Katherine Anne Porter's life closely paralleled that of her century not only in its span (1890-1980) but in its interests and contradictions. A communist sympathizer who became a quasi fascist, a cosmopolitan who embraced southern agrarianism, a femme fatale whose writings nonetheless evince feminist feeling, Porter embodied, often at their extremes, the major currents of her time and ours. In this new biography Janis P. Stout argues that these inconsistencies can be viewed as part and parcel of modernism itself.

In any society, a foreigner learning the language must also learn what passes for good manners. The same is true for the historian trying to understand the social rules of a period and why these change. This book explores the nature and development of early modern conceptions of good manners, and examines some of the particular forms of everyday behaviour which these conceptions implied. `Courtesy' and `Civility' were among the values central to Tudor and Stuart assumptions and fears about the social and political order.

Short stories about the deep past and those who lived through millennia of exploration, hardship, and uncertainty during the evolution of farming. Winner of the 2019 Nautilus Book Award, Multicultural and Indigenous "Swigart is to be congratulated for giving us a series of connected short stories that are both entertaining and educational. The book is accurately grounded in archaeological facts, and its individual stories are thoroughly believable. Its particular format should be emulated by all those wishing to blend fact and fiction, not just as entertainment but as education, too."-Journal of Eastern Mediterranean Archaeology and Heritage Studies In unforgettable stories of the human journey, a combination of compelling storytelling and well-researched archaeology underscore an excavation into the deep past of human development and its consequences. Through a first encounter between a Neanderthal woman and the Modern Human to the emergence and destruction of the world's first cities, Mixed Harvest tells the tale of the Neolithic Revolution, also called the (First) Agricultural Revolution, the most significant event since modern humans emerged. Rob Swigart's latest work humanizes the rapid transition to agriculture and pastoralism with a grounding in the archaeological record. From the introduction: In the space of a few thousand years agriculture dominated the earth. We live with it all around us. History began, cities soared, the landscape was crisscrossed with roads.... Each story is prefaced by a short introduction and followed by some context in order to stitch the narrative together. Some stories are linked, but most are independent. The stories are gathered into three chapters: "Shelter," "House," and "Home." These represent a progression in where we lived, a series of transformations in technology and consciousness.

If societies have only memories of war, of cruelty, of violence, then why are we called humankind? This book marks a new trajectory in Memory Studies by examining cultural memories of nonviolent struggles from ten countries. The book reminds us of the enduring cultural scripts for human agency, solidarity, resilience and human kindness.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.

During the fateful summer of 1966, a handful of restless and frustrated deejays in New York and San Francisco began to conceive of a whole new brand of radio, one which would lead to the reinvention of contemporary music programming. Gone were the screaming deejays, the two minute doowop hits, and the goofy jingles. In were the counterculture sounds and sentiments that had seldom, if ever, made it to commercial radio. This new and unorthodox form of radio-this radical departure from the Top 40 establishment-reflected the social and cultural unrest of the period. Underground radio had been born of a desire to restore substance and meaning to a medium that had fallen victim to the bottom-line dictates of an industry devoted to profit. In this compelling and intriguing account of the counterculture radio movement, over 30 pioneers of the underground airwaves share insights and observations, and tell it like it was. Michael Keith has interviewed some of the most prominent figures of underground radio and has woven their reflections into a seamless, engrossing oral history of one of radio's most extraordinary moments. From the first broadcasts of a Screamin' Jay Hawkins record and a live Love-In and Be-In Rock 'n Roll concert, to the ultimate corporate takeover of the commercial underground airwaves, Keith provides the reader with a unique and fresh look at this turbulent era. There had never been anything like commercial underground radio before its '60s debut, and there has not been anything like it since its premature demise in the early 1970s. The innovativeness and boldness of underground radio brought a new golden age to the medium. Ignoring playlists, rigid programming formulas and program clocks, the underground deejays attracted a dedicated following of maturing baby boomers.

The authors state at the beginning of this provocative new book that one of the most distinctive features of the American persona is a preoccupation and underlying concern in the United States with what is or is not American.' How far can an ethnic group in the United States go to maintain its identity before it trespasses into what is perceived as un-American terrain? This is the underlying theme of Lambert and Taylor's community based investigation which studies the attitudes of Americans toward ethnic diversity and intergroup relations. Directed toward social psychologists, sociologists, anthropologists, and ethnic scholars, this study deals with the peculiar U.S. dichotomy of cultural diversity and assimilation.

