This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

This book explores the work and legacy of Professor David Cesarani OBE, a leading British scholar and expert on Jewish history who helped to shape Holocaust research, remembrance and education in the UK. It is a unique combination of chapters produced by researchers, curators and commemoration activists who either worked with and/or were taught by the late Cesarani. The chapters in this collection consider the legacies of Cesarani's contribution to the discipline of history and the practice of public history. The contributors offer reflections on Cesarani's approach and provide new insights into the study of Anglo-Jewish history, immigrants and minorities and the history and public legacies of the Holocaust.

In the Netherlands, the myth that resistance to Nazi occupation was high among all sectors of the population has retained a strong hold, and yet many Dutch Jews fell victim to deportation and annihilation in the camps of Eastern Europe. How could a country that prided itself on its tolerance, adherence to legal norms, and democratic government have been the site of such an enormous tragedy? Even while Nazi arrests of Jews were taking place, Arnold Douwes, a gardener and restless adventurer, headed a clandestine network of resistance and rescue. Douwes had spent time in the United States and France and was arrested several times by the police after his return to the Netherlands in 1940. Keenly aware that he was doing something important, he started a diary in the summer of 1943. He hid some 35 small notebooks in jam jars at safe houses in the vicinity of his base in Nieuwlande (Drenthe). After the war, he dug the notebooks up and transcribed them, adding several postwar sections with scrupulous notations. Bob Moore has translated Douwes's diary into English for the first time, and he and co-editor Johannes Houwink ten Cate have added a historical and contextual introduction, annotations, and a glossary for readers who may not be familiar with Dutch technical terms or places. Organized chronologically, and remaining largely as Douwes originally wrote it, the diary sheds light on the successes-and failures-of this important Dutch rescue network.

Between Romania's entry into World War II in 1941 and the ouster of dictator Ion Antonescu three years later, over 105,000 Jews were forced to work in internment and labor camps, labor battalions, government institutions, and private industry. Particularly for those in the labor battalions, this period was characterized by extraordinary physical and psychological suffering, hunger, inadequate shelter, and dangerous or even deadly working conditions. And yet the situation that arose from the combination of Antonescu's paranoias and the peculiarities of the Romanian system of forced-labor organization meant that most Jewish laborers survived. Jewish Forced Labor in Romania explores the ideological and legal background of this system of forced labor, its purpose, and its evolution. Author Dallas Michelbacher examines the relationship between the system of forced labor and the Romanian government's plans for the "solution to the Jewish question." In doing so, Michelbacher highlights the key differences between the Romanian system of forced labor and the well-documented use of forced labor in Nazi Germany and neighboring Hungary. Jewish Forced Labor in Romania explores the internal logic of the Antonescu regime and how it balanced its ideological imperative for antisemitic persecution with the economic needs of a state engaged in total war whose economy was still heavily dependent on the skills of its Jewish population.

In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.

'Gripping, heartbreaking and uplifting.' Christy Lefteri, author of the million-copy bestseller The Beekeeper of Aleppo THEIR STORY WILL BREAK YOUR HEART THEIR JOURNEY WILL FILL YOU WITH HOPE YOU WILL NEVER FORGET THEIR NAMES When they are little girls, Cibi, Magda and Livia make a promise to their father - that they will stay together, no matter what. Years later, at just 15, Livia is ordered to Auschwitz by the Nazis. Cibi, only 19 herself, remembers their promise and follows Livia, determined to protect her sister, or die with her. Together, they fight to survive through unimaginable cruelty and hardship. Magda, only 17, stays with her mother and grandfather, hiding out in a neighbour's attic or in the forest when the Nazi militia come to round up friends, neighbours and family. She escapes for a time, but eventually she too is captured and transported to the death camp. In Auschwitz-Birkenau the three sisters are reunited and, remembering their father, they make a new promise, this time to each other: That they will survive. Three Sisters is a beautiful story of hope in the hardest of times and of finding love after loss. Heather Morris is the global bestselling author of The Tattooist of Auschwitz and Cilka's Journey, which have sold eight million copies worldwide. Three Sisters is her third novel, and the final piece in the phenomenon that is the Tattooist of Auschwitz series.

