'A joy to immerse oneself in' Andi Oliver 'In the field of food history, Annie Gray leads the pack' Jay Rayner For many people Christmas wouldn't be Christmas without a turkey and trimmings, pudding and brandy butter. And yet it wasn't always that way. Gone are the gluttonous banquets featuring boar's head and brawn - but how did we get to the Christmas food of today? Historian Annie Gray digs into the evolution of our festive meal, from the birth of the twelve-day celebration under Edward I and the the restoration of holiday splendour under Victoria to the present day. Organised by festive dish and illustrated throughout, At Christmas We Feast is a delectable trip through time - stuffed full of classic recipes, doused with history and tradition, and sprinkled with the joy of the feasts of Christmas past.

Our holidays lie near the heart of our emotional life, enjoyed for a fortnight, fed on in imagination for eleven months of the year. What we want from our holidays tells a lot about who we are and what we wish we were.
In this charming account Fred Inglis traces the rise of the holiday from its early roots in the Grand Tour, through the coming of Thomas Cook and his Blackpool packages, to sex tourism and the hippie trail to Kathmandu. He celebrates the bodily pleasures of generations of tourists - from Edwardian banquets in Paris to fish and chips on the beach, from the Bright Young Things on the Riviera to the chosen hardships of the sea, the desert wastes and the mountain tops. He considers the ideals and the spiritual aspirations which are part of what we look for in a holiday, but he also warns of a darker current- how we have increasingly destroyed what we take most pleasure in and how the dealings between those who have much and those who have little, can seldom, however good our intentions, avoid the taint of exploitation.

Our holidays lie near the heart of our emotional life, enjoyed for a fortnight, fed on imagination for eleven months of the year. What we want from our holidays tells a lot about who we are and what we wish we were.
In this charming account, Fred Inglis traces the rise of the holiday from its early roots in the Grand Tour, through the coming of Thomas Cook and his Blackpool packages, to sex tourism and the hippie trail to Kathmandu. He celebrates the bodily pleasures of generations of tourists - from Edwardian banquets in Paris to fish and chips on the beach, from the Bright Young Things on the Riviera to the chosen hardships of the sea, the desert wastes and the mountain tops. He considers the ideals and the spiritual aspirations which are part of what we look for in a holiday, but he also warns of a darker current - how we have increasingly destroyed what we take most pleasure in and how the dealings between those who have much and those who have little, can seldom, however good our intentions, avoid the taint of exploitation.

This innovative collection of essays from an international range of contributors describes various means of preserving, protecting and presenting vital cultural resources within the context of economic development, competing claims of "ownership" of particular cultural resources, modern uses of structures and space, and other aspects of late twentieth-century life.

eBook available with sample pages: 0203208773

Gender Inclusive Policing: Challenges and Achievements is an edited collection focused on current challenges, innovations, and positive achievements in gender integration in policing in different subject domains and locations. Comprised of essays from expert contributors from across the globe, the book covers a variety of topics including jurisdictional achievements (South Africa, British Isles, Scandinavian countries, Australia), women in leadership (achievements and methods, merit and affirmative action issues), performance comparisons (conduct, ethics, peacebuilding), intersectionality (Indigenous women), and women's police stations (South America). The book explores and grapples with issues of recruitment, deployment, and promotion; obstacles to equity; effective integration strategies; management, conduct, and policing styles; race and ethnicity; and specialization. It is an essential resource providing practical exemplars for police managers involved in gender equity programs and for professionals involved in advanced-level research, teaching, and consulting.

This volume provides the basis for contemporary privacy and social media research and informs global as well as local initiatives to address issues related to social media privacy through research, policymaking, and education. Renowned scholars in the fields of communication, psychology, philosophy, informatics, and law look back on the last decade of privacy research and project how the topic will develop in the next decade. The text begins with an overview of key scholarship in online privacy, expands to focus on influential factors shaping privacy perceptions and behaviors-such as culture, gender, and trust-and continues with specific examinations of concerns around vulnerable populations such as children and older adults. It then looks at how privacy is managed and the implications of interacting with artificial intelligence, concluding by discussing feasible solutions to some of the more pressing questions surrounding online privacy. This handbook will be a valuable resource for advanced students, scholars, and policymakers in the fields of communication studies, digital media studies, psychology, and computer science.

