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Books > Arts & Architecture > Architecture > Landscape art & architecture > General
Sustaining our agricultural landscapes is no longer just a technical, scientific or even political problem, but it has evolved into a socially complex, so-called wicked problem of conflicting social governance and economics. This creates an extreme economic obstacle where the value of ecosystem services remains low and diffuse and the transactions costs remain high and multiple.Using Uber-like business platform technology and a shared governance model, a symbiotic demand for environmental benefits is created. Enabling multi-sector transactions for environmental benefits, this platform innovation would remedy the "tragedy of the commons"; the economic nemesis to achieving landscape sustainability. In a nutshell, to sustain our agricultural landscapes a transdisciplinary approach supported by a shared governance model housed within a multi-sided platform in needed. This book introduces an assessment framework identifying governance actors, styles and ratios for socio-ecological systems. The assessment uses a new governance compass to identify the types of actors completing which tasks and identifies the styles of governance used to complete the tasks. It is aimed to anyone involved in sustainability science, agricultural policy planning, or integrated landscape design.
Hybrid and mixed media create a huge variety of diagramming and drawing options for landscape representation. From Photoshop mixed with digital maps, to hand drawings overlaid with photos and modelling combined with sketches, the possibilities are endless. In this book, Amoroso curates over 20 leading voices from around the world to showcase the best in contemporary hybrid design. With over 200 colour images from talented landscape architeture students, this book will explore the options, methods and choices to show the innovative approaches that are offered to students and practitioners of landscape architecture. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.
As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialization and urbanization, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for survival. Gardens were therapeutic environments regarded as civilizing, socializing and assimilating institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considered works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities. A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.
Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern?and audaciously abstract?sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University's Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts?one of Vancouver's most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.
Previously published in French by A0/00ditions Quae, this volume presents findings of a major research programme into landscape and sustainable development. While led by French scholars, the research team and geographical scope of the project was international, collaborative and comparative. Using case studies from across Europe, the interdisciplinary team of contributors discuss the relationship between landscape as defined by the European Landscape Convention and the concept of sustainable development. This English edition has a new introduction written by Yves LuginbA1/4hl and Peter Howard. The book is then divided into three sections: Biophysical Realities and Landscape Practice; Landscape Resources-Inheritance and Renewal; Governance and Participation. Some of the topics covered, such as wind-farm landscapes, will be familiar to English language readers, but others, such as footpath economics, non-woodland trees, inter-generational equity, and the insistence on the necessary developments in governance less so.
Emerging Landscapes brings together scholars and practitioners working in a wide range of disciplines within the fields of the built environment and visual arts to explore landscape as an idea, an image, and a material practice in an increasingly globalized world. Drawing on the synergies between the fields of architecture and photography, this collection takes a multidisciplinary approach, combining practice-based research with scholarly essays. It explores and critically reassesses the interface between representation - the imaginary and symbolic shaping of the human environment - and production - the physical and material changes wrought on the land. At a time of environmental crisis and the 'end of nature, 'shifting geopolitical boundaries and economic downturn, Emerging Landscapes reflects on the state of landscape and its future, mapping those practices that creatively address the boundaries between possibility, opportunity and action in imagining and shaping landscape.
Routes and roads make their way into and across the landscape, defining it as landscape and making it accessible for many kinds of uses and perceptions. Bringing together outstanding scholars from cultural history, geography, philosophy, and a host of other disciplines, this collection examines the complex entanglement between routes and landscapes. It traces the changing conceptions of the landscape from the Enlightenment to the present day, looking at how movement has been facilitated, imagined and represented and how such movement, in turn, has conditioned understandings of the landscape. A particular focus is on the modern transportation landscape as it came into being with the canal, the railway, and the automobile. These modes of transport have had a profound impact on the perception and conceptualization of the modern landscape, a relationship investigated in detail by authors such as Gernot BAhme, Sarah Bonnemaison, Tim Cresswell, Finola O'Kane, Charlotte Klonk, Peter Merriman, Christine Macy, David Nye, Vittoria Di Palma, Charles Withers, and Thomas Zeller.
