The lovely ladies and lads of Street Fighter take a break from fist fights and tournaments to hit up the world's hottest beaches, pools, volleyball courts, and more! Everyone from Chun-Li to Poison to Guile shows off their favorite swimwear, plus guest appearances from the cast of Darkstalkers, Rival Schools, and Final Fight! This beautiful hardcover tome gathers four years of UDON’s Street Fighter Swimsuit and Pin-up specials in an over-sized art book format, including rare covers and never-before-seen rough concepts.

In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high" art and in the wider market for religious, garden, and decorative sculpture.

This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment. Ecological Film Theory and Psychoanalysis argues that these films exploit cinema’s inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the ‘lifeboats’ on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book’s new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive ‘symptom’ that everyday linguistic activities like watching films reinforce. This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.

Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. However, in his life and literary oeuvre the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day. This book, the first biographical study of Cellini available in English, uses the methodologies of New Historicism, social history, and gender and sexuality studies to place the artist and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor.

This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape.

Exploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible. Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.

This collection provides a comprehensive overview of the Oberammergau Passion play and its history from the 19th century onwards. Specialists in theatre and performance studies, comparative literature, theology, political studies, history, and ethnology initiate an interdisciplinary discussion of how Oberammergau has built a trademark from tradition. A typological and historical outline of this development is followed by detailed analyses of the blending of spaces, temporalities, and cultures, through which Oberammergau as an institution is stabilized while at the same time remaining open to the dynamics of historical change. The authors comprise the formation of a theatrical public sphere, literary imaginations, and layers of authenticity in modern practices of distributed communication that culminate in the notion of tradition as trademark. This collection is analysed from a wide spectrum of cultural historical perspectives, ranging from literary studies, theatre and performance studies to theology, political studies, and ethnology.

The book combines a series of case studies and pedagogical practices on live digital performance and intermedial theatre. This book is aimed primarily at UG and PG students involved in performing arts and digital technologies. The contents are relevant for countries worldwide, especially on the countries involved in the case studies provided in the book (Canada, India, Brazil, UK and USA). While competitors set up the context for digital performance, this study comprehensively explore pedagogies and practice of live digital theatre, particularly the 2020-22 ‘new real’ impact on performance.

The book combines a series of case studies and pedagogical practices on live digital performance and intermedial theatre. This book is aimed primarily at UG and PG students involved in performing arts and digital technologies. The contents are relevant for countries worldwide, especially on the countries involved in the case studies provided in the book (Canada, India, Brazil, UK and USA). While competitors set up the context for digital performance, this study comprehensively explore pedagogies and practice of live digital theatre, particularly the 2020-22 ‘new real’ impact on performance.

Accessible, witty introduction to the field of aesthetics Exciting case studies – learn about contemporary Irish performers pushing aesthetic boundaries and agitating for social change Discover aesthetic tactics for activist work Delve deep into the tricky tension between art and life

This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice. Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise. Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.

The only comprehensive and in-depth history of mime and physical theatre in the UK, from its roots, influences and early pioneers, to the leading lights and international successes of today. Includes original interviews with pioneers in the field, including: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick. A one-stop shop for anyone studying contemporary UK theatre and its physical innovators, including Forced Entertainment, DV8, and Improbable.

The only comprehensive and in-depth history of mime and physical theatre in the UK, from its roots, influences and early pioneers, to the leading lights and international successes of today. Includes original interviews with pioneers in the field, including: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick. A one-stop shop for anyone studying contemporary UK theatre and its physical innovators, including Forced Entertainment, DV8, and Improbable.

• This book investigates performances as relational “machineries of knowing,� which are situated within—and actively contributing to the dynamic formation of—performance cultures as distinctive yet interconnected “epistemic cultures�.. • Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe. • The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.

• This book investigates performance cultures as diverse cultures of doing, feeling and thinking that enable performance-makers and spectators to continuously (re)generate particular ways of knowing, knowledges and epistemologies. • Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe. • The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.

• This book investigates performances as relational “machineries of knowing,� which are situated within—and actively contributing to the dynamic formation of—performance cultures as distinctive yet interconnected “epistemic cultures�.. • Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe. • The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.

The only comprehensive textbook on dance research methodologies that covers all the main areas of dance research, previously only covered in individual books with narrower scope. Spans all areas of academic dance, including the main disciplines of dance studies and dance education. Provides practice-based chapters with rich examples on how to navigate research design and implementation, as well as a practical workbook.

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

With many of her subjects rendered in hyper realistic style, wearing a second skin of black paint or dark-florals, Laura Rubin’s art is unmistakeable. To tell the story behind her art, Laura begins the book by sharing her journey from art student to professional artist, providing encouragement for budding pros and enthusiasts alike. Laura also talks about what inspires her, with mythology and psychology being just two subjects that feed into her emotion-infused work. The reader is then invited behind the scenes to watch the artist at work in her studio, located in her hometown of Thun, Switzerland.  Laura’s portraiture sketchbook is opened to reveal simple drawings and recent studies made as the early stages of future paintings. Throughout these sections are artworks from past and present. In addition, there is brand new art by Laura, created exclusively for this book.  Finally, the reader is led through detailed, step-by-step tutorials demonstrating the artist’s workflow and the key fundamentals of portraiture (pose, light, and composition). From using reference models, and expert tips for working in Procreate, to sketching, coloring, and advancing the portrait from realism to hyperrealism, the process is explained from start to finish.

This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one’s own actions as a potential experience of the beautiful. The author uses own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences.

This book explores the role of description in the interpretation of ancient Greek statuary. Although scholars have emphasised the importance of separating objective evaluation of evidence from interpretation, in practice it has proved difficult to draw this distinction. Even at the level of observation and vocabulary, the scholarship on Greek sculpture has been moulded by concepts and convictions that impose particular interpretations on the material. This study examines the scholarship on a select number of well-known Greek statues from the eighteenth century through the present. The impact of the historical, cultural and intellectual contexts that produced this specialised scholarship is demonstrated through considerations of issues such as ethnicity, psychology, theories about artistic form, and evolving conceptions of nude and clothed figures.

A unique set of 100 cards with over 200 TikTok challenges for you to shoot and upload, from lip synchs, dances and dares to ridiculous pranks.

Illustrator and character designer Lord Gris takes us on a guided tour of her world, where her anime-style characters exude emotion, attitude, mystery, and beauty that can be both bizarre and fragile. Her characters are already appreciated by over 750K followers on Instagram, and have garnered 1.5M likes on TikTok. A flair for connecting with her fans, and being open about the ups and downs of being an artist, has resulted in a highly engaged and enthusiastic fan base. Having already shared videos showing her at work, including her popular Skillshare tutorial, Lord Gris is perfectly positioned to create this beautifully produced book.  3dtotal Publishing excels at helping artists to communicate both the motivations behind their unique creativity, and the technical tips and tricks they use. Therefore, step-by-step tutorials specially commissioned for the book are accompanied by galleries of Lord Gris’s fan favourites, unseen gems, and brand new and exclusive pieces. With a love for digital art using Procreate, acrylics on MDF board, and artist-staple pens and pencils, she shares a host of skills and techniques to offer something new to every artist.