Belfast, August 1969. A campaign for civil rights in Northern Ireland (which had begun less than two years previously) degenerates into intercommunal violence as centuries of mistrust, animosity, and blatant sectarianism come to a shuddering head. The three days of August 13th, 14th, and 15th drastically changed the course of Northern Irish history and also radicalised a generation of Catholic youths. On the Protestant side, there was similarly little to predict that their young generation would become embroiled in the longest period of Irish Troubles to date. The UVF, dormant since the creation of the state, was revived in 1966, but it was barely mentioned anywhere outside the Shankill Road; by 1972 it was involved in full conflict. Belfast '69 provides interviews with individuals from both sides of the conflict, many of whom went on to join the various 'armies' that sprung up in the wake of the riots. Many British Army officers who were only passive onlookers in those early days also offer up their own stories. By analysing these fascinating personal accounts in the wider context of the Troubles, alongside other key sources, Belfast '69 seeks to answer the most pertinent questions about the events of those days. How were the emerging youth of both sides radicalised by the violence? How did the events drive an otherwise-indifferent generation to carry out some of the most heinous crimes in Irish history? And, most importantly, can today's society learn from the bloody mistakes of our recent past?

Illustrated with detailed artworks of Japanese aircraft and their markings, Japanese Aircraft of World War II is a detailed guide to all the aircraft deployed by the Japanese military from the Second Sino-Japanese War to the surrender in the Pacific in August 1945. Organised alphabetically by manufacturer, this book includes every type of aircraft, from fighters to seaplanes, bombers, reconnaissance aircraft, torpedo bombers and carrier aircraft. All the best-known types are featured, such as the Mitsubishi G4M 'Betty', Nakajima B6N2 Tenzan, Aichi B7A2 Ryusei torpedo bomber and the world- famous Mitsubishi A6M 'Zero' fighter. The entries are accompanied by exhaustive captions and specifications. The guide is illustrated with profile artworks, three-views, and special cutaway artworks of the more famous aircraft in service, such as the Aichi D3A1 'Val', Mitsubishi A6M2 Reisen, and Nakajima Ki.27 'Nate'. Illustrated with more than 120 artworks, Japanese Aircraft of World War II is an essential reference guide for modellers and enthusiasts with an interest in military aircraft of World War II.

In 1965, the U.S. government helped the Indonesian military kill approximately one million innocent civilians. This was one of the most important turning points of the twentieth century, eliminating the largest communist party outside China and the Soviet Union and inspiring copycat terror programs in faraway countries like Brazil and Chile. But these events remain widely overlooked, precisely because the CIA's secret interventions were so successful. In this bold and comprehensive new history, Vincent Bevins builds on his incisive reporting for the Washington Post, using recently declassified documents, archival research and eye-witness testimony collected across twelve countries to reveal a shocking legacy that spans the globe. For decades, it's been believed that parts of the developing world passed peacefully into the U.S.-led capitalist system. The Jakarta Method demonstrates that the brutal extermination of unarmed leftists was a fundamental part of Washington's final triumph in the Cold War.

This volume offers a new perspective on the political history of the socialist, communist and alternative political Lefts, focusing on the role of networks and transnational connections. Embedding the history of left-wing internationalism into a new political history approach, it accounts for global and transnational turns in the study of left-wing politics. The essays in this collection study a range of examples of international engagement and transnational cooperation in which left-wing actors were involved, and explore how these interactions shaped the globalization of politics throughout the 20th century. In taking a multi-archival and methodological approach, this book challenges two conventional views - that the left gradually abandoned its original international to focus exclusively on the national framework, and that internationalism survived merely as a rhetorical device. Instead, this collection highlights how different currents of the Left developed their own versions of internationalism in order to adapt to the transformation of politics in the interdependent 20th-century world. Demonstrating the importance of political convergence, alliance-formation, network construction and knowledge circulation within and between the socialist and communist movements, it shows that the influence of internationalism is central to understanding the foreign policy of various left-wing parties and movements.

1989 bore witness to a number of seismic events; The fall of the Berlin Wall, protests at Tiananmen Square, the US invasion of Panama, and many more. These notable moments inspired an array of visual, sonic and literary texts that can tell us much about this watershed moment. This edited collection examines these products of 1989 to explore the sense of transformative immediacy, which defined this memorable year, and show how the events of 1989 set the path for the 21st century. Gathering together scholars across a range of disciplines, Reading the New Global Order examines specific texts to reveal key transnational issues of that year, and to highlight fundamental questions about the nature and significance of 1989 as a global moment. From speeches, manifestos and novellas, to a pop album, this book raises questions about what constitutes a 'text' in the study of history and what they can reveal about their point in time. Taken together, these chapters highlight 1989 as a cultural, intellectual and political landmark of the 20th century through the global events it saw and the texts it produced.

