With the Treaty of Versailles, the Western nation-state powers introduced into the East Central European region the principle of national self-determination. This principle was buttressed by frustrated native elites who regarded the establishment of their respective nation-states as a welcome opportunity for their own affirmation. They desired sovereignty but were prevented from accomplishing it by their multiple dispossession. National elites started to blame each other for this humiliating condition. The successor states were dispossessed of power, territories, and glory. The new nation-states were frustrated by their devastating condition. The dispersed Jews were left without the imperial protection. This embarrassing state gave rise to collective (historical) and individual (fictional) narratives of dispossession. This volume investigates their intended and unintended interaction. Contributors are: Davor Beganovic, Vladimir Biti, Zrinka Bozic-Blanusa, Marko Juvan, Bernarda Katusic, Natasa Kovacevic, Petr Kucera, Aleksandar Mijatovic, Guido Snel, and Stijn Vervaet.

Elvis Presley stands tall as perhaps the supreme icon of 20th-century U.S. culture. But he was perceived to be deeply un-American in his early years as his controversial adaptation of rhythm and blues music and gyrating on-stage performances sent shockwaves through Eisenhower's conservative America and far beyond. This book explores Elvis Presley's global transformation from a teenage rebel figure into one of the U.S.'s major pop-cultural embodiments from a historical perspective. It shows how Elvis's rise was part of an emerging transnational youth culture whose political impact was heavily conditioned by the Cold War. As well as this, the book analyses Elvis's stint as G.I. soldier in West Germany, where he acted as an informal ambassador for the so-called American way of life and was turned into a deeply patriotic figure almost overnight. Yet, it also suggests that Elvis's increasingly synonymous identity with U.S. culture ultimately proved to be a double-edged sword, as the excesses of his superstardom and personal decline seemingly vindicated long-held stereotypes about the allegedly materialistic nature of U.S. society. Tracing Elvis's story from his unlikely rise in the 1950s right up to his tragic death in August 1977, this book offers a riveting account of changing U.S. identities during the Cold War, shedding fresh light on the powerful role of popular music and consumerism in shaping images of the United States during the cultural struggle between East and West.

Global Themes in World History since 1500 provides students with a concise, thematic approach to world history with emphasis on topics and themes representative of global patterns across time. Students are challenged to embrace the idea that history, while based on primary source evidence, is also based on historians' interpretations of that evidence, and that historiography changes through time and place. The book addresses diverse topics and research areas, including the history of Africa, the African diaspora, world military history, modern Europe, the Middle East, empires and imperialism, food history, cultural history, and more. Each chapter explores key themes that reflect important transitions in world history research and writing: geography and environment; material culture; science and technology; gender and sexuality; and war, peace, and diplomacy. Throughout, students are provided with primary sources, discussion questions, images, timelines, glossary terms, and suggested additional readings and media to deepen the learning experience. An engaging, diverse, and accessible text, Global Themes in World History since 1500 is well suited to undergraduate courses in modern world history.

In Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars, Margot Gayle Backus charts the rise of the newspaper sex scandal across the fin de siecle British archipelago and explores its impact on the work of James Joyce, a towering figure of literary modernism. Based largely on archival research, the first three chapters trace the legal, social, and economic forces that fueled an upsurge in sex scandal over the course of the Irish Home Rule debates during James Joyce's childhood. The remaining chapters examine Joyce's use of scandal in his work throughout his career, beginning with his earliest known poem, "Et Tu, Healy," written when he was nine years old to express outrage over the politically disastrous Parnell scandal. Backus's readings of Joyce's essays in a Trieste newspaper, the Dubliners short stories, Portrait of the Artist, and Ulysses show Joyce's increasingly intricate employment of scandal conventions, ingeniously twisted so as to disable scandal's reifying effects. Scandal Work pursues a sequence of politically motivated sex scandals, which it derives from Joyce's work. It situates Joyce within an alternative history of the New Journalism's emergence in response to the Irish Land Wars and the Home Rule debates, from the Phoenix Park murders and the first Dublin Castle scandal to "The Maiden Tribute of Modern Babylon" and the Oscar Wilde scandal. Her voluminous scholarship encompasses historical materials on Victorian and early twentieth-century sex scandals, Irish politics, and newspaper evolution as well as providing significant new readings of Joyce's texts.

