Creative genius, war artist, adventurer, lover. These are just some of the words that can be used to describe Aberdeenshire-born painter and printmaker James McBey (1883-1959). McBey was a Scottish superstar amongst the creative spirits that fuelled the Etching Revival of the late nineteenth century and Etching Boom of the early twentieth century, and in an historical context, was the acknowledged heir to Whistler and Rembrandt. But after his death in Tangier, Morocco, in 1959, his renown as one of Britain's most accomplished artists - who took the art world by storm - faded from public consciousness. Born illegitimately in the tiny parish of Foveran, Aberdeenshire, in the late Victorian era, he was brought up by his blind mother and elderly grandmother amid the rigid Presbyterian confines of Scotland's north-east. Tragedy, dreary work as a bank clerk and a craving for success on his own terms all precipitated his leaving Aberdeen to live the life of an artist in London where he quickly became one of the most-talked about creatives of his generation. At the heart of this biography - the first ever to be published on McBey - is his time as a war artist in the Middle East during the Great War - where he would meet and paint T. E. Lawrence - his many love affairs, marriage to the beautiful American, Marguerite Loeb, and his enduring passion for Morocco. Drawing on his many diaries and letters and artistic creations, this is the story of one man who - clever, kind, intrepid, dashing, insecure and flawed - triumphed against the odds.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Angela Harding is a fine art painter and illustrator based in Rutland, UK. She specialises in lino prints and her work is inspired by British birds and the countryside. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

This jewel-like book evokes unmistakable Italian landscapes and cityscapes. Anne Desmet's pen commits every detail to paper, and the small-scale format emphasises her distinctive flair for capturing the relationship between extreme foreground and distance. This is an opportunity to explore Italy, from Apennines to Veneto, through the eyes of a very particular artist.

Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources — including inventories, sale catalogues and her work diary — Elisabetta Sirani provides an overview of the life, work, critical fortune and legacy of this successful Baroque artist. Placing her within the context of the post-Tridentine society that both inhibited and supported her, Modesti examines Sirani's influence on many of the artists studying at Bologna's school for professional women artists, as well as her significance in the professionalisation of women’s artistic practice in the seventeenth century. Beautifully illustrated throughout, Elisabetta Sirani focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning and literary construction as Bologna’s pre-eminent cultural heroine.

Dinosaur skeletons, eggs, bones, and fossils have become increasingly coveted objects for collectors. Dinosaurs are Collectible explores the reasons for their popularity and tells the stories behind the many illustrious finds from the past. This beautifully illustrated and printed publication by the author of Wonders are Collectible and Wunderkammer includes a chapter devoted to dinosaurs in both high and popular culture, and features an exceptional collection of prints, photos, drawings, and micrograph scans.

This pack contains 200 high-quality origami sheets printed with colourful and attractive Kimono Patterns. These kimono patterns were chosen to enhance the creative work of origami artists and paper crafters. The pack contains 12 patterns unique to this pack, and all of the papers are printed in coordinating colours on the reverse to provide aesthetically pleasing origami models. A booklet in the pack provides instructions for: Crane Kimono Simple Swan Star Box Tortoise Kimono.

First published in 1814, Werner's Nomenclature of Colours is a taxonomic guide to colour which been cherished by naturalists and anthropologists for over two centuries. In the late 1790's Abraham Gottlob Werner devised his own standardised colour scheme, which allowed the writer to describe even the subtlest of chromatic differences with consistent terminology. His scheme was then adapted by an Edinburgh flower painter, Patrick Syme, who traced the actual minerals described by Werner, and used them to create the colour charts found in the book. In the pre-photographic age, almost all visual details had to be captured using the written word, and scientific observers could not afford any ambiguity in their descriptions. These included Charles Darwin, for whom Werner's Nomenclature was an indispensable tool during his seminal voyage on the Beagle. Werner's Nomenclature of Colours is a charming artefact from the age of explorers, which continues to be treasured by artists and scientists alike.

Literature as Document considers the relationship between documents and literary texts in Western Literature of the 1930s. More specifically, the volume deals with the notion of the "document" and its multifaceted and complex connections to literary "texts" and attempts to provide answers to the problematic nature of that relationship. In an effort to determine a possible theoretical definition, many different disciplines have been taken into account, as well as individual case studies. In order to observe dynamics and trends, the idea for this investigation was to look at literature, taking its practices, its factual-looking and concrete applications, as a point of departure - that is to say, then, starting from the literary object itself.

