Richly illustrated with beautiful photographs and drawings, Collett-Zarzycki: The Tailored Home provides a thoughtful and comprehensive account of how this atelier has built an extraordinary portfolio of residential work over the last 30 years. From London town houses to Tuscan retreats to new build vacation homes on the French Riviera, Collett-Zarzycki’s work encompasses architecture, interiors and landscape design, with an emphasis on refined spaces, crafted materials and bespoke furniture. This rare capacity to span the entire spectrum of design has given rise to homes of great cohesion and charm, as well as originality and individuality. With backgrounds in the art world and engineering, as well as formative years in both Africa and the UK, Anthony Collett and Andrzej Zarzycki bring a wealth of experience to bear upon projects that are defined by their unique sense of character, developed in response to site, setting and the considered needs of their clients. Whether the commission is for a penthouse interior, a town house reinvention, or a new build country or coastal home, there are common themes to their work, with an emphasis on craft, materiality, attention to detail and timeless elegance, fusing contemporary living with Neoclassical, Arts & Crafts and Modernist influences. The book offers insights into the influences and inspiration behind the firm’s work, into founding partners Collett and Zarzycki’s unique collaborative working practices, their ability to work across a range of forms and scales and their use of contemporary artisan craftsmen in the bespoke fixtures, fittings and furniture which are integral to many of their projects.

Good housing. Easy transit. Food access. Green spaces. Gathering places. Everybody wants to live in a healthy neighborhood. Bridging the gap between research and practice, it maps out ways for cities and towns to help their residents thrive in placed designed for living well, approaching health from every side - physical mental, and social.

Children's gardens are magical places where kids can interact with plants, see where food and fibers grow, and experience the role of birds, butterflies, and bees in nature. These gardens do more than just expose youngsters to outdoor environments, they also provide marvelous teaching opportunities for them to visit a small plot, care for vegetables and flowers, and interact in creative spaces designed to stimulate all five senses. In The Magic of Children's Gardens, landscape architect Lolly Tai provides the primary goals, concepts and key considerations for designing outdoor spaces that are attractive to and suitable for children especially in urban environments. Tai presents inspiring ideas for creating children's green spaces by examining nearly twentycase studies, including the Chicago Botanic Gardens and Longwood Gardens in Kennett Square, PA. The Magic of Children's Gardens features hundreds of comprehensive drawings and gorgeous photographs of successful children's outdoor environments, detailed explanations of the design process, and the criteria needed to create attractive and pleasing gardens for children to augment their physical, mental, and emotional development. Exposing youth to well-planned outdoor environments promotes our next generation of environmental stewards. The Magic of Children's Gardens offers practitioners a guide to designing these valued spaces.

Foreign Trends in American Gardens addresses the influence of foreign, designed landscapes on the development of their American counterparts. Including essays from an array of significant scholars in landscape studies, this collection examines topics ranging from the importation of Western and Eastern styles of design and theoretical literature to the adaptation of specific plant types. As the variety of topics and influences discussed demonstrates, the essence of American gardens defies simple definition. Examining the translation, imitation, adaptation, and naturalization of stylistic trends and horticultural specimens into American gardens, the book also dwells on the juxtaposition of the foreign and the native. The volume's contributors consider the experiences both of immigrants, who contributed through their writing, planting, and design efforts to enhance the character of regional gardens, and of Americans, who traveled abroad and brought back with them a passion for naturalizing exotics for scientific as well as aesthetic reasons. The complexity of American gardens-their combination of the historic and the modern, and of foreign cultures and local values-is also their most distinctive characteristic.

Stefan Koepfli is one of the most important landscape architects in Switzerland, with projects including the multi-award winning Eulachpark in Winterthur and the factory extension for Baumgartner AG in Cham-Hagendorn. Often, the inspiration for and starting point of his designs are referential experiences and impressions of existing natural environments and landscapes, which are transformed on new ground, thereby becoming poetic expressions. The book impressively reflects in images, plans and texts on 25 of the most important works, from the smallest garden to the large-scale park.

Widely acknowledged as the most influential land- scape designer of his age, Lancelot Capability Brown was to England what Frederick Law Olmsted was to America responsible for shaping the very ideal of the nation s parkland. Brown s ambition was to bring out of a landscape the best of its potential rather than impose his own ideas upon it. His designs are organic, weaving gestures of colour and perspective into the features that the country already afforded. So natural are his designs, and so perfectly do they complement the houses within them, that for many a Capability Brown landscape is the epitome of the English estate. His gardens and park- lands as much as the houses themselves would become icons of British country life. Published to coincide with the tercentenary of his birth, this remarkable book illuminates fifteen of Brown s most celebrated landscapes. To love the great English estates is to love the settings with which Brown surrounded them from idyllic parklands at Milton and Broadlands to structured landscapes around iconic houses at Blenheim, Burghley, Wake- field, and Chatsworth. With photography commissioned for the book, and including rarely seen archival drawings that shed light on Brown s process, this book serves as a guide to Britain s most beloved landscapes and an exploration of the masterful mind behind their creation.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out. A Cultural History of Gardens in the Renaissance presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first. New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the center of both designers and users. A Cultural History of Gardens in the Modern Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The Enlightenment raised fundamental questions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature. A Cultural History of Gardens in the Age of Enlightenment presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.