The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics, Fifth Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers.

With their clear and simple style, Howard and Angus cover both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, the underlying principles of sound processing, and the application of these concepts to music spaces to create professional sound. This new edition is fully revised to reflect new psychoacoustic information related to timbre and temporal perception, including an updated discussion of vocal fold vibration principles, samples of recent acoustic treatments, and a description of variable acoustics in spaces, as well as coverage of the environment’s effect on production listening, sonification, and other topics.

Devoted to the teaching of musical understanding, an accompanying website (www.routledge.com/cw/howard) features various audio clips, tutorial sheets, questions and answers, and trainings that will take your perception of sound to the next level.

This book will help you:

Gain a basic grounding in acoustics and psychoacoustics with respect to music audio technology systems

Incorporate knowledge of psychoacoustics in future music technology system designs as appropriate

Understand how we hear pitch, loudness, and timbre

Learn to influence the acoustics of an enclosed space through designed physical modifications

Table of Contents

Preface

Chapter 1: Introduction to Sound

Chapter 2: Introduction to Hearing

Chapter 3: Notes and Harmony

Chapter 4: Acoustic Model for Musical Instruments

Chapter 5: Hearing Timbre and Deceiving the Ear

Chapter 6: Hearing Music in Different Environments

Chapter 7: Applications: Acoustics and Psychoacoustics Combined

Appendix 1: The Fourier Transform

Appendix 2: Solving the ERB Equation

Appendix 3: Converting between Frequency Ratios and Cents

Appendix 4: Deriving the Reverberation Time Equation

Appendix 5: Deriving the Reverberation Time Equation for Different Frequencies and Surfaces

Appendix 6: The Effect of Speaker Sixe on its Polar Pattern

Appendix 7: Track Listing for the Audio Compact Disc

Index

This open access book provides a view into the state-of-the-art research on aviation noise and related annoyance. The book will primarily focus on the achievements of the ANIMA project (Aviation Noise Impact Management through Novel Approaches), but not exclusively. The content has a broader theme in order to encompass. regulation issues, the ICAO (International Civil Aviation Organization) balanced approach, progresses made on technologies and reduction of noise at source, impact of possible future civil supersonic aircraft, land-use planning issues, as well as the core topics of the ANIMA project, i.e. impact on human beings, annoyance, quality of life, health and findings of the project in this respect. This book differs from traditional research programmes on aviation noise as the authors endeavour, not to lower noise at source, but to reduce the annoyance. This book examines these non-acoustic factors in an effort to help those most affected by aviation noise - communities living close to airports, and also help airport managers, policy-makers, local authorities and researchers to deal with this issue holistically. The book concludes with some recommendations for EU, national and local policy-makers, airport and aviation authorities, and more broadly a scientifically literate audience. These recommendations may help to identify gaps for progress in terms of research but also genuine implementation actions for political and regulatory authorities.

This book highlights the mathematical and physical properties of acoustical sources with singularities located in the complex plane and presents the application of such special elements to solve acoustical radiation and scattering problems. Sources whose origin lies in the complex plane are also solutions of the wave equation but possess different radiating properties as their counterparts with real positions. Such mathematical constructions are known in the fields of optics and electrodynamics, but they are not common in acoustical research. The objective of the book is to introduce this concept to acousticians and motivate them to engage themselves in further research and application of complex sources. Such sources are particularly useful to formulate Green's functions and related equivalent source and boundary element methods in half-spaces.

This book provides a comprehensive source of information on freezing and frozen storage of food. Initial chapters describe the freezing process and provide a fundamental understanding of the thermal and physical processes that occur during freezing. Experts in each stage of the frozen cold chain provide, within dedicated chapters, guidelines and advice on how to freeze food and maintain its quality during storage, transport, retail display and in the home. Individual chapters deal with specific aspects of freezing relevant to the main food commodities: meat, fish, fruit and vegetables. Legislation and new freezing processes are also covered.
Frozen Food Science and Technology offers in-depth knowledge of current and emerging refrigeration technologies along the entire frozen food chain, enabling readers to optimise the quality of frozen food products. It is aimed at food scientists, technologists and engineers within the frozen food industry; frozen food retailers; and researchers and students of food science and technology.