Sir John Vanbrugh (1664-1726) was one of the most important figures in English garden history although he is rarely recognised as such. An eclectic early career as a merchant, a soldier and a dramatist preceded Vanbrugh s acceptance of the role of architect to the Third Earl of Carlisle in 1699. His impact on architecture was paralleled by a revolution in landscape design as Vanbrugh shifted the place of the architect from the house to the grounds. He used the ancient rules of proportion combined with an empathetic approach to Nature to create innovative layouts that were geometric, but bore no relation to the formal gardens of the seventeenth century. In Sir John Vanbrugh and the Vitruvian Landscape Caroline Dalton seeks to explain Vanbrugh s distinctive style of landscape architecture. The natural and moral philosophy of Marcus Vitruvius Pollio (Vitruvius), Euclid, Plato and Epicurus is traced through the Arabic scientists of the Middle Ages into the Italian Renaissance. The book examines the impact of science and humanism on the landscape ethos of Leon Battista Alberti in the Quattrocento and of Andrea Palladio a century later, and looks for parallels with the early Enlightenment in England from 1660 onwards. It becomes clear that the scientific advances and the political, social and economic changes associated with the Enlightenment created an atmosphere where Vanbrugh could thrive. By reference to the writing of Vitruvius, Alberti and Palladio and by utilizing his innate skills as an artist, Vanbrugh combined the science of Vitruvian geometry with the philosophy of the Ancients to create a new English landscape. The text is illustrated throughout with a hundred images, including eighteenth-century maps and plans which have not previously been published, alongside geometrical analysis and computer-generated reconstructions of Vanbrugh s landscapes. The author has combined her extensive knowledge of information technology with her experience as a landscape historian, to produce an innovative work which questions our previous understanding of the first English landscape architect. The book is essential reading for students studying the history of the eighteenth-century landscape, as well as appealing to those with a general interest in garden history.
Maintaining a connection to nature is increasingly recognised as an important component of caring for a person with dementia. The benefits of connecting the subjective experience of dementia sufferers with their physical environment include sensory stimulation and enhanced cognitive, psychological and physical well-being, as well as improved behaviour management. approach to caring for dementia sufferers by considering their emotional, psychological and spiritual well-being. The book provides comprehensive examples of the wide range of ways a person can connect to nature through indoor and outdoor activities, elements and environments, such as caring for house plants and pets, gardening and cooking, practising handicrafts and domestic chores, and offers solutions and insights to a professional understanding of the design of buildings and landscapes. psychology, neurology, architecture, nursing and dementia care practice, and spells out practical ways in which care providers and design professionals can design for nature in dementia care.
Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial-in a sense, ornamental-milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
This book poses important philosophical questions about the aims, values and purposes of landscape architecture. The editors, highly regarded in their field, have drawn together a distinguished team of writers who provide unique individual perspectives on contemporary themes from a wide base of knowledge. Altogether, this key international study raises awareness of the landscape and encourages innovative ways of thinking about quality in design.
