A major study of the collapse of the Soviet Union-showing how Gorbachev's misguided reforms led to its demise "A deeply informed account of how the Soviet Union fell apart."-Rodric Braithwaite, Financial Times "[A] masterly analysis."-Joshua Rubenstein, Wall Street Journal In 1945 the Soviet Union controlled half of Europe and was a founding member of the United Nations. By 1991, it had an army four million strong with five thousand nuclear-tipped missiles and was the second biggest producer of oil in the world. But soon afterward the union sank into an economic crisis and was torn apart by nationalist separatism. Its collapse was one of the seismic shifts of the twentieth century. Thirty years on, Vladislav Zubok offers a major reinterpretation of the final years of the USSR, refuting the notion that the breakup of the Soviet order was inevitable. Instead, Zubok reveals how Gorbachev's misguided reforms, intended to modernize and democratize the Soviet Union, deprived the government of resources and empowered separatism. Collapse sheds new light on Russian democratic populism, the Baltic struggle for independence, the crisis of Soviet finances-and the fragility of authoritarian state power.

Back from 44 - The Sacrifice and Courage of a Few. Nick Bentas, Staff Sergeant US Army Air Force, finds himself in a severely crippled B-26 Marauder, trying to return to base, he remembers the different times in his life that led him up to this point. From enlistment to basic training to saying goodbye to his new wife, he remembers his deadly missions around France, Germany and the wider Mediterranean. Experience how it was first hand to encounter enemy flak and fighter attacks, while dealing with the emotional impact of losing close friends. Back From 44 is an in-depth look into the bravery and sacrifice of ordinary men who did extraordinary things during WWII.

Cambridge is one of the most famous universities in the world and its library is one of only five copyright libraries in the UK. At the start of the twentieth century it was a privileged life for some, but many in Cambridge knew that war was becoming truly inevitable. What the proverbial 'gown' feared communicated itself to the surrounding 'town'. Terrible rumours were rife, that the Germans would burn the university library and raise King's College chapel to the ground, before firing shells along the tranquil 'Backs' of the River Cam until the weeping willows were just blackened stumps. Frightened but determined, age-old 'town and gown' rivalries were put aside as the city united against the common enemy. This book tells Cambridge's fascinating story in the grim years of the Great War. Thousands of university students, graduates and lecturers alike enlisted, along with the patriotic townsfolk. The First Eastern General Military Hospital was subsequently established in Trinity College and treated more than 80,000 casualties from the Western Front.Though the university had been the longtime hub of life and employment in the town, many people suffered great losses and were parted from loved ones, decimating traditional breadwinners and livelihoods, from the rationing of food, drink and fuel, to hundreds of restrictions imposed by DORA. As a result, feelings ran high and eventually led to riots beneath the raiding zeppelins and ever-present threat of death. The poet, Rupert Brooke, a graduate of King's College, died on his way to the Dardanelles in 1915, but his most famous poem The Soldier became a preemptive memorial and the epitaph of millions. If I should die Think only this of me That there's some corner of a foreign field That is forever England.

During the 1990s Rio de Janeiro earned the epithet of 'divided city', an image underscored by the contrast between its upper-class buildings and nearby hillside 'favelas.' The city's cultural production, however, has been shaped by porous boundaries and multi-ethnic encounters. Drawing on a broad range of historical, theoretical and literary sources, Porous City generates new ways of understanding Rio's past, its role in the making of Brazilian culture, and its significance to key global debates about modernity and urban practices. This book offers an original perspective on Rio de Janeiro that focuses on the New City, one of the most compelling spaces in the history of modern cities. Once known as both a 'Little Africa' and as a 'Jewish Neighborhood,' the New City was an important reference for prominent writers, artists, pioneering social scientists and foreign visitors (from Christian missionaries to Orson Welles). It played a crucial role in foundational narratives of Brazil as 'the country of carnival' and as a 'racial democracy.' Going back to the neighborhood's creation by royal decree in 1811, this study sheds light on how initially marginalized practices -like samba music- became emblematic of national identity. A critical crossroads of Rio, the New City was largely razed for the construction of a monumental avenue during World War II. Popular musicians protested, but 'progress' in the automobile age had a price. The area is now being rediscovered due to developments spurred by the 2016 Olympics. At another moment of transition, Porous City revisits this fascinating metropolis.

In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city. Commonly perceived as the senseless outcome of social disintegration in urban contexts, public violence appears here as a meaningful strategy to settle conflicts informally. Making use of Antwerp police records, Vrints shows that the prevailing discourse on public violence does not pass the test of empirical facts. The presumed correlation between the occurrence of public violence and the decline of neighbourhood life must even be reversed to some extent. The nature of public violence paradoxically points to the crucial importance of neighbourhood networks.

In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria. Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian cafe, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based Mouvement socialiste des etats unis d'Europe (The Socialist Movement for the United States of Europe) and the far-right wing Federation des etudiants nationalistes (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around - very different - concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments.

The debate over US involvement in World War II was a turning point in the history of both US foreign policy and radio. In this book the author argues that the debate's historical significance cannot be fully appreciated unless these stories are understood in relation rather than in isolation. All the participants in the Great Debate took for granted the importance of radio and made it central to their efforts. While they generally worked within radio's rules, they also tried to work around or even break those rules, setting the stage for changes that ultimately altered the way media managed American political discourse. This study breaks with traditional accounts that see radio as an industry biased in favor of interventionism. Rather, radio fully aired the opposing positions in the debate. It nonetheless failed to resolve fully their differences. Despite the initial enthusiasm for radio's educational potential, participants on both sides came to doubt their conviction that radio could change minds. Radio increasingly became a tool to rally existing supporters more than to recruit new ones. Only events ended the debate over US involvement in World War II. The larger question-of what role the US should play in world affairs-remained.