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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General
Quietly but implacably, powerful transnational corporations are gaining power over our visual world. A 'global, visual content industry' increasingly controls images supplied to advertisers, marketers and designers, yet so far the process has, paradoxically, evaded the public eye. This book is the first to expose the interior workings of the visual content industry, which produces approximately 70% of the images that define consumer cultures. The corporate acquisition of major photographic and film archives, as well as the digital rights to much of the world's fine art, is having a profound effect on what we see. From stock photography to new technologies, this book powerfully engages with the historical and cultural issues relating to visual culture and new media. How has stock photography, the system of 'renting out' ready-made images, transformed the role of marketing and advertising? What impact are digital technologies having on the practices of industry professionals? How have software programs such as Photoshop enabled professionals to play 'God' with photographs and how does this influence our belief in the integrity of images?Combining original research on stock photography with a new theoretical take on the circulation of images in contemporary culture, The Image Factory provides a comprehensive and in-depth exploration of industrialized commercial photography, its uses and abuses.
The relationship between Germans and their non-German counterparts in Central and Eastern Europe has been a fundamental feature of European History. The 12 essays in this volume address key aspects of this complex and multifaceted relationship which has been marked by friendship and co-operation as well as enmity and strife. The topics range from medieval peasant settlement to present day relations between Germans and Poles. Central themes are national identity, the emergence and development of mixed communities and inter-cultural communication. The book is for departments of politics (courses on Soviet and East European studies, international relations and globalization); history (courses on modern European history, German history, military history, East European history); sociology (courses in population studies, refugee studies and nationalism); Jewish studies; and some general interest.
For the last twenty-five years, "Language, Discourse, Society" has
been the most intellectually challenging series in English. Its
titles range across the disciplines from linguistics to biology,
from literary criticism to law, combining vigorous scholarship and
theoretical analysis at the service of a broad political
engagement. This anniversary reader brings together a fascinating
group of thinkers from both sides of the Atlantic with an
introductory overview from the editors which considers the
development of theory and scholarship over the past two
decades.
This book is a rare and unusually reflective insider account of the transformational challenges of the cultural industries over the past 15 years. Opening with a fresh new perspective on music industry history, it explores how the industrial world evolves more by narrative plausibility than by precision, recognizing that corporate identity, purpose, and power can be both reinforced and subverted by modifications to various cultural master-plots and their traditional heroes and villains. Of most interest are the insights into the strategic struggles faced by corporate managers in the cultural industries, and by intellectual property policymakers dealing with the fascinating and seismic new millennium shifts in technology, communications, and related social behaviour. Illustrating how a satisfactory 'post-private' master-narrative for the digital age has yet to emerge, the book also makes a valuable contribution to loosening the industrial-political deadlock in the debate over copyright reform. It is essential reading for cultural industry practitioners, policymakers and scholars alike, indeed for anyone who takes an interest in the changing processes which affect the creation and dissemination of knowledge and culture.
The relevance of culture has recently enjoyed increasing recognition for the study of European integration and a European identity. Appeals to a common European culture as well as appeals to different national cultures have been used respectively as a means to pursue political ends. Paying tribute to literature's role as an important constituent part of a culture, this collection of essays explores literary representations of Europe and its nation states and should be of particular value to anyone who is interested in cultural, political or literary studies in the European context.
The tumultuous events taking place in Eastern Europe have resulted in an avalanche of publications in English about that part of the world. This volume, a continuation of the late Stephan M. Horak's series of bibliographies covering books published in English about the Soviet Union and Eastern Europe up to 1985, picks up where Mr. Horak left off. It provides a selective bibliography of books concerning Russia and the Soviet Union that were published in English from 1986 to 1991. Descriptive annotations of more than 1,400 titles contain bibliographic information, brief abstracts, and citations of major reviews when available. Focusing on the social sciences and humanities, this volume excludes pure science and technology, occasional papers, serial publications, publications under 50 pages in length, and those not readily available to the general academic and public library user. At a time when interest is high and material is proliferating, this guide is a must.
