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Books > Arts & Architecture > Art forms, treatments & subjects > Other graphic art forms > General
What's the best book ever written? What would happen if we all
stopped eating meat? What's the secret to living past 110? And what
actually is the best thing since sliced bread? In An Answer For
Everything, 200 of the world's most intriguing questions are
settled once and for all through beautiful and brilliant
infographics. The results will leave you shocked, informed and
thoroughly entertained. Created by the team behind the
award-winning Delayed Gratification magazine, these compelling,
darkly funny data visualisations will change the way you think
about ... everything
Whether you're thinking of getting a tattoo or just want to see to
what lengths others have gone in decorating their bodies, this is
the book to check out. 1000 Tattoos explores the history of the art
worldwide via designs and photos-from 19th-century engravings to
tribal body art, from circus ladies of the '20s to classic biker
designs. About the series Bibliotheca Universalis - Compact
cultural companions celebrating the eclectic TASCHEN universe!
Part of a series of exciting and luxurious Flame Tree Notebooks.
Combining high-quality production with magnificent fine art, the
covers are printed on foil in five colours, embossed, then foil
stamped. And they're powerfully practical: a pocket at the back for
receipts and scraps, two bookmarks and a solid magnetic side flap.
These are perfect for personal use and make a dazzling gift. This
example features Este Macleod's 'Three Starlings'. Este MacLeod was
born in South Africa where she studied a range of mediums that
informed her unique style of painting. Inspired by the real and
imaginary, she layers colours, shapes, textures and patterns to
create vivid artworks that convey the intrinsic beauty of life.
We all know the colonial and stereotypical images of the African continent and of the people living there. Especially older comics such as The Adventures of Tintin or Mickey Mouse have taken up the image of the “untamed” continent with its “wild” inhabitants. Moreover, modern superhero comics mirror the western view of Africa.
What about the African point of view, though? The true African comic?
The editors of this catalogue present a wide range of African comics: superhero and underground comics as well as comics with propaganda content or an educational focus.
Sandpainting has it origin in the religious tradition and practice
of the Navajo people. It forms a central part of their religious
chants, being a place where Earth People and Holy People come into
harmony, giving healing and protection. Sandpainting is understood
as being very powerful, and for many years it was deemed unwise and
even dangerous not to erase the paintings when the ritual was
completed. In the course of the twentieth century this attitude has
modified allowing for many representations to be made, while still
not violating the religious traditions. Sandpainting thus have come
to be an internationally appreciated and collected art form. In
this newly revised and expanded volume, over 400 sandpaintings are
illustrated in full color. They range from the most traditional to
the new forms that are being developed today. The sandpaintings are
organized by artist, making this an important reference for
collectors.
Although Jim Jarmusch is best known for his storied career in
independent cinema, over the years he has produced hundreds of
pieces of collage art, the majority of which has been rarely seen
by the public. Drawing inspiration from the largest medium of
cultural documentation-newspapers-Jarmusch delicately crafts each
work by layering newsprints on cardstock. These small-scale
(notecard-size) pieces are often characterized by their
tongue-in-cheek nature: Hillary Clinton and Donald Trump's faces
are affixed to nameless suits, two Andy Warhols are posed in a
X-Files-esque tunnel, various musicians perform with ever-so-timely
surgical masks. Collected here for the first time, [Untitled]
showcases Jarmusch's profanely assembled vision.
From field to forest and stream to sky, capture the harmony and
beauty of the natural world with just some paper, flowers, leaves,
and twigs. Creating stunning yet fleeting works of art, artist
Vicki Rawlins of Sister Golden defies the notion that art should be
permanent. Using only the natural world and its gifts as her
medium, Vicki forages for her materials and arranges them into
stunning works of art. Equipped with just scissors and tweezers,
and using gravity as her glue, Vicki creates magical scenes and
detailed portraits out of twigs, leaves, and flowers. After
documenting her finished piece with a photo, she gifts her
materials back to Mother Nature, or repurposes them in her next
creation. The process is therapeutic, and the possibilities are
endless! A charming exploration of imagination and possibility, The
Power of Flowers offers a window into the creative process behind
these natural artworks and abundant inspiration with a striking
kaleidoscope of art pieces, including: Famous faces, like Frida
Kahlo, John Lennon, Einstein, Diana Ross, and more Whimsical scenes
featuring blooming gardens, moonlit forests, seaside cottages, and
woodland animals. Seasonal pieces inspired by the magic of the
holidays Contemplative art reflecting love, inner strength, and
positive energy. With her uniquely imaginative artistic vision,
Vicki takes you deeper into her world by sharing her process, her
sustainable approach to art, and anecdotes about what inspired her
to create. Let yourself get lost in The Power of Flowers.