Focusing on Netflix's child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science-fiction, horror, and fantasy television under Netflix's 'Family Watch Together TV' tag. Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family friendly TV genres and challenging earlier broadcast TV models around child-appropriate, family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. Chapters explore how this 'Netflixication' of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector which is unsettling older concepts of family viewing leading to considerable audience and critical confusion around target audiences and viewer expectations. This book will be of particular interest to upper level undergraduates, graduates and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies.

This collection calls greater attention to the need for a clearer understanding of the role of discourse in the process of placemaking in the digital age and the increasing hybridisation of physical and virtual worlds. The volume outlines a new conceptualisation of place in the time of smartphones, whose technological and social affordances evoke placemaking as a collaborative endeavour which allows users to create and maintain a sense of community around place as shareable or collective experience. Taken together, chapters argue for a greater emphasis on the ways in which users employ discourse to manage this physical-virtual interface in digital interactions and in turn, produce "remixed" cultural practices that draw on diverse digital semiotic resources and reflect their everyday experiences of place and location. The book explores a wide range of topics and contexts which embody these dynamics, including livestreaming platforms, mourning in the digital age, e-service encounters, and Internet forums. While the overlay of physical and virtual information on location-based media is not a new phenomenon, this volume argues that, in the face of its increasing pervasiveness, we can better understand its unfolding and future directions for research by accounting for the significance of place in today's interactions. This book will be of interest to students and scholars in discourse analysis, digital communication, pragmatics, and media studies.

This volume traces the interconnections between myth, environmentalism, narrative, poetry, comics and innovative artistic practice, using this as a framework through which to examine strategies for repairing our unhealthy relationship with the planet. Challenging late capitalist modes encouraging mindless consumption and the degradation of human-nature relations, this collection advocates a re-evaluation of the ethical relation to "living with" and sharing the earth. Myth and the environment have shared a rich common cultural history travelling as far back as the times of storytelling and legend, with the environment often the central theme. Following a robust introduction, the book is organised into three main sections: Myth, Disaster and Present-Day Views on Ecological Damage; Indigenous and Afro-Diasporic Myths and Ecological Knowledge; Art Practices Myth and Environmental Resilience; and concludes with a Coda from Jeanette Hart-Mann. The methodology draws from diverse perspectives, such as ecocriticism, new materialism and Anthropocene studies, offering a truly interdisciplinary discussion that reflects on the dialogue among environment and myth, whilst a broad range of contributions are included from Canada, United States, the Caribbean, Ukraine, Japan, Morocco, and Brazil. This volume will be of interest for students, scholars, activists and experts in environmental humanities, myth and myth criticism, literature and art on more-than human and nature interaction, ecocriticism, environmental activism, and climate change.

In this dazzling collection of over 200 photos of pregnant women taken from art libraries, childbirth manuals, maternity ads, contemporary art, and personal albums, the authors explore the paradox between image and reality. The photos illuminate how society creates feminine roles through the institution of pregnancy-and how women resist such roles.

Recent years have witnessed a burgeoning interest in the study of everyday life within the social sciences and humanities. In "Critiques of Everyday Life" Michael Gardiner proposes that there exists a counter-tradition within everyday life theorising. This counter-tradition has sought not merely to describe lived experience, but to transform it by elevating our understanding of the everyday to the status of a critical knowledge. In his analysis Gardiner engages with the work of a number of significant theorists and approaches that have been marginalized by mainstream academe, including: the French tradition of everyday life theorising, from the surrealists to Henri Lefebvre, and from the Situationist International to Michel de Certeau; Agnes Heller and the relationship between the everyday, rationality and ethics; carnival, prosaics and intersubjectivity in the work of Mikhail Bakhtin; and Dorothy E. Smith's feminist perspective on everyday life. It demonstrates the importance of an alternative, multidisciplinary everyday life paradigm and offers a myriad of new possibilities for critical social and cultural theorising and empirical research.

Volume IV looks at the development of moral education, with particular relation to the context of cultural pluralism. Taking a theoretical approach, it discusses philosophical issues of moral relativism as well as the application of theory to good practice.

