A seeming constant in the history of capitalism, greed has nonetheless undergone considerable transformations over the last five hundred years. This multilayered account offers a fresh take on an old topic, arguing that greed was experienced as a moral phenomenon and deployed to make sense of an unjust world. Focusing specifically on the interrelated themes of religion, economics, and health-each of which sought to study and channel the power of financial desire-Jared Poley shows how evolving ideas about greed became formative elements of the modern experience.

Cultures, Communities, Identities explores a wide range of cultural strategies to promote participation and empowerment in both First and Third World settings. This book starts by analyzing contemporary debates on cultures, communities, and identities, in the context of globalization. This sets the framework for the discussion of cultural strategies to combat social exclusion and to promote community participation in transformative agendas for local economic and social development. The final chapter focuses on the use of cultural strategies and new technologies across national boundaries, at the global level.

In the dense rainforest of the west coast of Vancouver Island, the Somass River (c uuma as) brings sockeye salmon (mi aat) into the Nuu-chah-nulth community of Tseshaht. C uuma as and mi aat are central to the sacred food practices that have been a crucial part of the Indigenous community's efforts to enact food sovereignty, decolonize their diet, and preserve their ancestral knowledge. In A Drum in One Hand, a Sockeye in the Other, Charlotte Cote shares contemporary Nuu-chah-nulth practices of traditional food revitalization in the context of broader efforts to re-Indigenize contemporary diets on the Northwest Coast. Cote offers evocative stories of her Tseshaht community's and her own work to revitalize relationships to ha um (traditional food) as a way to nurture health and wellness. As Indigenous peoples continue to face food insecurity due to ongoing inequality, environmental degradation, and the Westernization of traditional diets, Cote foregrounds healing and cultural sustenance via everyday enactments of food sovereignty: berry picking, salmon fishing, and building a community garden on reclaimed residential school grounds. This book is for everyone concerned about the major role food plays in physical, emotional, and spiritual wellness.

This lively, entertaining, and often funny history of America's supermarket tabloids is the first book to offer a behind-the-scene's look at the intriguing world of tabloid journalism, and especially the unique personalities that made it such a tremendously successful and influential force in today's media. Perhaps no one is more qualified to give the complete insider's account of the tabs than Bill Sloan, who helped guide the destinies of three major tabloids in their heyday. Sloan profiles the publishing eccentrics who conceived the first national tabloids, the greedy owners and screwball executives who called the shots, the ruthless underworld manipulators who fed off of the tabloids' phenomenal success, and the money-driven journalists who did the dirty work. I Watched a Wild Hog Ate My Baby reveals the whole sometimes-sordid, often-silly, but always-amazing story behind the multibillion-dollar industry these characters spawned.
Based on candid interviews with the author, the fascinating personalities who created the tabloids explain in their own words how and why they built these notorious rags into powerful and often feared journalistic empires. The late, legendary Enquirer founder Generoso (Gene) Pope, former Enquirer president Iain Calder, Globe cocreator and longtime editor John Vader, and many others offer hundreds of funny, juicy, irresistible glimpses into their zany business. Sloan traces the development of the tabs from their beginnings in sleazy, gore-filled sensationalism or soft-core smut and sex scandals, through the celebrity crazes of Jackie O. and Princess Di. He also discusses the widespread influence of the tabloids today on television journalism and the Internet, where the distinction between news and entertainment is quickly vanishing.
This enjoyable, eye-opening account is must reading for anyone interested in the people and the trends that shape our popular culture.

In this ground-breaking book, a theory of 'distortion' - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain's greatest twentieth-century painters and that art's public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the 'memory-feelings' which he felt were a 'sacred' part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer's story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer's work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.

Electric Dreams turns to the past to trace the cultural history of computers. Ted Friedman charts the struggles to define the meanings of these powerful machines over more than a century, from the failure of Charles Babbage's "difference engine" in the nineteenth century to contemporary struggles over file swapping, open source software, and the future of online journalism. To reveal the hopes and fears inspired by computers, Electric Dreams examines a wide range of texts, including films, advertisements, novels, magazines, computer games, blogs, and even operating systems.

Electric Dreams argues that the debates over computers are critically important because they are how Americans talk about the future. In a society that in so many ways has given up on imagining anything better than multinational capitalism, cyberculture offers room to dream of different kinds of tomorrow.