This new edition of this standard work adds several new information the book, so that sound engineering and architects can better assess the acoustic value of a Rock and Pop Venue. In particular, new insights to the influence of sound absorbers in reflected and important ISO standards are included into the new edition. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. It Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology

This book provides a true A to Z of recorded sound, from its inception to the present day, outlining how technologies, techniques, and social attitudes have changed things, noting what is good and what is less good. The author starts by discussing the physics of sound generation and propagation. He then moves on to outline the history of recorded sound and early techniques and technologies, such as the rise of multi-channel tape recorders and their impact on recorded sound. He goes on to debate live sound versus recorded sound and why there is a difference, particularly with classical music. Other topics covered are the sound of real instruments and how that sound is produced and how to record it; microphone techniques and true stereo sound; digital workstations, sampling, and digital media; and music reproduction in the home and how it has changed. The author wraps up the book by discussing where we should be headed for both popular and classical music recording and reproduction, the role of the Audio Engineer in the 21st century, and a brief look at technology today and where it is headed. This book is ideal for anyone interested in recorded sound. "[Julian Ashbourn] strives for perfection and reaches it through his recordings... His deep knowledge of both technology and music is extensive and it is with great pleasure that I see he is passing this on for the benefit of others. I have no doubt that this book will be highly valued by many in the music industry, as it will be by me." -- Claudio Di Meo, Composer, Pianist and Principal Conductor of The Kensington Philharmonic Orchestra, The Hemel Symphony Orchestra and The Lumina Choir

This book explains the nature of sound both as a physical phenomenon and as a sensation, how it travels through air and water, and how the hearing system evolved to convert these vibrations into sensations. Drawing on physics, biology, neuroscience, philosophy, literature, history, anecdote, and personal experience, "Now Hear This" is a wide-ranging exploration of the nature of sound and hearing that opens up a fascinating world of sounds from the mundane to the unusual and seeks above all to persuade the reader of the wisdom of John Cage's advice that "Wherever we are what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating."

This book presents articles from the World Conference on Acoustic Emission 2019 (WCAE-2019) held at Guangdong, China. The latest research and applications of acoustic emission (AE) are explored, with a particular emphasis on detecting and processing AE signals, the development of AE instrument and testing standards, AE of materials, engineering structures and systems, including the processing of collected data and analytical techniques. Numerous case studies are also included. It brings together leading academicians and professionals in the field to foster collaboration and to enhance research in this important area, with wide ranging applications.

This book provides an in-depth investigation of the quality relevant perceptual video space in the domain of videotelephony. The author presents an extensive investigation and quality modeling of the underlying video quality dimensions and the overall quality. The author examines the underlying quality dimensions and describes a method for subjective evaluation as well as the instrumental estimation of video quality in videotelephony. The book presents a new subjective test method in the field of video quality assessment. Further, it explains the experimental examination of the underlying video quality dimensions and the subjective-based, as well as instrumental-based quality estimation. Provides an investigation of the underlying quality dimensions of video in videotelephony; Presents insights into a new subjective test method, standardized as ITU-T Rec. P.918; Includes insights into the subjective and instrumental video quality estimation.

This book consists of selected and peer-reviewed papers presented at the 13th International Conference on Vibration Problems (ICOVP 2017). The topics covered in this book include different structural vibration problems such as dynamics and stability under normal and seismic loading, and wave propagation. The book also discusses different materials such as composite, piezoelectric, and functionally graded materials for improving the stiffness and damping properties of structures. The contents of this book can be useful for beginners, researchers and professionals interested in structural vibration and other allied fields.

This textbook presents the fundamentals of audio coding, used to compress audio and music signals, using Python programs both as examples to illustrate the principles and for experiments for the reader. Together, these programs then form complete audio coders. The author starts with basic knowledge of digital signal processing (sampling, filtering) to give a thorough introduction to filter banks as used in audio coding, and their design methods. He then continues with the next core component, which are psycho-acoustic models. The author finally shows how to design and implement them. Lastly, the author goes on to describe components for more specialized coders, like the Integer-to-Integer MDCT filter bank, and predictive coding for lossless and low delay coding. Included are Python program examples for each section, which illustrate the principles and provide the tools for experiments. Comprehensively explains the fundamentals of filter banks and audio coding; Provides Python examples for each principle so that completed audio coders are obtained in the language; Includes a suite of classroom materials including exercises, experiments, and examples.

