Children love to play in risky-often misunderstood to mean unsafe-ways. It is often how they learn. Research shows that activities like climbing on trees and boulders, hiking in nature, and playing in a creek are excellent ways for kids to develop their creativity and their senses, because playing outdoors evokes different sights, sounds, smells, and textures. Letting Play Bloom analyzes five outstanding case studies of children's nature-based risky play spaces-the Slide Hill at Governors Island in New York, the Berkeley (CA) Adventure Playground, and Wildwoods at Fernbank Museum in Atlanta, as well as sites in the Netherlands and Australia. Author Lolly Tai provides detailed explanations of their background and design, and what visitors can experience at each site. She also outlines the six categories of risky-not hazardous-play, which involve great heights, rapid speeds, dangerous tools, dangerous elements, rough-and-tumble play, and wandering or getting lost. These activities allow children to explore and challenge themselves (testing their limits) to foster greater self-worth while also learning valuable risk-management skills such as dealing with fear-inducing situations. Filled with more than 200 photographs, Letting Play Bloom advocates for a thoughtful landscape design process that incorporates the specific considerations children need to fully experience the thrill that comes from playing in nature.

Peter Walker is one of the most seminal and prolific figures in contemporary landscape design worldwide - both as a teacher and as practitioner. Among his best-known works are Nasher Garden in Dallas, Novartis Campus in Basel, Switzerland and the World Trade Center Memorial in New York. This academic review of Walker's unique oeuvre look closely at his design work and provides a comparative analysis.

Situated at the intersection of public realm, urban design and site specific art, Martha Schwartz Partners has over 35 years of experience designing and implementing installations, gardens, civic plazas, parks, institutional landscapes, corporate headquarters, master plans, and urban regeneration projects. MSP works with city leaders, planners and builders at a strategic level so as to advocate for the inclusion of the public landscape as a means to achieve environmental, economic and social sustainability. With offices in London, New York and Shanghai, the practice is engaged in projects and consultation around the globe and has to date worked on projects in over 20 countries and five continents. This monograph is the first publication to document 55 built projects and a selection of master plans by this internationally acclaimed practice.

No two Japanese gardens are ever the same. The Japanese Zen garden is a work of art equivalent in scale to an installation, but it is also an urban refuge, a setting where we can attain composure and equipoise. It is a place to collect our thoughts, examine deeper feelings, and ponder our responses to managed nature. Zen gardens comprise a sensory as much as a cultural experience. They are multifaceted, satisfying both our subjective and intellectual yearnings. This beautifully-photographed book illustrates a tradition that benefits from a thousand years of applied knowledge. It also demonstrates how contemporary landscaping draws from its history, and reflects on why ancient gardening should be relevant to the lives of people in the twenty-first century. In this beautifully illustrated book, Japanese gardening specialist Stephen Mansfield takes readers on an exploration of the outward forms, underpinning principles, complex use of metaphor and allusion, and beauty and depth that set the Zen garden apart. Readers of his previous book, Japanese Stone Gardens, will find in this new work a worthy companion volume. Japan's Master Gardens is an inspiring, thought-provoking tribute to the landscape design wisdom of the Japanese.

Nature is not simply "green" or the "opposite of culture." Essentially, it is an intellectual construct. The relationship between man and Nature, for instance, articulates itself architectonically. Now what could one see as the possible role of Nature in projects of architects representative of the International Style (including successive echoes in postwar modernity), and how does Nature itself only become "visible" through the built environment? Based on key architecture projects, this fourth volume of the Landscript series attempts to instigate a change of perspective. In series of investigations, renowned researchers analyse architecture through the lens of its own inherent understanding of Nature. Their essays try to gain insights both into concepts of Nature in modernity, whose entire range of characteristics have yet to be explored, and into an architecture, whose relationship to Nature is usually only negotiated in disciplines like garden history. How does this finally relate to our present condition?

Landscript 5 examines Material Culture in landscape architecture theory and design. Designed landscapes are temporal assemblages of extant and introduced materials, constructed and maintained through the efforts of human labor, mediated through non-human forces, and shaped by constantly changing cultural relations. Sites are bounded by property lines, yet their material relationships-from the transport of construction commodities to global water cycles-extend to untold limits. Designed landscapes are models of human-nature relations, at the same time they are human-nature relations, simultaneously representing and actualizing the co-production of the world. Landscript 5 looks at the aesthetic implications and design opportunities engaging landscape's extended Material Culture.

