controversy that erupted exposed how interrogation rooms had become a flashpoint for the struggles between the ambitions of empire and the demands for decolonization, as the aim of interrogation was to produce subjects who attested to a nation's right to govern. The complex web of interrogators and prisoners-Japanese-American interrogators, Indian military personnel, Korean POWs and interrogators, and American POWs-that Kim uncovers contradicts the simple story in US popular memory of "brainwashing" during the Korean War. Bringing together a vast range of sources that track two generations of people moving between three continents, The Interrogation Rooms of the Korean War delves into an essential yet overlooked aspect of modern warfare in the twentieth century.
Peter Clark's year in Vietnam began in July 1966, when he was shipped out with hundreds of other young recruits, as a replacement in the 1st Infantry Division. Clark was assigned to the Alpha Company. Clark gives a visceral, vivid and immediate account of life in the platoon, as he progresses from green recruit to seasoned soldier over the course of a year in the complexities of the Vietnamese conflict. Clark gradually learns the techniques developed by US troops to cope with the daily horrors they encountered, the technical skills needed to fight and survive, and how to deal with the awful reality of civilian casualties. Fighting aside, it rained almost every day and insect bites constantly plagued the soldiers as they moved through dense jungle, muddy rice paddy and sandy roads. From the food they ate (largely canned meatballs, beans and potatoes) to the inventive ways they managed to shower, every aspect of the platoon's lives is explored in this revealing book. The troops even managed to fit in some R&Rwhilst off-duty in the bars of Tokyo. Alpha One Sixteen follows Clark as he discovers how to cope with the vagaries of the enemy and the daily confusion the troops faced in distinguishing combatants from civilians. The Viet Cong were a largely unseen enemy who fought a guerrilla war, setting traps and landmines everywhere. Clark's vigilance develops as he gets used to 'living in mortal terror,' which a brush with death in a particularly terrifying fire fight does nothing to dispel. As he continues his journey, he chronicles those less fortunate; the heavy toll being taken all round him is powerfully described at the end of each chapter.
Bright Light is the true story of the author's training as a green beret medical specialist and his service with the top secret MACV SOG. The book reveals, for the first time, firsthand accounts of dangerous black operations behind enemy lines during the peak of the Vietnam War. The author also shares the sometimes humorous happenings within the relative safety of the base camp and his warnings for our actions in Iraq and Afghanistan.
In Reencounters,Crystal Mun-hye Baik examines what it means to live with and remember an ongoing war when its manifestations-hypervisible and deeply sensed-become everyday formations delinked from militarization. Contemplating beyond notions of inherited trauma and post memory, Baik offers the concept of reencounters to better track the Korean War's illegible entanglements through an interdisciplinary archive of diasporic memory works that includes oral history projects, performances, and video installations rarely examined by Asian American studies scholars. Baik shows how Korean refugee migrations are repackaged into celebrated immigration narratives, how transnational adoptees are reclaimed by the South Korean state as welcomed "returnees," and how militarized colonial outposts such as Jeju Island are recalibrated into desirable tourist destinations. Baik argues that as the works by Korean and Korean/American artists depict this Cold War historiography, they also offer opportunities to remember otherwise the continuing war. Ultimately, Reencounters wrestles with questions of the nature of war, racial and sexual violence, and neoliberal surveillance in the twenty-first century.
In 1968 Nguyen Qui Duc was nine years old, his father was a high-ranking civil servant in the South Vietnamese government, and his mother was a school principal. Then the Viet Cong launched their Tet offensive, and the Nguyen family's comfortable life was destroyed. The author's father was taken prisoner and marched up the Ho Chi Minh Trail. North Vietnam's highest-ranking civilian prisoner, he eventually spent twelve years in captivity, composing poems in his head to maintain his sanity. Nguyen himself escaped from Saigon as North Vietnamese tanks approached in 1975. He came of age as an American teenager, going to school dances and working at a Roy Rogers restaurant, yet yearning for the homeland and parents he had to leave behind. The author's mother stayed in Vietnam to look after her mentally ill daughter. She endured poverty and "reeducation" until her husband was freed and the Nguyens could reunite. Intertwining these three stories, "Where the Ashes Are" shows us the Vietnam War through a child's eyes, privation after a Communist takeover, and the struggle of new immigrants. The author, who returned to Vietnam as an American reporter, provides a detailed portrait of the nation as it opened to the West in the early 1990s. "Where the Ashes Are" closes with Nguyen's thoughts on being pulled between his adopted country and his homeland.
The hilarity of M*A*S*H meets the satire of Catch 22 in one distinctive Australian voice. 'We need to send our survey party there!' (pointing to map) 'But Colonel, we cain't do it. that's the most insecure area in the whole country!' 'Insecure? Goddamn it! the greatest concentration of American troops in the country is there!' 'Yes Colonel, and have you considered why the greatest concentration of American troops is right there?' CAPtAIN BULLEN'S WAR combines the irreverent humour of M*A*S*H with the sharp satire of Catch 22 in portraying one man's extraordinary experiences of the war in Vietnam in 1968, the bloodiest year of the conflict. the difference is that neither Captain John Bullen nor his experiences are fictional. Nor was he a reluctant soldier. A graduate of the Royal Military College, Duntroon, and a career soldier in the Australian Army, Bullen commanded the vital map-producing section of the Australian task Force at Nui Dat. Alert to the possibility of humour in the bleakest circumstances, he decided to chronicle the events around him. What emerges is one of the most darkly funny and lacerating accounts of the Vietnam War ever written. Strewn with wonderful character sketches and hilarious anecdotes, CAPtAIN BULLEN'S WAR is more than just one man's insightful account of the absurdity of war. He perceives with unsparing clarity the nature and enormity of the conflict around him. A thoughtful, decent man, Bullen's is a voice of sanity in a world gone mad.
When John Burdick received his orders to ship to Vietnam in 1967, he was certain his life was over. His goal was to return to the United States alive and on his feet no matter what it took. He had been recruited by the military to become an intelligence agent, and for a college graduate student from California, it sounded intriguing. But serving in Vietnam would require all of his skills to stay alive. Dressed as a civilian and with little formal training, Burdick learned quickly and executed missions effectively. He fulfilled several purposes in Vietnam-from infiltrating the Viet Cong and North Vietnamese Army command infrastructure to searching for American prisoners of war. The war hit hard. The deaths of all the young men haunted him. He could trust no one, including the military establishment who tried to squash each success the intelligence personnel achieved. In A Sphinx, author John Burdick recounts a powerful and emotional narrative following his duty in the Vietnam War in the 1960s. It uncovers behind-the-scenes footage of a military intelligence agent and his quest to help more American soldiers come home alive.
More than one million Americans have served in Iraq and
Afghanistan, but fewer than 500 from this group have earned a
Silver Star, Navy Cross, Air Force Cross, Distinguished Service
Cross, or the Medal of Honor. These Americans have demonstrated
extraordinary courage under fire?in the worst of circumstances.
They come from all branches of the military. They also come from
all over the country and all walks of life, representing the entire
spectrum of races and creeds.
Underwater Demolition Team 13: Westpac 1969 cruise book. Many Naval commands make cruise books of their trips. Cruise books are photographic and written records of events and people on specific deployments. The 1969 UDT THIRTEEN cruise book brings together a collection of first-hand textual and photographic impressions of its WESTPAC deployment. The harmonizing of these significant experiences, each unique in attitude and point of view, best conveys the reality of the deployment, to be relived and enjoyed in all its color, drama, and poignancy in the years to come. The book contains 252 black & white photos, 4 full-page color photos, 7 hand-drawn illustrations, and 10,000 words. |
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