This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between these two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking along, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire ​altogether. 

This is your essential guide to less harmful, but equally effective, environmentally friendly printmaking methods. Traditional printmaking techniques expose the artist and the environment to a multitude of toxic materials. In this book, Mark Graver puts the case for non-toxic printmaking and discusses the replication of traditional techniques with less harmful, but equally effective, environmentally friendly methods. This book covers engraving, etching with acrylic resists, using drypoint, making aquatints, mezzotints and collagraphs, and using photopolymers as well as combining various printmaking techniques. Highly illustrated wit the works of artists from around the world, this practical and inspiring book contains everything you need to know about switching to a non-toxic printmaking practice.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books. William Morris was inspired a great deal by nature, as can be seen here in Compton. This love for flora and fauna came about as a result of following the doctrines of the Pre-Raphaelite Brotherhood, which Morris became drawn to, developing close friendships with its founders, Dante Gabriel Rossetti (1828-82), William Holman Hunt (1827-1910) and John Everett Millais (1829-96).

An easy-to-use practical guide to mixed-media printmaking including instructions for other printmaking techniques. Practical Mixed-Media Printmaking is an essential introduction to printmaking using a wide range of low-cost materials. This practical guide includes easy-to-follow instructions, hints and tips on all of the main printmaking techniques, as well as over 90 examples of works by contemporary printmakers and 19 profiles explaining the artists' methods and inspiration. As mixed-media printmaking allows vast freedom for experimentation, discover how to adapt and refine basic techniques to suit your own projects and gather inspiration regardless of your level.

This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of William Blake (1757-1827). Accompanied by full scholarly apparatus, this authoritative edition enables students to explore Blake's poetry, illuminated poetry, and prose alongside selections from his letters, manuscripts, notebook, advertising pamphlets, marginalia, and works he printed in conventional letterpress. The edition arranges Blake's works in chronological order, according to the date when they were first printed or, in the case of unpublished works, the years in which they were composed. With the help of editorial headnotes and annotations, this arrangement brings to the foreground Blake's material and intellectual labours as a poet, painter, prophet, and non-academic philosopher; the networks of acquaintances, friends, patrons, and enemies who helped support or provoke this work; and the tumultuous historical events he responded to, which included the beginning of modern feminism, the agricultural and industrial revolutions, the American and French Revolutions, William Pitt's so-called 'Reign of Terror' in Britain, an attempted revolution in Ireland (1798), a successful slave rebellion in Haiti (1791-1804), and the French revolutionary and Napoleonic wars. Some editions attempt to sanitize Blake, by hiding from view the most startling elements of his thought; but in this edition Blake's sexual, political, religious, and poetic heterodoxy comes into full view. At the same time, this edition foregrounds the dynamics of Blake's composite art, with equal weight given to its verbal and visual dimensions; makes visible the chief lines of force that structure his oeuvre; and highlights his developing thought on sapphism, sodomy, the body, relations between the sexes, the roots of violence, and the politics of imagination. This is a Blake whose dialogue with his own time anticipates much later developments, including modern depth psychologies; analyses of the social and psychological dynamics of war and peace; interest in the body, sexuality, and gender; and experiments in the relation between actual and virtual realities-a Blake who is provocative, unsettling, exhilarating, and somehow our contemporary. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Blake, and a Chronology.

Take your creativity to the next level with the ultimate artist's bible! Covering everything from how to draw and paint to ceramics, sculptures and printmaking, you'll get the most out of your passion for art with this beautifully illustrated artist's handbook. It also includes newer areas such as digital art and animation - perfect for modern artists! Discover everything you need to help you release the artist within! This essential art book includes: - All areas of visual art; including drawing, painting, 3D art, printmaking, textiles, and digital arts including photography - Each section is written by an acknowledged expert in that field - both practising professionals and university-level teachers - Comprehensive coverage of equipment and tools, including step-by-step sequences, where appropriate on how to use - Techniques are illustrated in step-by-step sequences by professional artists, with basic skills leading on to more advanced techniques Whether you're dipping in to find a specific painting technique or browsing for artistic inspiration, this artist's reference book covers all the elements of painting and drawing. Brush up on the art basics like choosing the right tool, mixing watercolours, and preparing a canvas. Take your skills further and learn how to glaze a pot, try out 3D printing and mosaic, or create a digital collage. The Artist's Manual will help you become a more confident, creative artist. Equipment, materials, and methods are fully explained and beautifully illustrated. Perfect for artists of every skill level, you'll be creating your own masterpieces in no time with this guide to art. It's a must-have for every artist's studio!

