"Ye cannot serve God and mammon," the Bible says. But conservative American Protestants have, for at least a century, been trying to prove that adage wrong. While preachers, activists, and politicians have all helped spread the gospel, Darren Grem argues that evangelicalism owes its strength to the blessings of business. Grem offers a new history of American evangelicalism, showing how its adherents strategically used corporate America-its leaders, businesses, money, ideas, and values-to advance their religious, cultural, and political aspirations. Conservative evangelicals were thus able to retain and expand their public influence in a secularizing, diversifying, and liberalizing age. In the process they became beholden to pro-business stances on matters of theology, race, gender, taxation, free trade, and the state, making them well-suited to a broader conservative movement that was also of, by, and for corporate America. The Blessings of Business tells the story of unlikely partnerships between champions of the evangelical movement, such as Billy Graham, and largely forgotten businessmen, like R.G. LeTourneau; he describes the backdrop against which the religious right's pro-business politics can be understood. The evangelical embrace of corporate capitalism made possible a fusion with other conservatives, he finds, creating a foundation for the business-friendly turn in the nation's economy and political culture. But it also transformed conservative evangelicalism itself, making it as much an economic movement as a religious one. Fascinating and provocative, The Blessings of Business uncovers the strong ties Americans have forged between the Almighty and the almighty dollar.

The year is 1932. In Rome, the Fascist leader Benito Mussolini unveils a giant obelisk of white marble, bearing the Latin inscription MVSSOLINI DVX. Invisible to the cheering crowds, a metal box lies immured in the obelisk's base. It contains a few gold coins and, written on a piece of parchment, a Latin text: the Codex fori Mussolini. What does this text say? Why was it buried there? And why was it written in Latin? The Codex, composed by the classical scholar Aurelio Giuseppe Amatucci (1867-1960), presents a carefully constructed account of the rise of Italian Fascism and its leader, Benito Mussolini. Though written in the language of Roman antiquity, the Codex was supposed to reach audiences in the distant future. Placed under the obelisk with future excavation and rediscovery in mind, the Latin text was an attempt at directing the future reception of Italian Fascism. This book renders the Codex accessible to scholars and students of different disciplines, offering a thorough and wide-ranging introduction, a clear translation, and a commentary elucidating the text's rhetorical strategies, historical background, and specifics of phrasing and reference. As the first detailed study of a Fascist Latin text, it also throws new light on the important role of the Latin language in Italian Fascist culture.

The Franklin Book Programs (FBP) was a private not-for-profit U.S. organization founded in 1952 during the Cold War and was subsidized by the United States' government agencies as well as private corporations. The FBP was initially intended to promote U.S. liberal values, combat Soviet influence and to create appropriate markets for U.S. books in 'Third World' of which the Middle East was an important part, but evolved into an international educational program publishing university textbooks, schoolbooks, and supplementary readings. In Iran, working closely with the Pahlavi regime, its activities included the development of printing, publishing, book distribution, and bookselling institutions. This book uses archival sources from the FBP, US intelligence agencies and in Iran, to piece together this relationship. Put in the context of wider cultural diplomacy projects operated by the US, it reveals the extent to which the programme shaped Iran's educational system. Together the history of the FBP, its complex network of state and private sector, the role of U.S. librarians, publishers, and academics, and the joint projects the FBP organized in several countries with the help of national ministries of education, financed by U.S. Department of State and U.S. foundations, sheds new light on the long history of education in imperialist social orders, in the context here of the ongoing struggle for influence in the Cold War.

Titoist Yugoslavia is a particularly interesting setting to examine the integrity of the modern nation-state, especially the viability of distinctly multi-ethnic nation-building projects. Scholarly literature on the brutal civil wars that destroyed Yugoslavia during the 1990s emphasizes divisive nationalism and dysfunctional politics to explain why the state disintegrated. But the larger question remains unanswered-just how did Tito's state function so successfully for the preceding forty-six years. In an attempt to understand better what united the stable, multi-ethnic, and globally important Yugoslavia that existed before 1991 Robert Niebuhr argues that we should pay special attention to the dynamic and robust foreign policy that helped shape the Cold War.

