Fieldwork has long been seen as central to anthropology as a critical source of ethnographic data and analytic insight. In the late 1970s, earlier assumptions about fieldwork method and epistemological grounding were challenged in so-called reflexive ethnographies. These ethnographies, specifically focused on the field project, were part of the general interpretive turn in American social science which itself was concurrent with the turmoil in American society in the late 1960s. This work reflects on the reflexive ethnographies, their method, intention, and claims, and situates them as incipient postmodern anthropological practice, as well as linking them to the American context of their production.

Trencher examines American intellectual, political, and economic contexts from 1960 to 1980, as reconstructed through disciplinary and professional sources in Anthropology. This cultural context is then linked to changes in American ethnographic practice. Selected works are analyzed as cultural productions, the form and content of which was permeated by and revealed characteristically American constructs for interpreting social reality.

"Unleashing Our Unknown SelveS" begins with a critique of central paradigms in contemporary social science and ends with a provocative new theory of psychosexual development. Dr. Morrow brilliantly demonstrates why men are just as damaged as women by our present patriarchal sex/gender system. . . . I highly recommend it] as a primary text for graduate courses in human development, psychology of gender, and cultural studies.

Joseph L. White, Professor of Psychology, Psychiatry and Comparative Culture, University of California, Irvine

Described as a hopeful book, "Unleashing Our Unknown SelveS" presents a new theory of psychosexual development and, concurrently, of psychosocial evolution. France Morrow claims that the sexual division of nature was a primordial organizing principle for all cultures. However, evolving qualities and psychological characteristics have been assigned by culture to women and men. Real biological differences have, over millennia, been incorporated, absorbed, or superceded by cultural differences. The resultant schism between femininity and masculinity represents the deepest cleavage in the human species, crippling both men and women through the cultural subordination of women. Morrow believes that to be truly whole, both sexes must be allowed to release the repressed qualities of the opposite sex.

France MorroW's interdisciplinary focus finds hope in the explanatory power of a theory which systematically explores the crippling of both sexes by the cultural invisibility of women. The book's chapters explore, among other subjects, the structure of gender evolution, Sigmund Freud's impact on the future of femininity and masculinity, and the internal repression of the majority self. MorroW's study affirms the dependence of human survival on the integrating of our feminine selves with our masculine selves. Her work is particularly directed to courses in developmental and social psychology, gender studies, sociology, and women's studies.

This book takes readers on a philosophical discovery of a forgotten treasure, one born in the 14th century but which appears to belong to the 21st. It presents a critical, up-to-date analysis of Santob de Carrion, also known as Sem Tob, a writer and thinker whose philosophy arose in the Spain of the three great cultures: Jews, Christians, and Muslims, who then coexisted in peace. The author first presents a historical and cultural introduction that provides biographical detail as well as context for a greater understand of Santob's philosophy. Next, the book offers a dialogue with the work itself, which looks at politics, sociology, anthropology, psychology, ethics, aesthetics, metaphysics, and theodicy. The aim is not to provide an exhaustive analysis, or to comment on each and every verse, but rather to deal only with the most relevant for today's world. Readers will discover how Santob believed knowledge must be dynamic, and tolerance fundamental, fleeing from dogma, since one cannot avoid a significant dose of moral and aesthetic relativism. Subjectivity, within its own codes, must seek a profound ethics, not puritanical but which serves to escape from general ill will. Santob offers a criticism of wealth and power that does not serve the people which appears to be totally relevant today. In spite of the fame he achieved in his own time, Santob has largely remained a vestige of the past. By the end of this book, readers will come to see why this important figure deserves to be more widely studied. Indeed, not only has this medieval Spanish philosopher searched for truth in an unstable, confused world of contradictions, but he has done so in a way that can still help us today.

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women's non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women's writing, as well as general readers with an interest in the supernatural.

When many people think of African music, the first ideas that come to mind are often of rhythm, drums, and dancing. These perceptions are rooted in emblematic African and African-derived genres such as West African drumming, funk, salsa, or samba and, more importantly, essentialized notions about Africa which have been fueled over centuries of contact between the "West," Africa, and the African diaspora. These notions, of course, tend to reduce and often portray Africa and the diaspora as primitive, exotic, and monolithic. In Africanness in Action, author Juan Diego Diaz explores this dynamic through the perspectives of Black musicians in Bahia, Brazil, a site imagined by many as a diasporic epicenter of African survivals and purity. Black musicians from Bahia, Diaz argues, assert Afro-Brazilian identities, promote social change, and critique racial inequality by creatively engaging essentialized tropes about African music and culture. Instead of reproducing these notions, musicians demonstrate agency by strategically emphasizing or downplaying them.