The Holocaust/Genocide Template in Eastern Europe discusses the "memory wars" in the course of the post-Communist re-narration of history since 1989 and the current authoritarian backlash. The book focuses specifically on how "mnemonic warriors" employ the "Holocaust template" and the concept of genocide in tendentious ways to justify radical policies and externalize the culpability for their international isolation and worsening social and economic circumstances domestically. The chapters analyze three dimensions: 1) the competing narratives of the "universalization of the Holocaust" as the negative icon of our era, on the one hand, and the "double genocide" paradigm, on the other, which focuses on "our own" national suffering under - allegedly "equally" evil - Nazism and Communism; 2) the juxtaposition of post-Communist Eastern Europe and Russia, reflected primarily in the struggle of the Baltic states and Ukraine to challenge Russian propaganda, a struggle that runs the risk of employing similarly distorting and propagandistic tropes; and 3) the post-Yugoslav rhetoric portraying one's own group as "the new Jews" and one's opponents in the wars of the 1990s as (akin to) "Nazis". Surveying major battle sites in this "memory war": memorial museums, monuments, film and the war over definitions and terminology in relevant public discourse, The Holocaust/Genocide Template in Eastern Europe will be of great interest to scholars of genocide, the Holocaust, historical memory and revisionism, and Eastern European Politics. This book was originally published as a special issue of the Journal of Genocide Research.

'An unrivalled picture of the rumours, suspicions and treachery of civil war' Antony Beevor Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism as I understand it'. Thus wrote Orwell following his experiences as a militiaman in the Spanish Civil War, chronicled in Homage to Catalonia. Here he brings to bear all the force of his humanity, passion and clarity, describing with bitter intensity the bright hopes and cynical betrayals of that chaotic episode: the revolutionary euphoria of Barcelona, the courage of ordinary Spanish men and women he fought alongside, the terror and confusion of the front, his near-fatal bullet wound and the vicious treachery of his supposed allies. A firsthand account of the brutal conditions of the Spanish Civil War, George Orwell's Homage to Catalonia includes an introduction by Julian Symons.

*** The New York Times Bestseller *** 'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter 'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle 'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos 'Powerful... a fascinating account.' - Woman The powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp - mainly Jewish women and girls - were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop - called the Upper Tailoring Studio - was established by Hedwig Hoess, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust. Drawing on diverse sources - including interviews with the last surviving seamstress - The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

Few topics in modern history draw the attention that the Holocaust does. The Shoah has become synonymous with unspeakable atrocity and unbearable suffering. Yet it has also been used to teach tolerance, empathy, resistance, and hope. Understanding and Teaching the Holocaust provides a starting point for teachers in many disciplines to illuminate this crucial event in world history for students. Using a vast array of source materials-from literature and film to survivor testimonies and interviews-the contributors demonstrate how to guide students through these sensitive and painful subjects within their specific historical and social contexts. Each chapter provides pedagogical case studies for teaching content such as antisemitism, resistance and rescue, and the postwar lives of displaced persons. It will transform how students learn about the Holocaust and the circumstances surrounding it.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

Originally published in 1997, Bacskai's powerful ethnography portrays the political, religious, and individual forces that came to bear on the Orthodox Jewish tradition as it struggled for survival in the aftermath of the Holocaust in Hungary. Jews who returned to their homes eagerly reestablished their close-knit community lives. However, they were greeted with hostility and faced daily prejudice. Following the fall of Hungarian democracy, the number of Orthodox Jewish congregations dramatically decreased. Those who remained struggled to combat antisemitism and antizionism. It is these individuals, the bearers of the Orthodox Jewish tradition, whom Bacskai celebrates and gives voice to in One Step toward Jerusalem. Through detailed interviews and intimate profiles, Bacskai narrates the individual stories of survival and the collective story of Jews struggling to maintain a community despite significant resistance.