Rural Pennsylvania's landscapes are evocative, richly textured testimonies to the lives and skills of generations of builders--architects as well as local builders and craft workers. Farmhouses and barns, silos and fences, even field patterns attest to how residents over the years have had a sense of place that was not only functional but also comfortable and aesthetically appropriate for the time. From Sugar Camps to Star Barns tells the story of one such place, a landscape that evolved in southwestern Pennsylvania's Somerset County. Sally McMurry traces the rural life and landscape of Somerset County as it evolved from the earliest settlement days. Eighteenth-century residents were a forest people, living on sparsely built farmsteads and making free use of the heavily forested landscape. The makeshift sugar camp typified their hardscrabble lives. In the nineteenth century, the people of this area turned to farming. Prompted by the ''market revolution'' that had come to Somerset County, they pursued a highly varied agriculture, combining a subsistence base with robust production of commodities shipped to distant cities. Their landscape reflected this combination of the local and the cosmopolitan--a combination that reached its full expression in the distinctive two-story banked farmhouse with double-decker porch, flanked by a substantial Pennsylvania barn. The twentieth century brought a more industrialized agriculture to Somerset County. But the shift to profit-and-loss farming also meant the accentuation of landscape elements specific to market products. The magnificent ''star barns'' of this era overshadowed the houses, and ancillary structures, such as ''peepy houses'' and silos, spoke to the pressures of efficiency and mass production. The subsequent rise of coal mining helped to stimulate this trend, both by supplying local markets and by creating an incentive for farmers to visually distinguish their landscapes from those of the coal-patch towns. Illustrated with over 100 photographs, maps, drawings, and diagrams, From Sugar Camps to Star Barns demonstrates how much we can learn about the economy and culture of a particular place simply by being attentive to the built landscape.
Hailed as a landmark in its field since its first publication in 1984, Denis E. Cosgrove's ""Social Formation and Symbolic Landscape"" has been influential beyond geography. It has continued to spark lively debate among historians, geographers, art historians, social theorists, landscape architects, and others interested in the social and cultural politics of landscape. This edition features a new introduction.
A major revision of a classic planning text. This book contains a complete model subdivision ordinance for city and county governments as well as more than 100 pages of legal commentary. The model regulations are generally compatible with all state statutes and work in urban, suburban, and rural settings. They show how communities can finance capital facilities, balance new development with existing surroundings, avoid exposure to the legal pitfalls of takings and substantive due process claims, and much more. Two new chapters cover public facilities impact fees and land readjustment. The chapter on impact fees includes a section on regulatory takings law that looks at how prominent U.S. Supreme Court cases have affected property rights, development, and regulation. Each section of the model regulations is followed by insightful commentary that supports, annotates, and documents the text. The authors explore the rationale for using various regulations, basing their arguments on existing statutory authority, case law, and federal constitutional requirements. The commentary identifies and explains changes from the original model regulations. Whether you're drafting new regulations or considering amendments to existing ones, you'll find Model Subdivision Regulations to be an invaluable reference.
The restoration of the flower gardens at Monticello in 1941, sponsored by the Garden Club of Virginia, was the result of Edwin Betts's scholarly research and Hazlehurst Perkins's practical gardening skills. Thomas Jefferson's Flower Garden at Monticello presents the evolution of Jefferson's ornamental gardening efforts with an analysis of the flower gardens as they were planned, planted, and ultimately restored. No early American gardens were as well-documented as those at Monticello, which became an experimental station, a botanic garden of new and unusual plants from around the world. Betts and Perkins communicate here the nature and sources of Jefferson's intelligent venture into ornamental gardening. The third edition includes a revised plant list, annotation of the more than 100 species cultivated in the flower garden, and new illustrations.
Since a compilation of their work was published in the series Anthologie 2012 ISBN 9783037610565, Detlef Horisberger and Mario Wagen have achieved further competition successes and expanded their exciting oeuvre. The designs always critically and creatively engage with the building programme, the location and the legal construction regulations. Text in English and German.
Das Bauen mit Baumen hat eine Tradition, die von den lebenden Brucken Indiens bis zu Tanzlinden reicht. Daran anknupfend, widmet sich die Baubotanik dem Entwerfen und Konstruieren mit Pflanzen. Realisierte Bauten und visionare Konzepte weisen den Weg zu einer neuen grunen Architektur. Diese Einfuhrung geht auf die botanischen Wachstumsgesetze ein, die die Bauten leiten und legt die Grundlagen des Konstruierens mit lebenden Baumen dar.
