An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints Among William Blake's (1757-1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake's technique-one he essentially reinvented, unaware of 17th-century precursors-to show that these works were produced as paintings, and played a crucial role in Blake's development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake's books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake's writings but not illustrative of or determined by those writings. Distributed for the Paul Mellon Centre for Studies in British Art

Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice.
Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to:
. produce a full-scale film positive from a photographic negative
. sensitize the gravure tissue to prepare it for exposure to the positive
. prepare the plate and develop the gelatin resist prior to etching
. prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale
. rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons
. use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high
quality print
A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary
introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.
* Follow step-by-step basic printing procedures for a photogravure plate, complete with trouble shooting information
* Valuable information is offered on the materials, procedures, and printshop equipment
* Study the historical precedents from the invention of photography to its current commercial use

There are really two books in this volume; one an historical study of Parisian artist Louis Icart's famous etchings of the early twentieth century, and the other a chronological catalog of all of Icart's known etchings. Both sections are vital information for collectors, art historians and dealers who want to date, identify and interpret the work of this prolific, stylish, and reflective artist. During his forty year artistic career, Louis Icart portrayed beautiful women through joyful, witty, and often poignant images. Icart's etchings are once again being collected and adored, just as they were between the two world wars.

Etching can seem mysterious and inaccessible, but this practical book guides you through the process to reveal the potential of this distinctive means of creating artists' prints. With clear instructions and visual guides, it explains the many ways that marks are first made on a metal plate before ink is applied and the image transferred onto a sheet of paper. The book goes on to introduce a broad menu of techniques, allowing the visual artist to develop a uniquely personal approach. Topics include the materials and equipment needed to get started, from the simple etching needle and scraper-burnisher to the etching press. Explanations are given for photo-etching, aquatint, as well as related intaglio processes such as drypoint and photopolymer. This new book encourages artists to experiment and try combining techniques to explore their potential, and includes interviews with leading artists explaining their approaches.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. Born in Kent, William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions.

The legacy of graphic artist William Hogarth (1697-1764) remains so emphatic that even his last name has evolved into a common vernacular term referring to his characteristically scathing form of satire. Featuring rarely seen images and written contributions from leading scholars, this book showcases a collection of the artist's works gathered from the Lewis Walpole Library at Yale University and other repositories. It attests to the idiosyncratic nature of his style and its international influence, which continues to incite aesthetic and moral debate among critics. The eight essays by eminent Hogarth experts help to further contextualize the artist's unique narrative strategies, embedding the work within German philosophical debates and the moral confusion of the Victorian period and emphasizing the social and political dimensions that are part and parcel of its profound impact. Endlessly parodied and emulated, Hogarth's distinctive satire persists in its influence throughout the centuries and this publication provides the necessary lens through which to view it. Distributed for the Lewis Walpole Library

Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources — including inventories, sale catalogues and her work diary — Elisabetta Sirani provides an overview of the life, work, critical fortune and legacy of this successful Baroque artist. Placing her within the context of the post-Tridentine society that both inhibited and supported her, Modesti examines Sirani's influence on many of the artists studying at Bologna's school for professional women artists, as well as her significance in the professionalisation of women’s artistic practice in the seventeenth century. Beautifully illustrated throughout, Elisabetta Sirani focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning and literary construction as Bologna’s pre-eminent cultural heroine.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. Born in Kent, Annie Soudain lives by the sea in Sussex and much of her work continues to be inspired by the beautiful landscapes surrounding her. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block.

The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields. Distributed for the Paul Mellon Centre for Studies in British Art

This pack contains 200 high-quality origami sheets printed with fun and vibrant Blue & White Patterns. These paper patterns were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 designs unique to this pack, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back of the papers. This origami paper pack includes: 200 sheets of high-quality origami paper 12 unique designs Vibrant and bright colors Double-sided color 6 x 6 inch (15 cm) squares Instructions for 6 easy origami projects

An engaging investigation of contemporary Brazilian artist Lygia Pape's early body of woodblock prints, which profoundly influenced the trajectory of her oeuvre One of Brazil's best-known contemporary artists, Lygia Pape (1927-2004) was a founding member of the Neo-Concrete movement in the late 1950s along with artists such as Lygia Clark and Helio Oiticica. Pape explored new visual languages in painting, performance, printmaking, and sculpture, and her work-much of it based in geometry- invited viewers to participate in the existential, sensorial, and psychological experience of her art. Presenting the first in-depth treatment of the experimental woodblock prints Pape made between 1952 and 1960, this volume examines the foundational role these works played in the rest of Pape's career, foreshadowing her philosophy of "magnetized space." Composed of overlapping geometric and linear elements that at times suggest atomic particles or slides of microscopic specimens, Pape's prints display an extraordinary depth accentuated by her use of incredibly thin, translucent Japanese papers. The artist applied the title Tecelares to these works decades after their creation. Loosely translated as "weavings," the term captures Pape's uniquely handmade approach to printmaking as well as her interest in indigenous Brazilian culture. Lavishly illustrated, this study is filled with revealing insights into how the artist's printmaking aesthetic, materials, and process embody her core ideas about art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (February 11-June 5, 2023)

You can discover Japanese art like no other. Originally created by the artists of the ukiyo-e school of the floating world to advertise brothels in 17th-century Yoshiwara, these popular spring pictures (shunga) transcended class and gender in Japan for almost 300 years. These tender, humorous and brightly coloured pieces celebrate sexual pleasure in all its forms, culminating in the beautiful, yet graphic, work of iconic artists Utamaro, Hokusai and Kunisada. This catalogue of a major international exhibition aims to answer some key questions about what shunga is and why was it produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural modernisation that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this ground-breaking publication presents this fascinating art in its historical and cultural context for the first time. Within Japan, shunga has continued to influence modern forms of art, including manga, anime and Japanese tattoo art. Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this landmark book sheds new light on this unique art form within Japanese social and cultural history. Shunga: sex and pleasure in Japanese art is published to accompany an exhibition at the British Museum from October 2013 to January 2014.