Print Index: A Guide to Reproductions is designed to aid the user in locating illustrations of prints dating from the early eighteenth century through the mid-1970s. It contains data on and provides access to many thousands of prints by more than twenty-one hundred printmakers found in one hundred English-language monographs and exhibition and collection catalogues. The Print Index lists works alphabetically by title under the artist or artists. The entries identify the printmaker, the title of the work, the date, the print technique used, and the publications (books or catalogues) in which a reproduction of the print appears. An index references the prints by subject and title where the title is distinctive or expressive.

Eileen Cooper OBE RA has been consistently successful across her 50-year career, the influence of her art seen in the range and depth of her work as well as in her contribution to art education. Cooper's artistic experiences - which, in the words of Linsey Young, disrupt the neat patriarchal understandings of women - are brought together in this thoughtfully designed and elegant hardback. Early works are illustrated alongside previously unseen drawings, paintings, prints, ceramics and portraits, many of which will surprise readers. The authors also consider Cooper's work in relation to the collections of Leicester Museum & Art Gallery, including works by Peter Doig, Paula Rego, Pablo Picasso, Dame Laura Knight and Lotte Laserstein.

Create beautiful projects step by step with your Cricut(R) ambassador, Kimberly Coffin, of Sweet Red Poppy(R) Learn to use your Cricut machine and make gorgeous projects with Cricut ambassador, Kimberly Coffin. Kimberly will teach you how to use your machine with easy to follow step-by-step instructions. Kimberly has been trusted by Cricut to test each new machine before launch for the past several years. She knows how overwhelming Cricut can be for beginners with no idea where to start, so she made it her goal to learn all she could, then spent months on trial and error. Once she got the hang of it, she fell in love with Cricut! It's now her mission to help you love your machine, have fun using it and create stunning projects. This book is loaded with everything you need to know to make the best use of your Cricut. It includes: - How to use tools, software, materials, etc. - Information about different Cricut models - Step-by-step projects - Free downloadable files - Tutorials - Access to giveaways and much more!

This pack contains 500 high-quality origami sheets printed with colorful and traditional Japanese Washi Patterns. These paper patterns were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 designs unique to this pack, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back of the papers. This origami paper pack includes: 500 sheets of high-quality origami paper 12 unique designs Vibrant and bright colors Double-sided color 6 x 6 inch (15 cm) squares Instructions for 6 easy origami projects

Theshipshears onthrough billowing seas Carried on tempest's wings with ease A cry of joy goes up from fore and aft: "Our destination is within our grasp!" But the helmsman's words are lost in the throng: "We've been sailing in circles all along." Marie von Ebner-Eschenbach This book has been written as an aid to anyone in the print media industry, be they managers or customers, who is looking to steer their business into calmer waters in what are stormy times. New technologies offer tremendous opportunities for innovation and process improvement - but only if we understand the fundamental principles behind them. This is the goal of this book. To this end, we will be looking at how best to network the print media industry with its customers, production partners and suppliers. This networking process covers the production data that can be transferred entirely digitally as far as the press stage, i. e. the digital page to be printed (referred to below as the "technical work?ow"), but also the information, communication and interaction processes which take place before, during and after production, e. g. details of the print run or the planned delivery date (referred to below as the "business management work?ow"). Inter-company networking of the various market players using Internet technology is known as "e-business" in commercial and management circles. Customers Print media Suppliers companies Production partners Figure 1 Persons involved in a production process Preface V

The names of plants that are so familiar to us magnolia, bougainvillea, sequioa may just be names, but behind the names lie stories of espionage and heroism, rivalry and mystery and inspiration. In the Name of Plants relates the stories of these people and the plants that were named after them. Each chapter tells the story of the person for which each plant is named, many of whom were pioneering explorers, collectors and botanists - such as Alice Eastwood who has the yellow aster, Eastwoodia elegans, named after her. Eastwood explored previously uncharted territories in the 19th century and famously saved the California Academy of Science's priceless plant collection from the 1906 San Francisco earthquake. Subjects range from Charles Darwin (Darwinia) and legendary French botanist Pierre Magnol (Magnolia), to US founding fathers George Washington (Washingtonia) and Benjamin Franklin (Franklinia). Each entry is accompanied by superb artworks from the Library of the Natural History Museum, as well as photography of specimens and wild plants and the essential taxonomic details and geographic spread for each species.

Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice. Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to: * produce a full-scale film positive from a photographic negative * sensitize the gravure tissue to prepare it for exposure to the positive * prepare the plate and develop the gelatin resist prior to etching * prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale * rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons * use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high quality print A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.