Born in Florence in 1910, Pietro Porcinai grew up on the classic grounds of the Villa Gamberaia in Settignano where his father served as head gardener. Although he studied agriculture in college, Porcinai's true interest lay in the landscape architecture practice he founded in 1938. Early projects centered in the area of Arezzo, whose style reflected modernA ized traditional models. In the postwar era the office flourished, producing modern gardens of remarkable design and use of plants. In these works, Porcinai convincingly demonstrated the affinity between historical architecture and landscapes unA compromisingly modern. During his long and productive career he also consulted on autostrada planning, and designed public parks, memorials, and even a Pinocchio theme park-at times collaborating with noted architects such as Renzo Piano, Carlo Scarpa and Oscar Niemeyer. This book, the first English-language study on Pietro Porcinai provides a comprehensive and richly illustrated overview of his life and remarkable achievements.

The book series of the University of Applied Arts Vienna Edition Angewandte, published by Birkhauser Basel and De Gruyter Berlin/Boston, comprises anthologies, documentations, and monographs with a focus on architecture, visual and media art, design, conservation and restoration, art theory, art pedagogy, art education, and language arts. Appearing since 2007, the series has become widely known and recognized as an established platform for relevant publications from art and science. The books are published in German as well as in English.

Children's gardens are magical places where kids can interact with plants, see where food and fibers grow, and experience the role of birds, butterflies, and bees in nature. These gardens do more than just expose youngsters to outdoor environments, they also provide marvelous teaching opportunities for them to visit a small plot, care for vegetables and flowers, and interact in creative spaces designed to stimulate all five senses. In The Magic of Children's Gardens, landscape architect Lolly Tai provides the primary goals, concepts and key considerations for designing outdoor spaces that are attractive to and suitable for children especially in urban environments. Tai presents inspiring ideas for creating children's green spaces by examining nearly twentycase studies, including the Chicago Botanic Gardens and Longwood Gardens in Kennett Square, PA. The Magic of Children's Gardens features hundreds of comprehensive drawings and gorgeous photographs of successful children's outdoor environments, detailed explanations of the design process, and the criteria needed to create attractive and pleasing gardens for children to augment their physical, mental, and emotional development. Exposing youth to well-planned outdoor environments promotes our next generation of environmental stewards. The Magic of Children's Gardens offers practitioners a guide to designing these valued spaces.

Dynamic Patterns explores the role of patterns in designed landscapes. Patterns are inherently relational, and the search for and the creation of patterns are endemic to many scientific and artistic endeavors. Recent advances in optical tools, sensors, and computing have expanded our understanding of patterns as a link between natural and cultural realms. Looking beyond the surface manifestation of pattern, M'Closkey and VanDerSys delve into a multifaceted examination that explores new avenues for engagement with patterns using digital media. Examining the theoretical implications of pattern-making, they probe the potential of patterns to conjoin landscape's utilitarian and aesthetic functions. With full color throughout and over one hundred and twenty images, Dynamic Patterns utilizes work from a wide range of artists and designers to demonstrate how novel modes of visualization have facilitated new ways of seeing patterns and therefore of understanding and designing landscapes.

Today, designers are shifting the practice of landscape architecture towards the need for a more complex understanding of ecological science. Constructed Ecologies presents ecology as critical theory for design, and provides major ideas for design that are supported with solid and imaginative science. In the questioning narrative of Constructed Ecologies, the author discards many old and tired theories in landscape architecture. With detailed documentation, she casts off the savannah theory, critiques the search for universals, reveals the needed role of designers in large-scale agriculture, abandons the overlay technique of McHarg, and introduces the ecological and urban health urgency of public night lighting. Margaret Grose presents wide-ranging new approaches and shows the importance of learning from science for design, of going beyond assumptions, of working in multiple rather than single issues, of disrupting linear design thinking, and of dealing with data. This book is written with a clear voice by an ecologist and landscape architect who has led design students into loving ecological science for the support it gives design.

