Revealing the lives of migrant couples and transnational households, this book explores the dark side of the history of migration in Argentina during the late 19th and early 20th centuries. Using court records, censuses, personal correspondence and a series of case studies, Maria Bjerg offers a portrayal of the emotional dynamics of transnational marital bonds and intimate relationships stretched across continents. Using microhistories and case studies, this book shows how migration affected marital bonds with loneliness, betrayal, fear and frustration. Focusing primarily on the emotional lives of Italian and Spanish migrants, this book explores bigamy, infidelity, adultery, domestic violence and murder within official and unofficial unions. It reveals the complexities of obligation, financial hardship, sacrifice and distance that came with migration, and explores how shame, jealousy, vengeance and disobedience led to the breaking of marital ties. Against a backdrop of changing cultural contexts Bjerg examines the emotional languages and practices used by adulterous women against their offended husbands, to justify domestic violence and as a defence against homicide. Demonstrating how migration was a powerful catalyst of change in emotional lives and in evolving social standards, Emotions and Migration in Early Twentieth-century Argentina reveals intimate and disordered lives at a time when female obedience and male honour were not only paramount, but exacerbated by distance and displacement.

This book focuses on the generation of the sixties and seventies in Kharkiv, Soviet Ukraine, a milieu of writers who lived through the Thaw and the processes of de-Stalinization and re-Stalinization. Special attention is paid to KGB operations against what came to be known as the dissident milieu, and the interaction of Ukrainians, Jews, and Russians in the movement, their persona friendships, formal and informal interactions, and the ways they dealt with repression and arrests. This study demonstrates that the KGB unintentionally facilitated the transnational and intercultural links among the Kharkiv multi-ethnic community of writers and their mutual enrichment. Post-Khrushchev Kharkiv is analyzed as a political space and a place of state violence aimed at combating Ukrainian nationalism and Zionism, two major targets in the 1960s-1970s. Despite their various cultural and social backgrounds, the Kharkiv literati might be identified as a distinct bohemian group possessing shared aesthetic and political values that emerged as the result of de-Stalinization under Khrushchev. Archival documents, diaries, and memoirs suggest that the 1960s-1970s was a period of intense KGB operations, "active measures" designed to disrupt a community of intellectuals and to fragment friendships, bonds, and support among Ukrainians, Russians, and Jews along ethnic lines domestically and abroad.

First published in 1990, Songs of the Doomed is back in print -- by popular demand! In this third and most extraordinary volume of the Gonzo Papers, Dr. Hunter S. Thompson recalls high and hideous moments in his thirty years in the Passing Lane -- and no one is safe from his hilarious, remarkably astute social commentary.

With Thompson's trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in Thompson's freewheeling, inimitable style. Spanning four decades -- 1950 to 1990 -- Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem," and finally, detailing his infamous lifestyle bust, trial documents, and Fourth Amendment battle with the Law. These tales -- often sleazy, brutal, and crude -- are only the tip of what Jack Nicholson called "the most baffling human iceberg of our time."

Songs of the Doomed is vintage Thompson -- a brilliant, brazen, bawdy compilation of the greatest sound bites of Gonzo journalism from the past thirty years.

The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. This book traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.

Illustrated with detailed artworks of American, British, Canadian, Australian, French, Polish and other Western Allied nations tanks and their markings with exhaustive captions and specifications, World War II Tanks: Western Allies 1939-45: Identification Guide offers an highly-illustrated guide to the main armoured fighting vehicles used by the Western Allies during World War II. This compact volume includes sample unit structures and orders of battle from company up to corps level. Organised by division, the book offers a comprehensive survey of Western Allied armoured fighting vehicles by campaign, including the fall of Poland, the defence of the Low Countries and France, desert warfare in North Africa, the push through Italy, the Normandy landings, the Battle of the Bulge and the final defeat of Germany. All the major and many minor tanks are featured, with variations of the M4 Sherman, Churchill and Matilda, as well as mat-laying, engineering and mine-clearing versions. Lesser known models from the early years of the war, armoured cars, halftracks, trucks and amphibious vehicles make this a rounded compendium of Western Allied armoured fighting vehicles. Packed with more than 200 full-colour artworks and photographs with exhaustive specifications, World War II Tanks: Western Allies 1939-45 is a key reference guide for military modellers and World War II enthusiasts.