This is the extraordinary story of the author's twenty year quest to find gold coins which his father's family buried in their backyard in Poland just prior to being deported by the Nazis into concentration camps. His father survived the war but died when the author was a teenager, leaving him only with the knowledge that he had buried coins somewhere in Poland, and no information about his family. During his quest, Biederman uncovers many interesting and disturbing facts about his father and mother and their families, such as the fact that his father was the third person on Oskar Schindler's list and had a chance meeting with Adolph Hitler, and that his mother was selected as a cook for the infamous Dr. Josef Mengele. The book details the author's quest to unearth his family's past and his father's treasure and continues with his parent's amazing post-war years in Europe and their eventual arrival in North America.

Terrortimes, Terrorscapes: Continuities of Space, Time, and Memory in Twentieth-Century War and Genocide investigates interconnections between space and violence throughout the twentieth century, and how such connections informed collective memory. The interdisciplinary volume shows how entangled notions of time and space amplified by memory narratives led to continuities of violence across different conflicts creating "terrortimes" and "terrorscapes" in their wake. The volume examines such continuities of violence with the help of an analytical framework built around different themes. Its first part, spatial and temporal continuities of violence, looks at contested spaces and ideas of national, ethnic, or religious homogeneity that are often at the heart of prolonged conflicts. The second part, on states and actors, addresses the role of states as enablers of violence, asymmetric power dynamics, and the connection between imperialism and genocide in Africa. Imagination and emotion-the focus of the third part-explores utopian visions and their limits that instigate or hinder, and the mobilization of emotion through propaganda. Finally, the fourth part shows how the recollection of the past sometimes triggers new terrortimes. Departing from an understanding of violence limited to certain areas and time frames, this volume describes continuities of violence as overlapping fabrics woven together from notions of space, time, and memory.

Terrortimes, Terrorscapes: Continuities of Space, Time, and Memory in Twentieth-Century War and Genocide investigates interconnections between space and violence throughout the twentieth century, and how such connections informed collective memory. The interdisciplinary volume shows how entangled notions of time and space amplified by memory narratives led to continuities of violence across different conflicts creating "terrortimes" and "terrorscapes" in their wake. The volume examines such continuities of violence with the help of an analytical framework built around different themes. Its first part, spatial and temporal continuities of violence, looks at contested spaces and ideas of national, ethnic, or religious homogeneity that are often at the heart of prolonged conflicts. The second part, on states and actors, addresses the role of states as enablers of violence, asymmetric power dynamics, and the connection between imperialism and genocide in Africa. Imagination and emotion-the focus of the third part-explores utopian visions and their limits that instigate or hinder, and the mobilization of emotion through propaganda. Finally, the fourth part shows how the recollection of the past sometimes triggers new terrortimes. Departing from an understanding of violence limited to certain areas and time frames, this volume describes continuities of violence as overlapping fabrics woven together from notions of space, time, and memory.

In the spring of 1944, nearly 500,000 Jews were deported from the Hungarian countryside and killed in Auschwitz. In Budapest, only 150,000 Jews survived both the German occupation and dictatorship of the Hungarian National Socialists, who took power in October 1944. Zsuzsanna Ozsvath's family belonged among the survivors. This memoir begins with the the author's childhood during the Holocaust in Hungary. It captures life after the war's end in Communist-ruled Hungary and continues with her and her husband's flight to Germany and eventually the United States. Ozsvath's poignant story of survival, friendship, and love provides readers with a rare glimpse of an extraordinary journey.

This is a study of some of the rank-and-file men, the foot soldiers, who carried out the "Final Solution." The Trawniki concentration camp in Poland was used by the SS to train more than 5,000 men in the execution of mass murder. Of these 5,000, most were eastern Europeans recruited from POW camps, including a large Ukrainian contingent. "Trawnikis" were distributed throughout the concentration camp system, with particular prominence in the extermination camps of Aktion Reinhard. Trawnikis formed the firing squads during Ghetto liquidations, operated gas chambers, and carried out various other violent tasks deemed burdensome by German planners. This book will explore who these men were, and give a face to those faceless enforcers of the Holocaust.

