Chris Hughes, the "Daily Mirror's" defence correspondent, was the first western reporter into Iraq after 9/11, the first into Saddam's secret bunker and the only one to visit Osama bin Laden's mountain lair. He was also the only western journalist present when American Marines killed and wounded unarmed demonstrators in Fallujah, sparking the savage insurgency. He's survived carjackings and missile attacks, watched mothers weep over the skeletons of sons dragged from mass graves and joined mercenaries flying crates of guns out of Baghdad. Hughes has been to every major troublespot in Iraq in a dozen visits, mixing with the SAS, British mercenaries and ordinary Iraqis; in "Road Trip To Hell", he tells their stories with wit and irreverence in a very readable style. He admits he's no expert on the Middle East - 'I wanted to call this book "Clueless in Gaza",' he writes, 'but George W Bush rarely invades places with potential for witty literary allusion' - but he has a fine eye for detail and black humour and gives a unique insight into a terrible, crazy war.

This book offers a new perspective on the making of Afro-Brazilian, African-American and African studies through the interrelated trajectory of E. Franklin Frazier, Lorenzo Dow Turner, Frances and Melville Herskovits in Brazil. The book compares the style, network and agenda of these different and yet somehow converging scholars, and relates them to the Brazilian intellectual context, especially Bahia, which showed in those days much less density and organization than the US equivalent. It is therefore a double comparison: between four Americans and between Americans and scholars based in Brazil.

The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.

Exam board: OCR Level: AS/A-level Subject: History First teaching: September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level) Put your trust in the textbook series that has given thousands of A-level History students deeper knowledge and better grades for over 30 years. Updated to meet the demands of today's A-level specifications, this new generation of Access to History titles includes accurate exam guidance based on examiners' reports, free online activity worksheets and contextual information that underpins students' understanding of the period. - Develop strong historical knowledge: in-depth analysis of each topic is both authoritative and accessible - Build historical skills and understanding: downloadable activity worksheets can be used independently by students or edited by teachers for classwork and homework - Learn, remember and connect important events and people: an introduction to the period, summary diagrams, timelines and links to additional online resources support lessons, revision and coursework - Achieve exam success: practical advice matched to the requirements of your A-level specification incorporates the lessons learnt from previous exams - Engage with sources, interpretations and the latest historical research: students will evaluate a rich collection of visual and written materials, plus key debates that examine the views of different historians

Covering the time period from 1807, when John Colter first discovered the wonders of the Yellowstone Plateau to the 1920s when tourists sped between luxury hotels in their automobiles, these tales of Wonderland come from the letters, journals, and diaries kept by early visitors and later tourists. The earliest stories recount mountain men's awe at geysers hurling boiling water hundreds of feet into the air and their encounters with the native inhabitants of the region. The latest stories reflect the "civilizing" of the park and reveal the golden age of tourist travel in the area.

This volume offers a new perspective on the political history of the socialist, communist and alternative political Lefts, focusing on the role of networks and transnational connections. Embedding the history of left-wing internationalism into a new political history approach, it accounts for global and transnational turns in the study of left-wing politics. The essays in this collection study a range of examples of international engagement and transnational cooperation in which left-wing actors were involved, and explore how these interactions shaped the globalization of politics throughout the 20th century. In taking a multi-archival and methodological approach, this book challenges two conventional views - that the left gradually abandoned its original international to focus exclusively on the national framework, and that internationalism survived merely as a rhetorical device. Instead, this collection highlights how different currents of the Left developed their own versions of internationalism in order to adapt to the transformation of politics in the interdependent 20th-century world. Demonstrating the importance of political convergence, alliance-formation, network construction and knowledge circulation within and between the socialist and communist movements, it shows that the influence of internationalism is central to understanding the foreign policy of various left-wing parties and movements.

This is beautifully slipcased presented collector' s edition of the best selling title, The Lost World of Bletchley Park, a comprehensive illustrated history of this remarkable place, from its prewar heyday as a country estate, its wartime requisition and how it became the place where modern computing was invented and the German Enigma code was cracked, to its post-war dereliction and then rescue towards the end of the twentieth century as a museum. Removable memorabilia includes: 1938 recruiting memo with a big tick against Turing' s name Churchill' s ' Action this day' letter giving code breakers extra resources Handwritten Turing memos Top Secret Engima decryptions, about the sinking of the Bismark, German High Command' s assessment of D-Day threat and the message announcing Hitler' s suicide A wealth of everyday items such as call-up papers, security notices and propoganda posters Newly redesigned interiors with 25% new content, high end slipcase package featuring removable facsimile documents, this is an essential purchase for everyone interested and wanting to experience the place where code-breaking helped to win the war.

What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination? In Anti-Colonialism and the Crises of Interwar Fascism, Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires. Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an "inside-out" methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms. Addressing this imbalance, Anti-Colonialism adopts an "outside-in" approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles. Whether fascist, democratic, or imperialist, Europe's great powers collectively negotiated the fate of smaller nations.