Based on new archival evidence, examines Soviet Empire building in Hungary and the American response to it.

Twentieth-century Southeastern Europe endured three, separate decades of international and civil war, and was marred in forced migration and wrenching systematic changes. This book is the result of a year-long project by the Open Society Institute to examine and reappraise this tumultuous century. A cohort of young scholars with backgrounds in history, anthropology, political science, and comparative literature were brought together for this undertaking. Guided by renowned editors, they drew on transnational approaches that extended beyond their own country's histories, in a fashion that Budapest's Central European University has done so much to encourage. The studies invite attention to fascism, socialism, and liberalism as well as nationalism and Communism. While most chapters deal with war and confrontation, they focus rather on the remembrance of such conflicts in shaping todayis ideology and national identity. Experts on these issues, and in particular young researchers, must compare and contrast the original sources of conviction in order to fully grasp the topics that are too often uncontested both inside and outside the region.

Teaching about Genocide presents the insights, advice, and suggestions of secondary-level teachers (social studies, history, English, language arts), and professors (political scientists, historians, psychologists), in relation to teaching about various facets of genocide. The contributions are extremely eclectic [this sounds negative rather than positive], ranging from basic concerns when teaching about genocide to a discussion about why it is critical to teach students about more general human rights violations during a course on genocide, and from a focus on specific cases of genocide to a range of pedagogical strategies for teaching about genocide.

From the world of Homer's Iliad to the present day, writers have striven to comprehend the spectacle of human inhumanity.
In this important new resource, edited by a leading Holocaust specialist, readers can access over 300 bio-critical entries on writers whose memoirs, novels, poetry, short stories and drama present a broad and stirring spectrum of voices interpreting one of the twentieth century's most politically and emotionally charged events.
The most comprehensive reference source on a subject of vital interest, this groundbreaking two volume set is invaluable for its thoroughness, impeccable scholarship and engaging prose. Holocaust Literature will become a classic in the field, enriching the studies of readers at all levels, including secondary students, undergraduates, specialists and general readers alike.

The inaugural title in a collaboration between the Wiener Library and Granta Books. These two pamphlets, 'Prelude to Pogroms? Facts for the Thoughtful' and 'German Judaism in Political, Economic and Cultural Terms' mark the first time that Alfred Wiener, the founder of the Wiener Holocaust Library, has been published in English. Together they offer a vital insight into the antisemitic onslaught Germany's Jews were subjected to as the Nazi Party rose to power, and introduce a sharp and sympathetic thinker and speaker to a contemporary audience. Tackling issues such as the planned rise of antisemitism and the scapegoating of minorities, these pamphlets speak as urgently to the contemporary moment as they provide a window on to the past.

Heda Margolius Kovaly (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street based on her own experiences living under Stalinist oppression was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovaly and award-winning filmmaker Helena Trestikova. In it, Kovaly recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slansky Trial and executed for treason. Remarkably, Kovaly, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestikova has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan. PRAISE FOR KOVALY'S INNOCENCE A luminous testament from a dark time, Innocence is at once a clever homage to Raymond Chandler, and a portrait of a city - Prague - caught and held fast in a state of Kafkaesque paranoia. Only a great survivor could have written such a book. - John Banville Innocence is an extraordinary novel ... in 1985, Kovaly produced a remarkable work of art with the intrigue of a spy puzzle, the irony of a political fable, the shrewdness of a novel of manners, and the toughness of a hard-boiled murder mystery ... Just as few will anticipate the many surprises and artful turns of Innocence, a book sure to dazzle and please a great many readers. - Tom Nolan, The Best New Mysteries, The Wall Street Journal Kovaly's skills as a mystery writer shines, as she uses suspense, hints, and suggestions to literally play with the reader's mind ... Innocence is an excellent novel for readers who are up for a challenging, intelligent, and complex story - one that paints a masterful picture of a bleak, Kafkaesque, and highly intriguing time, place, and cast of characters. - The New York Journal of Books Although not out of love for Hegel, Heda Margolius Kovaly makes a very Hegelian point: actions, as Hegel tells us in the section on Antigone in Phenomenology of Spirit - even seemingly small, meaningless actions - always reach beyond their intent; and the impossibility of foreseeing how the consequences will ripple outwards does not absolve us of guilt. As for innocence, the woman who went to hell twice wants her readers to know that there is no such thing. - The Times Literary Supplement