Hokusai's series depicting Mount Fuji is widely considered to be the pinnacle of his career. This beautiful boxed accordion- fold edition comprises the full set of forty-six prints (the original thirty-six and ten more that were completed later) and features a luxurious silken binding along with a separate explanatory booklet. The book and booklet are packaged in an elegant slipcase. Devoted entirely to landscapes, Hokusai's series shows Mount Fuji from various viewpoints, framed in different ways. An indefatigable traveler who was passionate about nature, Hokusai explored every vantage point and season at the volcano. He presented it both as a solitary and majestic snow-capped peak and as a smaller object on a distant horizon. Hokusai also portrayed the mountain as an element in Japanese daily life and as an imposing force of nature that can be peaceful and beneficent, or ferocious and unforgiving. These impeccably reproduced prints invite readers to examine Hokusai's virtuosic use of color and composition, his talent for contrasting perspectives, and his interest in the dueling roles of man and nature. An exquisite objet d'art, this volume is the perfect vehicle for appreciating Hokusai's crowning achievement in all its lasting and subtle beauty.

In 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate. Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.

Der Maler, Graphiker und Bildhauer Max Klinger war eine der markantesten Kunstlerpersoenlichkeiten der Jahrhundertwende. Er wurde als Michelangelo seiner Zeit bezeichnet. Neben seinen Ambitionen fur Literatur und Philosophie galt sein Interesse der Musik. Besonders liebte und verehrte er die Komponisten Beethoven, Schumann und Brahms. Eine in Briefen dokumentierte Freundschaft, die sich in gegenseitiger Einflussnahme auf das Schaffen auswirkte, verband Klinger mit Brahms. Die vorliegende Studie zeigt die gegenseitige Beeinflussung von Musik und bildender Kunst auf. Werkanalysen verdeutlichen, auf welche Weise Klinger musikalische Eindrucke zu visuellem Erlebnis werden liess. Dabei handelt es sich nicht um Illustrationen, sondern um nachvollzogene Gefuhlsausserungen, zum Teil mit philosophischem und religioesem Hintergrund.

Eric Gill (1882-1940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment's favourite artists, with his patrons including the Catholic Church, the Lord Chancellor's office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill's fascinating life and art.

These fine-quality tear-out sheets feature 12 Asian-inspired prints, suitable for craft projects as well as for gift wrapping. The shimmering silver color is highlighted throughout, used in contrast with dramatic black and classic white, with pops of pink for an element of fun. The variety of papers means they are useful for any occasion--whether a holiday, birthday, anniversary or "just because." An introduction details the history and meaning behind the designs, giving you a better idea of their origin. Some wrapping ideas are also provided for inspiration to maximize your creativity. This book includes: 12 sheets of 18 x 24 inch (45 x 61 cm) tear-out paper 12 unique patterns Perforations so the papers are easy to tear out Wrapping tips & tricks The tradition of gift wrapping originated in Asia, with the first documented use in China in the 2nd century BC. Japanese furoshiki, reusable wrapping cloth, is still in use four centuries after it was first created. Gift wrapping is one custom that has prevailed through the ages and across the world--it should be special for both the gift giver and recipient.

Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.

Winners of the annual international Graphis Poster Awards Posters have an astonishing impact on our culture, and this book delivers the ultimate tribute to some of the best international talents in poster design. Graphis Poster 2023 is an illuminated journey of regional influence and creative excellence, topics range from concerts, festivals and film to theater, arts, dance, exhibitions, and more. Anyone who appreciates the art of poster design will find this book a valuable asset -- from Designers, Art directors, Art/Illustrators, Design firms, Advertising agencies, Professors, and Students, to those who appreciate the fine art of poster design.This book presents an extraordinary look at the minds of creatives worldwide. Displaying a legion of absolutely stunning posters, Graphis Poster Awards 2023, inspires and captivates attention internationally. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented.