New Medieval Literatures is a new annual of work on the textual cultures of medieval Europe and beyond. The focus of Volume 2 is on continental European literatures as well as Anglo-Norman and Anglo-Latin writings, in addition to exemplification of work on earlier periods. The essays in Volume 2 move from the streets of Paris, London, and English market towns to English monasteries, idealized pastoral spaces, Christian-Jewish-Muslim Spain, Rome, and fourteenth-century Oxford. The essays cohere around three important issues of cultural analysis: gender, space, and reading history.

The UNESCO World Heritage Convention is one of the most widely ratified international treaties, and a place on the World Heritage List is a widely coveted mark of distinction. Building on ethnographic fieldwork at Committee sessions, interviews and documentary study, the book links the change in operations of the World Heritage Committee with structural nation-centeredness, vulnerable procedures for evaluation, monitoring and decision-making, and loose heritage conceptions that have been inconsistently applied. As the most ambitious study of the World Heritage arena so far, this volume dissects the inner workings of a prominent global body, demonstrating the power of ethnography in the highly formalised and diplomatic context of a multilateral organisation.

In recent decades, emerging scholarship in the field of girlhood studies has led to a particular interest in dolls as sources of documentary evidence. Deconstructing Dolls pushes the boundaries of doll studies by expanding the definition of dolls, ages of doll players, sites of play, research methods, and application of theory. By utilizing a variety of new approaches, this collected volume seeks to understand the historical and contemporary significance of dolls and girlhood play, particularly as they relate to social meanings in the lives of girls and young women across race, age, time, and culture.

Part of the American Literatures Initiative Series American Arabesque examines representations of Arabs, Islam and the Near East in nineteenth-century American culture, arguing that these representations play a significant role in the development of American national identity over the century, revealing largely unexplored exchanges between these two cultural traditions that will alter how we understand them today. Moving from the period of America's engagement in the Barbary Wars through the Holy Land travel mania in the years of Jacksonian expansion and into the writings of romantics such as Edgar Allen Poe, the book argues that not only were Arabs and Muslims prominently featured in nineteenth-century literature, but that the differences writers established between figures such as Moors, Bedouins, Turks and Orientals provide proof of the transnational scope of domestic racial politics. Drawing on both English and Arabic language sources, Berman contends that the fluidity and instability of the term Arab as it appears in captivity narratives, travel narratives, imaginative literature, and ethnic literature simultaneously instantiate and undermine definitions of the American nation and American citizenship.

This second edition of a classic work in cross-cultural psychology brings together scholars from the United States and abroad to provide a concise new introduction to selected topics in cross-cultural psychology, the scientific study of human behavior and mental processes under diverse cultural conditions. Topics include history and methods of cross-cultural studies, developmental aspects in cross-cultural psychology, personality and belief systems across cultures, and applications for cross-cultural psychology. Within these categories, contributors touch on subjects such as language and communication, child and moral development, gender roles, aging, emotion and personality, international business, and mental health. This volume will be of value to all scholars, students, and practitioners in psychology.

With an emphasis on building success in today's multicultural workplace, Fine describes the truly multicultural organization, one that values the cultural differences among its employees and knows how to create policies and practices that encourage the full productivity of all employees. Fine maintains that just to remain competitive as the U.S. workforce becomes culturally diverse, organizations must not only recognize the inherent multiculturalism within their walls, but must actively transform themselves into such organizations. Her book thus explains how cultural differences affect workplace behavior and provides ways for management to work with them, not against them. A practical, challenging, research-based discussion for human resource professionals and management in public and private organizations.

After reviewing the changing demographics of the workforce and discussing how present practices are exclusionary, Fine provides detailed descriptions of the values, norms, beliefs, and behaviors of various ethnic groups and women and the dysfunctional interactions among groups. Nine case studies document diversity initiatives in public, private, and not-for-profit organizations, and lead to numerous concrete ways to train employees in multicultural understanding and create policies and practices that acknowledge, value, and incorporate cultural differences into the organization itself. Fine offers no quick fixes, however; instead, she makes clear that building a successful multicultural organization is a difficult, unceasing process of creating and recreating organizational life. The result is an analytical, research-based discussion for scholars, researchers, and others in the academic community -- and a practical guide to the complexities posed by multiculturalism for organization management at all levels in both the public and private sectors.

This book presents selected academic papers addressing five key research areas - archaeology, history, language, culture and arts - related to the Malay Civilisation. It outlines new findings, interpretations, policies, methodologies and theories that were presented at the International Seminar on Archaeology, History, and Language in the Malay Civilisation (ASBAM5) in 2016. Further, it provides new perspectives and serves as a vital point of reference for all researchers, students, policymakers and legislators who have an interest in the Malay Civilisation.

