The notion of citizenship is complex; it can be at once an identity; a set of rights, privileges, and responsibilities; an elevated and exclusionary status, a relationship between individual and state, and more. In recent decades citizenship has attracted interdisciplinary attention, particularly with the transnational growth of Western capitalism. Yet citizenship's relationship to gender has gone relatively unexplored--despite the globally pervasive denial of citizenship to women, historically and in many places, ongoing today. This highly interdisciplinary volume explores the political and cultural dimensions of citizenship and their relevance to women and gender. Containing essays by a well-known group of scholars, including Iris Marion Young, Alison Jaggar, Martha Nussbaum, and Sandra Bartky, this book examines the conceptual issues and strategies at play in the feminist quest to give women full citizenship status. The contributors take a fresh look at the issues, going beyond conventional critiques, and examine problems in the political and social arrangements, practices, and conditions that diminish women's citizenship in various parts of the world.

In the wake of the elegant master theories of Joseph Campbell, Mircea Eliade, Georges Dumezil, and Claude Levi-Strauss, how are mythology and the comparative study of religion to be understood? In Myth and Method, a leading team of scholars assesses the current state of the study of myth and explores the possibilities for charting a methodological middle course between the comparative and the contextual issues raised in the last ten years. In confronting these tension, they provide an outline of the most troubling questions in the field and offer a variety of responses to them.

Shakespeare has long been identified as Britain's 'national poet', but his extensive role in the 2012 London Cultural Olympiad confirmed his expanded status as a modern global icon. From his prominent positioning in the London Olympic Games' Opening Ceremony, Closing Ceremony and Paralympic Opening Ceremony (which reached global audiences of an estimated one billion), to his major presence in the official cultural programme surrounding the Olympic Games (including the Royal Shakespeare Company's World Shakespeare Festival, Shakespeare's Globe Theatre's 'Globe to Globe' Festival and the BBC's Shakespeare Unlocked Season), Shakespeare played a significant role in the way the UK presented itself both to its own citizens and to the world. This collection examines the different cultural forces at play in the construction, use and reception of Shakespeare during the 2012 'Olympic Moment', exploring what his surprisingly persistent presence in the UK's Olympic festivities says about the relationship between culture, politics and identity in twenty-first-century British and global life.Through a series of chapters that cut across major Shakespearean events staged and broadcast during this unique year, the collection offers a comprehensive analysis of Shakespeare's positioning as both a symbol of British cultural achievement and a powerful form of cultural currency in an increasingly globalized world. Each chapter in the collection takes a single-word concept as its starting point (e.g. Celebration, Multiculturalism, Nation), developing it critically through an analysis of a cluster of key Shakespearean performances and events. These key terms serve as indications of the overarching theoretical interests of the collection while also allowing writers scope to discuss the most pertinent and culturally complex case studies in detail.

New media is becoming integral to our lives. But for how long can we refer to emerging media as new in this fast-moving digital age? What makes it 'new'? And what problems do interactive media create for us, as cultural beings? This book investigates the culture and context of new media. Exploring and critiquing debates drawn from media and cultural theory, Fuery clearly explores and defines the concepts of new media and interactivity. With a clear and structured approach, the book questions existing ideas about digital culture and explains the problems that emerging technologies can present to our culture, from issues of surveillance and power to the digitalisation of the body. In particular, the book includes: * a variety of perspectives and approaches to the idea of the 'new' * consideration and evaluation of work from key media theorists, from Foucault to Bourdieu * relevant and innovative examples that bring the complexities of new media to life * a glossary for quick reference and explanation of complex concepts New Media: Culture and Image interrogates the key concepts, models and approaches surrounding the formation and evolution of new media. It will encourage all students of Cultural Studies and Media Studies to question and reconsider their ideas about media and cultural theory.

Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; Laszlo Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.

Most human bodies have two arms, two legs, hands, feet, a head. Yet the body, as we perceive it, is ultimately a cultural construct defined by the values and meanings each individual, and each culture, ascribes to it. Beyond its corporeal realities, the implications of the body-how we adorn, alter, heal, and please it-are potentially endless, limited only by the manner in which we frame it.

Revealing how the human body has served as as metaphor for social process, the anthology unveils the body as intrinsically configured by politics, gender, racial categories, fears of pollution, and commercial forces which exploit and regulate it. Historical snapshots of American bodies over the past two and a half centuries, the essays in this volume cover such diverse subjects as sailor tattoos, maritime cannibalism in the early 1800's, birth control, rest cures for neurasthenia, and, more recently, anorexia, boxing, cyberpunk, and plastic surgery. Drawing from history, literary and cultural studies, and film studies, American bodies is an eclectic, stimulating collection that will challenge many fundamental beliefs about our physical form.

"A vivid analysis of how many Latin Americans have crafted alternative modes of understanding sexuality."
--"Hispanic American Historical Review"

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.

Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out.

Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

Contrary to popular perceptions, cultural heritage is not given, but constantly in the making: a construction subject to dynamic processes of (re)inventing culture within particular social formations and bound to particular forms of mediation. Yet the appeal of cultural heritage often rests on its denial of being a fabrication, its promise to provide an essential ground to social-cultural identities. Taking this paradoxical feature as a point of departure, and anchoring the discussion to two heuristic concepts-the "politics of authentication" and "aesthetics of persuasion"-the chapters herein explore how this tension is central to the dynamics of heritage formation worldwide.

The richly varied collection of 15 essays in this volume showcase the afterlife of the Book of Revelation. It is a biblical book that has left its mark in many fields of intellectual endeavour: literature, film, music, philosophy, political theology, and religious ideology. It is perhaps paradoxical that this book, which promises God's punishment upon anyone expanding on its contents, has nevertheless accumulated to itself over two millennia vast amounts of commentary, exposition, and appropriation. Offered at the close of the 'Blair/Bush years', this volume also exposes and highlights the often deeply ironic resonances generated while studying the reception history of Revelation during a period when the book has both significant public currency and a potentially terrifying global impact. Contents. Decoding, Reception History, Poetry: Three Hermeneutical Approaches to the Apocalypse (Jonathan Roberts); Self-Authorization in Christina Rossetti's The Face of the Deep (Jo Carruthers); Revelation, Dr Jekyll and Mr Hyde (Alison Jack); Revelation and Film (Melanie J. Wright); The Apocalypse according to Johnny Cash (William John Lyons); The Johannine Apocalypse and the Risk of Knowledge (James E. Harding); Revelation, Violence, and War (Heikki Raisanen); The Reception of Revelation, c. 1250-1700 (Anke Holdenried); A Seventeenth-Century Particular Baptist on Revelation 20.1-7 (Simon Woodman); The Book of Revelation, the Branch Davidians and Apocalyptic (Self-)destruction? (Kenneth Newport); Ecological Readings of the Apocalypse of John in Contemporary America (Michael S. Northcott); Feminist Reception of the Book of Revelation (Hanna Stenstrom); Revelation as Form and Content in the Works of Karl Marx and Friedrich Engels (Jorunn Okland)

The idea of public support for the arts is being challenged. Multiculturalism has been proposed as a worthy and necessary goal of public arts policy; whether or not it should be is explored for the first time in this book. Issues of cultural pluralism, the relations of art and culture, justice and affirmative action, and artistic value are presented as essential points of debate in making decisions concerning public support of the arts. This book will be of interest to professionals and teachers in the arts, public policy, arts management, and education. Its focus on multiculturalism and its analysis of basic concepts related to timely issues of public arts policy make it a unique contribution.

Far too often in the ?eld of archeology, the wheel of understanding and insight has a narrow focus that fails to recognize critical studies. Crucial information rega- ing pivotal archeological investigations at a variety of sites worldwide is extremely dif?cult, if not impossible, to obtain. The majority of archeological analysis and reporting, at best, has limited publication. The majority of archeological reports are rarely seen and when published are often only in obscure or out-of-print journals - the reports are almost as hard to ?nd as the archeological sites themselves. There is a desperate need to pull seminal archeological writings together into single issue or thematic volumes. It is the int- tion of this series, When the Land Meets the Sea, to address this problem as it relates to archeological work that encompasses both terrestrial and underwater archeology on a single site or on a collection of related sites. For example, despite the fact that we know that bays and waterways structured historic settlement, there is a lack of archeological literature that looks at both the nautical and terrestrial signatures of watersheds in?uence on historic culture.

Providing a detailed account of contemporary outdoor advertising and its relationship with urban space, this book examines what the outdoor advertising industry tells us about the commercial production of urban space, what industry practices reveal about contemporary capitalism, and how ads and billboard structures interface with spaces of the city.

The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the return of the Baroque expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond WilliamsGCO charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

"African Media and the Digital Public Sphere"examines, from theoretical and empirical perspectives, the claims that new information and communication technologies (ICTs) are catalysts of democratic change in Africa. Contributors do so from optimist, pragmatist-realist and pessimist stances through analyses of words and deeds of various political actors and organizations or institutions, from government units to political parties and party leaders to civil society organizations and minority groups. It is the first such publication contributed to by various African and Africanist scholars, based in Africa and around the world, whose research and/or practice activities focus on the relationship between new digital media and democracy on the continent.