Eighteenth-century gentleman scholars collected antiquities. Nineteenth-century nation states built museums to preserve their historical monuments. In the present world, heritage is a global concern as well as an issue of identity politics. What does it mean when runic stones or medieval churches are transformed from antiquities to monuments to heritage sites? This book argues that the transformations concern more than words alone: They reflect fundamental changes in the way we experience the past, and the way historical objects are assigned meaning and value in the present. This book presents a series of cases from Norwegian culture to explore how historical objects and sites have changed in meaning over time. It contributes to the contemporary debates over collective memory and cultural heritage as well to our knowledge about early modern antiquarianism.
From her contact with a group of young novelists, film-makers and artists in China, Zha examines a wide range of developments largely unknown to Western readers: the planning of soap operas to placate popular unrest after Tiananmen; the growth of the sex tabloid and pornography industries; the new generation of entrepreneurs bringing to the mainland the consumer techniques of Hong Kong and the West; and the politics behind the censorship and commercial success of the film directors Chen Kaige (Farewell my Concubine) and Zhang Yimou (Ju Dou and Raise the Red Lantern).
This cultural study reveals the interdependence between British Aestheticism and late-Victorian social-reform movements. Following their mentor John Ruskin who believed in art's power to civilize the poor, cultural philanthropists promulgated a Religion of Beauty as they advocated practical schemes for tenement reform, university-settlement education, Sunday museum opening, and High Anglican revival. Although subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility.
TOP TEN SUNDAY TIMES BESTSELLER Think about that first tickle of hunger in your stomach. A moment ago, you could have been thinking about anything, but now it's thickly buttered marmite toast, a frosty scoop of ice cream straight from the tub, some creamy, cheesy scrambled eggs or a fuzzy, perfectly-ripe peach. Eating is one of life's greatest pleasures. Food nourishes our bodies, helps us celebrate our successes (from a wedding cake to a post-night out kebab), cheers us up when we're down, introduces us to new cultures and - when we cook and eat together - connects us with the people we love. In Eat Up, Ruby Tandoh celebrates the fun and pleasure of food, taking a look at everything from gluttons and gourmets in the movies, to the symbolism of food and sex. She will arm you against the fad diets, food crazes and bad science that can make eating guilt-laden and expensive, drawing eating inspiration from influences as diverse as Roald Dahl, Nora Ephron and Gemma from TOWIE. Filled with straight-talking, sympathetic advice on everything from mental health to recipe ideas and shopping tips, this is a book that clears away the fog, to help you fall back in love with food.
The Archetypal Pan in America examines the complex moral and ethical dilemmas that Americans have had to face over the last few decades, including the motivations for the Vietnam War; who was in control of women's productive rights; how to extend civil rights to all; protests for the historically unapologetic narrative of the genocide of Native Americans; and the growing number of school shootings since the Columbine massacre. Fontelieu suggests that the emotional pain these issues created has not resolved and that it continues to surface, in the guise of new issues, but with a similar dysfunctional pattern. The book argues that this pattern acts in the culture in the same manner as a psychological defense system: stimulating fight, flight, or freeze reactions; requiring great stores of energy when activated; and deflecting attention from other areas. Relying on Jung's theory of the applicability of myth to psychological problems and the post-Jungian theory of cultural complexes, the myths of the Greek god Pan are used to scaffold a metaphor that informs this pattern. Fontelieu proposes that, rather than looking inward as a culture for how to accept its changing role in a global world, this pattern reinforces dysfunctional emotional responses to the reoccurring traumas of modernity, responses such as an increase in the magnetic appeal of hypermasculinity, or choosing to remain naively self-absorbed. The Archetypal Pan in America will be of great interest to Jungian analysts and scholars of depth psychology, as well as academics and postgraduate students studying psychology, foreign studies, literary criticism, politics and cultural studies.
Museums of history and contemporary culture face many challenges in the modern age. One is how to react to processes of Europeanization and globalization, which require more cross-border cooperation and different ways of telling stories for visitors. This book investigates how museums exhibit Europe. Based on research in nearly 100 museums across the Continent and interviews with cultural policy makers and museum curators, it studies the growing transnational activities of state institutions, societal organizations, and people in the museum field such as attempts to Europeanize collection policy and collections as well as different strategies for making narratives more transnational like telling stories of European integration as shared history and discussing both inward and outward migration as a common experience and challenge. The book thus provides fascinating insights into a fast-changing museum landscape in Europe with wider implications for cultural policy and museums in other world regions.