This important book examines the motives that drive family historians and explores whether those who research their ancestral pedigrees have distinct personalities, demographics or family characteristics. It describes genealogists' experiences as they chart their family trees including their insights, dilemmas and the fascinating, sometimes disturbing and often surprising, outcomes of their searches. Drawing on theory and research from psychology and other humanities disciplines, as well as from the authors' extensive survey data collected from over 800 amateur genealogists, the authors present the experiences of family historians, including personal insights, relationship changes, mental health benefits and ethical dilemmas. The book emphasises the motivation behind this exploration, including the need to acknowledge and tell ancestral stories, the spiritual and health-related aspects of genealogical research, the addictiveness of the detective work, the lifelong learning opportunities and the passionate desire to find lost relatives. With its focus on the role of family history in shaping personal identity and contemporary culture, this is fascinating reading for anyone studying genealogy and family history, professional genealogists and those researching their own history.

The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines:
* tribal rituals and shamanic practices in the Balkans and Chinese-Tibet
* the gender-bending elements of Greek and early Christian religion
* the homosexual appeal of the boy actor on the traditional stage of China, Japan and England
* the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator
* artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls.
Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. Written with elegance, authority and wit by one of the world's leading theatre historians, it is a must for anyone interested in questions of cross-dressing, theatre, and gender.

eBook available with sample pages: 0203411072

The ancient Oriental dyestuff madder red was avidly sought by Europeans and finally cracked by the French in 1760, and it became the main crop in the Caspian Caucasus. The quest for Turkey Red spurred an avalanche of research that led to its chemical synthesis in 1870 and subsequently the collapse of the world-wide madder industry.

eBook available with sample pages: 0203400437

This collection of essays on 18th-century Japan shows a fascination with the social context behind the development of aesthetics, drama, language, art and philosophy, whether it be the world of the pleasure quarters or the Shogun's court. Contributors include: Y. Teruoka, writing on the pleasure quarters; A. Gerstle, expanding on the Kabuki tradition; B. Torigoe, who explores the dominant Joruri narrative music; H. Clark, who surveys the development of the lively Edo language; M. Morris, exploring the relationship of poet/painter Buson with his patrons; T.J. Harper, who examines the role of social status as an influence on scholarship and the development of the National Learning tradition; M. Nakano, challenging the orthodox interpretation of high and popular culture in the 18th century; and R. Backus, who conveys the essence of the ideals of the samurai culture through his study of the political reformer Matsudaira Sadanobu.

In an age of "ethnic cleansing" and forced migration, of contested borders and nations in turmoil, how have issues of place and identity, and of belonging and exclusion, been represented in visual culture? In "Terra Infirma," Irit Rogoff uses the work of international contemporary artists to explore how art in the twentieth century has confronted and challenged issues of identity and belonging.
Rogoff's dazzling and richly-illustrated study considers painting, installation art, film and video by a wide range of artists including Charlotte Salomon, Ana Mendieta, Joshua Neustein, Yehoshua Glotman, Mona Hatoum, Hans Haacke, Ashley Bickerton, Alfredo Jaar and Guillermo Gomez-Pena. Structuring her argument around themes of luggage, mapping, borders and bodies, Rogoff explores how these artists have confronted twentieth century phenomena such as the horror of the Holocaust, the experience of immigrants arriving at Ellis Island, the Arab-Israeli conflict, the Balkan wars, and the policing ofthe U.S.-Mexican border. In the process, "Terra Infirma" reveals the complexity of contemporary art's engagement with issues of place and identity and the immense variety of alternative strategies through which we can reconsider our relationship with the spaces we inhabit.

In this book, the authors focus on the importance of relationship in psychotherapy. Relationships between people form the basis of our daily lives. We require this contact with others, the sense of respect and value it produces, the relational needs it fulfills. As we face the inevitable traumas of life, large and small, our ability to make full contact with others is often disrupted. As this reduction in contact increases, relational needs go unfulfilled, producing psychological dysfunction. Beyond Empathy offers therapists a methodology for assisting people in rediscovering their ability to maintain genuine, contactful relationships and thus, better psychological health.
The authors describe an integrative psychotherapy approach that draws from Rogers' client-centered therapy, Berne's transactional analysis, Perls' Gestalt therapy, Kohut's self psychology, and the work of British object-relations theorists. Written in a conversational style, the book introduces the theory behind the approach while using real life interchanges between therapists and clients to illustrate the concepts it presents.

