Classic Calligraphy for Beginners introduces the fundamental techniques for mastering two classic calligraphic scripts, Copperplate and Spencerian, plus easy-to-follow exercises and fun, modern projects. Guided by instructions and illustrations by noted calligraphy artist and teacher Younghae Chung, you will: Get a detailed yet concise overview of tools, supplies, and terminology Try out your materials with basic warm-ups and nib exercises Learn the essential principles or strokes and create the lowercase and uppercase letters of the featured scripts Take your letters to the next level and add flourishes with confidence Explore brush pens and non-flexible writing tools to emulate the look of calligraphy on large-scale and unusual surfaces Reinforce core skills by applying the scripts to a variety of simple, modern projects on paper, wood, glass, fabric, and other surfaces, and get inspiring tips on how to add beautiful details that lend a modern touch Find sample guide sheets for Copperplate, Spencerian, and brush calligraphy Discover the timeless beauty of calligraphy with Classic Calligraphy for Beginners.

Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists redefined norms and challenged tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. From the Impressionists to the Surrealists, Cubists to Pop artists-readers will find a wealth of information as well as hours of enjoyment learning about one of the most popular and prolific periods in art history.

Eric Carle's life and work are explored in this comprehensive and updated portrait that includes: A brand-new and refreshed cover More than sixty full-colour illustrations from his books Full-colour art pieces showcasing his art style beyond his book work (New to this edition!) A moving autobiographical account of his life (updated for this edition) An insightful speech by Eric Carle originally given at the Children's Literature Center in the Library of Congress A photographic essay on how he creates his collages A full-colour illustrated bibliography of all of his books Anecdotal reflections by Ann Beneduce, his longtime friend and editor of The Very Hungry Caterpillar Essays on the power of his art by his German publisher, Dr. Viktor Christen, and Takeshi Matsumoto, curator at the Chihiro Iwasaki Museum in Tokyo. New for this edition, essays by Nicholas B. Clark, chief curator and founding director of The Eric Carle Museum of Picture Book Art, and Alexandra Kennedy, executive director of The Carle.

Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.

The first complete survey of the work of the much-loved and collected contemporary Italian multimedia artist Paola Pivi - with more than 250 images, including previously unpublished work. Published in association with Anchorage Museum, Alaska; The Andy Warhol Museum, Pittsburgh; The Bass Museum of Art, Miami Beach; [mac] musee d'art contemporain de Marseille; and MAXXI Museo nazionale delle arti del XXI secolo, Rome. Probably best known for her playful, complex installations of life-sized, brightly-hued, feathered polar bears, Paola Pivi has created work across a range of media - including sculpture, video, photography, performance, and installation - throughout her 27-year career. Often using recognisable objects that are modified to introduce new scale, material, or color, her work challenges viewers to rethink their position. This in-depth monograph, made with the close involvement of the artist, is her most substantial publication to date and features more than 250 images, including previously unpublished work, together with five newly commissioned essays giving insight and perspective on her incredibly diverse body of work.

Accompanying the solo exhibition of Barabasi Lab at the Ludwig Museum Budapest and the ZKM in Karlsruhe, this book will be more than exhibition catalogue: it comes with a range of voices and viewpoints that give readers a sweeping view of the work Barabasi has done over the last twenty years and how it connects to art, science, and our general outlook on the world today. The Center for Complex Network Research (CCNR) at Northeastern University was founded 20 years ago and the lab is dedicated to a deeper thinking about networks—how they emerge and evolve, what they look like, and how they impact our understanding of complex systems. The backbone of this book are the extraordinary visualisations, in 2-D and 3-D, that Barabasi’s lab has evolved, and which are unique not only to his practice but to the world of network theory and science at large. A series of essays and statements by scientists and artists alike will be followed by a long, beautiful array of breathtaking plates. Given the current state of the world, the book will also explain how Barabasi’s work relates to Covid-19 and how understanding networks helps us predict and understand the spread of diseases.

Perfect for beginners but with exciting new ideas for long-time mixed-media artists, this book allows you to explore a variety of materials and techniques to find what speaks to you, all while creating colorful and exciting abstract art. In this bright and colorful book, you will be introduced to 25+ techniques for making marks in your art. Using more than 35 popular tools such as pens, acrylic markers, the Gelli Plate, stencils and much more, you will discover that all along you has had your own unique way of creating pattern, using color and drawing a line. Mark making is different from sketching a still life or painting a landscape. Here's how Rae talks about mark making in the opening of the book.

"To be a mark maker is to declare your love of all things that leave a visible imprint or outline on something. To be a mark maker is be a collector of tools, both traditional and non-conventional, tools that will become an extension of who you are as a marker of art marks. As a mark maker you will become a tinkerer. You will inspect, explore and study your tools and what they can do for you. To be a mark maker you will reinvent the way your art is created, adding and subtracting along the way, remaking something ordinary into something extraordinary. As a maker of marks you will seek to discover your own representations in art, forming and shaping your individual style of imprints along the way. You will find yourself selecting and sorting a unique set of tools that will speak to who you are as a maker of art marks."

Combining techniques, try your hand at fun projects including Pint-Sized Art, Hybrid Hoop Art and prompts for art journaling. The act of repetition or making a pattern is a meditative process approachable by anyone.

The visual journal is a simple hand-bound notebook in which to create, using mixed media techniques, works that serve as an expression of the soul and create a path to healing, internal freedom, and the sparking of passion. “Visual Journey Journaling” is an innovative artistic language taught by Rakefet Hadar and made up of seven elements: Intention, Magical Coincidence, Background, Images, Lines, Color, and Text. Visual Journey Journaling (VJJ) invites you to a fascinating world where you will reconnect with the your hidden inner artist to create "soul pages" using simple techniques and subtle guidelines to take a look inside yourself. Rakefet has taught these methods for many years, guiding even inexperienced artists to find the stories within themselves. In the first chapter of the book you will learn how to master the seven elements in your journal. There are many fun exercises and a step-by-step tutorial of how to start a simple journal. Next you will learn how to make a soul page in a step-by-step process with the seven elements. You will explore a variety of materials and how to work with them to find and create your pages. You will learn to build your journal and how to bind it into a finished book. Throughout the book and in the final section, you'll see and find the meanings in Rakefet's stunning private art journal pages and read her stories behind them.

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cardenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture in order to achieve the goals of #MeToo, Black Lives Matter (BLM), and Black and Minority Ethnic (BAME) representation, to empower female-identifying and Black and brown people, and to document their contributions to human history.

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we re-map the realm of contemporary art in light of a more inclusive awareness, taking into account the unprecedented global movements of artists today and representing the divergent histories of geographies that were once peripheral? The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. Omar Kholeif provides an introductory field guide to what some of the most urgent contemporary artists are doing worldwide. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. The book is a journey of discovery that will influence generations of artists and art lovers to come.

Practical guide to creating meaningful Polynesian tattoos. List of symbols and their meanings. Quick reference to find the right symbols for the desired meanings. Positioning the elements. Step by step creation process. Live examples and case studies. A lot more

The evidential role of matter-when media records trace evidence of violence-explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milosevic; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or "disaster film" produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.

Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. -- .

The recurring theme of the work of Miriam Wosk is of the marvellous abundance of life in all its forms, whether human or animal, biological or botanical. This book illustrates her thickly encrusted paintings, which depict a unique world reflecting Wosk's visions, dreams and metaphysical imagination.