The Rarefied Air of the Modern examines technology, modern identity, and history-making in Peru by telling the story of the surprising success of Peruvian pilots in European aviation competitions in 1910, and how their achievements generated great optimism that this new technology could lift the country out of its self-perceived backwardness. Though poor infrastructure, economic woes, a dearth of technical expertise, and a ghastly number of pilot deaths slowed the project after the first flights over Lima in 1911, the image of intrepid Peruvian pilots inspired a new sense of national possibility. Airplanes seemed to embody not just technological progress but enlightened rationality, capitalist enterprise, and nation-state aggrandizement. By 1928, three commercial lines were transporting passengers, mail, and merchandise from Lima to other parts of the country and South America. This exploration of the fitful development of Peruvian aviation illuminates how a Eurocentric modernizing vision has served as a powerful organizing force in regions with ambivalent relationships to the West. More broadly, it underscores the important role that technology plays in larger, complex historical processes. Even as politicians, businessmen, military officials, journalists, and ruling oligarchs felt a special kinship with Peru's aviation project, diverse socioeconomic groups engaged aviation to challenge power asymmetries and historical silences rooted in Peru's postcolonial past. Most observers at the time considered airplanes a "universal" technology that performed the same function in Europe, the United States, and Peru. In reality, how Peruvians mobilized and understood airplanes reflected culturally specific values and historical concerns.

In this revised edition of A Short History of the Spanish Civil War, Julian Casanova tells the gripping story of the Spanish Civil War. Written in elegant and accessible prose, the book charts the most significant events and battles alongside the main players in the tragedy. Casanova provides answers to some of the pressing questions (such as the roots and extent of anticlerical violence) that have been asked in the 70 years that have passed since the painful defeat of the Second Republic. Now with a revised introduction, Casanova offers an overview of recent historiographical shifts; not least the wielding of the conflict to political ends in certain strands of contemporary historiography towards an alarming neo- Francoist revisionism. It is the ideal introduction to the Spanish Civil War.

Vladimir Burtsev and the Struggle for a Free Russia examines the life of the journalist, historian and revolutionary, Vladimir Burtsev. The book analyses his struggle to help liberate the Russian people from tsarist oppression in the latter half of the 19th century before going on to discuss his opposition to Bolshevism following the Russian Revolution of 1917. Robert Henderson traces Burtsev's political development during this time and explores his movements in Paris and London at different stages in an absorbing account of an extraordinary life. At all times Vladimir Burtsev and the Struggle for Free Russia sets Burtsev's life in the wider context of Russian and European history of the period. It uses Burtsev as a means to discuss topics such as European police collaboration, European prison systems, international diplomatic relations of the time and Russia's relationship with Europe specifically. Extensive original archival research and previously untranslated Russian source material is also incorporated throughout the text. This is an important study for all historians of modern Russia and the Russian Revolution.

Despite the deep-seated notion that the archetypal American poet sings a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with friendship and its pleasures, contradictions, and discontents. Beautiful Enemies examines this obsession with the problems and paradoxes of friendship, tracing its eruption in the New American Poetry that emerges after the Second World War as a potent avant-garde movement. The book argues that a clash between friendship and nonconformity is central to postwar American poetry and its development. By focusing on of some of the most important and influential postmodernist American poets-the New York School poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka-the book offers a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. At the same time, this study challenges both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion. Beautiful Enemies foregrounds a fundamental paradox: that at the heart of experimental American poetry pulses a commitment to individualism and dynamic movement that runs directly counter to an equally profound devotion to avant-garde collaboration and community. Delving into unmined archival evidence (including unpublished correspondence, poems, and drafts), the book demonstrates that this tense dialectic-between an aversion to conformity and a poetics of friendship-actually energizes postwar American poetry, drives the creation, meaning, and form of important poems, frames the interrelationships between certain key poets, and leaves contemporary writers with a complicated legacy to negotiate. Combining extensive readings of the poets with analysis of cultural, philosophical, and biographical contexts, Beautiful Enemies uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of twentieth-century American poetry

