A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style Throughout the tumultuous decades of the early twentieth century, the graphic arts flourished in Great Britain as artists sought to portray everyday life during the machine age. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 21, 2021-January 17, 2022)

Die hier erstmals vorgestellten Klebebande der Furstlich Waldeckschen Hofbibliothek Arolsen fassen in z.T. gewaltigen Folianten uber 7.000 montierte Druckgraphiken von grosser thematischer Vielfalt - u.a. Portraits, Flugblatter, Buhnenbilder oder Kupferstiche zum Zeitgeschehen. Jeder Band ist ein Unikat und noch heute in seinem ursprunglichen Arrangement erhalten. Der Bestand diente als Instrument zur aktiven Bildung und besass eine lebenspraktische Bedeutung fur Hofhaltung und Hofkultur im fruhmodernen Furstenstaat. Die Abfolge und Ideen des Ein- und Aufgeklebten geben Aufschluss daruber, was Nutzer in dieser Epoche fur wissenswert hielten und wie sie sich Wissen uber Fragmentierung und Neuordnung verfugbar machten.

A new, up-to-date edition of this popular and comprehensive encyclopedia on printing techniques by professional artist Judy Martin. This inspirational, visual guide offers a wealth of information on the techniques and materials you'll need before embarking on your printing pursuits. Starting with your equipment and safety essentials, all the different methods of printmaking are covered, from monoprinting, wood engraving and etching to intaglio printing, screen-printing and more. Then, learn how to apply these methods yourself by following the helpful, illustrated step-by-step demonstrations inside to create your own printed pieces. There is even advice on how to take your printmaking even further, with suggestions on organising studio space at home or in a commercial environment. Finally, a stunning gallery of images created by professional printmakers, featured throughout the book provides inspiration for your own beautiful artwork.

Ink-Stained Hands fulfils a considerable gap in Irish visual arts publications as the first book to present the activities of printmakers in Ireland from the end of the nineteenth century to the present. The central narrative of this profusely illustrated and documented book is the foundation of Graphic Studio Dublin in 1960, an event which revolutionized the graphic arts in Ireland and made the European tradition of printmaking available to Irish artists.