Bauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898-1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna's Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker's work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stoeppel, and others To accompany an exhibition in Vienna and Zurich

How to make block prints for art prints, greeting cards, invitations, signs and more using both linoleum and wood. Covers transferring a design, carving, printing by hand in one or more colors, clean up, editioning, and tearing down paper. Detailed, illustrated instructions for selecting tools, paper, and ink; carving both linoleum and wood; and printing by hand in one color or more to achieve professional results. Techniques can be used for art prints, posters, signs, invitations, greeting cards, gift wrap, and fabric.

Screenprinting is loved by artists and designers for its accessibility and for the seemingly endless possibilities that come naturally to a process that can combine vibrant colour and layering with pattern and image making. This book is not only aimed at the beginner, but also at more experienced printers who would like to brush up on their technique or bring themselves up to date. It is divided into chapters that cover a wealth of different screenprinting methods, from simple ones that can be achieved on a table top at home with minimum equipment, to those that require a professional studio or workshop set-up. Topics covered include using paper stencils and filler stencils; monoprinting through the screen; making positives for photo exposure by hand or by using the computer; making high-contrast positives and posterizations and there are special sections on using bitmaps, half tones and making colour separations.

Clifford Harper illustrates John Gallas's ballad poem about the life and times of the Italian anarchist Santo Caserio, a baker who assassinated the French President, a little man who tried to change things and got his head chopped off. The drawings are a homage to the work of Frans Masereel, and accompany perfectly the ballad verse. Agraphia is Harper's own publishing imprint, and as you'd expect, the books are exquisitely designed, illustrated and printed. Includes a biographical sketch, by Harper, of Caserio.

Hanna Nagel's focus as an artist was on drawing and graphic prints. Like no other woman artist of her time, she examined the relationship between men and women as well as the problematic balancing act between professional work and motherhood. Her work following her studies in Karlsruhe was at first characterized by objective precision. With her move to Berlin, she, however, distanced herself from the stringent drawing style of Neue Sachlichkeit. The oft-biographical works executed with a brush and pen in Indian ink are formally more complex and painterly, whereby the impression of these so-called "Dunkle Blatter" (Dark Works) corresponds to the narratively and symbolically charged topics chosen. The focus of the exhibition and catalogue is on the works of the 1920s and the early 1930s.

American artist Sam Francis (1923-1994) brought vivid colour and emotional intensity to Abstract Expressionism. He was described as the "most sensuous and sensitive painter of his generation" by former Guggenheim Museum director James Johnson Sweeney, and curator Howard Fox called him "one of the acknowledged masters of late-modern art." Francis's works, whether intimate or monumental in scale, make indelible impressions; the intention of the artist was to make them felt as much as seen. At the age of twenty, Francis was hospitalised for spinal tuberculosis and spent three years virtually immobilised in a body cast. For physical therapy he was given a set of watercolours, and, as he described it, he painted his way back to life. The exuberant colour and expression in his paintings celebrated his survival; his five-decade career was an energetic visual and theoretical exploration that took him around the world. Francis' idiosyncratic painting practices have long been the subject of speculation and debate among conservators and art historians. Presented here for the first time in this volume are the results of an in-depth scientific study of more than forty paintings from the late 1940s to early 1990s, which reveal new discoveries about his creative process, inventive techniques, and specially formulated paints and binders. The data provides a key to the complicated evolution of the artist's work and informs original art historical interpretations.

A new, up-to-date edition of this popular and comprehensive encyclopedia on printing techniques by professional artist Judy Martin. This inspirational, visual guide offers a wealth of information on the techniques and materials you'll need before embarking on your printing pursuits. Starting with your equipment and safety essentials, all the different methods of printmaking are covered, from monoprinting, wood engraving and etching to intaglio printing, screen-printing and more. Then, learn how to apply these methods yourself by following the helpful, illustrated step-by-step demonstrations inside to create your own printed pieces. There is even advice on how to take your printmaking even further, with suggestions on organising studio space at home or in a commercial environment. Finally, a stunning gallery of images created by professional printmakers, featured throughout the book provides inspiration for your own beautiful artwork.

The Ashmolean Museum holds a world-class collection of over 200 prints made by Rembrandt Harmensz van Rijn (1606-1669). Widely hailed as the greatest painter of the Dutch Golden Age, Rembrandt was also one of the most innovative and experimental printmakers of the seventeenth century. Rembrandt was extraordinary in creating prints not merely as multiples to be distributed but also as artistic expressions by using the etching printmaking technique for the sketchy compositions so typical of him. Almost drawing-like in appearance, these images were created by combining spontaneous lines with his remarkable sense for detail. Rembrandt was a keen observer and this clearly shows in his choice of subjects for his etchings: intense self-portraits with their penetrating gaze; atmospheric views of the Dutch countryside; lifelike beggars seen in the streets of his native Leiden; intimate family portraits as well as portrayals of his wealthy friends in Amsterdam; and biblical stories illustrated with numerous figures. This book presents Rembrandt as an unrivalled storyteller through a selection of over 70 prints from the Ashmolean collection through a variety of subjects ranging from 1630 until the late 1650s.