The Story of Israel is an illuminating book that explores the nation's history. Seventy years after Israel declared independence on 14 May 1948, the dramatic events before and since this point form an extraordinary period of history. From Theodor Herzl's efforts to establish a sovereign Jewish nation in Palestine to the 21st-century roadmap for peace and beyond, The Story of Israel brings the period to life as never before. Sir Martin Gilbert's authoritative text is supplemented by more than 150 photographs and maps, as well as rare documents, including pages from Herzl's diary, identification papers of an Exodus refugee and Ben-Gurion's copy of his Declaration of Independence speech - all of which shed light on fascinating history of the country. This is the ultimate guide to the turbulent history of a proud and powerful nation.

This volume documents the persecution of the Jews in the German Reich between 1933 and 1937. The documents illustrate the ways in which the Jews in Germany were thrown out of their jobs and excluded from public institutions and public life, and how the Nuremberg Laws reduced the status of German Jews to second-class citizens and set out to sever the ties between Jewish and non-Jewish Germans. It documents the political calculations and strategy of the Nazi ruling elite in relation to antisemitic measures, and the local outbreaks of violence and terror against the Jewish population. It also illustrates the widespread indifference of non-Jewish Germans. In 1935 the Berlin rabbi Joachim Prinz described how the circumstances for the Jewish population had changed: 'The Jew's lot is to be neighbourless. We would not find it all so painful if we did not have the feeling that we once did have neighbours.' Learn more about the PMJ on https://pmj-documents.org/

Hungarian Imre Kertesz was awarded the Nobel Prize in Literature in 2002 for "writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history." His conversation with literary historian Thomas Cooper that is presented here speaks specifically to this relationship between the personal and the historical. In The Holocaust as Culture, Kertesz recalls his childhood in Buchenwald and Auschwitz and as a writer living under the so-called soft dictatorship of communist Hungary. Reflecting on his experiences of the Holocaust and the Soviet occupation of Hungary following World War II, Kertesz likens the ideological machinery of National Socialism to the oppressive routines of life under communism. He also discusses the complex publication history of Fateless, his acclaimed novel about the experiences of a Hungarian child deported to Auschwitz, and the lack of interest with which it was initially met in Hungary due to its failure to conform to the communist government's simplistic history of the relationship between Nazi occupiers and communist liberators. The underlying theme in the dialogue between Kertesz and Cooper is the difficulty of mediating the past and creating models for interpreting history, and how this challenges ideas of self. The title The Holocaust as Culture is taken from that of a talk Kertesz gave in Vienna for a symposium on the life and works of Jean Amery. That essay is included here, and it reflects on Amery's fear that history would all too quickly forget the fates of the victims of the concentration camps. Combined with an introduction by Thomas Cooper, the thoughts gathered here reveal Kertesz's views on the lengthening shadow of the Holocaust as an ever-present part of the world's cultural memory and his idea of the crucial functions of literature and art as the vessels of this memory.

This book is the first to bring together analyses of the full range of post-war testimony given by survivors of the Sonderkommando of Auschwitz-Birkenau. The Auschwitz Sonderkommando were slave labourers in the gas chambers and crematoria, forced to process and dispose of the bodies of those who were murdered. They have been central to a number of key topics in post-war debates about the Shoah: collaboration, moral compromise and survival, resistance, representation, and the possibility of bearing witness. Their testimony however has mostly met with a reluctance to engage in depth with it. Moving from testimonies produced within the event, the Scrolls of Auschwitz and the Sonderkommando photographs, to testimonies given at trials and for video archives, and to the paintings of David Olere and the film Shoah by Claude Lanzmann, this book demonstrates the importance of their witnessing in the post-war memory of the Holocaust, and provides vital new insights into the questions of representation, memory, gender, and the Shoah.