This book investigates the ways in which 'language' and 'culture' come to be standardized through ideology, representation in textbooks and in classroom practices. In doing so, it provides insights into the standardization processes which address the theoretical and practical concerns of researchers and educators. The cases that this book illustrate a wide range of Japanese language/culture standardization processes in numerous contexts: translation in Meiji-era Japan, the ideologies of the standardization of regional dialects in Japan, practices in college Japanese-as-a-Foreign-Language classrooms in the United States, discourses in journals of Japanese language education, and classroom practices in nursery and primary schools in Japan. Japan has undergone extensive standardization in terms of its culture and language to such a degree that they are commonly believed to be homogeneous, providing an important case for a study of standardization. Few such studies have been published in English, making this book all the more important.
Nasir al-Din Tusi, the renowned Shi'i scholar of the 13th century, produced a range of writings in different fields of learning under Ismaili patronage and later under the Mongols. This is a new English translation of his Rawda-yi taslim - the single most important Ismaili text from the Alamut period. Here the Persian and English texts are published together for the first time to produce a work of enormous value to students of Islamic theology and philosophy. The book contains an introduction by Professor Hermann Landolt and philosophical commentary by Professor Christian Jambet, who has produced a French translation of this text.
When and why did "white people" start calling themselves "white"? When and why did "white slavery" become a paradox, and then a euphemism for prostitution? To answer such questions, Taylor begins with the auction of a "white" slave in the first African American novel, William Wells Brown's Clotel (1853), and contrasts Brown's basic assumptions about race, slavery, and sexuality with treatment of those issues in scenes of slave marketing in English Renaissance drama. From accounts of Columbus and other early European voyagers to popular English plays two centuries later, Taylor traces a paradigm shift in attitudes toward white men, and analyzes the emergence of new models of sexuality and pornography in an "imperial backwash" that affected whites as much as blacks. Moving between the English Renaissance and the "American Renaissance" of the 1850s, this original and provocative book recovers the lost interracial history of the birth of whiteness.
Offering readers the most complete and authoritative critical introduction to Leisure Theory and written by one of the major figures in the field, the book provides an exciting and reliable guide to leisure forms, leisure practice and the representation of leisure. It demonstrates how power relations influence leisure choices and introduces students to the primary functions and regulative mechanisms of leisure, providing a thought provoking account of the central problems confronting students of leisure today. Written with the needs of students at both undergraduate and postgraduate levels in mind, the book will quickly be recognized as the bible for Leisure Theory.
One out of every seven working age African Americans has an impairment that affects functioning in activities of daily living. These statistics suggest that most African Americans are touched by disability. This book examines the psychosocial aspects of disability and chronic illness using a culturally congruent framework. Chapters address prevalance, health and rehabilitation utilization patterns, the role of culture, empirical research, and strategies for improving mental health and functional outcomes. This book will be useful to professionals who work with people with disabilities, policymakers, and consumers, as well as faculty and students in rehabilitation, health, and African American courses.
The permanent struggle for optimisation can be seen as one of the most significant cultural principles of contemporary Western societies: the demand for improved performance and efficiency as well as the pursuit of self-improvement are con-sidered necessary in order to keep pace with an accelerated, competitive modern-ity. This affects not only work and education, but also family life, parent-child relationships and intimate relationships in respect to the body and the self, in regard to the public as well as the private realm. Bringing together contributions from renowned scholars from the fields of sociology, psychology and psycho-analysis, this book explores the impacts of optimisation on culture and psyche, examining the contradictions and limitations of optimisation, in conjunction with the effects of social transformations on individuals and shifts in regard to the meaning of 'pathology' and 'normality'.
