No one can doubt that Muslim cultures and Muslim populations are under intense scrutiny in the west and worldwide. Moreover, queer politics has been increasingly drawn into this contemporary Islamophobia. This book presents a detailed interdisciplinary study of the issues surrounding homosexuality and Muslim cultures, drawing on sociological theories of modernity and modernization, evidence of Muslim homo-eroticism in historical and contemporary context, and contemporary political ideas of queer politics, multiculturalism and international development. The book presents an original theoretical framework that describes the ways in which both queer and Muslim politics are caught up in a process of triangulation that asserts the superiority of western civilization. Using an intersectional framework, it also begins to map a way out of this oppositional understanding of homosexuality and Islam, both by drawing on the evidence of the complexity of lived experience for Queer Muslims and by challenging the euro-centric conceits of queer political and social theory.

Throughout her novels, Toni Morrison explores the complex interaction of race, class, culture, and gender. This study takes into account both Western and Black traditions to show how Morrison not only denounces the constricting patterns of the dominant culture, but also, through the reversal or subversion of Western stereotypes, harnesses the rich potential for the significance they contain.

While most recent studies of Morrison examine individual works separately, this book concentrates on particular dimensions of Morrison's fiction and explores the continuities and developments from her first to most recent novel. And while other studies generally approach Morrison from a particular critical perspective, this book instead considers the interaction of multiple determinants such as race and gender, and gives special attention to the pressure exerted by dominant cultural forms. The authors demonstrate how in contradiction to the dominant culture's ideology of unity and homogeneity, Morrison makes a case for the value of difference in a diverse society.

This book is a critical edition of John Bale's The Image of Both Churches (c. 1545). The Introduction provides a thorough overview of this sixteenth century work, explaining its relationship to the apocalyptic tradition and to Bale's important inspirations, from Augustine to Erasmus and Luther. Topics such as Bale's language, the place of the Image in his oeuvre, his use of medieval chronicles, and the influence of his exegesis are also discussed. The Image has often been called Bale's most important work; it articulated and developed the English Protestant view of the Apocalypse, influencing other Reformers both in England and on the continent. This book offers the first critical edition of the Image, including fully modernized spelling and punctuation as well as extensive explanatory notes. The five sixteenth-century printed editions of the Image are collated here, with textual notes that illustrate the relationship between variant readings and provide information on the choices made in this particular edition. This book also reproduces the striking woodcut illustrations from the Image in their original placements; examples from two different woodcut series are offered, as well as an overview of the history and importance of these images in the early printed texts. Five appendices, including a glossary of unfamiliar terms and a chart outlining Bale's periodization of history, also provide a wealth of information that enables readers to understand and use this edition. The largest appendix, on historical names and terminology, gives biographical information for 450 individuals and explains their importance, both to Bale and to the sixteenth-century Reformers in a broader context. This critical edition of the Image offers the most thorough study of the work to date, opening up the opportunity for a deeper understanding of this monumental text and for many further avenues of research.

This book offers an original analysis and theorization of the biopolitics of development in the postcolonial present, and draws significantly from the later works of Michel Foucault on biopolitics. Foucault s works have had a massive influence on postcolonial literatures, particularly in political science and international relations, and several authors of this book have themselves made significant contributions to that influence.

While Foucault s thought has been inspirational for understanding colonial biopolitics as well as governmental rationalities concerned with development, his works have too often failed to inspire studies of political subjectivity. Instead, they have been used to stoke the myth of the inevitability of the decline of collective political subjects, often describing an increasingly limited horizon of political possibilities, and provoking a disenchantment with the political itself in postcolonial works and studies.

Working against the grain of current Foucauldian scholarship, this book underlines the importance of Foucault s work for the capacity to recognize how this degraded view of political subjectivity came about, particularly within the framework of the discourses and politics of development, and with particular attention to the predicaments of postcolonial peoples. It explores how we can use Foucault s ideas to recover the vital capacity to think and act politically at a time when fundamentally human capacities to think, know and to act purposively in the world are being pathologized as expressions of the hubris and underdevelopment of postcolonial peoples. Why and how it is that life in postcolonial settings has been depoliticized to such dramatic effect? The immediacy of these themes will be obvious to anyone living in the South of the world. But within the academy they remain heavily under-addressed. In thinking about what it means to read Michel Foucault today, this book tackles some significant questions and problems: Not simply that of how to explain the ways in which postcolonial regimes of governance have achieved the debasements of political subjectivity they have; nor that of how we might better equip them with the means to suborn the life of postcolonial peoples more fully; but that of how such peoples, in their subjection to governance, can and do resist, subvert, escape and defy the imposition of modes of governance which seek to remove their lives of those very capacities for resistance, subversion, flight, and defiance.

