This book brings together social sciencists to create an interdisciplinary dialogue on the topic of social change as a cultural process. Culture is as much about novelty as it is about tradition, as much about change as it is about stability. This dynamic tension is analyzed in collective protests, intergroup dynamics, language, mass media, science, community participation, art, and social transitions to capitalism, among other contexts. These diverse cases illustrate a number of key factors that can propel, slow-down and retract social change. An emancipatory and integrative social science is developed in this book, which offers a new explanatory model of human behavior and thought under conditions of institutional and societal change.

This book narrates the extraordinary growth in the study of Arabic in England from the late sixteenth century, when it was almost non-existent, to the end of the seventeenth. By its high point around 1666, England was pre-eminent among European countries in the study of Arabic. Permanent Chairs of Arabic had been established at Oxford and Cambridge, and specialized presses in Oxford and London had produced Arabic works. The Professor at Oxford, Edward Pococke, was recognized as the foremost scholar in the field in Europe, and a great collection of Arabic manuscripts, begun by Archbishop Laud, was being built up at Oxford. In this masterly and original study, Professor Toomer gives the first detailed account of this process, set against the religious and political background in England and Europe. He shows how trade with the Ottoman Empire and mistrust of Islam influenced the study of Arabic. Finally, he traces the course and causes of the drastic decline in Arabic studies towards the end of the century.

This book provides a systematic study of the political, economic, cultural, and educational changes that have taken place in China since 1978, and examines the impacts of these changes on the Chinese people's thinking and behavior. Jing Lin traces the gradual change of the Chinese from obedient, unquestioning citizens to critical and intelligent thinkers. She points out that with the more relaxed political and economic environment the Chinese people have gone through a period of reflection on their communist past, which has resulted in a new sense of identity and a more independent spirit. The book also looks at how the Chinese have begun to learn from other countries, resulting in an ongoing desire for openness and democracy.

This collection of essays aims to investigate the complex issues surrounding contemporary cultural discourses on land and identity - their production, construction, and reconstruction across a range of different texts and materials. The chapters offer disciplinary and trans-disciplinary approaches opening up discussion and new routes for research in a number of interrelated areas such as Countryside vs. City, Diaspora, Landscapes of Memory and Trauma, Migrational Spaces, and Ecology. They represent a number of innovative contemporary responses to how concepts of land intersect and dialogue with notions of identity across and between regions, nations, races, and cultures. Through employing interdisciplinary methods and theories drawn from diverse sources, such as cultural studies, spatial theory, philosophy and literary theory, the chapters chart varied and complex themes of identity formation in relation to spatiality.

Improving the relationship between archaeology and local government represents one of the next great challenges facing archaeology -specifically archaeology done in urban settings. Not only does local government have access to powerful legal tools and policy mechanisms that can offer protection for privately owned archaeological sites, but because local government exists at the grassroots level, it is also often closer to people who have deep knowledge about the community itself, about its values, and about the local meaning of the sites most in need of protection. This partnership between archaeology and local government can also provide visibility and public programing for heritage sites. This book will explore the experiences, both positive and negative, of small and large cities globally. We have examined programs in the Commonwealth of Nations (formerly known as the British Commonwealth) and in the United States. These countries share similar perspectives on preservation and heritage, although the approaches these cities have taken to address municipal archaeology reveals considerable diversity. The case studies highlight how these innovative partnerships have developed, and explain how they function within local government. Engaging with the political sphere to advocate for and conduct archaeology requires creativity, flexibility, and the ability to develop collaborative partnerships. How these archaeological partnerships benefit the community is a vital part of the equation. Heritage and tourist benefits are discussed. Economic challenges during downturns in the economy are analyzed. The book also examines public outreach programs and the grassroots efforts to protect and preserve a community's archaeological heritage.

This book comprehensively explores the changes in the Chinese spiritual world from the perspective of transition and transformation. Chinese feeling, a brand-new concept corresponding to Chinese experience, refers to the vicissitudes that 1.3 billion Chinese people have been through in their spiritual worlds. The book discusses this concept together with Chinese experience, two aspects of the transformation of the Chinese mentality that resulted from the unprecedented social changes since 1978, and which have given this unique era historical meaning and cultural values. At the same time they offer a dual perspective for understanding this great social transition. Further, the book considers what will happen if we only focus on the "Chinese Experience" while neglecting the "Chinese Feeling"; the changes the Chinese people undergo when their desires, wishes and personalities have changed China; and how their emotionally charged social mentality follow ebbs and flows of the changing society. Lastly it asks what embarrassment and frustration the population will be faced with next after the tribulations their spiritual world has already been through.

