A scholarly and compelling analysis of Marine Corps survival as seen through the lens of three different organizational theories, this volume is a sourcebook in management and public administration for the way of seeing view. Frank Marutollo, intimately familiar with the Marine ethic, provides a practical demonstration of how management theories can be regarded as different ways of seeing rather than predictive schemes. He applies three models--the Population Ecology Model, Resource Dependence Model, and Structural Contingency Model--to three separate case studies and evaluates their complementary nature as well as their strengths and weaknesses. This one of a kind approach to the interpretation of management theories will be of particular interest to undergraduate and graduate students of management science and public administration.

As scholar and practitioner, Marutollo combines both perspectives to analyze the survival of a major organization in our culture. He selects three management theory models, develops a theoretical framework, and describes his methodology. Marutollo then sets the stage and applies each model to three case studies entitled: The Marine Corps and Military Unification, The New Navy and the Ships Guard, and Paradigms of Attack. He concludes his precise and detailed study with an overall assessment of the case study-model analysis.

This study examines the rise of the technopolis--high technology-based regional development. It explores how and why these regions emerged and the policies that have been devised to promote them. The rapid, propulsive growth of the technopolis in the 1960s and 1970s caught many people by surprise. Silicon Valley arose in an agricultural area; Route 128 in a stagnant manufacturing region. Throughout the rest of the world, a new generation of regional development policies have appeared, the most common ones being science parks, small business incubators, and venture capital funds. This book surveys these policies from a comparative, critical perspective. It also develops a theoretical framework for understanding why regional high-technology development occurs and the role policy can play in the process.

This work will be of interest to development planners and scholars in the fields of economic geography, development economics, and regional development.

The technical problems confronting different societies and periods, and the measures taken to solve them, form the concern of this annual collection of essays. It deals with the history of technical discovery and change, and explores the relationship of technology to other aspects of life - social, cultural and economic. The book shows how technological development has shaped, and been shaped by, the society in which it occurred.

This study explores the relationship between humans and machines during an age when technology became increasingly domesticated and accepted as an index to the American dream. The marriage between dramatic art and dramatic technology stems from the physical realities of staging and from the intimate connection of technology with human labor inside and outside the household. This book examines how American dramatists of the 1920s drew upon European Expressionism and innovative staging techniques to develop their characters and themes, and how later playwrights, such as Tennessee Williams and Arthur Miller, established the American dramatic canon when technology had become a conventional and integral component of domestic life.

"Technology in American Drama, 1920-1950," explores the relationship between humans and machines during an age when technology became increasingly domesticated and accepted as an index to the American dream. The marriage between dramatic art and dramatic technology stems from both the physical realities of staging and the intimate connection of technology with human labor inside and outside the household. Technology shapes and defines the values of the soul, individually and collectively, in addition to producing the external environment in which people live. This book studies how playwrights of the era reflected the changing role of technology in American society.

Drawing on the experiments of European Expressionism, American dramatists of the 1920s found new techniques for developing character and theme, along with innovative staging devices, such as the threatening machines in Elmer Rice's "The Adding Machine," Sophie Treadwell's "Machinal," and Eugene O'Neill's "Dynamo." By the time Thornton Wilder, Tennessee Williams, and Arthur Miller established the canon of American drama, technology was no longer an impersonal force to be resisted, but a conventional and integral component of domestic life. In examining these dramatists and their works, this book provides an insightful analysis of a largely neglected topic.

Although enormous industrial advances were made in the USSR, the country still lagged behind the West in the post-industrial age. What the Soviets could not build or manufacture, they had to get from the West. The final outcome was a culture developed in which there was no regard for consumerism and no respect for the environment. The author traces the development of the Soviet malaise, but warns that a future authoritarian regime could still revive the technological race. Conversely, he also replies to the academic debate on the excesses of modern technology in the West, with a sharp criticism of feminist and post-modernist perspectives.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.