Drawing on hitherto neglected archival materials, Zohar Segev sheds new light on the policy of the World Jewish Congress (WJC) during the Holocaust. Contrary to popular belief, he can show that there was an impressive system of previously unknown rescue efforts. Even more so, there is evidence for an alternative pattern for modern Jewish existence in the thinking and policy of the World Jewish Congress. WJC leaders supported the establishment of a Jewish state in Palestine but did not see it as an end in itself. They strove to establish a Jewish state and to rehabilitate Diaspora Jewish life, two goals they saw as mutually complementary. The efforts of the WJC are put into the context of the serious difficulties facing the American Jewish community and its representative institutions during and after the war, as they tried to act as an ethnic minority within American society.

Evil is sometimes thought to be incomprehensible and abnormal, falling outside of familiar historical and human processes. And yet the twentieth century was replete with instances of cruelty on a massive scale, including systematic torture, murder, and enslavement of ordinary, innocent human beings. These overwhelming atrocities included genocide, totalitarianism, the Holocaust, and the Holodomor. This Element underlines the importance of careful, truthful historical investigation of the complicated realities of dark periods in human history; the importance of understanding these events in terms that give attention to the human experience of the people who were subject to them and those who perpetrated them; the question of whether the idea of 'evil' helps us to confront these periods honestly; and the possibility of improving our civilization's resilience in the face of the impulses towards cruelty to other human beings that have so often emerged.

"A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. ""One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . "A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland during World War II. Her story, in addition to its immediate impact, illustrates her struggle to come to terms with the powerful yet sometimes subtle impact of childhood trauma.In the author's words: "As a very young child I experienced the Holocaust in a way that made it almost impossible to integrate and make sense of the experience. For me, there was no life before the war, no secure early childhood to hold in mind, no context in which to place what was happening to me and around me. The Holocaust was in the air that I breathed daily for the first four years of my life. I took it in deeply without awareness or critical judgment. I ingested it with the milk I drank from my mother's breast. It had the taste of fear and despair."Born during the Holocaust in what was once a part of Poland, Sophia Richman spent her early years in hiding in a small village near Lwow, the city where she was born. Hidden in plain sight, both she and her mother passed as Christian Poles. Later, her father, who escaped from a concentration camp, found them and hid in their attic until the liberation.The story of the miraculous survival of this Jewish family is only the beginning of their long journey out of the Holocaust. The war years are followed by migration and displacement as the refugees search for a new homeland. They move from Ukraine to Poland to France and eventually settle in America. A Wolf in the Attic traces the effects of the author's experiences on her role as an American teen, a wife, a mother, and eventually, a psychoanalyst. A Wolf in the Attic explores the impact of early childhood trauma on the author's: education career choices attitudes toward therapy, both as patient and therapist social interactions love/family relationships parenting style and decisions regarding her daughter religious orientationRepeatedly told by her parents that she was too young to remember the war years, Sophia spent much of her life trying to "remember to forget" what she did indeed remember. A Wolf in the Attic follows her life as she gradually becomes able to reclaim her past, to understand its impact on her life and the choices she has made, and finally, to heal a part of herself that she had been so long taught to deny.