Proverbs supposedly contain the wisdom of the common folk--eternal truths to be passed down through the ages. They are short, often humorous, expressions that teach lessons or give practical advice, and they are perhaps the best indicators of attitudes and beliefs of any form of folklore. Not only reflecting culture, proverbs also perpetuate the cultural dictates of the past, including the fears, prejudices, and misconceptions of their predominately male authors. Because they are generalizations, proverbs sometimes impede accurate observation and analysis and stifle original thought. Like many other traditions and cultural practices, proverbs often promote misleading stereotypes of women. This reference book collects more than 800 American proverbs about women and analyzes their significance. The volume begins with introductory chapters that explore the relationship between proverbs and culture and the image of women presented in proverbs. The chapters that follow are devoted to particular categories, such as wives and 6~rriage, mothers and daughters, women as property, and old women and grandmothers. Each chapter includes a brief introductory overview and a listing of proverbs relating to the topic. The proverbs were gathered through an extensive review of journal articles, proverb dictionaries, and other literature. In addition to true proverbs, the volume includes some phrases, sayings, and proverbial comparisons. Not included are expressions that contain words like "mother" or "daughter" but do not really describe women or comment about them. The book then presents a concluding analysis of how American proverbs portray women, an alphabetical index of proverbs, and an extensivebibliography.
Bringing together sources from many countries and many centuries, this study critically analyses the growth of national thought and of nationalism - from medieval ethnic prejudice to the Romantic belief in a nation's 'soul'. The belief and ideology of the nation's cultural individuality emerged from a Europe-wide exchange of ideas, often articulated in literature and belles lettres. In the last two centuries, these ideas have transformed the map of Europe and the relations between people and government. In tracing the modern European nation-state, cross-nationally and historically, as the outcome of a cultural self-invention, Leerssen also provides a surprising perspective on Europe's contemporary identity politics. National Thought in Europe has been brought up to date in this new, third edition.
Walter Benjamin holds a unique fascination for students and
scholars interested in the question of modernity. The most original
thinker of Weimar Germany, Benjamin has become something of a
cultural icon and his works are often regarded with awe rather than
critical scrutiny. This book offers surprising new insights from a
number of perspectives -- sociology, history, women's studies,
literary and cultural studies -- and investigates unexplored areas
of Benjamin scholarship to arrive at a critically balanced
perception of his work.
This wide-ranging, historically informed study examines the career of the culture concept and related notions of context in comparative and international politics, tracing connections through the disciplines of anthropology and history as well as through issues in nationalism and democracy.
This fascinating book explores the rich history of exhibition ballroom dancing from its heyday in the 1910s to the present. Julie Malnig's record of this intimate, theatrical genre of dance features male-female teams--idolized as theatre personalities in cabaret, vaudeville, musicals, and, later, as stars of film and television. Both role models and teachers, exhibition ballroom teams showed the public exciting new forms and styles. Exhibition ballroom dancing is examined as a cultural and social phenomenon promoting new cultural standards, including the emancipation of women and a casualness and spontaneity between the sexes. A comprehensive study of this dance genre and entertainment form, this volume utilizes unexplored primary sources and is illustrated with original photographs. This book can be used by students, researchers, and anyone interested in the history of dance, theatre, and all forms of popular entertainment.
As the 1998 annual World Bank assessment soberly observed: "No country in recent history, let alone one the size of Indonesia, has ever suffered such a dramatic reversal of fortune." Since the middle of 1997, we have witnessed momentous and tragic events in Indonesia. Nobody foresaw the events, and many ordinary Indonesians have experienced a substantial decline in their living standards. This book describes and analyzes Indonesia’s most serious economic crisis against the general backdrop of economic decline in Southeast Asia. It also looks to the future, considering Indonesia's immediate policy challenges to overcome the crisis and dwelling on some of the key longer-term policy challenges raised by the crisis.
"The Open Covenant" examines two opposing trends in contemporary American culture: an adherence to traditional, rigid structures, institutions, and lifestyles; and a move toward a more flexible, tolerant society in which individuals and organizations work together on shared needs, interests, and goals. This volume presents a unique discussion of the distinctive new pattern in today's society--the increasing willingness of Americans to extend themselves beyond narrowly defined self-interests into more controversial and universal issues. |
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