In the last three decades, the human body has gained increasing prominence in contemporary political debates, and it has become a central topic of modern social sciences and humanities. Modern technologies - such as organ transplants, stem-cell research, nanotechnology, cosmetic surgery and cryonics - have changed how we think about the body. In this collection of thirty original essays by leading figures in the field, these issues are explored across a number of theoretical and disciplinary perspectives, including pragmatism, feminism, queer theory, post-modernism, post-humanism, cultural sociology, philosophy and anthropology. A wide range of case studies, which include cosmetics, diet, organ transplants, racial bodies, masculinity and sexuality, eating disorders, religion and the sacred body, and disability, are used to appraise these different perspectives. In addition, this Handbook explores various epistemological approaches to the basic question: what is a body? It also offers a strongly themed range of chapters on empirical topics that are organized around religion, medicine, gender, technology and consumption. It also contributes to the debate over the globalization of the body: how have military technology, modern medicine, sport and consumption led to this contemporary obsession with matters corporeal? The Handbook's clear, direct style will appeal to a wide undergraduate audience in the social sciences, particularly for those studying medical sociology, gender studies, sports studies, disability studies, social gerontology, or the sociology of religion. It will serve to consolidate the new field of body studies.

This volume examines the culture of Canadian Jews, with particular attention to their European roots. The essays address Yiddish literature, writings of authors working in French and English, as well as contemporary Jewish life. Cet ouvrage collectif examine la culture des juifs canadiens, originaires de l'Europe de l'Est. Les essais portent sur la litterature yiddish, l'ecriture des juifs de langue francaise et anglaise ainsi que la vie juive contemporaine au Canada.

Prehistoric North Americans lived on, in, and surrounded by nature. As a result, everything they were resulted from this co-existence. From interpersonal relations to supernatural beliefs, from housing size and function to the food they ate and clothing they wore, the life of Native Americans before the arrival of Europeans was intimately intertwined with the environment. What is known about these societies is often sketchy at best, having survived largely through archaeological remains and oral tradition. Scholars have tried to understand Native American history on its own terms, trying to understand who and what they were in reality - a complex, diverse multitude of populations that defined themselves entirely through what they saw, heard, and experienced everyday - their natural environment. Nature and the Environment in Pre-Columbian American Life provides an overview of all aspects of how native peoples interacted with the environment: How did prehistoric North Americans use their knowledge of the environment to hunt and gather for food, or raise crops? What was the interaction between humans and animals? How did Native Americans find entertainment and leisure in their environments? How and where did people live in conjunction with and often in spite of the elements? This accessible resource provides an excellent introduction for those needing a first step to researching the daily lives of Native Americans in the centuries before the arrival of Europeans.

Taking the concept of beauty seriously, this encyclopedia examines how humanity has sought and continues to seek what is "beautiful" in a variety of cultural contexts, giving readers an understanding of how to look at beauty both intellectually and critically. Is beauty ever more than "skin deep"? Arguably yes, considering that the concept of beauty-and the pursuit of it-has shaped cultures worldwide, across every time period, and has even served to change the course of history. Studying beauty practices yields insight into social status, wealth, political ideology, religious doctrine, and gender expectations, including gender nonconformity. A truly interdisciplinary text, Beauty around the World: A Cultural Encyclopedia presents an insightful perspective on beauty that draws from philosophy, literature, sociology, anthropology, psychology, and feminist studies, giving readers a unique view of world beauty practices. This volume offers information about beauty practices from the past to the present in alphabetical entries that address terms and topics such as "beards," "dreadlocks," "Geisha," "moko tattoos," and "progressive muscularity." Readers will better comprehend how beauty shapes many social interactions in profound ways worldwide, and that the unspoken social agreements that shape ideals of attractiveness and desirability within any given culture can matter very much. The encyclopedia's entries challenge readers to consider the questions "What is beauty?" and "Why does it matter?" A comprehensive bibliography is a valuable resource for further research. Provides an interdisciplinary approach to world beauty practices, from the earliest experiments in plastic surgery in 600 B.C. to contemporary practices Gives readers a representative overview of beauty practices around the globe Documents how from cosmetics to clothing, exercise to body modification, being beautiful is a goal worldwide Identifies numerous authoritative sources of information for further research and reading