"A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. ""One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . "A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland during World War II. Her story, in addition to its immediate impact, illustrates her struggle to come to terms with the powerful yet sometimes subtle impact of childhood trauma.In the author's words: "As a very young child I experienced the Holocaust in a way that made it almost impossible to integrate and make sense of the experience. For me, there was no life before the war, no secure early childhood to hold in mind, no context in which to place what was happening to me and around me. The Holocaust was in the air that I breathed daily for the first four years of my life. I took it in deeply without awareness or critical judgment. I ingested it with the milk I drank from my mother's breast. It had the taste of fear and despair."Born during the Holocaust in what was once a part of Poland, Sophia Richman spent her early years in hiding in a small village near Lwow, the city where she was born. Hidden in plain sight, both she and her mother passed as Christian Poles. Later, her father, who escaped from a concentration camp, found them and hid in their attic until the liberation.The story of the miraculous survival of this Jewish family is only the beginning of their long journey out of the Holocaust. The war years are followed by migration and displacement as the refugees search for a new homeland. They move from Ukraine to Poland to France and eventually settle in America. A Wolf in the Attic traces the effects of the author's experiences on her role as an American teen, a wife, a mother, and eventually, a psychoanalyst. A Wolf in the Attic explores the impact of early childhood trauma on the author's: education career choices attitudes toward therapy, both as patient and therapist social interactions love/family relationships parenting style and decisions regarding her daughter religious orientationRepeatedly told by her parents that she was too young to remember the war years, Sophia spent much of her life trying to "remember to forget" what she did indeed remember. A Wolf in the Attic follows her life as she gradually becomes able to reclaim her past, to understand its impact on her life and the choices she has made, and finally, to heal a part of herself that she had been so long taught to deny.

Praise for The Perfect Nazi: 'Absorbing, highly readable and painstakingly researched' NIALL FERGUSON 'Unforgettable, haunting reading' SIMON SCHAMA 'A fascinating and extraordinary journey into the banality of evil at the heart of Nazism' BEN MACINTYRE 'Riveting' THE TIMES 'Fascinating, scrupulously researched, compelling' SUNDAY TIMES In this radical new perspective on the Holocaust, Davidson challenges popular understanding and existing histories of the Holocaust. He does this in three main ways. Firstly, he describes the way in which German policy developed and was enacted in new and compelling detail, providing a road map to the 'long and twisting road to Auschwitz', skilfully dramatising those twists and turns, many of which are not generally included in conventional narratives. Secondly, he allows us to hear from new voices, notably female perpetrators, resisters and victims. These provide individual human perspectives on the unfolding events, without which true understanding is impossible; from planning and implementation, to knowledge - and its opposite, denial - all the way to its final reckoning, then and now. And finally, he provides a reappraisal of the moral perspective that drove the Holocaust, getting beyond the conventional notion of 'evil' as a catch-all rationale, to examine why anti-Jewish vitriol was such a powerful motivator for so many Germans, who used arguments and self-justifications that are more resonant today than they have been for decades. Never more so than in the use of the idea of suffering - how 'our' supposed suffering justifies 'theirs'. His focus is very much on the mindset that brought about the Holocaust, the desire to 'make Germany great again' and to make Germany's perceived enemies suffer. Again, this story of dreams of national greatness, and racially-targeted redemptive malevolence could not be more resonant today. Davidson foregrounds the stories of women, in part to illustrate the mindset of Nazi true believers - the German wife stationed in Poland, for example, who found a group of Jewish children who had escaped a mass execution, and shot them herself. He also describes the particular horror experienced by female inmates of the camps, who, as mothers, were the first to be killed alongside their children, and who were among the bravest of German resisters to the crimes being committed in their name - like twenty-one-year-old Sophie Scholl, whose leaflets listing and denouncing Nazi crimes resulted in her execution, in October 1943. The Holocaust forces us to understand that it wasn't the power of a single malevolent leader who made it happen; it was something altogether more alarming. A system of a thousand moving parts, the genocidal logic of which was willed into being, before being planned, mobilised - and submitted to - by millions of different people, acting via different agencies, under different jurisdictions, like iron filings held in the pull of a particular magnetic field which they were happy to replicate and reinforce. The resulting feedback loop would help shape-shift the Final Solution throughout the years of its existence, its direction of travel only ever from bad to worse. That is why the story has to be understood not just in the form of a fast-moving narrative - step after step after step, taken by myriad different people acting out their very different roles - but in the round, held up to the light and rotated through 360 degrees, drawing in not just war and politics, ideology and delusion, geography and economics, but accident, contingency, intention, sadism, innocence, self-justification, resistance, denial and ultimately, meaninglessness too.