In the 1990s the landscape architect Peter Latz and his team designed and executed a park that transcended all fashions and trends. This volume provides insights into twelve years of planning and realisation through photographs, sketches, plans and explanations, and reveals to the reader a fascinating world in the footsteps of industry. The Landscape Park Duisburg Nord is one of the most remarkable examples worldwide of an intelligent and appealing approach to dealing with the legacy of industry. In his vision for the park Peter Latz largely abandoned the concept of landscape art and of the beautification of agricultural and woodland organisational patterns. Instead, he focused on the information-rich web of urban infrastructure and industry. Peter Latz presents the first in-depth account of his knowledge and experience regarding this unique project in this book. Texts by renowned collaborators complement the narrative with differing perspectives.

Sustaining our agricultural landscapes is no longer just a technical, scientific or even political problem, but it has evolved into a socially complex, so-called wicked problem of conflicting social governance and economics. This creates an extreme economic obstacle where the value of ecosystem services remains low and diffuse and the transactions costs remain high and multiple.Using Uber-like business platform technology and a shared governance model, a symbiotic demand for environmental benefits is created. Enabling multi-sector transactions for environmental benefits, this platform innovation would remedy the "tragedy of the commons"; the economic nemesis to achieving landscape sustainability. In a nutshell, to sustain our agricultural landscapes a transdisciplinary approach supported by a shared governance model housed within a multi-sided platform in needed. This book introduces an assessment framework identifying governance actors, styles and ratios for socio-ecological systems. The assessment uses a new governance compass to identify the types of actors completing which tasks and identifies the styles of governance used to complete the tasks. It is aimed to anyone involved in sustainability science, agricultural policy planning, or integrated landscape design.

Hybrid and mixed media create a huge variety of diagramming and drawing options for landscape representation. From Photoshop mixed with digital maps, to hand drawings overlaid with photos and modelling combined with sketches, the possibilities are endless. In this book, Amoroso curates over 20 leading voices from around the world to showcase the best in contemporary hybrid design. With over 200 colour images from talented landscape architeture students, this book will explore the options, methods and choices to show the innovative approaches that are offered to students and practitioners of landscape architecture. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

Architecture can be analogous to a history, a fiction, and a landscape. We expect a history or a novel to be written in words, but they can also be cast in concrete or seeded in soil. The catalyst to this tradition was the simultaneous and interdependent emergence in the eighteenth century of new art forms: the picturesque landscape, the analytical history, and the English novel. Each of them instigated a creative and questioning response to empiricism's detailed investigation of subjective experience and the natural world, and together they stimulated a design practice and lyrical environmentalism that profoundly influenced subsequent centuries. Associating the changing natural world with journeys in self-understanding, and the design process with a visual and spatial autobiography, this book describes journeys between London and the North Sea in successive centuries, analysing an enduring and evolving tradition from the picturesque and romanticism to modernism. Creative architects have often looked to the past to understand the present and imagine the future. Twenty-first-century architects need to appreciate the shock of the old as well as the shock of the new.

How do you design a landscape book suitable for its intended uses? How can the natural qualities of a landscape be enhanced with new features and focal points? How can you make pedestrians stay on the footpath? What kind of plant, path or wall should you put where, and what sort of contract should you choose for your client's contractor? This refreshingly down-to-earth introduction to the vast subject of landscape design and construction answers all these questions, guiding new students through the many facets of professional practice and welding together the artistic, legal, financial, environmental and management issues which can seem so dauntingly disconnected. Illustrated with original drawings, photographs, sample plans and facsimiles, including a new colour plate section, this readable classic has been fully revised and updated throughout. It opens with a completely new chapter which explains design and aesthetic principles, explores the history of our relationship to landscape, and shows how design principles can be applied to influence reactions to the finished site. The author then considers different elements of hard landscape and their relative merits in different situations. The soft landscape section includes coverage of the effects of mass and form, natural and abstract planting, and the difficult subject of plant selection. A step-by-step guide through all the stages of managing a project, from initial discussions with clients, site inspection, surveying and quoting, through tendering, contracting, contractual agreements, development from concept design to final plans and drawings, as well as maintenance, now includes the current information on CDM regulations and provides readers with a plain-speaking reference on client management and contractual administration. Added to the guide to drawing and lettering is an extensive section on computer-aided design. A bibliography and list of useful organization are also included.