Fans used to be seen as an overly obsessed fraction of the audience. In the last few decades, shifts in media technology and production have instead made fandom a central mode of consumption. A range of ideas has emerged to explore different facets of this growing phenomenon. With a foreword by Matt Hills, " Understanding Fandom" introduces the whole field of fan research by looking at the history of debate, key paradigms and methodological issues. The book discusses insights from scholars working with fans of different texts, genres and media forms, including television and popular music. Mark Duffett shows that fan research is an emergent interdisciplinary field with its own key thinkers: a tradition that is distinct from both textual analysis and reception studies. Drawing on a range of debates from media studies, cultural studies and psychology, Duffett argues that fandom is a particular kind of engagement with the power relations of media culture.

View the Table of Contents.
Read the Introduction.

"Patricia McDaniel provides an insightful look at the historical construction of shyness in Western scoiety. This book is an important contribution to the literature on the sociology of emotions and the sociology of gender."--"Contemporary Sociology"

"This book's significance lies in its treatment of an emotional state and in its use of documents that have heretofore received little attention from historians."
--"The Jourrnal of American History"

"In this thoroughy researched study, McDaniel pretty much provides anything any academic might ever want to kow about shyness in society."
--" Library Journal"

Since World War II Americans' attitudes towards shyness have changed. The women's movement and the sexual revolution raised questions about communication, self-expression, intimacy, and personality, leading to new concerns about shyness. At the same time, the growth of psychotherapy and the mental health industry brought shyness to the attention of professionals who began to regard it as an illness in need of a cure. But what is shyness? How is it related to gender, race, and class identities? And what does its stigmatization say about our culture?

In Shrinking Violets and Caspar Milquetoasts, Patricia McDaniel tells the story of shyness. Using popular self-help books and magazine articles she shows how prevailing attitudes toward shyness frequently work to disempower women. She draws on evidence as diverse as 1950s views of shyness as a womanly virtue to contemporary views of shyness as a barrier to intimacy to highlight how cultural standards governing shyness reproduce and maintain power differencesbetween and among women and men.

This is a must read book for African Government policy makers to help them go over hunger...an annual 'predictable disaster. It is a vital support material for high school students and College students. Whereas It is aligned along the Agriculture syllabi for Botswana and Kenya, it has 90% of the syllabi items for the High SChool syllabi for most other developing countries. A hungry nation is on a journey to nowhere.

This truly unique volume brings together theoretical discussions of liberalizations with studies focused on literature, theatre and the visual arts. To the analysis of developments in selected Eastern European regions is added a historical dimension through discussions of the alternation of liberalization and repression in authoritarian European states from the eighteenth century onwards.

View the Table of Contents. Read the Introduction.

aTo the Break of Dawn marks a crucial turning point in hip-hop writing. . . . By opening the discourse on hip-hopas aesthetic, Cobb spearheads a new sub-genre, and perhaps a return or revolution in hip-hop aesthetics.a
--"Black Issues Book Review"

a[P]eels back the many digitized layers of hip-hop to explore the evolution of the MC, from African folkloric traditions to the global (and often hypercommercial) phenomenon it is today.
a--"Utne"

SEE ALSO: "Pimps Up, Hoas Down: Hip Hopas Hold on Young Black Women" by T. Denean Sharpley-Whiting.

aTo the Break of Dawn is smart, funny, conversational -- a book to touch off serious study of the modern MC.a
--"The Austin Chronicle"

aUpon finishing To The Break of Dawn any objective fan will acknowledge that Cobb has done a commendable job in chronicling rapas evolution and explaining its multiple influences and impact.a
--"City Paper"

aTo the Break of Dawn dissects the evolution of hip hop lyricism from its most primitive beginnings to its current manifestation as a global phenomenon. Author Jelani Cobb examines issues of race, geography, genre and bravado in this overview of hip hopas lyrical art. Covering words from B.I.G., Cube, Obie Trice and Pimp C, Cobb offers an intellectual and up-to-date report on hip hopas most powerful elementa
--"The Source Magazine"

