Chris Hughes, the "Daily Mirror's" defence correspondent, was the first western reporter into Iraq after 9/11, the first into Saddam's secret bunker and the only one to visit Osama bin Laden's mountain lair. He was also the only western journalist present when American Marines killed and wounded unarmed demonstrators in Fallujah, sparking the savage insurgency. He's survived carjackings and missile attacks, watched mothers weep over the skeletons of sons dragged from mass graves and joined mercenaries flying crates of guns out of Baghdad. Hughes has been to every major troublespot in Iraq in a dozen visits, mixing with the SAS, British mercenaries and ordinary Iraqis; in "Road Trip To Hell", he tells their stories with wit and irreverence in a very readable style. He admits he's no expert on the Middle East - 'I wanted to call this book "Clueless in Gaza",' he writes, 'but George W Bush rarely invades places with potential for witty literary allusion' - but he has a fine eye for detail and black humour and gives a unique insight into a terrible, crazy war.

This book offers a new perspective on the making of Afro-Brazilian, African-American and African studies through the interrelated trajectory of E. Franklin Frazier, Lorenzo Dow Turner, Frances and Melville Herskovits in Brazil. The book compares the style, network and agenda of these different and yet somehow converging scholars, and relates them to the Brazilian intellectual context, especially Bahia, which showed in those days much less density and organization than the US equivalent. It is therefore a double comparison: between four Americans and between Americans and scholars based in Brazil.

The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.

In May 1983, in the wake of her victory in the Falklands, Mrs Thatcher won the second of her three general election victories. Liverpool, going not for the first or last time against the grain, elected a Labour council that vowed to be different. In an environment of mass unemployment in which Liverpool felt abandoned by an indifferent government, the council resolved to join others across the land in refusing to set a budget that would hurt the poorest. It was at first wildly popular, but the scene soon became set for a battle between the city and central government that would shape the future of Liverpool. Published to coincide with the thirtieth anniversary of the 1983 election, Militant Liverpool: A City on the Edge sets out an even-handed assessment of events with oral testimonies from many of the key protagonists. Thirty years on, Liverpool has to some extent reinvented itself as a visitor destination, but it is again facing major spending cuts while its deep seated social problems remain. This book sheds new light on what is for some a dark period in the city's past, best forgotten, while for others is a memory of the city that refused to lie down and die and a continuing inspiration.

This volume offers a new perspective on the political history of the socialist, communist and alternative political Lefts, focusing on the role of networks and transnational connections. Embedding the history of left-wing internationalism into a new political history approach, it accounts for global and transnational turns in the study of left-wing politics. The essays in this collection study a range of examples of international engagement and transnational cooperation in which left-wing actors were involved, and explore how these interactions shaped the globalization of politics throughout the 20th century. In taking a multi-archival and methodological approach, this book challenges two conventional views - that the left gradually abandoned its original international to focus exclusively on the national framework, and that internationalism survived merely as a rhetorical device. Instead, this collection highlights how different currents of the Left developed their own versions of internationalism in order to adapt to the transformation of politics in the interdependent 20th-century world. Demonstrating the importance of political convergence, alliance-formation, network construction and knowledge circulation within and between the socialist and communist movements, it shows that the influence of internationalism is central to understanding the foreign policy of various left-wing parties and movements.

What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination? In Anti-Colonialism and the Crises of Interwar Fascism, Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires. Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an "inside-out" methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms. Addressing this imbalance, Anti-Colonialism adopts an "outside-in" approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles. Whether fascist, democratic, or imperialist, Europe's great powers collectively negotiated the fate of smaller nations.

This is beautifully slipcased presented collector' s edition of the best selling title, The Lost World of Bletchley Park, a comprehensive illustrated history of this remarkable place, from its prewar heyday as a country estate, its wartime requisition and how it became the place where modern computing was invented and the German Enigma code was cracked, to its post-war dereliction and then rescue towards the end of the twentieth century as a museum. Removable memorabilia includes: 1938 recruiting memo with a big tick against Turing' s name Churchill' s ' Action this day' letter giving code breakers extra resources Handwritten Turing memos Top Secret Engima decryptions, about the sinking of the Bismark, German High Command' s assessment of D-Day threat and the message announcing Hitler' s suicide A wealth of everyday items such as call-up papers, security notices and propoganda posters Newly redesigned interiors with 25% new content, high end slipcase package featuring removable facsimile documents, this is an essential purchase for everyone interested and wanting to experience the place where code-breaking helped to win the war.