The research is conducted in a metropolitan area among working class adults; some are established mainstream citizens, others are newcomers, but all experience ethnic and racial diversity as a daily fact of life. The authors examine the perspectives of mainstream White Americans and Black Americans. They interview ethnic immigrant groups--Polish, Arab, Albanian, Mexican, and Puerto Rican Americans--in two urban settings and offer insight to the reality as well as the exciting possibilities of multiculturalism. Students and scholars of all the social sciences will find "Coping with Cultural and Racial Diversity in Urban America" as a source of stimulating ideas.

This international comparison of pension plans lends great understanding to the transformation taking place in almost every nation around the world. It covers ten of the twelve countries of the European Union, as well as the United States and Japan. The project is interdisciplinary, covering a number of fields, such as economics, law, actuarial science, sociology, and political science, that contribute to the analysis of retirement income systems. The chapters vary in scope - some are comparative, some are restricted to a single country or to one type of plan in one country. Despite their diversity, the chapters share a common awareness of three aspects of pension plans: the importance of actors' roles in shaping each system, the different economic and social domains affected by retirement plans, and the interconnections between social security and supplementary plans.

This book analyzes narrations embedded in political disputes, allowing readers to gain a deeper understanding of modern political reality. The author explores this theme in readings of the Sophocles tragedy Antigone, the Melian Dialogue of Thucydides, Heinrich von Kleist's novella Michael Kohlhaas, Fyodor Dostoevsky's The Grand Inquisitor and E.L. Doctorow's Ragtime novel, taking into account the relevant interdisciplinary aspects of the narratives. His study of these four narrations focuses on key political concepts, such as might and right, self-interest, legality and justice, the nation-state and democracy, and relates them compellingly to current actuality. Since narrations can exert comprehensive and lasting influence on individuals' political discernment, this systematic analysis allows for a better comprehension of politics in education and civics.

During the early 1800s, inventor James Watt occupied his final years attempting to develop a mechanical system for copying sculptures of the human body. Though Watt's sculpture machine was never completed (and would, in any event, have eventually been made obsolete with the advent of photography), Watt's quest serves as an incisive metaphor for the subsequent body politics of the nineteenth century. As the modern world emerged, contemporary conceptions of physicality remained rooted in the classical tradition as they were simultaneously influenced by the technological forces of industry and revolution.

From Victorian reform to post World War I physical efficiency, Michael Budd's The Sculpture Machine traces this tension between the atavistic and modern in an engaging narrative analysis of physical culture. Budd foregrounds the rise of physical culture postcards, magazines and products by examining longstanding traditions of strength performance and the growing popularity of music hall body builders in the late 1800s. In the physical culture media itself, he uncovers elements of the consumer dynamic that shaped the 20th century tabloid-press as well as early gay-coded publications. From the 1830s through World War I, bodies were increasingly articulated as objects that could be shaped and repaired. Budd's insightful work deftly illustrates how ideas about bodies influenced the building of social, racial, gender and sexual identities in concert with the construction of a larger consumer culture.

Bonding Eros with virtue is neither unrealistic nor naive, contends Mike Martin. On the contrary, it's practical, even pragmatic. Virtues serve to focus, structure, and even define erotic love. In particular, caring, respect, faithfulness, honesty, fairness, wisdom, and gratitude are central to successful, long-term relationships.

"In Love's Virtues," Martin takes a look at why moral values enhance and solidify erotic and marital relationships. In the process, he challenges the widespread cynicism about marriage while remaining sensitive to the innumerable problems confronting couples. His approach to marital love is both traditional and modern. Traditional, by seeking to understand the moral significance of relationships based on long-term and lifelong commitments to love. Modern, by proceeding within a pluralist framework that affirms many kinds of erotic love, depending on the ideals partners embrace and their interpretations (within limits) of love's virtues.

Marriages, as Martin understands them, are moral relationships that involve sexual desires (at some time during the relationship) and are based on long-term commitment, whether or not those commitments are formally sanctioned by legal or religious authorities. In this sense, marriages are not restricted by the law, religious tenets, or the partners' sexual orientation.

Drawing on literature, psychology, and philosophy--from Plato and Shakespeare to Ingmar Bergman, Robert Bellah, and Carol Gilligan; from Tolstoy and D.H. Lawrence to Erich Fromm, Erica Jong, and Alice Walker--Martin reminds us that virtuous erotic love is a way to morally value another person. Understanding love as a virtue-structured way to appreciate others, he illustrates, is itself a step toward renewing marital faith.