Contemporary Los Angeles can increasingly be considered a part of Latin America. Only 200 miles from the border with Mexico, it has the largest, most diverse population of Latinos in the United States-and reportedly the second largest population of Mexicans outside of Mexico City. It also has one of the most diverse representations of Latino gastronomy in the United States, featuring the cuisine of nearly every region of Mexico, countries such as Peru, Argentina, Guatemala and El Salvador, as well as an incredible variety of Asian-Latin fusion cuisine. Despite the expansion of Latino cuisine's popularity in Los Angeles and the celebrity of many Latino chefs, there is a stark divide between what is available at restaurants and food trucks and what is available to many low-income, urban Latinos who live in food deserts. In these areas, access to healthy, affordable, culturally appropriate foods is a daily challenge. Food-related diseases, particularly diabetes and obesity, plague these communities. In the face of this crisis, grassroots organizations, policy-makers and local residents are working to improve access and affordability through a growing embrace of traditional cuisine, an emergent interest in the farm-to-table movement, and the work of local organizations. Angelinos are creating alternatives to the industrial food system that offer hope for Latino food culture and health in Los Angeles and beyond. This book provides an overview of contemporary L.A.'s Latino food culture, introducing some of the most important chefs in the Latino food scene, and discussing the history and impact of Latino street food on culinary variety in Los Angeles. Along with food culture, the book also discusses alternative sources of healthy food for low-income communities: farmers markets, community and school gardens, urban farms, and new neighborhood markets that work to address the inequalities in access and affordability for Latino residents. By making the connection between Latino food culture and the Latino communities' food related health issues, this study approaches the issue from a unique perspective.

Transcending recent attempts to pigeonhole 'the information revolution', this book shows how the paradoxical aspects of new media and the Internet (is it masculine or feminine? Does it mean peace or war?) are the peculiarly intense expression of the contradictions underlying our whole society. Andrew Calcutt is an enthusiastic champion of the potential for new communications technology, and a trenchant critic of the culture of fear which prevents its realisation.

An analysis of the Irish community of city of Worcester, Massachusetts around the turn of the 20th century. The author reveals how an ethnic group can endure and yet change when its first American-born generation takes control of its destiny.

After 9/11, the world felt the "shock and awe" of the War on Terror. But that war also exploded inside novels, films, comics, and gaming. Danel Olson investigates why the paranormal, ghostly, and conspiratorial entered such media between 2002-2022, and how this Gothic presence connects to the most recent theories on PTSD. Set in New York/Gotham, Afghanistan, Iraq, and CIA black sites, the traumatic and weird works interrogated here ask how killing affects the killers. The protagonists probed are artillery, infantry, and armored-cavalry soldiers; military intelligence; the Air Force; counter-terrorism officers of the NYPD, NCIS, FBI, and CIA; and even the ultimate crime-fighting vigilante, Batman.

At a time of significant change in the precarious world of female individualization, this collection explores such phenomena by critically incorporating the parameters of popular media culture into the overarching paradigm of gender relations, economics and politics of everyday life.

The search for meaning is an essential human activity. It is not just about agreeing on some definitions about the world, objects, and people; it is an ethical process of opening up to find new possibilities. Langlois uses case studies of social media platforms (including Facebook, Twitter, and Amazon) to revisit traditional conceptions of meaning.

This study considers George Eliot's novels in relation to Dante and to nineteenth-century Italian culture during the Italian national revival and shows how these helped shape her fiction. Thompson argues that Eliot was able to draw selectively on a powerful Risorgimento mythology of national regeneration and that her engagement with the work of Dante Alighieri increases steadily in her later novels, where the Divine Comedy becomes a sustaining metaphor for Eliot's meliorist vision and for her theme of moral growth through suffering.

This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.

Veteran journalist and communications scholar Philip Seib examines the future of Anglo-American relations in the context of post-Cold War developments such as the restructuring of NATO and the growing importance of the European Union. After establishing the historical context of ties between the United States and Great Britain, Seib analyzes current and prospective security and economic issues, cultural links between the two countries, and the dynamics of bilateral cooperation in matters such as building peace in Northern Ireland. Professor Seib also suggests an agenda for strengthening these ties as the new millennium begins. Relations between the United States and Great Britain remain good, but neglect-even during stable periods-could undermine this relationship. Seib makes the case that the United States and Great Britain still need each other and would benefit from constructive reappraisal and reaffirmation of their friendship. Although much has been written about the history of the special relationship, Seib provides uniquely comprehensive analysis of the issues that will determine the future of this alliance. The book will be of considerable use to scholars, students, policymakers, and all who believe that the future of US-British relations is too important to be taken for granted.

Economic arrangements of Romanies are complexly related to their social position. The authors of this volume explore these complexities, including how economic exchanges forge key social relationships of gender and ethnicity, how economic opportunities are constructed and seized, and how economic success and failure are transformed into attributes of social persons. They explore how, despite - or perhaps because of - their unstable and ambiguous position within the market economy, shared today with a growing number of people facing precarity and informalisation, Roma and Gypsy communities continuously re-create more or less viable economic strategies. The ethnographically based chapters share accounts of socially and economically vulnerable populations that face their situation with self-determination and creativity.