The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives-survivor writing, second and third generation-and genres-memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.

Of the many medical specializations to transform themselves during the rise of National Socialism, anatomy has received relatively little attention from historians. While politics and racial laws drove many anatomists from the profession, most who remained joined the Nazi party, and some helped to develop the scientific basis for its racialist dogma. As historian and anatomist Sabine Hildebrandt reveals, however, their complicity with the Nazi state went beyond the merely ideological. They progressed through gradual stages of ethical transgression, turning increasingly to victims of the regime for body procurement, as the traditional model of working with bodies of the deceased gave way, in some cases, to a new paradigm of experimentation with the "future dead."

The uneasy link between tourism and collective memory at Holocaust museums and memorials Each year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of "Holocaust tourism" and what role do its participants play in shaping how we remember and think about the Holocaust? In Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, superficial, or voyeuristic, Reynolds insists that we take a closer look at a phenomenon that has global reach, takes many forms, and serves many interests. The book focuses on some of the most prominent sites of mass murder in Europe, and then expands outward to more recent memorial museums. Reynolds provides a historically-informed account of the different forces that have shaped Holocaust tourism since 1945, including Cold War politics, the sudden emergence of the "memory boom" beginning in the 1980s, and the awareness that eyewitnesses to the Holocaust are passing away. Based on his on-site explorations, the contributions from researchers in Holocaust studies and tourism studies, and the observations of tourists themselves, this book reveals how tourism is an important part of efforts to understand and remember the Holocaust, an event that continues to challenge ideals about humanity and our capacity to learn from the past.

As one of the most prolific writers of Hungarian literature, Gyula Krudy provides us with a collection of articles that display his intimate knowledge of Hungarian society. Written during the 1910s, `20s and `30s, Krudy provides us with a wistful and nostalgic image of the waning years of the Austro-Hungarian empire, with portraits of the Habsburgs, culminating in first hand reports in 1916, from Vienna on the funeral of Emperor Francis Joseph I, and from Budapest on the coronation of Charles IV, the last king of Hungary. Krudy's reports follow the bloodless democratic revolution of 1918, the Karolyi government and the short lived Soviet Republic, and present cameos of the leading political figures of the day such as Ferenc Kossuth, Mihaly Karolyi and Bela Kun.

'A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler's war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world. The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder. Soon after his rise to power, Hitler-a failed artist of the old school-declared war on modern art. The Nazis staged giant 'Degenerate Art' shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both. Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Fuhrer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

SS Kommandant Rudolph Hoss (1900-1947) was history's greatest mass murderer, personally supervising the extermination of approximately two million people, mostly Jews, at the death camp in Auschwitz, Poland. "Death Dealer" is a new, unexpurgated translation of Hoss's autobiography, written before, during, and after his trial. This edition includes rare photos, the minutes of the Wannsee Conference (where the Final Solution was decided and coordinated), original diagrams of the camps, a detailed chronology of important events at Auschwitz-Birkenau, Hoss's final letters to his family, and a new foreword by Auschwitz survivor Primo Levi. "Death Dealer" stands as one of the most important--and chilling--documents of the Holocaust.