This study looks at nineteenth - and early twentieth-century opera as part of a culture which produced fascism as a crisis-state, and threatened to extinguish the genre as an influential and contemporary high form of art altogether. Jeremy Tambling highlights the themes of the cultural crisis through a detailed discussion of some dozen operas and a general overview of the works of Wagner, Verdi, Puccini, Strauss, and others, drawing on the writings of Nietzsche, Adorno, Benjamin, and Heidegger, for an understanding of the ideological background. Reading fascism as a political, intellectual, and psychological phenomenon, the author draws on the works of Bataille, Theweleit, and Kristeva, for discussion of proto-fascist and fascist thought, and for its relation to gender-politics. Resisting the cliches about Wagner or Strauss's relationship to the Third Reich, Tambling takes the opera out the hermetically sealed-off state in which it is normally discussed, and presents it as both complicit in, and in opposition to, the reactionary and regressive pressures that made up the `culture of fascism', and those that tried to make opera part of the `fascism of culture'.

This book provides a detailed snapshot of cultural policies in China, Japan, Singapore, South Korea and Taiwan. In addition to an historical overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions' cultural policies and the challenges they are facing.

View the Table of Contents. Read the Introduction.

"In this volume, Amy Best offers critical youth studies an epistemological compass, a collection of essays that spans across nations, methods, sexualities, ethnicities, generations and age, reflecting provocatively on how we create knowledge with, for and by youth. This book promises to be a classic for the next generation of scholars perched to engage critically, respectfully, theoretically and provocatively with youth, to inscribe a twenty-first century signature on critical youth studies."
--Michelle Fine, co-author of "Working Method: Research and Social Justice"

"A powerful and compelling book that represents cutting-edge new directions in critical youth studies. This is a passionate call for a critical moral consciousness that will create more humane spaces for today's youth in our complex global culture."
--Norman K. Denzin, co-editor of "The SAGE Handbook of Qualitative Research"

From youth culture to adolescent sexuality to the consumer purchasing power of children en masse, studies are flourishing. Yet doing research on this unquestionably more vulnerable--whether five or fifteen--population also poses a unique set of challenges and dilemmas for researchers. How should a six-year-old be approached for an interview? What questions and topics are appropriate for twelve year olds? Do parents need to give their approval for all studies?

In Representing Youth, Amy L. Best has assembled an important group of essays from some of todayas top scholars on the subject of youth that address these concerns head on, providing scholars with thoughtful and often practical answers to their many methodological concerns. Theseoriginal essays range from how to conduct research on youth in ways that can be empowering for them, to issues of writing and representation, to respecting boundaries and to dealing with issues of risk and responsibility to those interviewed. For anyone doing research or working with children and young adults, Representing Youth offers an indispensable guide to many of the unique dilemmas that research with kids entails.

Contributors include: Amy L. Best, Sari Knopp Biklen, Elizabeth Chin, Susan Driver, Marc Flacks, Kathryn Gold Hadley, Madeline Leonard, C.J. Pascoe, Rebecca Raby, Alyssa Richman, Jessica Taft, Michael Ungar, Yvonne Vissing, and Stephani Etheridge Woodson.

Every time you consult a calendar or clock, other people are thinking for you. Most users of these tools only know how to interpret the representations of time these objects provide, not the logics behind the representations. Those logics were others' ideas. This book looks at how the objects we use to think about time shape our thoughts. Such objects empower us to think about time certain ways, but they also contain hidden assumptions about time that deflect our awareness away from the complicated rhythms of our lives and our world. Because time ties together so many aspects of our lives, this book is able to explore the nexus of objects, cognition, culture, and even biology, and to do so in relationship to

The growing number of elder men providing hands-on care to loved ones, particularly spouses, undeniably represents a hidden segment of the home care population. With that in consideration, caregiving in communities of color, in particular, is increasing while numbers of informal (unpaid) caregivers are projected to triple by 2030. Despite statistics, studies on African-American men who care for other elders (such as spouses and parents) - indeed, "the hidden among the hidden" - are negligible. This text follows a study conducted by Helen Black, a research scientist focusing on aging, alongside John Groce and Charles Harmon, founders of Mature Africans Learning from Each Other (M.A.L.E.), in which they interviewed elderly African-American men in caregiver roles. As a whole, The Hidden Among the Hidden is unique in its study of caregiving in the areas of subject matter, methodology, and presentation of findings. The men whose attitudes and behaviors toward caregiving are recorded in this book share a wealth of knowledge for other caregivers, gerontologists, healthcare professionals, students, and the community in general.

Through research interviews with 19 clergymen of different religious affiliation, age, and race, this volume explores the views and attributes of ordained male ministers. Who is the man behind the pulpit? How does he balance personal and professional life? How do clergymen feel about their chosen profession? What events and family/societal influences led to a life of service? Through the interviews, the author examines these and other aspects of clergy life. The strength of the study lies in the delivery of extensive first-person commentary. From this, the reader gains access to the texture and tone of the voices as well as the men's thinking about theological, moral, and administrative leadership. People considering a life in the ministry, as well as students of sociology, religion, psychology, and anthropology, will be interested in this informative discourse.