"

This book examines 21st-century South African autobiographical writing that addresses the nation's socio-political realities, both past and present. The texts in focus represent and depict a South Africa caught in the midst of contradictory and competing images of the 'Rainbow Nation'. Arguing that recent memoirs question and criticize the illusion of a united nation, the study shows how these texts reveal the flaws and shortcomings not only of the apartheid past but of contemporary South Africa. It encompasses a broad range of autobiographical works, largely published since 2009, that engage with South Africa's past, present and future. At its centre is the quest for space and belonging, and this book investigates who can comfortably 'belong' in South Africa in its post-apartheid, post-Truth and Reconciliation, post-Mbkei and post-Zuma state.

Challenging the conventional perception of ancient Greece as the paradigm for unified models of culture, this study offers an alternative view of archaic and classical Greece. It is one in which the contact, conflict and collaboration of a variety of "subcultures" combine to comprise what we now understand as "Greekness." The volume argues for the recognition and analysis of cultural contact within Greece, focusing on the micromechanics of cultural exchange, the permeability of cultural boundaries, and the significance of Delphi's geographically marginal, yet symbolically central, location as an "internal contact zone."

This Key Concept pivot explores the trajectory of the semantic generation and evolution of two core concepts of ancient Chinese Confucianism, 'Zhong' (middle) and 'Zhongyong' (golden mean). In the pre-Qin period, Confucius advocated 'middle line' and 'golden mean' as the highest standards for gentlemanly behaviour and culture. In The Doctrine of the Mean the Confucian classic of the late Warring States Period, 'middle' obtained the ontological meaning of 'great fundamental virtues of the world', due to the influence of Taoism and Yinyang School. It became not only the norm of human behaviours, but also the law governing the operation of heaven and earth. Since then, idealist Confucian scholars of the Song and Ming dynasties have developed the meaning of 'middle' from the perspective of the relationships between heaven and man, a fundamental norm of Confucian ethics.

Written for high school students and general readers alike, this insightful treatment links the storied past of various Apache tribes with their life in contemporary times. Written for high school students and general readers alike, Culture and Customs of the Apache Indians links the storied past of the Apaches with contemporary times. It covers modern-day Apache culture and customs for all eight tribes in Arizona, New Mexico, and Oklahoma since the end of the Apache wars in the 1880s. Highlighting tribal religion, government, social customs, lifestyle, and family structures, as well as arts, music, dance, and contemporary issues, the book helps readers understand Apaches today, countering stereotypes based on the 18th- and 19th-century views created by the popular media. It demonstrates that Apache communities are contributing members of society and that, while their culture and customs are based on traditional ways, they live and work in the modern world. Takes an in-depth look at the Apache language today Discusses modern-day Apache artists, writers, musicians, and tribal leaders Contains an assortment of historical and modern photographs as well as charts and illustrations Provides a chronology of major historical events

Many prominent science fiction writers, artists, and editors began as s.f. "fans." This is the first book to survey fandom's history, manifestations, and accomplishments, including clubs, fanzines, and conventions. The 24 essays are divided into sections that consider the following: the types of people who become fans and the satisfactions they receive; the development of fandom in America; fandom in Europe and the Orient; social interactions in the form of local clubs or wider-drawing conventions; and long-term results in the form of beginning professional careers in writing or publishing, exercising critical attention, and so forth. The writers of these essays have all participated in the activities they describe. The book also contains a glossary, an annotated bibliography, and an index. Overall, this book gives a detailed look at the most important facets of a fascinating subculture that has contributed significantly to the direction of modern science fiction.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.