Applications of Furrow and Micro Irrigation in Arid and Semi-Arid Regions, the fifth volume in the Research Advances in Sustainable Micro Irrigation series, addresses the ever-challenging need for irrigation systems in arid and semi-arid regions of the world, areas that are suffering from severe water shortages. These areas, such as Egypt, Tunisia, most of Africa, and parts of South America, Central America, and Australia, find it a struggle to grow crops sustainably with the water available. This important book emphasizes sustainable agriculture practices to promote increased water usage efficiency in dry areas for growing of crops. It presents a variety of research and studies on such topics as: * Meteorological instruments for water management * Buried micro irrigation laterals for soil water retention * Water vapor flux models * Performance of various crops grown under different irrigation methods * Scheduling of irrigation * Phyto-monitoring techniques This valuable book is a must for those finding it a challenge to maintain sustainable crop production in the midst of continuous water shortages in areas where water is not naturally plentiful. With contributions from authors with hands-on experience in the field, the book will be an invaluable reference and guide to effective micro irrigation methods.

At the beginning of the 1990s, European landscape architecture started to appear on the international radar with the Parc de la Villette in Paris and the squares in Barcelona. Today, it is an emancipated cultural discipline, and Austrian landscape architecture is on the advance in gardens, on squares and roads, in parks, housing estates and around institutional buildings. This book, for the first time, contains a comprehensive presentation of contemporary Austrian landscape architecture: nextland demonstrates how diverse the briefing, how complex the boundary conditions and how simple and exciting successful designs can be. The richly illustrated book profiles 187 open spaces of the last two decades in Austria, and accompanies these with a photographic essay. Well-known European landscape architects, art historians and specialist journalists provide the historic and international context and comment on the status of landscape architecture in Austria.

Previously published in French by A0/00ditions Quae, this volume presents findings of a major research programme into landscape and sustainable development. While led by French scholars, the research team and geographical scope of the project was international, collaborative and comparative. Using case studies from across Europe, the interdisciplinary team of contributors discuss the relationship between landscape as defined by the European Landscape Convention and the concept of sustainable development. This English edition has a new introduction written by Yves LuginbA1/4hl and Peter Howard. The book is then divided into three sections: Biophysical Realities and Landscape Practice; Landscape Resources-Inheritance and Renewal; Governance and Participation. Some of the topics covered, such as wind-farm landscapes, will be familiar to English language readers, but others, such as footpath economics, non-woodland trees, inter-generational equity, and the insistence on the necessary developments in governance less so.

The largest and most pervasive of human artifacts, landscapes are both cultural expressions and environments that shape our actions. Playgrounds, cemeteries, memorials, historic sites, public squares, gardens, industrial rehabilitation sites, wild national parks, and manicured urban parks provide the settings for work, recreation, commerce, memorialization, and mourning and shape the experience and meaning of these activities in Canada. In the first critical history of designed landscapes in our country, Ron Williams approaches landscape architecture as a social art that creates places for people to use and as an environmental art through which practitioners act as stewards of the natural world. Landscape Architecture in Canada provides a detailed panorama of the man-made landscapes that vary as widely as the country's geography. The book profiles the projects and people that defined landscape architecture, illuminating the motivations and aspirations that drove landscape architects and explaining the intellectual climate in which they worked. Williams casts a wide net and examines the varied traditions and impacts of Canada's first peoples, its early colonists, later immigrant communities, the remarkable landscape innovations of nineteenth-century industrial cities as well as agricultural landscapes and the protected natural environments of national parks. He also shows how stimulating new ideas from recent decades have expanded landscape architecture and opened the door to projects that embody a distinctive Canadian approach, reflecting the social and natural diversity of contemporary society and its responses to rapid change. Thoroughly researched, practically oriented, and grounded in the country's many regions, Landscape Architecture in Canada is a richly illustrated and affecting narrative of the ways in which we have shaped our environment and an inimitable lens through which to view the story of Canada.