Shaped Places of Carroll County New Hampshire expands upon an award-winning speculative urban design project by the architecture and design practice EXTENTS, led by McLain Clutter and Cyrus Pen arroyo. The project investigates the complex reciprocity between who we are and the shape of where we live; between identities and the built environments that support them. In doing so, Shaped Places creates a dialogue between seemingly disparate discourses spanning from critical geography, to formalist art criticism, to the urbanisation strategies of the early 20th century Russian avant garde. The role of the rural-urban divide in affirming the divided political landscape in the United States is a central theme in the work. The project culminates in the design of three linear cities in Carroll County, New Hampshire. In each speculative urban design proposal, rural and urban patterns of development and divergent lifestyles are combined in urban design proposals intended to produce a functional body politic from a sharply divided population.
Flow combines cutting-edge scholarship with practitioner perspectives to address the concept of 'flow' and how it connects interiors, landscapes and buildings, expanding on traditional notions of architectural prominence. Contributors explore the transitional and intermediary relationships between inside/outside. Through a range of case studies, authors extend the notion of flow beyond the western industrialised world and embrace a wider geography while engaging with the specificity of climate and place. Accompanied by stunning colour illustration and photography, Flow brings together historical, theoretical and practice-based approaches to consider themes of nature, mobility, continuity and frames.
Any alteration of the natural processes occurring on a piece of land will have expected as well as unanticipated effects, and those effects have little regard for arbitrary human boundaries. Consequently, it is not enough for land managers to consider only how they might maintain the parcels for which they are responsible; they must also anticipate how changes to neighboring lands might impact their properties. Land Use Scenarios: Environmental Consequences of Development demonstrates how the success of local decision making is largely determined by factors that are difficult to control or forecast. It shows the importance of geographic vulnerability analysis, which takes into consideration possible scenarios about how, where, and when future patterns of land use might develop. It points to the consideration of critical uncertainties those aspects of the future, that while difficult to predict, may have a profound impact on pending decisions. Detailing research supported by the United States Marine Corps, the text presents a study of the region of Marine Corps Base Camp Pendleton and Air Station Miramar in California. While this area remains largely un-built, but extensively used, ongoing regional growth is having dramatic impact on the land and must be factored into any decision making. This research
In publishing this research, the investigators provide information regarding issues of urban development and possible environmental consequences to stakeholders and jurisdictions whose actions may influence the future of the region. More broadly, the book will aid managers and stakeholders from other areas to engage spatial contingencies toward the goal of developing more resilient landscapes.
Jackson discussed the evolution of the development, use, and perception of landscape--the space around us in the most general sense. The title chapter examines the proliferation of historic parks and monuments and argues that American culture demands a three-step formulation of history.
What makes a garden regionally appropriate? Fifteen private gardens designed by leading landscape architects answer that question for arid Southern California by directly addressing the climate, landscape, and culture they inhabit. Whether small or large, urban or rural, luxurious or low budget, these resilient outdoor spaces are finely attuned to the Mediterranean climate and the indoor-outdoor lifestyle for which Southern California is known. They make use of local building materials and craftspeople and offer their owners a unique emotional connection to nature. Firmly planted in time and place, the projects, complete with plans, define not so much a style as an experience and thrive with little effort from their owners.
One of four books in the "Rural Property Planning" sub-series, this book covers the practical side of classing, mapping and improving a property and examines the considerations behind these activities. It includes discussion on caring for the land, rejuvenation, soil erosion, developing a property plan, mapping for land capability and problem areas, improving property layout and planning for change.;Other titles in the series are "Risk Management", "The Farm as a Business" and "Sustainable Land Use".
The book presents the phenomenon of the garden and its various cultural features. It compares historical aspects of the garden with its contemporary models and focuses on various cultural traditions and different ways of presentation of this problem, in the context of world literature, problems of visual arts, questions of architecture, ecology, universal aspects of language, as well as philosophical problems of axiology and aesthetics. All those contexts combine to form a picture of a phenomenon that could be called "the metaphor of the garden", containing a universal anthropological image of "space" in which dynamic re-evaluation of rhetorical models take place and the order of Nature complements cultural models of human understanding of reality. |
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