Drawing from newspapers, journals, government reports, and archival records, Terry Copp - one of Canada's leading military historians - tells the story of how citizens in Canada's largest city responded to the challenges of the First World War. Montreal at War addresses responses to the outbreak of war in Europe and the process of raising an army for service overseas. It details the shock of intense combat and heavy casualties, studies the mobilization of volunteers, and follows the experience of battalions from Montreal to the Battle of Vimy Ridge. Challenging long-held assumptions, Montreal at War aims to understand the war experience as it unfolded, approaching history from the perspective of those who lived through it.

Since 2008, there has been a flood of literature worrying about the state of democracy in the United States and abroad. Observers complain that democratic institutions are captured by special interests, incompetent in delivering basic services, or overwhelmed by selfish voters. Lurking in the background is the global resurgence of authoritarianism, a wave bolstered by the Western democracies' apparent mishandling of the global financial crisis. In Four Crises of Democracy, Alasdair Roberts locates the recent bout of democratic malaise in the US in historical context. Malaise is a recurrent condition in American politics, but each bout can have distinctive characteristics. Roberts focuses on four "crises of democracy," explaining how they differed and how government evolved in response to each crisis. The "crisis of representation" occurred in the late nineteenth and early twentieth centuries, and was centered on the question of whether the people really controlled their government. This period was dominated by fears of plutocracy and debates about the rights of African Americans, women and immigrants. The "crisis of mastery" spanned the years 1917-1948, and was preoccupied with building administrative capabilities so that government could improve its control of economic and international affairs. The "crisis of discipline," beginning in the 1970s, was triggered by the perception that voters and special interests were overloading governments with unreasonable demands. In the final part of his analysis, Roberts asks whether the United States is entering a "crisis of anticipation," in which the question is whether democracies can handle long-term problems like global warming effectively. Democratic institutions are often said to be rigid and slow to change in response to new circumstances. But Roberts suggests that history shows otherwise. Preceding crises have always produced substantial changes in the architecture of American government. The essential features of the democratic model-societal openness, decentralization, and pragmatism-give it the edge over authoritarian alternatives. A powerful account of how successive crises have shaped American democracy, Four Crises of Democracy will be essential reading for anyone interested in the forces driving the current democratic malaise in the US and throughout the world.

"McElligott's impressive mastery of an enormous body of research guides him on a distinctive path through the dense thickets of Weimar historiography to a provocative new interpretation of the nature of authority in Germany's first democracy." Sir Ian Kershaw, Emeritus Professor of Modern History at the University of Sheffield, UK This study challenges conventional approaches to the history of the Weimar Republic by stretching its chronological-political parameters from 1916 to 1936, arguing that neither 1918 nor 1933 constituted distinctive breaks in early 20th-century German history. This book: - Covers all of the key debates such as inheritance of the past, the nature of authority and culture - Rethinks topics of traditional concern such as the economy, Article 48, the Nazi vote and political violence - Discusses hitherto neglected areas, such as provincial life and politics, the role of law and Republican cultural politics

The term the Cold War has had many meanings and interpretations since it was originally coined and has been used to analyse everything from comics to pro-natalist policies, and science fiction to gender politics. This range has great value, but also poses problems, notably by diluting the focus on war of a certain type, and by exacerbating a lack of precision in definition and analysis. The Cold War: A Military History is the first survey of the period to focus on the diplomatic and military confrontation and conflict. Jeremy Black begins his overview in 1917 and covers the 'long Cold War', from the 7th November Revolution to the ongoing repercussions and reverberations of the conflict today. The book is forward-looking as well as retrospective, not least in encouraging us to reflect on how much the character of the present world owes to the Cold War. The result is a detailed survey that will be invaluable to students and scholars of military and international history.