'Rigorously researched, The Lost Cafe Schindler successfully weaves together a compelling and at times deeply moving memoir and family history that also chronicles the wider story of the Jews of the Austro-Hungarian Empire... It distinguishes itself through its combination of mystery and reconciliation.' -- The Times T2 'In tilling the past Meriel has uncovered the most fascinating - and devastating - family history. The Lost Cafe Schindler is not just a genealogical exploration, though; it sets out the wider experiences of the Jewish population of the Austro-Hungarian empire, weaving in the story of how antisemitism took root' -- Sunday Times 'An impressively researched account of Jewish life in the Tyrol up to and during the Second World War' -- Evening Standard 'An extraordinary story - so cadenced and so moving.' -- Edmund de Waal, author of The Hare with Amber Eyes 'An extraordinary and compelling book of reckonings - a journey across a long, complex and deeply painful arc of history, grippingly told - a wonderful melding of the personal and the political, the family and the historical.' -- Philippe Sands, author of East West Street 'Lingering tastes and luscious aromas permeate Meriel Schindler's affecting 'The Lost Cafe Schindler'' -- Wall Street Journal 'A significant benefit for family historians is that her reading, sources and resources offer guidance that others might follow and use in their own research.' Who Do You Think You Are? 'A well-researched account.' -- The Observer By reconstructing - through letters, photos and archival documents - the specific experiences of her family, Meriel articulates a revealing, often heart-breaking insider's perspective that illuminates the broader narrative.' -- Irish Examiner 'The scale of the crimes committed during these years can never be fully comprehended, but through tales like these they become relatable and the sense of loss, shared.' -- Press Association 'Compelling and beautifully written... a remarkable and inspiring story that attests to the strength and compassion of the human spirit in overcoming the tragedy of persecution... Fascinating family history.' - Daily Express 'Schindler builds her story patiently, tracking her own journey in unravelling it' - i *** Kurt Schindler was an impossible man. His daughter Meriel spent her adult life trying to keep him at bay. Kurt had made extravagant claims about their family history. Were they really related to Franz Kafka and Oscar Schindler, of Schindler's List fame? Or Hitler's Jewish doctor - Dr Bloch? What really happened on Kristallnacht, the night that Nazis beat Kurt's father half to death and ransacked the family home? When Kurt died in 2017, Meriel felt compelled to resolve her mixed feelings about him, and to solve the mysteries he had left behind. Starting with photos and papers found in Kurt's isolated cottage, Meriel embarked on a journey of discovery taking her to Austria, Italy and the USA. She reconnected family members scattered by feuding and war. She pieced together an extraordinary story taking in two centuries, two world wars and a family business: the famous Cafe Schindler. Launched in 1922 as an antidote to the horrors of the First World War, this grand cafe became the whirling social centre of Innsbruck. And then the Nazis arrived. Through the story of the Cafe Schindler and the threads that spool out from it, this moving book weaves together memoir, family history and an untold story of the Jews of the Austro-Hungarian Empire. It explores the restorative power of writing, and offers readers a profound reflection on memory, truth, trauma and the importance of cake.

'Meticulous... Probably the most disturbing portrait of Hitler I have ever read' Dominic Sandbrook, Sunday Times By the summer of 1939 Hitler was at the zenith of his power. Yet despite initial triumphs in the early stages of war, the Fuhrer's fortunes would turn dramatically as the conflict raged on. Realising that victory was lost, and with Soviet troops closing in on his Berlin bunker, Hitler committed suicide in April 1945; one week later, Nazi Germany surrendered. His murderous ambitions had not only annihilated his own country, but had cost the lives of millions across Europe. In the final volume of this landmark biography, Volker Ullrich argues that the very qualities - and the defects - that accounted for Hitler's popularity and rise to power were what brought about his ruin. A keen strategist and meticulous military commander, he was also a deeply insecure gambler who could be shaken by the smallest setback, and was quick to blame subordinates for his own disastrous mistakes. Drawing on a wealth of new sources and scholarship, this is the definitive portrait of the man who dragged the world into chaos.