A commemoration of the 20th anniversary of 9/11 as told through stories and photographs from The Associated Press--covering everything from the events of that tragic day to the rebuilding of the World Trade Center and beyond.This important and comprehensive book commemorates the 20th anniversary of September 11 as told through stories and images from the correspondents and photographers of The Associated Press--breaking news reports, in-depth investigative pieces, human interest accounts, approximately 175 dramatic and moving photos, and first-person recollections. AP's reporting of the world-changing events of 9/11; the heroic rescue efforts and aftermath; the world's reaction; Operation Enduring Freedom; the continuing legal proceedings; the building of the National September 11 Memorial & Museum in New York City as a place of remembrance; the rebuilding of downtown NYC and much more is covered. Also included is a foreword by Robert De Niro. The book tells the many stories of 9/11--not only of the unprecedented horror of that September morning, but also of the inspiring resilience and hope of the human spirit.

Pearson Baccalaureate History: The Cold War 2nd edition is a revised version of the bestselling 1st edition, written by leading IB practitioners to specifically match the International Baccalaureate 2015 History curriculum. Covering two new subjects - Leaders and Nations and Cold War Crises - this book comprehensively covers the revised Cold War topic. It will equip you with the knowledge and skills that you need to answer essay questions on Paper Two and document-based questions on Paper One. This book is also accompanied by an enhanced eBook containing further worksheets, quizzes to test knowledge and examination skills, and enlarged source material. The Cold War includes the following features: a clear overview and analysis of key events practice in analysing source material, including photographs, cartoons, letters, speeches, and other documents support throughout for new curriculum features, including key concepts and international mindedness approaches to learning highlighted in each activity throughout the book focus on the examination requirements, with 'hints for success' throughout, as well as quizzes on the eBook support with tackling essay-writing, including essay frames an updated Theory of Knowledge section and questions throughout to help with wider research and discussion. Other titles in the Pearson Baccalaureate series include: History: Causes and Effects of 20th Century Wars History: Authoritarian States History Paper 1: The Move to Global War Theory of Knowledge

1989 bore witness to a number of seismic events; The fall of the Berlin Wall, protests at Tiananmen Square, the US invasion of Panama, and many more. These notable moments inspired an array of visual, sonic and literary texts that can tell us much about this watershed moment. This edited collection examines these products of 1989 to explore the sense of transformative immediacy, which defined this memorable year, and show how the events of 1989 set the path for the 21st century. Gathering together scholars across a range of disciplines, Reading the New Global Order examines specific texts to reveal key transnational issues of that year, and to highlight fundamental questions about the nature and significance of 1989 as a global moment. From speeches, manifestos and novellas, to a pop album, this book raises questions about what constitutes a 'text' in the study of history and what they can reveal about their point in time. Taken together, these chapters highlight 1989 as a cultural, intellectual and political landmark of the 20th century through the global events it saw and the texts it produced.

If the United States couldn't catch up to the Soviets in space, how could it compete with them on Earth? That was the question facing John F. Kennedy at the height of the Cold War-a perilous time when the Soviet Union built the wall in Berlin, tested nuclear bombs more destructive than any in history, and beat the United States to every major milestone in space. The race to the heavens seemed a race for survival-and America was losing. On February 20, 1962, when John Glenn blasted into orbit aboard Friendship 7, his mission was not only to circle the planet; it was to calm the fears of the free world and renew America's sense of self-belief. Mercury Rising re-creates the tension and excitement of a flight that shifted the momentum of the space race and put the United States on the path to the moon. Drawing on new archival sources, personal interviews, and previously unpublished notes by Glenn himself, Mercury Rising reveals how the astronaut's heroics lifted the nation's hopes in what Kennedy called the "hour of maximum danger."

To serve the British nation in World War II, the BBC charged itself with mobilizing popular music in support of Britain's war effort. Radio music, British broadcasters and administrators argued, could maintain civilian and military morale, increase industrial production, and even promote a sense of Anglo-American cooperation. Because of their widespread popularity, dance music and popular song were seen as ideal for these tasks; along with jazz, with its American associations and small but youthful audience, these genres suddenly gained new legitimacy at the traditionally more conservative BBC.
In Victory through Harmony, author Christina Baade both tells the fascinating story of the BBC's musical participation in wartime events and explores how popular music and jazz broadcasting helped redefine notions of war, gender, race, class, and nationality in wartime Britain. Baade looks in particular at the BBC's pioneering Listener Research Department, which tracked the tastes of select demographic groups including servicemen stationed overseas and young female factory workers in order to further the goal of entertaining, cheering, and even calming the public during wartime. The book also tells how the wartime BBC programmed popular music to an unprecedented degree with the goal of building national unity and morale, promoting new roles for women, virile representations of masculinity, Anglo-American friendship, and pride in a common British culture. In the process, though, the BBC came into uneasy contact with threats of Americanization, sentimentality, and the creativity of non-white "others," which prompted it to regulate and even censor popular music and performers.
Rather than provide the soundtrack for a unified "People's War," Baade argues, the BBC's broadcasting efforts exposed the divergent ideologies, tastes, and perspectives of the nation. This illuminating book will interest all readers in popular music, jazz, and radio, as well as British cultural history and gender studies.