This thesis is concerned with flows through cascades, i.e. periodic arrays of obstacles. Such geometries are relevant to a range of physical scenarios, chiefly the aerodynamics and aeroacoustics of turbomachinery flows. Despite the fact that turbomachinery is of paramount importance to a number of industries, many of the underlying mechanisms in cascade flows remain opaque. In order to clarify the function of different physical parameters, the author considers six separate problems. For example, he explores the significance of realistic blade geometries in predicting turbomachinery performance, and the possibility that porous blades can achieve noise reductions. In order to solve these challenging problems, the author deploys and indeed develops techniques from across the spectrum of complex analysis: the Wiener-Hopf method, Riemann-Hilbert problems, and the Schottky-Klein prime function all feature prominently. These sophisticated tools are then used to elucidate the underlying mathematical and physical structures present in cascade flows. The ensuing solutions greatly extend previous works and offer new avenues for future research. The results are not of simply academic value but are also useful for aircraft designers seeking to balance aeroacoustic and aerodynamic effects.

The latest hot camera is pretty irrelevant if one can't understand what's happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects. Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience.

Auralization is the technique of creation and reproduction of sound on the basis of computer data. With this tool it is possible to predict the character of sound signals which are generated at the source and modified by reinforcement, propagation and transmission in systems such as rooms, buildings, vehicles or other technical devices. This book is organized as a comprehensive collection of the basics of sound and vibration, acoustic modelling, simulation, signal processing and audio reproduction. With some mathematical prerequisites, the readers will be able to follow the main strategy of auralization easily and work out their own implementations of auralization in various fields of application in architectural acoustics, acoustic engineering, sound design and virtual reality. For readers interested in basic research, the technique of auralization may be useful to create sound stimuli for specific investigations in linguistic, medical, neurological and psychological research, and in the field of human-machine interaction.

Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has been explored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As author Victor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integrate these various approaches within spectral audio. In Spectral Sound Design: A Computational Approach, Lazzarini provides an antidote. Spectral Sound Design: A Computational Approach gives authors a set of practical tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them, within the context of contemporary and electronic music practice. The book employs a mix of Python for prototyping and Csound for deployment and music programming. The tight integration of these three languages as well as the wide scope offered by the combination (going from embedded to supercomputing, and including web-based and mobile applications) makes it the go-to resource to deal with the practical aspects of the subject.

The wave equation, a classical partial differential equation, has been studied and applied since the eighteenth century. Solving it in the presence of an obstacle, the scatterer, can be achieved using a variety of techniques and has a multitude of applications. This book explains clearly the fundamental ideas of time-domain scattering, including in-depth discussions of separation of variables and integral equations. The author covers both theoretical and computational aspects, and describes applications coming from acoustics (sound waves), elastodynamics (waves in solids), electromagnetics (Maxwell's equations) and hydrodynamics (water waves). The detailed bibliography of papers and books from the last 100 years cement the position of this work as an essential reference on the topic for applied mathematicians, physicists and engineers.