Once assumed to be a driver or even cause of conflict, commemoration during Ireland's Decade of Centenaries came to occupy a central place in peacebuilding efforts. The inclusive and cross-communal reorientation of commemoration, particularly of the First World War, has been widely heralded as signifying new forms of reconciliation and a greater "maturity" in relationships between Ireland and the UK and between Unionists and Nationalists in Northern Ireland. In this study, Jonathan Evershed interrogates the particular and implicitly political claims about the nature of history, memory, and commemoration that define and sustain these assertions, and explores some of the hidden and countervailing transcripts that underwrite and disrupt them. Drawing on two years of ethnographic fieldwork conducted in Belfast, Evershed explores Ulster Loyalist commemoration of the Battle of the Somme, its conflicted politics, and its confrontation with official commemorative discourse and practice during the Decade of Centenaries. He investigates how and why the myriad social, political, cultural, and economic changes that have defined postconflict Northern Ireland have been experienced by Loyalists as a culture war, and how commemoration is the means by which they confront and challenge the perceived erosion of their identity. He reveals the ways in which this brings Loyalists into conflict not only with the politics of Irish Nationalism, but with the "peacebuilding" state and, crucially, with each other. He demonstrates how commemoration works to reproduce the intracommunal conflicts that it claims to have overcome and interrogates its nuanced (and perhaps counterintuitive) function in conflict transformation.

Coral Comes High is Captain George P. Hunt's account of what happened to himself and his company during the initial stages of the Peleliu invasion by the US Marines during World War 2. The company sustains terrible casualties and is isolated in a seemingly hopeless position for a nightmare forty-eight hours. Outnumbered and outgunned by the enemy, they beat off all attacks and seize the Point with a courage which is at the same time matter-of-fact and almost superhuman.

After 1898 the United States not only solidified its position as an economic colossus, but by annexing Puerto Rico and the Philippines it had also added for the first time semi-permanent, heavily populated colonies unlikely ever to attain statehood. In short order followed a formal protectorate over Cuba, the "taking" of Panama to build a canal, and the announcement of a new Corollary to the Monroe Doctrine, proclaiming an American duty to "police" the hemisphere. Empire had been an American practice since the nation's founding, but the new policies were understood as departures from traditional methods of territorial expansion. How to match these actions with traditional non-entanglement constituted the central preoccupation of U.S. foreign relations in the early twentieth century. International lawyers proposed instead that the United States become an impartial judge. By becoming a force for law in the world, America could reconcile its republican ideological tradition with a desire to rank with the Great Powers. Lawyers' message scaled new heights of popularity in the first decade and a half of the twentieth century as a true profession of international law emerged. The American Society of International Law (ASIL) and other groups, backed by the wealth of the Carnegie Endowment for International Peace, held annual meetings and published journals. They called for the creation of an international court, the holding of regular conferences to codify the rules of law, and the education of public opinion as to the proper rights and duties of states. To an extent unmatched before or since, the U.S. government-the executive branch if not always the U.S. Senate-embraced this project. Washington called for peace conferences and pushed for the creation of a "true " international court. It proposed legal institutions to preserve order in its hemisphere. Meanwhile lawyers advised presidents and made policy. The ASIL counted among its first members every living secretary of state (but one) who held office between 1892 and 1920. Growing numbers of international lawyers populated the State Department and represented U.S. corporations with business overseas. International lawyers were not isolated idealists operating from the sidelines. Well-connected, well-respected, and well-compensated, they formed an integral part of the foreign policy establishment that built and policed an expanding empire.