Robert Kastenbaum, creator of the award-winning "Encyclopedia of Death," has now collected and edited a source of reliable information on adult development that is accessible to the general reader, useable by professionals, and perfect for those who are simply browsing. This work is a fascinating and highly informative look at the milestones and ordeals, the key issues, and the concerns of American adults. The book expands our understanding of adulthood through 105 articles written by more than 70 contributing specialists from the fields of psychology, anthropology, religion, and sociology.

Embodying Latino Masculinities contributes to and advances our understanding of meanings of Latino manhood and masculinities through explorations of six case studies taken from various ethnic groups, historical moments, and socio-economic backgrounds. The work's comparative framework pushes current research on Latino masculinities forward as it is one of few texts that put differing ethno-racial and geo-historical experiences in dialogue to understand how multiple masculinities intersect, diverge, and unify. The case studies of Embodying Latino Masculinities range from theatre performance to literature, men's activism to music and sports to show how masculinities are embodied and performed.

Academic discussions of ethnic food have tended to focus on the attitudes of consumers, rather than the creators and producers. In this ground-breaking new book, Krishnendu Ray reverses this trend by exploring the culinary world from the perspective of the ethnic restaurateur. Focusing on New York City, he examines the lived experience, work, memories, and aspirations of immigrants working in the food industry. He shows how migrants become established in new places, creating a taste of home and playing a key role in influencing food cultures as a result of transactions between producers, consumers and commentators. Based on extensive interviews with immigrant restaurateurs and students, chefs and alumni at the Culinary Institute of America, ethnographic observation at immigrant eateries and haute institutional kitchens as well as historical sources such as the US census, newspaper coverage of restaurants, reviews, menus, recipes, and guidebooks, Ray reveals changing tastes in a major American city between the late 19th and through the 20th century. Written by one of the most outstanding scholars in the field, The Ethnic Restaurateur is an essential read for students and academics in food studies, culinary arts, sociology, urban studies and indeed anyone interested in popular culture and cooking in the United States.

"Sympathetic Sentiments "develops an innovative interdisciplinary framework to explore the implications of living in a 'culture of feeling' that seems ill at ease with itself, one in which 'sentiments' are frequently denounced for being 'sentimental' and self-indulgent. This is traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy' in which sympathy seems inherently to entail public forms of expression whereby being 'on show' is both a condition of the authenticity of such affects "and" of their capacity to be masked and simulated - hence stimulating controversy, but also the exploration of the vicarious dimensions of modern experience so central to modern literature, art and culture. The implications of all this are further explored in the context of current debates over the display of trauma as the language of sympathetic engagement, and the alleged prevalence of 'compassion fatigue' in the era of media sensationalism. Overall, the book uncovers the patterns that both reproduce our capacity for 'sympathetic sentiments' while revealing the inherent underlying tensions.

Poised on the verge of World War II, America in 1939 was a land of contrasts. The nation was finally pulling out of the Great Depression, but war-clouds gathered on the horizon. Scientific developments offered promising new advances, yet they would soon become the tools of war. This study offers a detailed look at life in this watershed year to determine how Americans understood the conditions of their day and how they turned to escapism when their burdens became too heavy. From the royal visit to the World's Fairs, most Americans looked ahead to a brighter future. Professional athletics, Hollywood films, and the Big Bands were a welcome diversion to hard times and troubling events abroad in Europe and Asia. This account highlights the most important political, economic, and social concerns of 1939. The first part, Documenting America, focuses on the major social and economic concerns of the American people in 1939. Chapter one examines religion, race, and crime, while chapters two and three consider economic difficulties and proposed solutions. Part Two, Some Golden Ages, includes chapters on the Studio era in Hollywood, Big Bands and Broadway musicals, art and architecture of the period, scientific breakthroughs, and sports notables. The final part, It Happened Over There, completes the picture with two chapters on the ominous international situation and early American efforts to deal with the impending war.

The process of globalization based on major forms of entertainment consumption has promoted the interest of enlarged social actors toward cultural experiencing. Disseminated by social media, new forms of information and knowledge about exotic tourism destinations have endorsed an increasing interest in forms of cultural tourism. This cultural tourism turnout results from a significant change in the traveler's demands and behaviors and has led to a new and renovated interest in cultural heritage that must be studied further. The Handbook of Research on Cultural Tourism and Sustainability explores theoretical concepts related to cultural tourism and cultural routes and provides original viewpoints and empirical research with case studies and best practices for the future of cultural tourism. Covering a range of topics such as creative tourism and sustainable tourism, this major reference work is ideal for academicians, practitioners, professionals, policymakers, government officials, instructors, and students.