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Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the 17th century. This anthology brings together 13 theatrical adaptations of Shakespeare's work from around the world and across the centuries. The plays include: "The Woman Prized or the Tamer Tamed" by John Fletcher; "Troilus and Cressida or Truth Found Too Late: a Tragedy" by John Dryden; "The History of King Lear" by Nahum Tate; "King Stephen: a Fragment of a Tragedy"; "The Public (El Publico)" by Federico Garcia Lorca; "The Resistible Rise of Arturo Ui" by Bertolt Brecht; "uMabatha" by Welcome Msomi; "Measure for Measure" by Charles Marowitz; "Hamletmachine" by Heiner Muller; "Lear's Daughter" by The Women's Theatre Group and Elaine Feinstein; "Desdemona: A Play About a Handkerchief" by Paula Vogel; "This Island's Mine" by Philip Osment; and "Harlem Duet" by Djanet Sears. Each play is introduced by a concise introduction with suggestions for further reading and a list of related adaptations for study.;The collection is prefaced by a general introduction, which offers an examination of issues related to theatrical adaptation and the rewriting of Shakespeare.

This volume presents debates on class within an international context. Its particular focus is on women's theorized experience of social class from a variety of feminist perspectives, contextualized in relation to the countries and regions in which they live. Using personal experience as a basis, contributors cover Australia, Bangladesh, Botswana, Britain, Canada, Czechoslovakia and the Czech Republic, India, Israel, Korea, New Zealand, Poland, and the USA - iluminating the differences and similarities between regions. Challenging the view that "class is dead" as well as the idea that it is a British phenomenon, the book argues that class needs to be regarded as a key concept in any attempt to understand women's lives. It also reflects on personal and political experiences of class around the world in order to understand the mechanisms through which class discrimination operates and is mediated by gender, sexuality, ethnicity and racism.

Impressionists and Politics is an accessible introduction to the current debates about Impressionism. Was the artistic movement really radical and innovative? Is the term "Impressionism" itself an adequate characterization of the movement of painters and critics that took the mid-nineteenth century Paris art world by storm?
By providing an historical background and context, the book places the Impressionists' roots in wider social and economic transformations and explains its militancy, both aesthetic and political.
Impressionists and Politics is a concise history of the movement, from its youthful inception in the 1860s, through to its final years of recognition and then crisis.

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eBook available with sample pages: HB:0415128609

'The set will be of particular use to the reserve reading rooms of the smaller college libraries, where the instructors of courses in history and political science have often suffered from a lack of primary readings.' - Choice

'Recommended to all college and university libraries' - Choice

Cosmopolitanism is about the extension of the moral and political horizons of people, societies, organizations and institutions. Over the past 25 years there has been considerable interest in cosmopolitan thought across the human social sciences. The second edition of the Routledge International Handbook of Cosmopolitanism Studies is an enlarged, revised and updated version of the first edition. It consists of 50 chapters across a broader range of topics in the social and human sciences. Eighteen entirely new chapters cover topics that have become increasingly prominent in cosmopolitan scholarship in recent years, such as sexualities, public space, the Kantian legacy, the commons, internet, generations, care and heritage. This Second Edition aims to showcase some of the most innovative and promising developments in recent writing in the human and social sciences on cosmopolitanism. Both comprehensive and innovative in the topics covered, the Routledge International Handbook of Cosmopolitanism Studies is divided into four sections. Cosmopolitan theory and history with a focus on the classical and contemporary approaches, The cultural dimensions of cosmopolitanism, The politics of cosmopolitanism, World varieties of cosmopolitanism. There is a strong emphasis in interdisciplinarity, with chapters covering contributions in philosophy, history, sociology, anthropology, media studies, international relations. The Handboook's clear and comprehensive style will appeal to a wide undergraduate and postgraduate audience across the social and human sciences.

Investigates how our ideas of health and disease are linked to moral and immoral notions of sex. Beginning in the 1830s Frank Mort relates historical narratives to the sexual choices and possibilities facing us now.