This collection of readings provides the reader with a basic introduction to the topic and concepts of cultural diversity as it has come to characterize the culture of the United States. Particular attention is given to the practice of racial, ethnic, and special interest group characterizations. No other book is as complete in its coverage of the diverse cultural groupings that make up the American culture. This unique work serves as a first step in beginning the quest for greater understanding and appreciation of diversity.

This book provides a comprehensive investigation of the political dimensions of civil religion in the United States. By employing an original social-psychological theory rooted in semiotics, it offers a qualitative and quantitative empirical examination of more than fifty years of political rhetoric. Further, it presents two in-depth case studies that examine how the cultural, totemic sign of 'the Founding Fathers' and the signs of America's sacred texts (the Constitution and the Declaration of Independence) are used in attempts to link partisan policy positions with notions that the country collectively holds sacred. The book's overarching thesis is that America's civil religion serves as a discursive framework for the country's politics of the sacred, mediating the demands of particularistic interests and social solidarity through the interaction of social belief and institutional politics like elections and the Supreme Court. The book penetrates America's unique political religiosity to reveal and unravel the intricate ways in which politics, political institutions, religion and culture intertwine in the United States.

This is the first study in English to examine across the range of Greek literature one of the most crucial terms in Greek ethical and social discourse, aidos. Commonly rendered `shame', `modesty', or `respect', aidos is also notoriously one of the most elusive and difficult Greek words to translate. In this book Dr Cairns discusses the nature and application of aidos and other relevant terms in a number of authors, with particular emphasis on their manifestations in epic, tragedy, and philosophy. He shows that the essence of the concept is to be found in its relationship with Greek values of honour, in which context it can recognize and respond to the honour of both the self and others. It thus involves both self- and other- regarding behaviour, competitive and co-operative values. Despite this crucial relationship with systems of honour, however, the possession of aidos at no stage rules out the sort of commitment to internalized standards or ideals which we might associate with conscience.

Throughout her novels, Toni Morrison explores the complex interaction of race, class, culture, and gender. This study takes into account both Western and Black traditions to show how Morrison not only denounces the constricting patterns of the dominant culture, but also, through the reversal or subversion of Western stereotypes, harnesses the rich potential for the significance they contain.

While most recent studies of Morrison examine individual works separately, this book concentrates on particular dimensions of Morrison's fiction and explores the continuities and developments from her first to most recent novel. And while other studies generally approach Morrison from a particular critical perspective, this book instead considers the interaction of multiple determinants such as race and gender, and gives special attention to the pressure exerted by dominant cultural forms. The authors demonstrate how in contradiction to the dominant culture's ideology of unity and homogeneity, Morrison makes a case for the value of difference in a diverse society.

Cool Shades provides the first in-depth exploration of the enduring appeal of sunglasses in visual culture, both historically and today. Ubiquitous in fashion, advertising, film and graphic design, sunglasses are the ultimate signifier of 'cool' in mass culture; a powerful attribute pervading much fashion and pop cultural imagery which has received little scholarly attention until now. Accessible and highly engaging, this book offers an original history of how sunglasses became a fashion accessory in the early twentieth century, and addresses the complex variety of meanings they have the power to articulate, through associations with vision, light, glamour, darkness, fashion, speed and technology in the context of modernity. Cool Shades will be of great interest to students of fashion, design, visual and material culture, cultural studies and sociology, as well as general readers fascinated by this iconic fashion staple.

A journey through Johannesburg via three art projects raises intriguing notions about the constitutive relationship between the city, imagination and the public sphere- through walking, gaming and performance art. Amid prevailing economic validations, the trilogy posits art within an urban commons in which imagination is all-important.

In recent years, a number of books devoted to a behavior analytic approach to cultural practices have appeared, and this book falls within that domain. At the same time, however, this book is unique in that it minimizes the space devoted to abstract discussion of behavior analytic concepts and principles. Instead, the authors focus exclusively upon particular cultural practices, which are disparate and drawn from three countries, ranging from public health practices to historical utopian communities to various practices of visual artists, art dealers, and gallery owners. In addition, cultural practices regarding women and the changing Japanese society's effect on Japanese women's behavior are considered. Changes in policies aimed at increasing the birth rate in Quebec are analyzed in behavior analytic terms. The wide range of cultural practices addressed by this book are given coherence by the fact that all are addressed by the various authors in terms of behavior analytic concepts and principles. This book is further confirmation of the fact, unappreciated by some, that a behavior analytic approach can address practices that consist of the behaviors of large numbers of people. The authors demonstrate that the behavior analytic approach is not culture-bound. Rather, they show that behavior analytic concepts and principles can illuminate human practices in any culture.