This book covers the principles, historical development, and applications of many acoustic logging methods, including acoustic logging-while-drilling and cased-hole logging methods. Benefiting from the rapid development of information technology, the subsurface energy resource industry is moving toward data integration to increase the efficiency of decision making through the use of advanced big data and artificial intelligence technologies, such as machine/deep learning. However, wellbore failure may happen if evaluations of risk and infrastructure are made using data mining methods without a complete understanding of the physics of borehole measurements. Processed results from borehole acoustic logging will constitute part of the input data used for data integration. Therefore, to successfully employ modern techniques for data assimilation and analysis, one must fully understand the complexity of wave mode propagation, how such propagation is influenced by the well, and the materials placed within the well (i.e., the cement, casing, and drill strings), and ultimately how waves penetrate into and are influenced by geological formations. State-of-the-art simulation methods, such as the discrete wavenumber integration method (DWM) and the finite difference method (FDM), are introduced to tackle the numerical challenges associated with models containing large material contrasts, such as the contrasts between borehole fluids and steel casings. Waveforms and pressure snapshots are shown to help the reader understand the wavefields under various conditions. Advanced data processing methods, including velocity analyses within the time and frequency domains, are utilized to extract the velocities of different modes. Furthermore, the authors discuss how various formation parameters influence the waveforms recorded in the borehole and describe the principles of both existing and potential tool designs and data acquisition schemes. This book greatly benefits from the research and knowledge generated over four decades at the Earth Resources Laboratory (ERL) of the Massachusetts Institute of Technology (MIT) under its acoustic logging program. Given its scope, the book is of interest to geophysicists (including borehole geophysicists and seismologists), petrophysicists, and petroleum engineers who are interested in formation evaluation and cementation conditions. In addition, this book is of interest to researchers in the acoustic sciences and to 4th-year undergraduate and postgraduate students in the areas of geophysics and acoustical physics.

This book covers all small details about Underwater Sensor Networks (UWSN). Researchers can use this book as a prerequisite before starting any research on underwater networks or underwater applications. This book covers the introduction, challenges, different architectural models for UWSN, various attacks on UWSN, underwater applications, and networking layers. The target audience includes professors and students in engineering, and researchers and engineers working on marine applications. In academic level, the book is helpful for students having Networking and Information Security as elective subject and doing projects in Wireless Networks. It is also helpful for spostgraduates and Ph.D. researchers to learn basics of Underwater Sensor Networks.

Recent advances in scientific computing have caused the field of aerodynamics to change at a rapid pace, simplifying the design cycle of aerospace vehicles enormously - this book takes the readers from core concepts of aerodynamics to recent research, using studies and real-life scenarios to explain problems and their solutions. This book presents in detail the important concepts in computational aerodynamics and aeroacoustics taking readers from the fundamentals of fluid flow and aerodynamics to a more in-depth analysis of acoustic waves, aeroacoustics, computational modelling and processing. This book will be of use to students in multiple branches of engineering, physics and applied mathematics. Additionally, the book can also be used as a text in professional development courses for industry engineers and as a self-help reference for active researchers in both academia and the industry.

This book explores the intricate relationship between luxury and craftsmanship, using brand-based case studies and consumer behavior to do so. In addition to revealing how the artification of luxury affects consumer behavior with branding and traditions, it discusses how sustainable luxury could not only offer a vehicle for more respect for the environment and social development, but could also be a metaphor for the cultures, art traditions, and innovations of various nationalities, continuing the legacy of local craftsmanship.

The newest volume of the eclectic biannual anthology from Greenhorns, a grassroots network for recruiting, promoting, and supporting new American farmers. The New Farmer's Almanac Volume VI: Adjustments and Accommodations seeks to recognize our own collective agency in the face of sizable uncertainties. The morphing climate, ongoing culture of land dispossession, continuing global pandemic, shifting and intensifying weather patterns, and migrations of all species—spurned by political and environmental upheaval—are considered within. There is adaptability in each bloom of algae; tiny particles of inspiration can enliven lives and farm systems; the natural currents and connected sentience of the living earth moves genetic material. Dynamic flux and rapid change remain possible. The power of the forces—the river, the wind—are summoned and given thanks, like our ancestors did. Here, we tune to the potential of the commons. Contributors from around the Earth reflect on natural systems, logistics of change, localization, resource sharing, and preservation; we eye new experiments in planting, seed breeding, and composting. The past is contextualized by the present, informing our ideas for the future. Climate grief and cognitive dissonance are examined among imaginations of urban food systems and equitable access. Readers are invited to envision tweaks to the carbon cycle; to see intercropping as a life practice and sharing dinner as an embodied preservation of cultural foodways. This compendium of ideas, strategies, and arguments honors the almanac tradition in featuring archival and contemporary words and artwork. Photos, maps, prints, drawings, and gems from the archives rest—and agitate—among personal essays, reports from the field, poetry, and interviews. Join us in exploring resilience, responsiveness, adaptation, and accommodation. Featured contributors include: Fallen Fruit Collective The Farwoods Futurefarmers Suzanne Husky Oliver Kellhammer Nance Klehm The Land Institute Gary Snyder Vincent Medina and Louis Trevino of Cafe Ohlone Maia Wikler

This book gives a full picture of the welding quality real-time control via arc sound information. This book presents all aspects of acoustic signal research during the welding dynamic process from the last five years. It also offers valuable and practical strategies for achieving the real-time control of welding quality via arc sound signal. Researchers, scientists, and engineers who have interests in intelligent welding could acquire intensive view and experiment procedures from the book.