This is a pioneering work, timely, scholarly, and grounded in critical-sociological, anthropological, and philosophical traditions. It offers an empathic analysis of pluralist, Afrocentric, and postmodernist advocacies of multicultural education and multiculturalism, but reveals formidable flaws in their conceptions of gender, race, culture, knowledge, learning, and social change. It is required reading for those desiring a synopsis of the literature on multicultural education and multiculturalism, and an understanding of the disputes among the various schools of thought. The author claims that multiculturalism is DEGREESInot DEGREESR a remedy for problems of sexism, racism, and educational underachievement among ethnic minorities. Rather, so questionable is multiculturalisM's endorsement of biological classifications, so relativistic and moralistic are its arguments on cultural differences, and so negligent its analysis of human reasoning that it has become a political pawn. Read "Against the Multicultural Agenda" to discover what is wrong with the multicultural agenda and what is powerfully persuasive about the alternative--critical thinking.

Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current "crisis" that sociologists and others have noted in boy culture. In Pixar's Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar's males succeed or fail according to the "boy code," the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, social hierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar's Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.

This book examines in detail the basic trajectory of the cultural transformation and brings to light the extrinsic conditions and intrinsic mechanisms involved. It focuses on the period from after the Opium Wars to the New Culture Movement, as the New Culture Movement can be considered a pivotal phase in the cultural transformation of modern-day China. The New Culture Movement was a revolutionary eruption triggered by the accumulation of all the new qualitative cultural factors since the Opium Wars. Superficially, the movement's goal seemed to be to overthrow the traditional culture. But in essence its true objective was to conduct an overall "screening" of that culture. The book elaborates a broad variety of points in this context, including: the ideological and cultural evolution following the Opium Wars; the pressing challenges faced by "Zhong Ti"; the initial shaping of social, public and cultural spaces and major trends in ideological and cultural transformation at the end of the Qing Dynasty; the political disarray and conflicts between the new and old ideology in the first years of the Republic; the rise of the New Culture Movement; and the role of conservatism in the transition to a modern culture.

Illuminating one of the most pervasive issues of our time, Popular Culture is the first book to link the importance and implications of popular culture with pedagogical practice. It shows how cultural forms such as Hollywood films, pop music, soap operas, and televangelism are organized by gender, age, class, race, and ethnicity, thus providing the contradictory text that both enables and disables emancipatory interest, so fundamental to the formation of self and society. What emerges is a redefinition of the very notion of popular culture.

This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational 'Chineseness'. Collectively, the essays look at how notions of 'British Chinese culture' have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.

This volume analyses the role of Bram Stoker's Dracula and its sequels in the evolution of the Gothic. As well as the transformation of the Gothic location-from castles, cemeteries and churches to the modern urban gothic-this volume explores the evolution of the undead considering a range of media from the 19th century protagonist to sympathetic contemporary vampires of teen Gothic. Based on an interdisciplinary approach (literature, tourism, and film), the book argues that the development of the Dracula myth is the result of complex international influences and cultural interactions. Offering a multifarious perspective, this volume is a reference work that will be useful to both academic and general readers.

With its exalted emotionality, Pentecostalism is a widespread religious movement in Latin America and Africa. It is a blend of Methodism and African religious culture which arouses the passions of the poorest Brazilian masses. Pentecostal conversion is experienced as a sudden break which radically transforms the life of these sectors of the population. Pentecostalism is an Utopia of equality, love and emotion, which is staged during the worship service. However, it is also characterized by authoritarian features. Pentecostalism is slowly eroding the foundation of Western political categories.

This book is about forms of media that have reflected or increased consciousness of - a sense of place or a regional identity. From landscape painting in the Romantic era to newspaper coverage of devolution, the chapters explore, through contextualized case studies, the aesthetics of a wide range of local, regional and grassroots forms of media.

Bringing together a variety of critical approaches and interdisciplinary perspectives, this work reflects the continuing vitality and breadth of George Sand scholarship around the world. It contains twenty-eight papers and a keynote address presented at the Seventh International George Sand Conference. Contributors include leading European, American, and Asian scholars in the field. The volume opens with essays by Henri Peyre and Marilyn French focusing on George Sand's relation to her own period and society and her continuing relevance to modern readers. The next three sections are devoted to an examination of Sand's work in specific genres: the novel, travel writing, and autobiography. Other subject areas addressed include the relation of text to personal ideology, political views, and sexual politics and identity. The remaining chapters explore Sand's relationships with her contemporaries, including Alfred de Musset, Balzac, Flaubert, and Alexandre Dumas fils. Presenting the best in current scholarship in the field, this work will be of interest for studies and courses relating to nineteenth century women writers, French literature, women's studies, cultural and social history, and related subjects.