The purpose of this book is twofold. First, this book is an attempt to map the state of quantitative research in Asian tourism and hospitality context and provide a detailed description of the design, implementation, application, and challenges of quantitative methods in tourism in Asia. Second, this book aims to contribute to the tourism literature by discussing the past, current and future quantitative data analysis methods. The book offers new insights into well-established research techniques such as regression analysis, but goes beyond first generation data analysis techniques to introduce methods seldom - if ever - used in tourism and hospitality research. In addition to investigating existing and novel research techniques, the book suggests areas for future studies. In order to achieve its objectives the analysis is split into three main sections: understanding the tourism industry in Asia; the current status of quantitative data analysis; and future directions for Asian tourism research.

Home, wrote Robert Frost, is the place where, when you have to go there, they have to take you in. And yet the idea of home has, in the modern world, become extremely problematic.

Robert Frost's words tellingly illustrate the centrality of home to the human experience, as an unconditional haven that one simply has, without having to earn.

Yet, we live at a time when the idea of home has become extremely problematic. Our homeless fill America's streets and shelters; the comfort of home is increasingly threatened by urban violence; and the world-wide plight of those exiled or fleeing from their homelands due to civil war, starvation, or political repression seems relentless.

The idea of home, bound as it is in family and in the roles of men and women, has a deep resonance that is not fully captured by its use as a social and political slogan. What is its history and ideology? What has it meant and how has its meaning changed? Home moves us perhaps most powerfully as absence or negation. Homelessness and exile are among the worst of conditions, bringing with them alienation, estrangement, and the feelings of greatest despair.

This volume, based on a multi-institutional collaboration between the New School for Social Research and five major New York City museums, and its resulting conference, convenes many of America's top scholarly minds to address historical and contemporary meanings of home. Among the issues specifically addressed are the artistic rendition of home in art and propaganda; literary meanings of home; exile through the ages; homelessness past; homelessness in Dickens; the homeless in New York City history; alienation and belonging; slavery and the female discovery of personal freedom; and, more generally, the home and family in historical perspective.

Contributing to the volume are Breyten Breytenbach, David Bromwich (Yale University), Sanford Budick (Hebrew University of Jerusalem), Stanley Cavell (Harvard University), Mary Douglas, Tamara K. Hareven (University of Delaware), Eric Hobsbawm (Cambridge University, Emeritus), John Hollander (Yale University), Kim Hopper (Nathan Kline Institute for Psychiatric Research), George Kateb (Princeton University), Alexander Keyssar (Duke University), Steven Marcus (Columbia University), Orlando Patterson (Harvard University), Joseph Rykwert (University of Pennsylvania), Simon Schama (Harvard University), Alan Trachtenberg (Yale University), and Gwendolyn Wright (Columbia University).

Representing a cutting-edge study of the junction between theoretical anthropology, material culture studies, religious studies and museum anthropology, this study examines the interaction between the human and the nonhuman in a museum setting usually defined as 'non-Western', 'non-scientific' and 'religious.' Combining an on-site analysis of exhibitive spaces with archival research and interviews with museum curators, the chapters highlight contradictions of museum practices, and suggests that museum practitioners use museum spaces and artefacts as a way of formulating new theoretical stances in material culture studies, thus viewing museums as producers of theories together with affective engagements.

Many prominent science fiction writers, artists, and editors began as s.f. "fans." This is the first book to survey fandom's history, manifestations, and accomplishments, including clubs, fanzines, and conventions. The 24 essays are divided into sections that consider the following: the types of people who become fans and the satisfactions they receive; the development of fandom in America; fandom in Europe and the Orient; social interactions in the form of local clubs or wider-drawing conventions; and long-term results in the form of beginning professional careers in writing or publishing, exercising critical attention, and so forth. The writers of these essays have all participated in the activities they describe. The book also contains a glossary, an annotated bibliography, and an index. Overall, this book gives a detailed look at the most important facets of a fascinating subculture that has contributed significantly to the direction of modern science fiction.

Eph 3:10 (Principalities and Authorities in the Heavenly Places) articulates the related cluster of terms that express the "Pauline" spirit world in Ephesians'. Through a psychological-hermeneutical study, this book contributes to provide a theologically-founded response to the immense challenges the spirit world apprehensions among the Igbo (Africans), pose to true discipleship in these settings. Identifying the strongly influential role played here by the Igbo traditional religion/world view(s) and the foundation of these biblical terms in the attempts at Weltbewaltigung, the book highlights how proper appreciation of the Christological paraenetics of Eph enhances critical consciousness and cognitive reconstruction towards mature faith and societal betterment.

Illuminating one of the most pervasive issues of our time, Popular Culture is the first book to link the importance and implications of popular culture with pedagogical practice. It shows how cultural forms such as Hollywood films, pop music, soap operas, and televangelism are organized by gender, age, class, race, and ethnicity, thus providing the contradictory text that both enables and disables emancipatory interest, so fundamental to the formation of self and society. What emerges is a redefinition of the very notion of popular culture.