This jewel-like book evokes unmistakable Italian landscapes and
cityscapes. Anne Desmet's pen commits every detail to paper, and
the small-scale format emphasises her distinctive flair for
capturing the relationship between extreme foreground and distance.
This is an opportunity to explore Italy, from Apennines to Veneto,
through the eyes of a very particular artist.
The map, as it appears in Gilles Deleuze's writings, is a concept
guiding the exploration of new territories, no matter how abstract.
With the advent of new media and digital technologies, contemporary
artists have imagined a panoply of new spaces that put Deleuze's
concept to the test. Deleuze's concept of the map bridges the gap
between the analog and the digital, information and representation,
virtual and actual, canvas and screen and is therefore best suited
for the contemporary artistic landscape. Deleuze and the Map-Image
explores cartography from philosophical and aesthetic perspectives
and argues that the concept of the map is a critical touchstone for
contemporary multidisciplinary art. This book is an overview of
Deleuze's cartographic thought read through the theories of
Sloterdijk, Heidegger, and Virilio and the art criticism of Laura
U. Marks, Carolyn L. Kane, and Alexander Galloway, shaping it into
a critical tool through which to view the works of cutting edge
artists such as Janice Kerbel and Hajra Waheed, who work with
digital and analog art. After all, Deleuze did write that a map can
be conceived as a work of art, and so herein art is critiqued
through cartographic strategies.
From bestselling author Johanna Basford, a stunning new colouring book that invites artists to explore the great indoors.
Through her bestselling colouring books and distinctive illustrations, Johanna Basford's beautiful forests, ocean depths, and hidden magical kingdoms have enchanted millions of people around the world. In this newest work, Basford takes her audience indoors, inviting them to explore the wonders of the worlds within.
Hidden within every illustration in Rooms of Wonder is a secret key and a locked door. Find the key, unlock the door and continue to the next room. Discover a busy craft studio, a wizard's workshop, a mouth-watering ice cream parlour and an opulent banquet hall. With hidden treasures, curious spaces and a few enchanted interiors, all you need to do is unlock the first door and begin your magical journey.
Comics have great potential to depict an almost infinite range of
themes, questions and lives. But what about their ability to
express and interpret philosophical concepts? How can we
differentiate between the representation of theoretical concepts in
and of themselves, and the impact of comics techniques on the
legacy of philosophers, their lives and their thought? This book
explores the historical and artistic value of representing lives
through the medium of bande dessinee (BD), French-language comics.
The text analyses three biographical BDs dedicated to the lives of
Jean-Paul Sartre, Simone de Beauvoir and Albert Camus as well as a
selection of print and online comics that extend the legacy of
these philosophers and their historical movement. The work is the
first to analyse biographical BD through the lens of
Existentialism, offering a new theory of reading biographical
comics. The research not only contributes a novel approach to
comics but also an enhanced understanding of Existentialism and the
Existentialists, including their enduring contemporary relevance.
In The Art of XCOM 2, readers get a behind-the-scenes look at the
incredible concept art created for the new game and hear from key
developers and artists about the challenges, secrets, and rewards
of creating this landmark series. Also covered in the stunning book
will be the game's five new classes of resistance fighters and
their dynamic weapons, powerful new alien species and their
vehicles, and the brave new world of XCOM 2.
This book is an exploratory adventure to defamiliarize calligraphy,
especially Persian Nastaliq calligraphic letterforms, and to look
beyond the tradition that has always considered calligraphy as
pursuant to and subordinate to linguistic practices. Calligraphy
can be considered a visual communicative system with different
means of meaning-making or as a medium through which meaning is
made and expression is conveyed via a complex grammar. This study
looks at calligraphy as a systematic means in the field of visual
communication, rather than as a one-dimensional and ad hoc means of
providing visual beauty and aesthetic enjoyment. Revolving around
different insights of multimodal social semiotics, the volume
relies on the findings of a corpus study of Persian Nastaliq
calligraphy. The research emphasizes the way in which letterforms,
regardless of conventions in language, are applied as graphically
meaningful forms that convey individual distinct meanings. This
volume on Persian Nastaliq calligraphy will be inspirational to
visual artists, designers, calligraphers, writers, linguists, and
visual communicators. With an introduction to social semiotics,
this work will be of interest to students and scholars interested
in visual arts, media and communication, and semiotics.
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