Growing up in Birmingham, Alabama, a city that he loved, Jonathan Foster was forced to come to grips with its reputation for racial violence. In so doing, he began to question how other cities dealt with similar kinds of stigmas that resulted from behavior and events that fell outside accepted norms. He wanted to know how such stigmas changed over time and how they affected a city's reputation and residents. Those questions led to this examination of the role of stigma and history in three very different cities: Birmingham, San Francisco, and Las Vegas. In the era of civil rights, Birmingham became known as ""Bombingham,"" a place of constant reactionary and racist violence. Las Vegas emerged as the nation's most recognizable Sin City, and San Francisco's tolerance of homosexuality made it the perceived capital of Gay America. Stigma Cites shows how cultural and political trends influenced perceptions of disrepute in these cities, and how, in turn, their status as sites of vice and violence influenced development decisions, from Birmingham's efforts to shed its reputation as racist, to San Francisco's transformation of its stigma into a point of pride, to Las Vegas's use of gambling to promote tourism and economic growth. The first work to investigate the important effects of stigmatized identities on urban places, Foster's innovative study suggests that reputation, no less than physical and economic forces, explains how cities develop and why. An absorbing work of history and urban sociology, the book illuminates the significance of perceptions in shaping metropolitan history.

The Cold War began almost immediately after the end of World War II and the defeat of the Nazis in Europe. As images of the Nazis' atrocities became part of American culture's common store, the evil of their old enemy, beyond the Nazis as a wartime opponent, became increasingly important. As America tried to describe the danger represented by the spread of Communism, it fell back on descriptions of Nazism to make the threat plain through comparison. At the heart of the tensions of that era lay the inconsistency of using one kind of evil to describe another. The book addresses this tension in regards to McCarthyism, campaigns to educate the public about Communism, attempts to raise support for wars in Asia, and the rhetoric of civil rights. Each of these political arenas is examined through their use of Nazi analogies in popular, political, and literary culture. The Nazi Card is an invaluable look at the way comparisons to Nazis are used in American culture, the history of those comparisons, and the repercussions of establishing a political definition of evil.

This edited volume examines the experience of World War I of small nations, defined here in terms of their relative weakness vis-a-vis the major actors in European diplomacy, and colonial peripheries, encompassing areas that were subject to colonial rule by European empires and thus located far from the heartland of these empires. The chapters address subject nations within Europe, such as Ireland and Poland; neutral states, such as Sweden and Spain; and overseas colonies like Tunisia, Algeria and German East Africa. By combining analyses of both European and extra-European experiences of war, this collection of essays provides a unique comparative perspective on World War I and points the way towards an integrated history of small nations and colonial peripheries. Contributors are Steven Balbirnie, Gearoid Barry, Jens Boysen, Ingrid Bruhwiler, William Buck, AUde Chanson, Enrico Dal Lago, Matias Gardin, Richard Gow, Florian Grafl, Donal Hassett, Guido Hausmann, Roisin Healy, Conor Morrissey, Michael Neiberg, David Noack, Chris Rominger, Danielle Ross and Christine Strotmann.

Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the United States to Canada, England, Poland, and Israel. To archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty six year old man who appears in the film as a thirteen year old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival, a monument to a lost world.

On June 22, 1941, Germany launched the greatest land assault in history on the Soviet Union, an attack that Adolf Hitler deemed crucial to ensure German economic and political survival. As the key theater of the war for the Germans, the eastern front consumed enormous levels of resources and accounted for 75 percent of all German casualties. Despite the significance of this campaign to Germany and to the war as a whole, few English-language publications of the last thirty-five years have addressed these pivotal events. In Ostkrieg: Hitler's War of Extermination in the East, Stephen G. Fritz bridges the gap in scholarship by incorporating historical research from the last several decades into an accessible, comprehensive, and coherent narrative. His analysis of the Russo-German War from a German perspective covers all aspects of the eastern front, demonstrating the interrelation of military events, economic policy, resource exploitation, and racial policy that first motivated the invasion. This in-depth account challenges accepted notions about World War II and promotes greater understanding of a topic that has been neglected by historians.

"Cultural Responses to Occupation in Japan" examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change."Cultural Responses to Occupation in Japan" explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.""