Emerging Landscapes brings together scholars and practitioners working in a wide range of disciplines within the fields of the built environment and visual arts to explore landscape as an idea, an image, and a material practice in an increasingly globalized world. Drawing on the synergies between the fields of architecture and photography, this collection takes a multidisciplinary approach, combining practice-based research with scholarly essays. It explores and critically reassesses the interface between representation - the imaginary and symbolic shaping of the human environment - and production - the physical and material changes wrought on the land. At a time of environmental crisis and the 'end of nature, 'shifting geopolitical boundaries and economic downturn, Emerging Landscapes reflects on the state of landscape and its future, mapping those practices that creatively address the boundaries between possibility, opportunity and action in imagining and shaping landscape.

Landscript 2: Filmic Mapping examines forms of "land measurement" primarily through documentary and essay films of the past 10 years. It investigates the meaning of landscape for contemporary society through phenomenological film analysis and makes an open plea for a complex view on the landscape of today and its visual representation.

Sir John Vanbrugh (1664-1726) was one of the most important figures in English garden history although he is rarely recognised as such. An eclectic early career as a merchant, a soldier and a dramatist preceded Vanbrugh s acceptance of the role of architect to the Third Earl of Carlisle in 1699. His impact on architecture was paralleled by a revolution in landscape design as Vanbrugh shifted the place of the architect from the house to the grounds. He used the ancient rules of proportion combined with an empathetic approach to Nature to create innovative layouts that were geometric, but bore no relation to the formal gardens of the seventeenth century.

In Sir John Vanbrugh and the Vitruvian Landscape Caroline Dalton seeks to explain Vanbrugh s distinctive style of landscape architecture. The natural and moral philosophy of Marcus Vitruvius Pollio (Vitruvius), Euclid, Plato and Epicurus is traced through the Arabic scientists of the Middle Ages into the Italian Renaissance. The book examines the impact of science and humanism on the landscape ethos of Leon Battista Alberti in the Quattrocento and of Andrea Palladio a century later, and looks for parallels with the early Enlightenment in England from 1660 onwards. It becomes clear that the scientific advances and the political, social and economic changes associated with the Enlightenment created an atmosphere where Vanbrugh could thrive. By reference to the writing of Vitruvius, Alberti and Palladio and by utilizing his innate skills as an artist, Vanbrugh combined the science of Vitruvian geometry with the philosophy of the Ancients to create a new English landscape.

The text is illustrated throughout with a hundred images, including eighteenth-century maps and plans which have not previously been published, alongside geometrical analysis and computer-generated reconstructions of Vanbrugh s landscapes. The author has combined her extensive knowledge of information technology with her experience as a landscape historian, to produce an innovative work which questions our previous understanding of the first English landscape architect. The book is essential reading for students studying the history of the eighteenth-century landscape, as well as appealing to those with a general interest in garden history.

Routes and roads make their way into and across the landscape, defining it as landscape and making it accessible for many kinds of uses and perceptions. Bringing together outstanding scholars from cultural history, geography, philosophy, and a host of other disciplines, this collection examines the complex entanglement between routes and landscapes. It traces the changing conceptions of the landscape from the Enlightenment to the present day, looking at how movement has been facilitated, imagined and represented and how such movement, in turn, has conditioned understandings of the landscape. A particular focus is on the modern transportation landscape as it came into being with the canal, the railway, and the automobile. These modes of transport have had a profound impact on the perception and conceptualization of the modern landscape, a relationship investigated in detail by authors such as Gernot BAhme, Sarah Bonnemaison, Tim Cresswell, Finola O'Kane, Charlotte Klonk, Peter Merriman, Christine Macy, David Nye, Vittoria Di Palma, Charles Withers, and Thomas Zeller.

Unlike concrete or masonry, plants are a living building material that changes in the course of the seasons and the years. Their growth and varying appearance are factors that must be considered when designing and planning.

In addition, plants can also be employed to create different design levels. They can be used as sheathing (green facades, ground cover - lawns) and to generate spaces of various heights (hedges, shrubs, trees).

Topics:

• Basics of using plants
• Plant typologies
• Function and impact of spaces
• Site-specificity
• Design principles
• Planting plan and representation
• Execution