The "cultural turn" in sociology created a new interest in power questions. This has led to a renewed interest in conceptual discussions of power in the field of culture studies, whereas empirical work is still less developed. "Comparative Studies of Culture and Power" sets the focus on the uses of cultural and symbolic means in struggles for hegemony: in politics, music markets, literature and the arts. Gender specific uses of rhetorical techniques is one salient theme, struggles for recognition of rhythm and blues music another. Several articles treat the role of the arts in nation building, as well as the role of public monuments in the acknowledgement of war and terrorism. The analyses relate to cultures all over the Western world.

Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.

The idea for this text stemmed from the fruitful experience gathered during the training course of 9 Nigerian university students organized in Naples from 3 to 18 September 2008 by the team of Fondazione IDIS-Citta della Scienza under the project Science Centre Owerri. The training course turned out to be not only an educational opportunity to acquire knowledge and skills for these students, but also a real and practical tool that later led to the realization of the first Science Festival of Owerri in Nigeria in May 2009. This in turn sparked the idea of creating a highly practical handbook for those who want to face the challenge of developing new projects for the dissemination and socialization of science in developing countries. In these countries, the role of scientific education and training in schools is not sufficient to arouse scientific curiosity among young people and make the population aware of the importance of scientific knowledge in everyday life. Moreover science and technology are indispensable tools for people's empowerment and should be supported with actions that encourage curiosity about science and the intelligent use of technology to bridge the divide with developed countries. It is therefore necessary to set up activities that are carefully targeted to promote and communicate science. The text has been designed as a practical guide to be used in a variety of contexts: scientific events or more structured science festivals, training, the creation of scientific cultural associations, and the development of new science centres. Besides being an excellent tool for training and supporting the design and planning phases, the manual can also be used as a reference work for institutions and local cultural services which have to select projects of this type.

These essays by leading figures from academia, architecture and the arts consider how cultures of memory are constructed for and in contemporary cities. They take Berlin as a key case of a historically burdened metropolis, but also extend to other global cities: Jerusalem, Buenos Aires, Cape Town and New York.

Since 1945, the Jewish population in Germany has grown steadily and there has been a flourishing of "Jewish" culture in Germany. Does this development mean that Jews are playing a significant role in German social life or that the German-Jewish relationship, often referred to as a kind of symbiosis, has re-emerged? The essays in this book cover the changes in German society since 1945 in Jewish communities, literature, theater, film, architecture, and other areas including an examination of the resurgence of anti-Semitism in Austria.

Civilization and culture have traditionally been regarded as mutually exclusive concepts. In this comparative case-study of Northern Ireland, Máiréad Nic Craith explores the commitment of unionists to a civic, "culture-blind" British state; contrasting this with nationalist demands for official recognition of Irish culture. The "cultural turn" in Northern Irish politics and the development of a bicultural infrastructure is examined here in the context of differing interpretations of equality and increasing demands for intercultural communication within, as well as between, communities.

Museums of all kinds - art, history, culture, science centers and heritage sites - are actively engaging with food through exhibitions, collections, and stories about food production, consumption, history, taste, and aesthetics. Food also plays a central role in their food courts, restaurants, cafes, gardens, and gift shops. Food and Museums is the first book to explore the diverse, complex relationship between museums and food. This edited collection features theoretical analysis from cultural historians, anthropologists, neuroscientists, and food studies scholars; interviews with museum professionals, artists and chefs; and critical case studies from a wide range of cultural institutions and museums to establish an interdisciplinary framework for the analysis of the role of food in museums. Exploring the richness and complexity of sensory, cultural, social, and political significance of food today as well as in the past, the book demonstrates how food is changing the current museological landscape. A fascinating look at contemporary museums through the lens of food, this is an essential read for students and researchers in museum studies, food studies, cultural studies, and sensory studies as well as museum and food professionals.

A fascinating array of ethnographic and theoretical relevant case studies, this book is timely and topical in combining substantial new historical and ethnographic material about elites. Case studies include the Polish gentry, the white former colonial elite of Mauritius, professional elites, and transnational (financial) elites, with queries about power, culture, distinction, and marginalization. The focus on elites from an anthropological perspective makes a significant contribution to explaining numerous and often paradoxical aspects of elites, their behavior, their position and their relationship with other social groupings.