This book presents a three-dimensional analysis of acoustic wave propagation in an elliptical waveguide, and applies the equations and concepts to design axially short elliptical end-chamber muffler configurations which are an important component of a complex multi-pass muffler used in a modern-day automotive exhaust system. A general solution of the Helmholtz equation in elliptical cylindrical co-ordinates is presented in terms of the Mathieu and modified Mathieu modal functions. This is followed by the tabulation and analysis, for the first time, of the non-dimensional resonance frequencies of the transverse modes of a rigid-wall elliptical waveguide for a complete range of aspect ratio. The modal shape patterns of the first few circumferential, radial and cross-modes are examined with particular attention to the pressure nodal ellipses and hyperbolae. An analytical formulation is then outlined for characterizing a single-inlet and single-outlet elliptical muffler with the inlet located on the end face and the outlet located either on the end face or side-surface. The ensuing chapter is devoted toward analyzing the Transmission Loss (TL) performance of different short end-chamber mufflers, namely (a) the straight-flow configuration having ports located on the opposite face, (b) the flow-reversal configuration with ports located on the same end face and (c) configuration with inlet port on the end face and outlet on the side surface. Design guidelines are formulated in terms of the optimal location of inlet and outlet ports which suppresses the deteriorating influence of certain higher-order modes, thereby delivering a broadband TL performance. Directions for future work are discussed toward the end. In summary, this book is a one-stop solution for a practicing automotive engineer designing mufflers, for an applied mathematician studying wave propagation in elliptical geometries, and also as a niche area within noise control engineering.

The focus of this thesis are synchronization phenomena in networks and their intrinsic control through time delay, which is ubiquitous in real-world systems ranging from physics and acoustics to neuroscience and engineering. We encounter synchronization everywhere and it can be either a helpful or a detrimental mechanism. In the first part, after a survey of complex nonlinear systems and networks, we show that a seemingly simple system of two organ pipes gives birth to complex bifurcation and synchronization scenarios. Going from a 2-oscillator system to a ring of oscillators, we encounter the intriguing phenomenon of chimera states which are partial synchrony patterns with coexisting domains of synchronized and desynchronized dynamics. For more than a decade scientist have tried to solve the puzzle of this spontaneous symmetry-breaking emerging in networks of identical elements. We provide an analysis of initial conditions and extend our model by the addition of time delay and fractal connectivities. In the second part, we investigate partial synchronization patterns in a neuronal network and explain dynamical asymmetry arising from the hemispheric structure of the human brain. A particular focus is on the novel scenario of partial relay synchronization in multiplex networks. Such networks allow for synchronization of the coherent domains of chimera states via a remote layer, whereas the incoherent domains remain desynchronized. The theoretical framework is demonstrated with different generic models.

This book discusses the principles, methodologies, and challenges of robotic musicianship through an in-depth review of the work conducted at the Georgia Tech Center for Music Technology (GTCMT), where the concept was first developed. Robotic musicianship is a relatively new research field that focuses on the design and development of intelligent music-making machines. The motivation behind the field is to develop robots that not only generate music, but also collaborate with humans by listening and responding in an expressive and creative manner. This combination of human and machine creativity has the potential to surprise and inspire us to play, listen, compose, and think about music in new ways. The book provides an in-depth view of the robotic platforms designed at the GTCMT Robotic Musicianship Group, including the improvisational robotic percussionists Haile and Shimon, the personal robotic companion Shimi, and a number of wearable robots, such as the Robotic Drumming Prosthesis, The Third Drumming Arm, and the Skywalker Piano Hand. The book discusses numerous research studies based on these platforms in the context of five main principles: Listen like a Human, Play Like a Machine, Be Social, Watch and Learn, and Wear It.