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Books > Language & Literature > Literature: history & criticism > Literary studies > General
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Poems
(Paperback)
Mary Leadbeater
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R578
Discovery Miles 5 780
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Ships in 12 - 17 working days
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In the wake of apartheid, South African culture conveys the sense
of being lost in time and space. The Truth Commission provided an
opportunity for South Africans to find their bearings in a nation
changing at a bewildering pace. The Truth Commission also marked
the beginning of a long process of remapping space, place and
memory. In this title, Shane Graham investigates how post-apartheid
theatre-makers and writers of fiction, poetry and memoir have taken
this project forward, using their art to come to terms with South
Africa's violent past and rapidly changing present.
Novelist and critic Colm Toibin explores the relationships of
writers with their families and their work in the brilliant,
nuanced, and wholly original "New Ways to Kill Your Mother."
Toibin--celebrated both for his award-winning fiction and his
provocative book reviews and essays--traces the intriguing, often
twisted family ties of writers in the books they leave behind.
Through the relationship between W. B. Yeats and his father, Thomas
Mann and his children, Jane Austen and her aunts, and Tennessee
Williams and his sister, Toibin examines a world of relations,
richly comic or savage in their implications. Acutely perceptive
and imbued with rare tenderness and wit, "New Ways to Kill Your
Mother "is a fascinating look at writers' most influential bonds
and a secret key to understanding and enjoying their work.
Where are the dogs in southern African literature? The short answer
is: everywhere, if you keep looking. Few texts centralise them, but
they appear everywhere in the corners of people's lives: pets
walking alongside, strays in the alleys, accompanying policemen, at
the dog shows, outhunting, guarding gates. There are also the
related canids- jackals, hyenas, wolves-making real and symbolic
appearances. Dogs have always been with us, friends and foes in
equal measure. This is the first collection of studies on dogs in
southern African literatures. The essays range across many dogs'
roles: as guides and guards, as victims and threats. They appear in
thrillers and short stories. Their complex relations with
colonialism and indigeneity are explored, in novels and poetry, in
English as well as Shona and Afrikaans. Comparative perspectives
are opened up in articles treating French and Russian parallels.
This volume aims to start a serious conversation about, and
acknowledgement of, the important place dogs have in our society.
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