This volume is the product of the "Sixth Annual SEEP-Conference on Economic Ethics and Philosophy" on the theme of 'Cultural Factors in Economic Growth' held at Marienrode Monastry, Hildesheim, in April 1998. Our thanks go to our colleagues (including Avner Offner, whose paper could not be included here), the staff at the monastry, and Professor Peter Koslowski of the Forschungsinstitut fUr Philo sophie Hannover, and editor of this series, for contributing to a very enjoyable conference and, we hope, an interesting collection of essays. Mark Casson and Andrew Godley University of Reading, March 2000 Contents Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Chapter 1 Cultural Factors in Economic Growth MARK CASSON AND ANDREW GODLEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Chapter 2 Trust as a Governance Device BART NOOTEBOOM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Chapter 3 A Measure of Culture: Trust and Defection in Southern Italy FRANCESCO L. GALASSI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Chapter 4 Entrepreneurial Minorities: A Typology WILLIAM D. RUBINSTEIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . III Chapter 5 Cultural Determinants of Jewish Immigrant Entrepreneurship in the UK and USA and British and American Culture ANDREW GODLEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 CONTENTS Chapter 6 Jurisprudence, Expected Value, and the Culture ofInnovation FRED V. CARSTENSEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 Chapter 7 Constitutions, Liberties, and Growth in Pre-Modem Europe STEPHAN R. EpSTEIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Chapter 8 Culture and the Myth of Economic Determinism in Global History and World Politics KEN DARK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Chapter 9 The Case for a Shared World Language ERIC L. JONES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 0 List of Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 Index of Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

With a heritage dating back to the mid-seventeenth century, the Royal Marines have accrued a rich history of rituals, artefacts and material culture that is consciously deployed in order to define and shape the institution both historically and going forward into an uncertain future. Drawing upon this heritage, Mark Burchell offers a unique method of understanding how the Royal Marines draw upon this material culture in order to help transform ordinary labour power to political agency comprising acts of controlled and sustained violence. He demonstrates how a barrage of objects and items - including uniforms, weapons, landscapes, architecture, personal kit, drills, rituals, and iconography - are deployed in order successfully to integrate the recruits into the Royal Marines' culture. It is argued that this material culture is a vital tool with which to imprint the military's own image on new recruits as they embark on a process of de-individualisation. Having been granted unprecedented access to the Commando Training Centre at Lympstone as an anthropologist, Burchell observed an intake of recruits throughout their demanding and exhausting year-long training programme. The resulting book presents to the academic community for the first time, a theorised in-depth account of a relatively unexplored social community and how its material culture creates and reifies new military identities. This path-breaking interdisciplinary analysis provides fresh understanding of the multiple processes of military enculturation through a meticulous revision of the relationships that exist between disciplinary and punishment practices; violence and masculinity; narratives and personhood; and will explore how these issues are understood by recruits through their practical application of body to physical labour, and by the cues of their surrounding material culture.

This study analyzes the pervasive rhetoric of victimhood in European culture since 1968. In a radically fragmented public sphere, individuals perceive themselves as dissociated from all others, while at the same time they feel similar to everyone else. Where genuine solidarity and communality is attenuated, people present themselves as victims to garner media attention, create fragile social bonds, or escape supposed marginalization and oppression. Fatima Naqvi commences with interpretations of Sigmund Freud, Theodor Adorno and Max Horkheimer, arguing that contemporary discourse continues a trajectory mapped in the early 20th century--in the shadow of Nazism. In a series of paradigmatic readings of Rene Girard, Peter Sloterdijk, Michael Haneke, Anselm Kiefer, Christoph Ransmayr, Friederike Mayrocker, Michel Houellebecq, Giorgio Agamben, and Elfriede Jelinek, she traces the on-going fascination with victimhood and the desire for victim status in the West. She looks at the way in which such cultural anxiety expresses itself; at how victim rhetoric calls itself into question; and, finally, at how it perpetuates itself in the moment that it becomes philosophically ungrounded.

Cultured Violence explores contemporary South African culture as a test case for the achievement of democracy by constitutional means in the wake of prolonged and violent conflict.\ The book addresses key ethical issues, normally addressed from within the discourses of law, the social sciences, and health sciences, through narrative analysis. The book draws from and juxtaposes narratives of profoundly different kinds to make its point: fictional narratives, such as the work of Nobel laureate J.M. Coetzee; public testimony, such as that of the Truth and Reconciliation Commission, and Jacob Zuma's (the former Deputy President's) 2006 trial on charges of rape; and personal testimony, drawn from interviews undertaken by the author over the past ten years in South Africa.\ These narratives are analysed in order to demonstrate the different ways in which they illuminate the cultural "state of the nation": ways that elude descriptions of South African subjects undertaken from within discourses that have a historical tendency to ignore cultural dimensions of lived experience and their material particularity. The implications of these lived experiences of culture are underlined by the book's focus on the violation of human rights as comprising practices that are simultaneously discursive and material. Cases of such violations, all drawn from the South African context, include humans' use of non-human animals as instruments of violence against other humans; the constructed marginalization and vulnerability of women and children; and the practice of stigma in the context of the HIV/AIDS epidemic.