The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.

From Paris to Stalingrad, the Nazis systematically plundered all manner of art and antiquities. But the first and most valuable treasures they looted were the Crown Jewels of the Holy Roman Empire. In "Hitler's Holy Relics, "bestselling author Sidney Kirkpatrick tells the riveting and never-before-told true story of how an American college professor turned Army sleuth recovered these cherished symbols of Hitler's Thousand-Year Reich before they could become a rallying point in the creation of a Fourth and equally unholy Reich.
Anticipating the Allied invasion of Nazi Germany, Reichsfuhrer Heinrich Himmler had ordered a top-secret bunker carved deep into the bedrock beneath Nurnberg castle. Inside the well-guarded chamber was a specially constructed vault that held the plundered treasures Hitler valued the most: the Spear of Destiny (reputed to have been used to pierce Christ's side while he was on the cross) and the Crown Jewels of the Holy Roman Empire, ancient artifacts steeped in medieval mysticism and coveted by world rulers from Charlemagne to Napoleon. But as Allied bombers rained devastation upon Nurnberg and the U.S. Seventh Army prepared to invade the city Hitler called "the soul of the Nazi Party," five of the most precious relics, all central to the coronation ceremony of a would-be Holy Roman Emperor, vanished from the vault. Who took them? And why? The mystery remained unsolved for months after the war's end, until the Supreme Allied Commander, General Dwight D. Eisenhower, ordered Lieutenant Walter Horn, a German-born art historian on leave from U.C. Berkeley, to hunt down the missing treasures.
To accomplish his mission, Horn must revisit the now-rubble-strewn landscape of his youth and delve into the ancient legends and arcane mysticism surrounding the antiquities that Hitler had looted in his quest for world domination. Horn searches for clues in the burnt remains of Himmler's private castle and follows the trail of neo-Nazi "Teutonic Knights" charged with protecting a vast hidden fortune in plundered gold and other treasure. Along the way, Horn has to confront his own demons: how members of his family and former academic colleagues subverted scholarly research to help legitimize Hitler's theories of Aryan supremacy and the Master Race. What Horn discovers on his investigative odyssey is so explosive that his final report will remain secret for decades.
Drawing on unpublished interrogation and intelligence reports, as well as on diaries, letters, journals, and interviews in the United States and Germany, Kirkpatrick tells this riveting and disturbing story with cinematic detail and reveals-- for the first time--how a failed Vienna art student, obsessed with the occult and dreams of his own grandeur, nearly succeeded in creating a Holy Reich rooted in a twisted reinvention of medieval and Church history.

As the Cuban Revolution reaches its sixtieth anniversary, contributors to this special issue explore the impact of the revolution through the lens of sexuality and gender, providing a social and cultural history that illuminates the Cuban-influenced global New Left. Moving beyond assumptions about the revolutionary left's hypermasculinity and homophobia, the issue takes a nuanced approach to the Cuban Revolution's impact on gender and sexuality. Contributors study Cuban internationalist campaigns, the relationship between cultural diplomacy and mass media, and visual images of revolution and solidarity. They follow the emergence and negotiation of new gender ideals through the transgendering of Che's "New Man," the Cuban travels of Angela Davis, calls for sexual revolution in the Dutch Atlantic, and gender representations during the 1964 "Campaign of Terror" in Chile. In doing so, the authors provide fresh insight into Cuba's transnational legacy on politics and culture during the Cold War and beyond. Contributors. Lorraine Bayard de Volo, Marcelo Casals, Michelle Chase, Aviva Chomsky, Isabella Cosse, Ximena Espeche, Robert Franco, Paula Halperin, Lani Hanna, Elizabeth Quay Hutchison, Melina Pappademos, Jennifer L. Lambe, Diosnara Ortega Gonzalez, Gregory Randall, Margaret Randall, Chelsea Schields, Sarah Seidman, Emily Snyder, Heidi Tinsman, Ailynn Torres Santana

In 1992, three hundred innocent Haitian men, women, and children who had qualified for political asylum in the United States were detained at Guantanamo Bay, Cuba -- and told they might never be freed. Charismatic democracy activist Yvonne Pascal and her fellow refugees had no contact with the outside world, no lawyers, and no hope . . . until a group of inspired Yale Law School students vowed to free them.

Pitting the students and their untested professor Harold Koh against Kenneth Starr, the Justice Department, the Pentagon, and Presidents George H. W. Bush and Bill Clinton, this real-life legal thriller takes the reader from the halls of Yale and the federal courts of New York to the slums of Port-au-Prince and the windswept hills of Guantanamo Bay and ultimately to the U.S. Supreme Court. Written with grace and passion, "Storming the Court" captures the emotional highs and despairing lows of a legal education like no other -- a high-stakes courtroom campaign against the White House in the name of the greatest of American values: freedom.