Between 1933 and 1938, Eric Voegelin published four books that brought him into increasingly open opposition to the Hitler regime in Germany. As a result, he was forced to leave Austria in 1938, narrowly escaping arrest by the Gestapo as he fled to Switzerland and later to the United States. Twenty years later, he was invited to return to Germany as director of the new Institute of Political Science at Ludwig-Maximilian University in Munich.

In 1964, Voegelin gave a series of memorable lectures on what he considered "the central German experiential problem" of his time: Adolf Hitler's rise to power, the reasons for it, and its consequences for post-Nazi Germany. For Voegelin, these issues demanded a scrutiny of the mentality of individual Germans and of the order of German society during and after the Nazi period. "Hitler and the Germans" offers Voegelin's most extensive and detailed critique of the Hitler era.

While most of the lectures deal with what Voegelin called Germany's "descent into the depths" of the moral and spiritual abyss of Nazism and its aftermath, they also point toward a restoration of order. His lecture "The Greatness of Max Weber" shows how Weber, while affected by the culture within which Hitler came to power, had already gone beyond it through his anguished recovery of the experience of transcendence.

"Hitler and the Germans" provides a profound alternative approach to the topic of the individual German's entanglement in the Hitler regime and its continuing implications. This comprehensive critique of the Nazi period has yet to be matched.

John Kent has written the first full scholarly study of British and French policy in their West African colonies during the Second World War and its aftermath. His detailed analysis shows how the broader requirements of Anglo-French relations in Europe and the wider world shaped the formulation and execution of the two colonial powers' policy in Black Africa. He examines the guiding principles of the policy-makers in London and Paris and the problems experienced by the colonial administrators themselves. This is a genuinely comparative study, thoroughly grounded in both French and British archives, and it sheds new light on the development of Anglo-French co-operation in colonial matters in this period.

The Great Depression emboldened Americans to tolerate radical experimentation in search of solutions to seemingly overwhelming economic problems. Amongst the thorniest of those was rural southern poverty. In Trouble in Goshen, Fred C. Smith focuses on three communities designed and implemented to meet that challenge. This book examines the economic and social theories - and their histories - that resulted in the creation and operation of the most aggressive and radical experiments in the United States. Trouble in Goshen chronicles three communitarian experiments, both the administrative details and the struggles and reactions of the clients. Smith covers the Tupelo Homesteads in Mississippi, the Dyess Colony in Arkansas, and the Delta Cooperative Farm, also in Mississippi. The Tupelo Homesteads were created under the aegis of the tiny Division of Subsistence Homesteads, a short-lived, ""first New Deal"" agency. Dyess Colony was the largest of the Resettlement Administration's efforts to transform failed farmers into Jeffersonian yeoman farmers. The third community, the Delta Cooperative Farm, a product of the active cooperation between the Socialist Party of America and a cadre of liberal churchmen led by Reinhold Niebuhr, attempted to meld the pieties, passions, propaganda, and theories of Jesus and Marx. The equipment, facilities, and management styles of the projects reveal a clearly delineated class order among the poor. Trouble in Goshen demonstrates the class conscious angst that enveloped three distinct levels of poverty and the struggles of plain folk to preserve their tenuous status and avoid overt peasantry.

A fascinating reassessment of a turning point in the First World War, revealing its role in shaping the German psyche On May 7, 1915, the Lusitania, a large British luxury liner, was sunk by a German submarine off the Irish coast. Nearly 1,200 people, including 128 American citizens, lost their lives. The sinking of a civilian passenger vessel without warning was a scandal of international scale and helped precipitate the United States' decision to enter the conflict. It also led to the immediate vilification of Germany. Though the ship's sinking has preoccupied historians and the general public for over a century, until now the German side of the story has been largely untold. Drawing on varied German sources, historian Willi Jasper provides a comprehensive reappraisal of the sinking and its aftermath that focuses on the German reaction and psyche. The attack on the Lusitania, he argues, was not simply an escalation of violence but signaled a new ideological, moral, and religious dimension in the struggle between German Kultur and Western civilization.

This book explores the impact of violence on the religious beliefs of front soldiers and civilians in Germany during the First World War. The central argument is that religion was the main prism through which men and women in the Great War articulated and processed trauma. Inspired by trauma studies, the history of emotions, and the social and cultural history of religion, this book moves away from the history of clerical authorities and institutions at war and instead focuses on the history of religion and war 'from below.' Jason Crouthamel provides a fascinating exploration into the language and belief systems used by ordinary people to explain the inexplicable. From Judeo-Christian traditions to popular beliefs and 'superstitions,' German soldiers and civilians depended on a malleable psychological toolbox that included a hybrid of ideas stitched together using prewar concepts mixed with images or experiences derived from the surreal environment of modern combat. Perhaps most interestingly, studying the front experience exposes not only lived religion, but also how religious beliefs are invented. Front soldiers in particular constructed new, subjective spiritual and religious concepts based on encounters with industrialized weapons, the sacred experience of comradeship, and immersion in mass death, which profoundly altered their sense of self and the supernatural. More than just a coping mechanism, religious language and beliefs enabled victims, and perpetrators, of violence to narrate concepts of psychological renewal and rebirth. In the wake of defeat and revolution, religious concepts shaped by the war experience also became a cornerstone of visions for radical political movements, including the National Socialists, to transform a shattered and embittered German nation. Making use of letters between soldiers and civilians, diaries, memoirs and front newspapers, Trauma, Religion and Spirituality in Germany during the First World War offers a unique glimpse into the belief systems of men and women at a turning point in European history.

Back from 44 - The Sacrifice and Courage of a Few. Nick Bentas, Staff Sergeant US Army Air Force, finds himself in a severely crippled B-26 Marauder, trying to return to base, he remembers the different times in his life that led him up to this point. From enlistment to basic training to saying goodbye to his new wife, he remembers his deadly missions around France, Germany and the wider Mediterranean. Experience how it was first hand to encounter enemy flak and fighter attacks, while dealing with the emotional impact of losing close friends. Back From 44 is an in-depth look into the bravery and sacrifice of ordinary men who did extraordinary things during WWII.

In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city. Commonly perceived as the senseless outcome of social disintegration in urban contexts, public violence appears here as a meaningful strategy to settle conflicts informally. Making use of Antwerp police records, Vrints shows that the prevailing discourse on public violence does not pass the test of empirical facts. The presumed correlation between the occurrence of public violence and the decline of neighbourhood life must even be reversed to some extent. The nature of public violence paradoxically points to the crucial importance of neighbourhood networks.

In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria. Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian cafe, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based Mouvement socialiste des etats unis d'Europe (The Socialist Movement for the United States of Europe) and the far-right wing Federation des etudiants nationalistes (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around - very different - concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments.