Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The concept of landscape-ness is gaining increasing importance in architecture not least due to the rising threat of climate change. Based on international examples, Margitta Buchert analyzes the potential of architecture for dealing with contemporary challenges, including socio-cultural transformations and questions of lifeworld orientations within the tensions of global networking and local exposure—between natural space and urban space. Which architectural understandings and characteristics flow into architecture and urban projects by introducing the concept of landscape-ness? Which spatial articulating qualities are emphasized? And what sensibilities and capacities are enriched? Dimensions of landscape as nature—however, shaped and reshaped by humans—are in focus, as well as the connection between aesthetics, architecture, ecology, and the city.

Observation and representation is a foundational subject in Landscape Architecture. Landscape design is a process shaped by the connections and interactions among designers, users, and the real world. This issue aims to explore the ways that help landscape architects: 1) see the scientism of design disciplines and explore the methodological principles of design generation; 2) translate and convey design ideas and emotional inspiration to the users with rich design vocabulary (in size, shape, material, proportion, composition, etc.) through multiple perceptual approaches; 3) read sites from economic, ecological, cultural, and other perspectives to present more convincing and appealing landscape narratives with the aid of emerging technological means; 4) understand various needs of all parties and stakeholders, coordinating interests and benefits and improving the utilisation of public resources through landscape design; and 5) create educational places for improving the public's rational and aesthetic norms.

This efficiency-boosting resource gives you fast access to 350 of the most commonly used site construction details. Details for curbs, steps, lighting fixtures, walls, and much more are ready to be copied from the convenient spiral-bound, lie-flat format. In addition, this manual offers you a clear view of each detail both in section and in a photograph of a sample installation. To further simplify and speed up your design and adaptation work, each clear, standard-scaled detail is accompanied by full data on cost, CSI Masterformat reference, applications, installation, intensity of use and substrate constraints, maintenance and climatological requirements, and other relevant considerations. Perfect for on-site consultation or desktop at-a-glance reference, as well as time-saving adaptation to documents, Site Construction Details Manual gives landscape, design, and construction professionals the comprehensive and up-to-date selection of details they need, right where they need it. Any way you look at it, this all-in-one detail anthology is an invaluable on-the-job toolÑone that youÕll definitely want to keep within reach. And its a handy companion to the popular Landscape Construction Details CD-ROM!

The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of a successful metaphor for "balance". Why not draw-amidst a truly global crisis-conclusions out of our long history of designed nature, of places shaped by skilled labor and a quest for pleasure? Landscape Analogue seeks to stimulate the "Analogue" dimension as a substantial concept for everyday landscape thinking. In an anthology of interdisciplinary essays, Landscript 6 stresses the necessity for a fundamental shift, within the likely framework of a future of restricted resources, a radically different mobility or "hot" cities.

Landscape architects rely on images to explore ideas and to communicate them to others. Their designs range from large-scale master plans and strategic visions, through to specific vegetation and precise construction details. Concepts and creative solutions are developed, refined, and explained on paper. This handbook focuses on areas which, even in the age of digital media, remain foundations of the profession: drawing, graphics, and projections. Both instructional and inspirational, it covers the basics of landscape architectural representation in an easy-to-understand way, encouraging readers to sketch and develop their own graphic language and style. Also showcased in this book are many examples from landscape architecture offices worldwide, offering practical help and ideas. Key thematic areas include: Introduction to drawing tools, applications and effects Symbols in different scales, styles, and abstraction levels Basic principles for presentation, layout, and lettering Fundamentals of orthographic and parallel projections Drawing in contemporary landscape architecture practice

Trailblazing greenway projects from vision to reality. In this eye-opening journey through some of America's most innovative landscape architecture projects, Charles Flink shows why we urgently need greenways. A leading authority in greenway planning, design, and development, Flink presents inspiring examples of communities that have come together to build permanent spaces for the life-sustaining power of nature. The Greenway Imperative reveals the stories behind a variety of multiuse natural corridors, taking readers to Grand Canyon National Park, suburban North Carolina, the banks of the Miami River, and many other settings. Flink, who was closely involved with each of the projects in this book during his 35-year career, introduces the people who jump started these initiatives and the challenges they overcame in achieving them. Flink explains why open green spaces are increasingly critical today. "Much more than a path through the woods," he says, greenways conserve irreplaceable real estate for the environment, serve as essential green infrastructure, shape the way people travel within their communities, reduce impact from flooding and other natural disasters, and boost the economies of cities and towns. Greenways can and should dramatically reshape the landscape of America in the coming years, Flink argues. He provides valuable reflections and guidance on how we can create resilient communities and satisfy the human need for connection with the natural world.

Issue 10 of LA+ Journal brings you the results of the LA+ Iconoclast open design ideas competition, in which we asked designers to reimagine New York's Central Park, fictionally devastated by eco-terrorists protesting the loss of the world's forests. See what designers did when faced with the opportunity to challenge this icon of landscape architecture. LA+ Iconoclast also features interviews with jurors Geoff Manaugh (BLDGBLOG), Jenny Osuldsen (Snohetta), Charles Waldheim (Harvard GSD), Beatrice Galilee (The Met), Lola Shepard (Lateral Office), and Richard Weller (PennDesign), as well as a critique of competition entries by Julia Czerniak.

The new industry standard on landscape architectural detailing

Detailing for Landscape Architects takes the reader on an educational journey across three major areas of landscape architectural detailing--aesthetics, function, and constructibility--to demonstrate how powerful design patterns can transform thematic ideas into awe-inspiring built realities. Richly illustrated examples accompany concise discussions of a varied blend of landscape design/detailing issues such as water movement, soil environments, articulating structures and construction assemblies, life cycle costing, sustainability, health and safety, and more. This book approaches the subject of detailing in a systematic manner, and provides a balanced framework for design and workmanship that conveys the essence of the built landscape.

Detailing for Landscape Architects shows how details can:

Reinforce design ideas through the continuity and discontinuity of patterns

Actively contribute to the overall form or geometry of the design

Be designed to be durable and flexible while enhancing the entire design

Gracefully accommodate the natural growth and change of plant materials

Anticipate maintenance needs to minimize future disruptions

Maximize their cost effectiveness through understanding their function while designing to meet those functions

Including chapters that apply detail patterns to the design of an urban plaza, a roof deck, and a residence, Detailing for Landscape Architects offers guidance on solving specific technical requirements, while preserving and enhancing the visual qualities that celebrate innovation, and carry forth a timeless quality of building.

The Prussian gardens in Berlin, Potsdam and elsewhere in Brandenburg: for the first time, texts and photographs present an overall view of all the gardens and parks created under the Hohenzollerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and creative rulers, the most prominent of whom were Frederick II and Frederick William IV, made it possible "to turn the environs of Berlin and Potsdam step by step into a garden", as Frederick William IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Simeon Godeau, Georg Wenzeslaus von Knobelsdorff, Peter Joseph Lenne, Antoine Pesne, Prince Hermann von Puckler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau -- picked from a whole cornucopia of names -- indicate the spectrum of artistic forces that created the Prussian garden realm. Impatient with his royal client, who had once again cut his funding, Lenne alluded to the high standard of princely landscape art: "Your Majesty still does not understand how ingenious my idea is". The present volume is an attempt to examine the "ingeniousness of the idea" specifically inherent in the gardens of the Hohenzollerns in Prussia.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turner's books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits http://www.gardenvisit.com/history_theory/british_gardens_companion

The essay in this volume reflects upon two key attributes of the ephemeral city of the Kumbh Mela and the lessons we can extrapolate from it for architecture, urban design, and planning in the contemporary world. 400 colour

Global climate change is a frequently and controversially discussed topic. Yet apart from natural disasters that tend to be interpreted in any number of ways to serve vastly differing interests, it has so far hardly been a tangible phenomenon in our day-to-day life. The Climate Garden experiment enables the experience of climate change's consequences firsthand: it shows how the vegetation of a place might change in the future, what we may be eating, and what our gardens might look like. The experiment is conducted based on detailed climate scenarios that can be translated to different locations around the globe. This new book serves as a manual for the implementation of such a public experiment on a local or regional level anywhere in the world. Contributions by human geographers, art historians, and ecologists are complemented by a practical step-by-step guide to creating a climate garden. It provides a tool for private and public institutions to tell their own story and in particular to add a personal and emotional dimension to the largely abstract climate scenarios we usually learn about in the media.

There is a growing evidence base that documents the social, environmental and economic benefits that urban trees can deliver. Trees are, however, under threat today as never before due to competition for space imposed by development, other hard infrastructures, increased pressure on the availability of financial provision from local authorities and a highly cautious approach to risk management in a modern litigious society. It is, therefore, incumbent upon all of us in construction and urban design disciplines to pursue a set of goals that not only preserve existing trees where we can, but also ensure that new plantings are appropriately specified and detailed to enable their successful establishment and growth to productive maturity. Aimed at developers, urban planners, urban designers, landscape architects and arboriculturists, this book takes a candid look at the benefits that trees provide alongside the threats that are eliminating them from our towns and cities. It takes a simple, applied approach that explores a combination of science and practical experience to help ensure a pragmatic and reasoned approach to decision-making in terms of tree selection, specification, placement and establishment. In this way, trees can successfully be incorporated within our urban landscapes, so that we can continue to reap the benefits they provide.

In New York's Central Park, some of the playgrounds constructed as part of the midcentury experimental ""playground revolution"" still remain. In Central Park's Adventure-Style Playgrounds, Marie Warsh tells the engrossing history of these playscapes built in the 1960s and 1970s, exploring their connections to the art, recreational design, urbanism, grassroots movements, and child-development theories of the period. She further details the Central Park Conservancy's efforts decades later to preserve and renew these playgrounds. So-called adventure-style playgrounds featured interconnected forms including pyramids, mounds, and steps, and basic materials such as water and sand, encouraging new levels of creativity and interaction. By the end of the 1970s, ten of Central Park's twenty-two existing playgrounds, formerly paved, sterile, standard-equipment-filled lots dating to the 1930s, had been transformed according to the new design ideals. With time, deterioration prompted concerns about safety, and much of the equipment was removed. However, community interest led the Central Park Conservancy to update and preserve the playgrounds that remained in the park. Building on successful aspects of the playgrounds, designers incorporated new technologies, materials, and equipment that reflect contemporary ideas about children's play and approaches to urban park management. They also developed strategies to better integrate them into the landscapes of the park. Today, Central Park's adventure-style playgrounds represent significant works of renewed modern landscape architecture as well as models for new thinking about playground design.

Working together as a joint architectural and urban design studio, twenty six students from the three UNSW disciplines of architecture, built architecture and interior architecture, a group of twelve Italian students from the host University, IUAV of Venice, and three visiting students from the Future University of Khartoum (Sudan), were engaged in a critical discourse on contemporary problems of the built environment, grounded in the culture of Venice. The site and project brief was to explore the currently un-renovated "Gas Area" in the neighbourhood of Santa Marta, located in the west part of the historic centre of Venice, and its potential as a new gateway for the city.

John Dixon Hunt introduces PWP Landscape Architecture: Building Ideas with a discussion of how we read landscapes and, hence, how they are designed with the reader/client in mind and the historical implications of such efforts. Peter Walker, Gary Hilderbrand, and Gina Crandell trace the history of Peter Walker's various firms from the 1950s until 2000, and Jane Gillette discusses some recent projects in terms of using consultants to further design ideas. Twelve finished projects, seven works in progress, and three competitions, from roughly 2000 to 2015, demonstrate the firm's goals and achievements with an emphasis on the expansion of landscape architecture from the surrounds of buildings to self-sufficient entities that express the highest accomplishments of both ecological function and design.

Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern?and audaciously abstract?sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University's Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts?one of Vancouver's most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.

Text in English and German. The architect and photographer Rolf Reiner Maria Borchard, who is professor of design principles at the Muthesius-Hochschule in Kiel, has chosen seven of the most beautiful gardens and photographed them during several trips, always in spring, in other words at a time when the garden architecture has not yet been overwhelmed by the vegetation, and so can make the best possible impact in the image. His trained eye for the way architecture is embedded in the landscape means that he has found striking and convincing images, steeped in the harmony of the gardens.

Shaping the Postwar Landscape is the latest contribution to the Cultural Landscape Foundation's well-known reference project, Pioneers of American Landscape Design, the first volume of which appeared nearly a quarter of a century ago. The present collection features profiles of seventy-two important figures, including landscape architects, architects, planners, artists, horticulturists, and educators. The volume focuses principally on individuals whose careers reached their height during the period between the end of World War II and the American Bicentennial. In that postwar era, landscape architects played an important part in the revitalization of American cities, introducing new typologies for public spaces in the civic realm. Among these were parks that capped freeways, plazas and gardens atop buildings, promenades on revitalized waterfronts, ""vest pocket"" parks on tiny urban plots and derelict sites, and pedestrian-friendly downtown malls. Practitioners were also active on the new suburban frontier, their influence extending as far as Levittown and mobile-home communities. They created new outdoor living environments tailored to the California climate, and their work shaped landscaped in the American South, East, West, and Heartland. At a time when interest in midcentury architecture is flourishing, Shaping the Postwar Landscape offers a substantial parallel contribution to the field of landscape studies. It belongs not only on the bookshelves of serious students and scholars but in the office of every landscape architect sensitive to significant works of the recent past.

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award - winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

DOLOMITI is the first of a collection of annual books on the Dolomites, with a different look and more attentive than of the traditional iconography of these places, recently UNESCO heritage. A look, result of crossing work of the photography, architecture and urbanism wich explain, together, research on the alpine landscape in the Atelier Around Dolomites, established at the University of Trento in cooperation with other European Schools of Architecture. This first volume consists of the original images of the photographer Gregor Sailer and a series of texts that describe the various steps from the UNESCO nomination, to the nature of the Dolomites, until the first studies undertaken on this fascinating natural complex. "Geoscape" is a summary that best represents the dolomitic area, the result of a unique cross between geography and geology to defining the landscape, but also alluding to a new way of addressing the knowledge and the design for the contexts of particular sensitivity.

Sculpting the Land, by award winning landscape architect Diana Armstrong Bell, is a homage to her unique interpretation of the possibilities of landscape design. A selection of her aesthetically compelling projects, many of which have won international design competitions, show the influence of her study of abstract art, particularly the work of Kazimir Malevich. Diana has developed her own individual approach to landscape design and here she reveals how these unique designs came to be imagined. Inspired by earthworks, lines and patterns in the landscape which over time can appear as land art, spending time in a landscape, observing, listening and gathering clues about its past and how they inform a new story, are all part of the process. All hand-drawn in pencil, ink, collage and watercolour, the book showcases a remarkable collection of art, which is used to develop and present design ideas. Diana focusses on large scale public landscapes in the urban realm, with many of the landscapes being created on 'brownfield' sites including Parco Franco Verga in Milan, Lac de Senart in France, Rochester Riverside Park and Electra Park in London.

Boundless Russia, humble yet full of hidden grandeur-such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

Rural Pennsylvania's landscapes are evocative, richly textured testimonies to the lives and skills of generations of builders--architects as well as local builders and craft workers. Farmhouses and barns, silos and fences, even field patterns attest to how residents over the years have had a sense of place that was not only functional but also comfortable and aesthetically appropriate for the time. From Sugar Camps to Star Barns tells the story of one such place, a landscape that evolved in southwestern Pennsylvania's Somerset County.

Sally McMurry traces the rural life and landscape of Somerset County as it evolved from the earliest settlement days. Eighteenth-century residents were a forest people, living on sparsely built farmsteads and making free use of the heavily forested landscape. The makeshift sugar camp typified their hardscrabble lives. In the nineteenth century, the people of this area turned to farming. Prompted by the ''market revolution'' that had come to Somerset County, they pursued a highly varied agriculture, combining a subsistence base with robust production of commodities shipped to distant cities. Their landscape reflected this combination of the local and the cosmopolitan--a combination that reached its full expression in the distinctive two-story banked farmhouse with double-decker porch, flanked by a substantial Pennsylvania barn.

The twentieth century brought a more industrialized agriculture to Somerset County. But the shift to profit-and-loss farming also meant the accentuation of landscape elements specific to market products. The magnificent ''star barns'' of this era overshadowed the houses, and ancillary structures, such as ''peepy houses'' and silos, spoke to the pressures of efficiency and mass production. The subsequent rise of coal mining helped to stimulate this trend, both by supplying local markets and by creating an incentive for farmers to visually distinguish their landscapes from those of the coal-patch towns.

Illustrated with over 100 photographs, maps, drawings, and diagrams, From Sugar Camps to Star Barns demonstrates how much we can learn about the economy and culture of a particular place simply by being attentive to the built landscape.