Artist Mari Ichimasu's backpacking cats started out as creatures of her imagination. Sometimes she would turn a human friend into one of the cats, and as her artwork increased in popularity, her fans requested that she paint their cat next. Initially, the characters came from her imagination and gradually developed into collaborations with other living souls.) Mari would illustrate each character in clothing and accessories appropriate to their personality. Viola, for example, wears binoculars ready to watch the whales. Maka is barefoot with a guitar and a bottle of beer peeking out of her pack. Jake dons snowshoes, a thick sweater, and a scarf as he heads to snow country. These adorable illustrations are accompanied with a simple sweet poem that hopefully tells of each cat's journey. Meet all 45 travel cats in this debut collection.

This pack contains 200 high-quality origami sheets printed with beautiful and inspiring Japanese woodblock prints. These colorful origami papers were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique designs, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back. This origami paper pack includes: 200 sheets of high-quality origami paper 12 unique designs Bright, vibrant colors Double-sided color 8.25 x 8.25 inch (21 cm) squares Step-by-step instructions for 6 easy-to-fold origami projects The woodblock prints in this paper pack are from famed ukiyo-e artists Hokusai and Hiroshige. Hokusai is best known for The Great Wave off Kanagawa (1830-32), while Hiroshige became famous for his series of prints The 53 Stations of the Tokaido (1832-1833).

This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research. -- .

About the artist's second major foray into lithography, the set of prints he made in 1940/41 while working as a war artist. Known as the Submarine Series.

A stunning introduction to the history of Japanese printmaking, with highlights from the de Young museum's vast collectionIn 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations.Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e, or "floating world" images), also changed course during the Meiji era (1868-1912), as societal changes and the once-isolationist country's new global engagement provided a wealth of new subjects for artists to capture. Featuring selections from the renowned Achenbach Foundation for Graphic Arts' permanent collection, Japanese Prints in Transition: From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.

Eric Gill (1882-1940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment's favourite artists, with his patrons including the Catholic Church, the Lord Chancellor's office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill's fascinating life and art.

Screen printing is a print process involving the forcing of ink through a screen of fine material to create a picture or pattern. It has been around for many years, and has long been perceived as a specialist subject accessible only to professional printers and textile artists due to the high cost of the screens and inks. Recently, however, screen printing has entered the mainstream and the equipment and tools have become more affordable and accessible. In this Beginner's Guide to Screen Printing, Erin Lacy shows you how to make your own screen using an embroidery hoop and silk fabric, and demonstrates how to create beautiful designs that are easy to achieve. Discover how to print onto different surfaces such as wood, cork and fabric, and create twelve stunning, coastal and botanical-themed projects through bright and colourful step-by-step photography. The book includes templates and inspiration on how to design your own screen printing motifs.

A modern, stylish and practical exploration of the traditional craft of block printing. For self-taught textile designer Molly Mahon, there is something special about block printing that has stood the test of time. From the initial design process, through to the carving of the block, the mixing of the colour and the actual printing process, Molly has always found printing to be meditative. This book enables readers to explore this ancient craft through Molly's contemporary designs and the influences that inspire her use of pattern and colour, before teaching them practical skills and potential ways to transform their creations into beautiful homeware. The book is divided into three main sections: A Modern Block Printer: An introduction to Molly and how she found and nurtured her love of block printing. Also, Molly gives a brief history of the tradition of block printing. Design Journeys: Molly sees pattern everywhere she looks and this is what creates the basis of her blocks. When Molly is designing, it's as if she goes on a journey, whether it be a walk in the forest or a work trip to India. She is constantly inspired by her surroundings in all that she sees and feels. Here the reader is taken on some of her favourite journeys with an inspirational sourcebook filled with beautiful images. Discover a brief history of block printing, design ideas and stories focusing on how India's artisan craftspeople and traditional block printing techniques, nature and the Bloomsbury Group have all inspired Molly's designs. Practical Printing: This chapter focuses on how to block print, including information on key tools, step-by-step techniques for printing on paper and fabric, and pattern design advice. Follow instructions to make five simple homeware projects with your newly printed creations and find exclusive block templates drawn by Molly for you to copy and recreate at home. House of Print is a celebration of both the art of block printing and the joy of design.

This pack contains 200 high-quality large (6.75 inch) origami sheets printed with traditional Floating World prints. These vibrant origami papers were developed to enhance the creative work of origami artists and paper crafters. This paper pack contains 12 prints, and all of the papers have coordinating colors on the reverse side to provide aesthetically pleasing combinations in origami models that show both the front and back. "Floating World" refers to Japan's traditional Geisha districts and the art and literary worlds associated with them. This origami paper pack includes: 200 sheets of high-quality origami paper 12 unique designs Saturated colors Double-sided color 6.75 x 6.75 inch (17 cm) squares Step-by-step instructions for 6 easy-to-fold origami projects