In 1957-58, after he moved to New York's Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as "mostly done in an uncontrolled and intuitive dream mode." Made from found, printed imagery, the "Strange Egg"s are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous.

These collages are characterized by self-contained forms, or "eggs," the artist made by melding cut fragments of photographic illustrations. While many of the pieces are unrecognizable, some original references are discernible: a piece of pie, the hind leg of a horse, the creased skin of a clenched fist, and the texture of concrete. These eighteen collages were first shown at the Menil Collection in 2012, and they are being published together for the first time, along with poems that the artist wrote at the same time based on found imagery from his walks around New York's Lower East Side. Anticipating second-generation New York School art-poetry collaborations by half a decade, "Strange Eggs" makes an important single-artist contribution to our understanding of the period.

Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.

Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists redefined norms and challenged tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. From the Impressionists to the Surrealists, Cubists to Pop artists-readers will find a wealth of information as well as hours of enjoyment learning about one of the most popular and prolific periods in art history.

Collage by Women presents 50 international women artists working in the field of collage today through a rigorous selection of their works. Curated by the Spanish collage artist Rebeka Elizegi, the book gives space to voices from all backgrounds, origins, and artistic expressions, and shows the wide variety of perspectives that are shaping the panorama of collage today, bringing to light a parallel effervescence of female artistic initiatives around the world. From emerging names to more well-known and established ones, the artists featured here are pushing back the boundaries of art. Collage by Women wants to call attention to the experiences and creative processes of artists that should be on our radar through an impressive selection of manual and digital techniques, topics and aesthetic choices, accompanied by texts that provide indepth approaches to the inspiration, influences and work trajectory of each artist. Born from the belief that women's voices are of the utmost relevance in all cultural and social fields, the book will surely contribute to a healthier, more comprehensive, more inclusive nderstanding of our reality.

Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and Andre Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Peret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative cliches, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs.

One of the most hotly anticipated games from E3 2012, "Watch Dogs "received over 80 official nominations and awards including IGN's Best New Franchise Award, Gamespot's Editor's Choice Award and Eurogamer's Game of the Show Award.
"The Art of Watch Dogs" is an in-depth review of Ubisoft's amazing new game with extensive concept and development art and detailed creator commentary. The first of its kind for a franchise that is certain to be a future classic, the book will explore the technology-controlled world of "Watch Dogs," taking readers on a visual guide through Aiden Pearce's quest to turn Chicago's Central Operating System (CtOS) against its corrupt owners.

With the exceptional heritage, critical acclaim and tremendous sales of the Thief franchise, fans of the series will be delighted to add this book to their collection in anticipation of the new Thief game.The Art of Thief demonstrates the stunning concept and development art from the eagerly anticipated next-gen console game, Thief.The Art of Thief will be released day and date to coincide with the launch of the long awaited Thief game. The Art of Thief is the perfect companion for fans of the Thief franchise. The Thief videogame series has achieved tremendous sales and been praised by numerous respected media sources, such as The Washington Post, The LA Times, and The New York Times. The Thief games have often been praised for innovating the stealth genre and have accumulated a dedicated and loyal fanbase consisting of millions of people worldwide.The new Thief game will be heavily promoted as it will feature on the Xbox One and Playstation 4 consoles, which have both received international media and online attention.

Perfect for beginners but with exciting new ideas for long-time mixed-media artists, this book allows you to explore a variety of materials and techniques to find what speaks to you, all while creating colorful and exciting abstract art. In this bright and colorful book, you will be introduced to 25+ techniques for making marks in your art. Using more than 35 popular tools such as pens, acrylic markers, the Gelli Plate, stencils and much more, you will discover that all along you has had your own unique way of creating pattern, using color and drawing a line. Mark making is different from sketching a still life or painting a landscape. Here's how Rae talks about mark making in the opening of the book.

"To be a mark maker is to declare your love of all things that leave a visible imprint or outline on something. To be a mark maker is be a collector of tools, both traditional and non-conventional, tools that will become an extension of who you are as a marker of art marks. As a mark maker you will become a tinkerer. You will inspect, explore and study your tools and what they can do for you. To be a mark maker you will reinvent the way your art is created, adding and subtracting along the way, remaking something ordinary into something extraordinary. As a maker of marks you will seek to discover your own representations in art, forming and shaping your individual style of imprints along the way. You will find yourself selecting and sorting a unique set of tools that will speak to who you are as a maker of art marks."

Combining techniques, try your hand at fun projects including Pint-Sized Art, Hybrid Hoop Art and prompts for art journaling. The act of repetition or making a pattern is a meditative process approachable by anyone.

The official art book for the video game Gears Tactics. Gears Tactics is the fast-paced, turn-based strategy game from one of the most-acclaimed video game franchises - Gears of War. Outnumbered and fighting for survival, recruit and command your squad to hunt down an evil mastermind who makes monsters. In this lavish book, the full development process of the characters, weapons, armor, enemies and environments of the game is uncovered. From initial sketches through to beautiful final production art, the evolution of Gears Tactics is revealed, accompanied by fascinating insight from the artists and developers. Take a step into the war-scarred world of Sera and experience Gears of War from a whole new perspective.

Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. -- .

CAR MA is artist and musician Alison Mosshart's first printed collection of paintings, photographs, short stories, and poetry. It is a book about cars, rock n' roll, and love. It's a book about America, performance, and life on the road. It's a book about fender bender portraiture, story tellin' tire tracks, and the never- ending search for the spirit under the hood. Mosshart imagines the auto body shop like some other Coney Island. And America's highways- the last great roller coasters. Shows us that the engine on fire is connected to the guitar feeding back since birth. And the sensation of walking on stage and facing an audience is like the laugh before the scream in a car without brakes. She ruminates that automobiles- with their doors and mirrors and windows, engines and wheels and radios- portray us. Mirror our need to be in or to exit, our inward reflections and outward visions, our lifetimes of tinkering with the mysterious heart. That which runs until it doesn't. Throughout history the car has been a symbol of freedom and hopeful adventure. It stands to reason it is also a symbol of our subsequent spinning out... over things we never thought could happen during a song that fucking good with the volume up that fucking loud. If you've ever found yourself feeling holy, pulling out of the gas station with a full tank, like the last beautiful free soul on this planet- This book is for you. In fact it's probably about you.

Introduction to Graphic Arts and Media Technologies provides students with an accessible and informative overview of various facets of and opportunities within the graphic arts and media technologies industry. The text provides readers with the knowledge and skillsets required to help them to succeed in their future careers, whether in graphic design, advertising design, printing technologies, web design, video and sound design, or 3D modeling and animation. The opening chapter offers students a brief history of the industry and describes a variety of jobs available to them. Additional chapters examine historical reference points that can influence and inspire today's artists, from the cave paintings of Lascaux to the art style of Walt Disney to modern web design aesthetics. Students learn how to expand their creativity, think like a designer, and apply key design elements and principles to produce effective media solutions. Dedicated chapters cover imagery in graphics, type and typography, industry workflows, and media and communication options. The closing chapter speaks to building a professional portfolio, leveraging industry resources, and tapping into future educational opportunities. Featuring vibrant, full-color images and enlightening interviews with professionals in the industry, Introduction to Graphic Arts and Media Technologies is an ideal resource for courses and programs in the visual arts.