This book explores the Holocaust exhibition opened within the Imperial War Museum (IWM) in 2000; setting out the long and often contentious debates surrounding the conception, design, and finally the opening of an important exhibition within a national museum in Britain. It considers a process of memory-making through an assessment of Holocaust photographs, material culture, and survivor testimonies; exploring theories of cultural memory as they apply to the national museum context. Anchored in time and place, the Holocaust exhibition within Britain's national museum of war is influenced by, and reflects, an international rise in Holocaust consciousness in the 1990s. This book considers the construction of Holocaust memory in 1990s Britain, providing a foundation for understanding current and future national memory projects. Through all aspects of the display, the Holocaust is presented as meaningful in terms of what it says about Nazism and what this, in turn, says about Britishness. From the original debates surrounding the inclusion of a Holocaust gallery at the IWM, to the acquisition of Holocaust artefacts that could act as 'concrete evidence' of Nazi barbarity and criminality, the Holocaust reaffirms an image of Britain that avoids critical self-reflection despite raising uncomfortably close questions. The various display elements are brought together to consider multiple strands of the Holocaust story as it is told by national museums in Britain.

Provides an account of the underground resistance in the ghettos of Bielorussia during the Nazi occupation. Using contemporary documentation and harrowing testimonies of survivors, Cholawsky, the commander of a Jewish partisan unit between 1942 and 1945, presents a detailed portrait of the clandestine fighting forces that emerged from the forests of Bielorussia. Through this account emerges an image of the vitality of Bielorussian Jewry.

Comprehensive history of Jewish negotiations with East Germany regarding restitution and reparations for Nazi war crimes.

Scholars, clergy, teachers and writers present stimulating essays on the theme that Anne Frank's Diary movingly symbolizes the triumph of childhood innocence over totalitarian brutality. This may be of value for classes and study groups with interests in religion and religious ethics, the Holocaust, ethnic cleansing, discrimination, the role of the individual in society, and the daunting moral dilemmas posed by emerging nationalisms all over the world.

Scholars, clergy, teachers, and writers present stimulating essays on the theme that Anne Frank's Diary movingly symbolizes the triumph of childhood innocence over totalitarian brutality. This is a valuable volume for classes and study groups with interests in religion and religious ethics, the Holocaust, ethnic cleansing, discrimination, the role of the individual in society, and the daunting moral dilemmas posed by emerging nationalisms all over the world.

The extraordinary German bestseller on the final days of the Third Reich One of the least understood stories of the Third Reich is that of the extraordinary wave of suicides, carried out not just by much of the Nazi leadership, but also by thousands of ordinary Germans, during in the war's closing period. Some of these were provoked by straightforward terror in the face of advancing Soviet troops or by personal guilt, but many could not be explained in such relatively straightforward terms. Florian Huber's remarkable book, a bestseller in Germany, confronts this terrible phenomenon. Other countries have suffered defeat, but not responded in the same way. What drove whole families, who in many cases had already withstood years of deprivation, aerial bombing and deaths in battle, to do this? In a brilliantly written, thoughtful and original work, Huber sees the entire project of the Third Reich as a sequence of almost overwhelming emotions and scenes for many Germans. He describes some of the key events which shaped the period from the First World War to the end of the Second, showing how the sheer intensity, allure and ferocity of Hitler's regime swept along millions. Its sudden end was, for many of them, simply impossible to absorb.

One of the most important untold stories of World War II, The Light of Days is a soaring landmark history that brings to light the extraordinary accomplishments of brave Jewish women who inspired Poland's Jewish youth groups to resist the Nazis. Witnesses to the brutal murder of their families and the violent destruction of their communities, a cadre of Jewish women in Poland - some still in their teens - became the heart of a wide-ranging resistance network that fought the Nazis. With courage, guile and nerves of steel, these 'ghetto girls' smuggled guns in loaves of bread and coded intelligence messages in their plaited hair. They helped build life-saving systems of underground bunkers and sustained thousands of Jews in safe hiding places. They bribed Gestapo guards with liquor, assassinated Nazis and sabotaged German supply lines. The Light of Days at last reveals the real history of these incredible women whose courageous yet little-known feats have been eclipsed by time. [A] powerful book . . . The actions of these young women, carefully brought back to life by Batalion, turn much of what we believe we know about the Holocaust on its head. -- Jenni Frazer ? Jewish Chronicle Remarkable and inspiring . . . thanks to Judy's meticulous research, these near century old stories of resistance in the face of overwhelming odds are about to be read once again ? Daily Express