This collection of essays examines how Southeast Asian women writers engage with the grand narratives of nationalism and the modern nation-state by exploring the representations of gender, identity and nation in the postcolonial literatures of Brunei Darussalam, Malaysia, Singapore, Indonesia, and the Philippines. Bringing to light the selected works of overlooked local women writers and providing new analyses of those produced by internationally-known women authors and artists, the essays situate regional literary developments within historicized geopolitical landscapes to offer incisive analyses and readings on how women and the feminine are imagined, represented, and positioned in relation to the Southeast Asian nation.The book, which features both cross-country comparative analyses and country-specific investigations, also considers the ideas of the nation and the state by investigating related ideologies, rhetoric, apparatuses, and discourses, and the ways in which they affect women's bodies, subjectivities, and lived realities in both historical and contemporary Southeast Asian contexts. By considering how these literary expressions critique, contest, or are complicit in nationalist projects and state-mandated agendas, the collection contributes to the overall regional and comparative discourses on gender, identity and nation in Southeast Asian studies.

Christianity has been spread in Africa by Africans. It is the story of peoples seizing control of their own spiritual destinies-rather than the commonplace notion that the continent's Christian churches represent colonial and capitalist powers that helped subdue Africans to European domination. In short, once introduced, Christianity took on a powerful life of its own and spun out of the control of those who would retain ownership of doctrine and practice. East African Expressions of Christianity examines the experiences of African Christians as they explored the new faith, interpreted it in the context of their own values, appropriated it for themselves, and forged their own distinctive churches. Prominent Tanzanian and American historians, anthropologists, political scientists, and church people examine the translation of religious meanings across cultural boundaries; the religious and social appeal of the new faith; and the vital roles played by African evangelists, teachers, and translators in the spread of Christianity and the development of an African church.

Food and Everyday Life provides a qualitative, interpretive, and interdisciplinary examination of food and food practices and their meanings in the modern world. Edited by Thomas M. Conroy, the book offers a number of complementary approaches and topics around the parameters of the "ordinary, everyday" perspective on food. These studies highlight aspects of food production, distribution, and consumption, as well as the discourse on food. Chapters discuss examples ranging from the cultural meanings of food as represented on television, to the practices of food budgeting, to the cultural politics of such practices as sustainable brewing and developing new forms of urban agriculture. A number of the studies focus on the relationships between food, eating practices, and the body. Each chapter examines a particular (and in many instances, highly unique) food practice, and each includes some key details of that practice. Taken together, the chapters show us how the everyday practices of food are both familiar and, yet at the same time, ripe for further discovery.

Negotiating Feminisms examines intergenerational feminism in Chicanx family life. It analyses literary representations of the ways that Chicanas negotiate feminisms in the family across generations, through the maintenance, contestation, and adaptation of traditional gender roles. Using an original theoretical lens of negotiation to read the works of Ana Castillo and Sandra Cisneros, this book unpacks intergenerational resistance to patriarchal oppression. This book shows how the works of Cisneros and Castillo articulate a politics of negotiation that critiques the gendered ideologies and roles of the family. In doing so, the book's discussion not only engages with literary representations but also connects these representations to the contextual experience of Chicanx family life. This book calls for a rethinking of women characters beyond limited, and limiting, familial roles and uses the framework of feminist negotiation as a means to explore the empowering possibilities of intergenerational female relationships.

The melting pot is a myth, according to Fernandez, who shows that the United States is and always has been a "banquet of cultures." As he argues, the best way to deal with the more than 20 million new immigrants since 1965 is to accept, recognize, and eagerly explore the differences among the American people.

Fernandez seeks to forge a positive national consensus based on two building blocks. First, the nation's many ethnic groups can be a powerful source of unprecedented economic, artistic, and scientific creativity. Secondly, the nation's many ethnic groups offer a way to erase the black/white dichotomy which, masks the shared injustices of millions of European, Asian, African, Native, and Latino Americans. This is a provocative analysis of how we arrived at our current ethnic and racial dilemmas and what can be done to move beyond them. Scholars and students of American immigration and social policy as well as concerned citizens will find the book equally rewarding.

In the age of globalization, digitization, and media convergence, traditional hierarchies between media are breaking down. This book offers new approaches to understanding the politics and their underlying ideologies that are reshaping our global media landscape, including questions of audience participation and transmedia storytelling.