Many attack pop culture as a crude 'sexual' and 'celebrity-based' culture that is purportedly bringing about the end of moral values. Renowned semiotician Marcel Danesi adds his signature insight to the debate by delving deep into pop culture through a consideration of symbols. Danesi's treatment of letters, such as the X in 'X-Rated,' the 'i' in 'iPod,' and other such symbols, reveals an ancient mythic structure that blends the sacred and profane dimensions of human psychic life. Danesi takes the reader on a remarkable exploration of the radical turns in American society, a society in which the search for pleasure and sexual expression often reign supreme. X-Rated! is a fascinating trip through what gives pop culture its secret appeal.

"This collection examines human-animal relations and the different ways in which they can be understood, exploring animal rights and animal welfare; whether and under what circumstances animals are regarded as social actors with agency; media representations of human-animal relations; and the relation between animals and national identity"--

Written by a former supporter of Fidel Castro, this personal and insightful memoir contrasts firsthand the dream of the Cuban Revolution as it was in the early 1960s with the deprivations, hardships, and loss of hope that haunt Cuban society today. Blacklisted during the "Red Scare" of the 1950s, Professor Maurice Halperin and his wife, Edith, cut their losses and left the United States on an odyssey that would take them to Mexico, Moscow, and eventually, at Che Guevara's personal invitation, to Havana. Arriving virtually on the eve of the Cuban Missile Crisis, they unexpectedly found a country bursting with the patriotic fervor of the Revolution. Fearless of their neighbor to the north, Cubans were feverishly engaged with plans for the future, their country sizzling with the ever-present rhythm of the "cha-cha-cha". For six critical years, Halperin lived and worked in Cuba, as university lecturer and government official, before leaving to take up a teaching post in Canada. In November of 1989, after an absence of more than twenty years, Halperin returned to Havana to visit old friends and to see for himself the long-term effects of Castro's regime. What he found was a changed society. Cubans were constantly frustrated by rationing and by a system that provides often menial jobs for everyone but also ensures poor production and offers little prospect or incentive for advancement. Devastating losses of economic support from the Eastern bloc after the advent of Perestroika were weakening an already shaky system. Hope for a productive socialist Cuba, so apparent in the sixties, had disappeared. Return to Havana is a careful and often poignant analysis of how and why the Cuban Revolutionhas failed. Told from the viewpoint of a seasoned scholar who has warm feelings for Cuba and its people, this first-person account offers new insight into the Revolution's systemic deficiencies: an economy of smoke and mirrors, an improbable foreign policy, and a domestic political regimen based fatally on the priority of appearances. Halperin's detailed examination of Castro's personality places him, the architect of Cuba's recent past, at the heart of all its current problems. Halperin concludes with a sobering vision of the near future, predicting great turmoil for Cuba and a serious foreign policy challenge for the United States when Castro departs, leaving the rubble of the Revolution behind.

This book presents essays and scientific contributions examining the link between popular media and politics. The essays focus on the question of how political and social change, concepts of power, and utopian elements are reflected in selected films and television series. The book applies a political science perspective, covering theories from political philosophy, political sociology and international relations, and examines a wide range of movies and TV series, such as The Godfather, Fight Club, The Walking Dead and Game of Thrones. It will appeal to anyone interested in studying how political ideas, concepts and messages can be illustrated and visualized using the complex media of movies and TV series.

This collection of essays by leading German scholars from Britain, Germany, and the United States covers German literature, culture, and politics from the Middle Ages to the present day. Literary analysis is combined with approaches derived from sociology and cultural studies; historical assessment of literature and writers is accompanied by close linguistic criticism of texts. Essays on intellectual history, the continuing impact of the Third Reich on literature, parody, the tension between high and low literature, and the special case of cultural production, including fine art, in the former German Democratic Republic are balanced with discussion of the impact of dictatorship and Anglo-Saxon Liberalism on German society, the revival of Jewry since 1945, and the legacy of "1968" on contemporary German Politics. The result is a fascinating, if electic, introduction to the vitality and richness of university German studies on the threshold of the new millennium.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.