The acclaimed autobiography of Theodore 'Teddy' Roosevelt is brought to the reader anew in this well-produced edition, inclusive of all notes and appendices. Written over years and published in 1913, this lengthy yet engrossing biography sees one of the United States finest Presidents recount his life in his own words. Theodore Roosevelt sets out events in a way which clarify how he came to possess his beliefs. We hear of his love of the great outdoors which would in turn result in the establishment of America's national parks, and his belief in commerce as an engine for progress which would lead to the state-sponsored construction of the Panama Canal during his presidency. Seldom straying to dryness or heady description of the many and varied events of his life, Theodore Roosevelt instead imbues every chapter with keynote personality and liveliness. Personal letters with influential figures are shared, placing the reader deep in the political world which this popular, charismatic leader was immersed.

The early 20th-century world experienced a growth in international cooperation. Yet the dominant historical view of the period has long been one of national, military, and social divisions rather than connections. International Cooperation in the Early Twentieth Century revises this historical consensus by providing a more focused and detailed analysis of the many ways in which people interacted with each other across borders in the early decades of the 20th century. It devotes particular attention to private and non-governmental actors. Daniel Gorman focuses on international cooperation, international social movements, various forms of cultural internationalism, imperial and anti-imperial internationalism, and the growth of cosmopolitan ideas. The book incorporates a non-Western focus alongside the transatlantic core of early 20th-century internationalism. It interweaves analyses of international anti-colonial networks, ideas emanating from non-Western sites of influence such as Japan, China and Turkey, the emergence of networks of international indigenous peoples in resistance to a state-centric international system, and diaspora and transnational ethno-cultural-religious identity networks.

In his new book, Michael J. Hogan, a leading historian of the American presidency, offers a new perspective on John Fitzgerald Kennedy, as seen not from his life and times but from his afterlife in American memory. The Afterlife of John Fitzgerald Kennedy considers how Kennedy constructed a popular image of himself, in effect, a brand, as he played the part of president on the White House stage. The cultural trauma brought on by his assassination further burnished that image and began the process of transporting Kennedy from history to memory. Hogan shows how Jacqueline Kennedy, as the chief guardian of her husband's memory, devoted herself to embedding the image of the slain president in the collective memory of the nation, evident in the many physical and literary monuments dedicated to his memory. Regardless of critics, most Americans continue to see Kennedy as his wife wanted him remembered: the charming war hero, the loving husband and father, and the peacemaker and progressive leader who inspired confidence and hope in the American people.

Focusing on a decade in Irish history which has been largely overlooked, Youth and Popular Culture in 1950s Ireland provides the most complete account of the 1950s in Ireland, through the eyes of the young people who contributed, slowly but steadily, to the social and cultural transformation of Irish society. Eleanor O'Leary presents a picture of a generation with an international outlook, who played basketball, read comic books and romance magazines, listened to rock'n'roll music and skiffle, made their own clothes to mimic international styles and even danced in the street when the major stars and bands of the day rocked into town. She argues that this engagement with imported popular culture was a contributing factor to emigration and the growing dissatisfaction with standards of living and conservative social structures in Ireland. As well as outlining teenagers' resistance to outmoded forms of employment and unfair work practices, she maps their vulnerability as a group who existed in a limbo between childhood and adulthood. Issues of unemployment, emigration and education are examined alongside popular entertainments and social spaces in order to provide a full account of growing up in the decade which preceded the social upheaval of the 1960s. Examining the 1950s through the unique prism of youth culture and reconnecting the decade to the process of social and cultural transition in the second half of the 20th century, this book is a valuable contribution to the literature on 20th-century Irish history.

The concept of 'hybridity' is often still poorly theorized and problematically applied by peace and development scholars and researchers of resource governance. This book turns to a particular ethnographic reading of Michel Foucault's Governmentality and investigates its usefulness to study precisely those mechanisms, processes and practices that hybridity once promised to clarify. Claim-making to land and authority in a post-conflict environment is the empirical grist supporting this exploration of governmentality. Specifically in the periphery of Bukavu. This focus is relevant as urban land is increasingly becoming scarce in rapidly expanding cities of eastern Congo, primarily due to internal rural-to-urban migration as a result of regional insecurity. The governance of urban land is also important analytically as land governance and state authority in Africa are believed to be closely linked and co-evolve. An ethnographic reading of governmentality enables researchers to study hybridization without biasing analysis towards hierarchical dualities. Additionally, a better understanding of hybridization in the claim-making practices may contribute to improved government intervention and development assistance in Bukavu and elsewhere.

The Bosnian war of 1992-1995 was one of the most brutal conflicts to have erupted since the end of the Second World War. But although the war occurred in 'Europe's backyard' and received significant media coverage in the West, relatively little scholarly attention has been devoted to cultural representations of the conflict. Stephen Harper analyses how the war has been depicted in global cinema and television over the past quarter of a century. Focusing on the representation of some of the war's major themes, including humanitarian intervention, the roles of NATO and the UN, genocide, rape and ethnic cleansing, Harper explores the role of popular media culture in reflecting, reinforcing -- and sometimes contesting -- nationalist ideologies.