Two accounts of American Gunners at War
Not only was the United States committed to a policy of neutrality as the Great War broke out in Europe in 1914 it was also, in any event, completely unprepared to be a participant in a global conflict. By 1917 its army consisted of only 300,000 men, it had experienced operational difficulties in its recent expedition into Mexico and had not fully grasped that its rate of growth as a nation would inevitably include it in all events on the world stage whether it wished to be included or not. The allies looked to the prodigious manufacturing capacity of the United States and its resources in manpower to break the stalemate of the war on the Western Front and so in April of 1917 it reluctantly 'threw its hat into the ring.' Those who are interested in Americans at war, the United States effort in World War 1, the history of the US Artillery arm and the first hand experiences of the US soldiers who fought in Europe in the early years of the twentieth century will find much to interest them in the pages of this book. However, while all that may be sufficient for many The 305th Field Artillery in the Great War offers more. It serves very well in its capacity as a unit history, but the author, Charles Wadsworth Camp, takes us into the heart of the unit relating anecdotes and personal accounts with humour, insightful detail and a remarkable skill in penmanship; indeed he was a noted correspondent, critic and writer in civilian life. Camp's unit seems to have been blessed with more than the usual quota of creative talent, particularly artists, and the text is liberally complemented with excellent and evocative illustrations of the 305th at war. All these considerations combined make this book a pleasure to read in every way. To complement Camp's book another, shorter, account of the 305th on campaign on the Western Front that adds context and enhances the value in this special Leonaur edition is also included. Available in softcover and hardcover with dust jacket.

South Africa is the most industrialized power in Africa. It was rated the continent's largest economy in 2016 and is the only African member of the G20. It is also the only strategic partner of the EU in Africa. Yet despite being so strategically and economically significant, there is little scholarship that focuses on South Africa as a regional hegemon. This book provides the first comprehensive assessment of South Africa's post-Apartheid foreign policy. Over its 23 chapters - -and with contributions from established Africa, Western, Asian and American scholars, as well as diplomats and analysts - the book examines the current pattern of the country's foreign relations in impressive detail. The geographic and thematic coverage is extensive, including chapters on: the domestic imperatives of South Africa's foreign policy; peace-making; defence and security; bilateral relations in Southern, Central, West, Eastern and North Africa; bilateral relations with the US, China, Britain, France and Japan; the country's key external multilateral relations with the UN; the BRICS economic grouping; the African, Caribbean and Pacific Group (ACP); as well as the EU and the World Trade Organization (WTO). An essential resource for researchers, the book will be relevant to the fields of area studies, foreign policy, history, international relations, international law, security studies, political economy and development studies.

This book is situated at the cutting edge of the political-ethical dimension of history writing. Henkes investigates various responsibilities and loyalties towards family and nation, as well as other major ethical obligations towards society and humanity when historical subjects have to deal with a repressive political regime. In the first section we follow pre-war German immigrants in the Netherlands and their German affiliation during the era of National Socialism. The second section explores the positions of Dutch emigrants who settled after the Second World War in Apartheid South Africa. The narratives of these transnational agents and their relatives provide a lens through which changing constructions of national identities, and the acceptance or rejection of a nationalist policy on racial grounds, can be observed in everyday practice.

In this analysis of the life of Arnost Frischer, an influential Jewish nationalist activist, Jan Lanicek reflects upon how the Jewish community in Czechoslovakia dealt with the challenges that arose from their volatile relationship with the state authorities in the first half of the 20th century. The Jews in the Bohemian Lands experienced several political regimes in the period from 1918 to the late 1940s: the Habsburg Empire, the first democratic Czechoslovak republic, the post-Munich authoritarian Czecho-Slovak republic, the Nazi regime, renewed Czechoslovak democracy and the Communist regime. Frischer's involvement in local and central politics affords us invaluable insights into the relations and negotiations between the Jewish activists and these diverse political authorities in the Bohemian Lands. Vital coverage is also given to the relatively under-researched subject of the Jewish responses to the Nazi persecution and the attempts of the exiled Jewish leadership to alleviate the plight of the Jews in occupied Europe. The case study of Frischer and Czechoslovakia provides an important paradigm for understanding modern Jewish politics in Europe in the first half of the 20th century, making this a book of great significance to all students and scholars interested in Jewish history and Modern European history.

The Problem of Disenchantment offers a comprehensive and interdisciplinary approach to the intellectual history of science, religion, and "the occult" in the early 20th century. By developing a new approach to Max Weber's famous idea of a "disenchantment of the world", and drawing on an impressively diverse set of sources, Egil Asprem opens up a broad field of inquiry that connects the histories of science, religion, philosophy, and Western esotericism. Parapsychology, occultism, and the modern natural sciences are usually viewed as distinct cultural phenomena with highly variable intellectual credentials. In spite of this view, Asprem demonstrates that all three have met with similar intellectual problems related to the intelligibility of nature, the relation of facts to values, and the dynamic of immanence and transcendence, and solved them in comparable terms.