At long last: gorgeous note card sets from renowned printmaker David Lance Goines For fifty years, artist, calligrapher, and printmaker David Lance Goines has been the creator of the inimitable designs that have come to define the Bay Area and its institutions. With stark lines, soft colors, and stunning text, his designs are immediately striking and effective, whether depicting an historic local restaurant or an internationally beloved film. While these designs are iconic and immediately recognizable to most, their timeless aesthetic is appealing to both the newcomer and the longtime fan. Heyday is pleased to announce the initial offerings of the David Lance Goines Note Card Collections: Chez Panisse and Movies. Each set contains twelve white note envelopes and twelve blank cards printed on fine white stock. Chez Panisse will feature 4 images celebrating the famed eatery: Chez Panisse - 26th Anniversary Poster (1997) Chez Panisse - 32nd Anniversary Poster (2003) Chez Panisse - 34th Anniversary Poster (2005) Cafe Chez Panisse - 35th Anniversary Poster (2015)

Chickadees amid cherry blossoms, peacocks nestled in wisteria branches, sleeping owls against a moonlit night sky and majestic cranes diving in the ocean waves-these are some of the transcendent pleasures offered in this exquisite collection of plates bound in an accordion style format that honors the Japanese bookbinding tradition. Every major artist of this genre is included-from Keisai, Keibun and Hokusai to Hiroshige and Koson-as the history of Japanese printmaking unfolds in stunning detail. An introductory booklet explores the centuries long role that nature has played in Japanese art, from Chinese influenced works of the Kano school, which depicted the bird as a Buddhist symbol, through to the ukiyo-e, when artists strove to capture fleeting moments of pure joy. Fans of Japanese art, lovers of birds, and anyone who enjoys beautiful depictions of the natural world will cherish this sumptuous, satisfying volume of earthly delights.

American artist Nancy Spero (b.1929) concentrates on the depiction of women: mythological women, movie women, tortured women. Inspired by classical and modern sources, she collages and imprints her contemporary goddesses on to long, papyrus-like friezes that scroll around museum walls. Her subject matter, which has ranged from the writings of Artaud to the Vietnam War, mirrors her life. Working in Paris in the cultural ferment of the 1960s, she moved to New York in the 1970s to co-establish the feminist gallery A.I.R. and to join with artists and critics such as Leon Golub, Robert Morris and Lucy R Lippard in forming the Art Workers' Coalition. Since the 1980s she has attracted international acclaim, her exquisite works giving form to feminist issues and new critical discourses. The Survey by Jon Bird, cultural theorist and curator of the first British retrospective of Spero's work, discusses developments in her practice since the 1950s. Contemporary art scholar and critic Jo Anna Isaak talks with the artist about her life and work. Art historian Sylvere Lotringer, Edtior of Semiotext(e) and author of Overexposed, focuses on her 1993 installation at the Whitney Museum of American Art. In recognition of the impact Stanley Kubrick's Dr Strangelove made on her, Spero has chosen a scene from the screenplay; key excerpts from Gynesis: Configurations of Woman and Modernity by feminist theorist Alice Jardine on the place of women in a patriarchal culture complete the Artist's Choice section. Also included are a selection of Spero's own writings, many published here for the first time.

Hong Seung-Hye has garnered a unique position in the Seoul art scene with her bravado in defying conventional borders. She sees no restraints in crisscrossing the border between the abstract and the figurative, the plane and the three-dimensional. Nor does she shy away from employing public spaces just as freely as she experiments inside a white cube. This first monograph on Hong traces the trajectory of her prolific oeuvre. It features four essays written by distinguished Korean critics, curators and educators who have closely witnessed and worked alongside Hong throughout the past two decades. Originally written in context with solo exhibitions, each of which marking a milestone in her career, they offer individual starting points to delve into and read Hong's art. Ranging from her earliest paper collages to the most recent videos reinterpreting Snoopy from iconic comic strip The Peanuts, this book illustrated with some 200 colour plates provides a comprehensive survey of Hong's versatility.

The most extensive collection of nature printing ever assembled, featuring 43 different printing techniques. Hailed as the earliest precursor to photography, nature printing is the practice of using impressions from the surface of a natural object such as leaves, flowering plants, ferns, seaweed, snakes and more to produce an image. The Zucker Collection is the most extensive collection of nature prints ever assembled, with more than 13,000 images across 120 rare and seminal works, including journals, published books, unique manuscripts, American Currency, and instructional texts related to nature printing from 1733 to 1902. For the first time, readers will be able to see these nature prints presented side by side, enabling unique comparisons while creating a visually stunning journey through the developments over a 150 year period in printing methods including photography with examples of cyanotypes. Capturing Nature is the ultimate guide to Nature Printing, and a beautiful reference work for scholars, artists, designers, botanists and anyone interested in nature, botanical illustration and printing.