aWhat makes William Jelani Cobb's To the Break of Dawn so refreshing is that it centers on what hip-hop is, rather than on what it does. Eschewing the common practice of treating rap lyrics as just another way to talk about race, politics or the self, Cobb treats them as art. His aim is ambitious: toarticulate hip-hop's aesthetic principles while tracing its roots back to the aancestral poetic and musical traditionsa of black oral culture, from Sunday sermons to gut-bucket blues. To the Break of Dawn celebrates lyrical invention, the artists and even the particular rhymes that make hip-hop great. For the uninitiated, it is Hip-Hop 101, offering a rich overview of rap's verbal artistry. For the aficionado, it alternately affirms and challenges deeply held beliefs of what is valuable in hip-hop.a
--"Washington Post Book World"

aThis book makes an important contribution to hip-hop history. . . . Cobbas writing style is engaging, and the book benefits from the legitimacy provided by the authoras background: he is a former MC who grew up with the culture.a
--"Choice"

aOn literally every page [Cobb] displays a tremendous command of language and history as he aexamines the aesthetic, stylistic, and thematic evolution of hip hop from its inception in the South Bronx to the present era.a But make no mistake: this groundbreaking work is an artfully constructed and vividly written look at athe artistic evolution of rap music and its relationship to earlier forms of black expression.a Much of the book's pleasure also comes from Cobb's ability to afreestylea serious and humorous insights-from how artists such as Tupac and Nas sometimes astepped outside the conventions of hip-hop to pen sympathetic narratives about the sexual exploitation of young women, a to how LL Cool J's pioneering aI Need a Beata sounded alike he'd raided every entry in an SAT book.a aa
--"Publishers Weekly" (starred review)

aVital stuff for hip hop fans eager to know more about their favorite culturalidiomas development and underpinnings.a
--"Booklist"

aAt a time when academics are just beginning to recognize hip hop as a legitimate form, William Jelani Cobb, a child of rap himself, brings an unparalleled level of understanding to the music. His historically informed yet hip-to-the-tip viewpoint roots readers in the art form rather than the hype.a
--Chuck D

aWith poetic passion and surgical precision, William Jelani Cobb's engaging exploration of the hip hop aesthetic lovingly demonstrates that, when it comes to beats and rhymes, the beauty of the (bass) god resides in the details.a
--Joan Morgan, author of "When Chickenheads Come Home to Roost"

aFinally, a hip hop study that captures the verve and swagger that marked the work of our critical forebears Albert Murray and Amiri Baraka. In his brilliant new tome, William Jelani Cobb bridges the gap between the majesty of the blues and the gully regality of hip hop.a
--Mark Anthony Neal, author of "New Black Man"

"Wow! "To the Break of Dawn" is a crucial contribution to hip hop history. I'm thrilled that William Jelani Cobb has documented hip hop's relationship to the blues. If you want to truly understand how hip hop was born, read this booka
--MC Lyte

"aTo the Break of Dawn" tells the serious story of hip hop's artistic roots, and in the process revels in the great MCs who stand at the crossroads of music and literature. In a crowded field of hip hop scholars, pundits, and journalists, "To the Break of Dawn" puts William Jelani Cobb way out in front.a
--Ta-Nehisi Coates

aUpon finishing To the Break of Dawn, any objective fan will acknowledge that Cobb has done a commendable job in chronicling rapasevolution and explaining its multiple influences and impact. Hereas a fresh look at a music that continues to electrify, confound, alienate, and fascinate.a
--"Nashville City Paper"

"He'll idle with some prelim scratches to let the crowd know what's coming next. And if his boy got skills enough, if the verbal game is tight enough, that right there will be the kinetic moment, that blessed split-second when beat meets rhyme."

With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.

The four pillars of hip hop--break dancing, graffiti art, deejaying, and rapping--find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants' turnstile artistry. Tracing hip-hop's relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.

Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.

Immigrants from South Asian countries are among the fastest growing segment of our population. This work, designed for students and interested readers, provides the first in-depth examination of recent South Asian immigrant groups--their history and background, current facts, comparative cultures, and contributions to contemporary American life. Groups discussed include Indians, Pakistanis, Bangladeshis, Sri Lankans, Nepalis, and Afghans. The topics covered include patterns of immigration, adaption to American life and work, cultural traditions, religious traditions, women's roles, the family, adolescence, and dating and marriage. Controversial questions are examined: Does the American political economy welcome or exploit South Asian immigrants? Are American and South Asian values compatible? Leonard shows how the American social, religious, and cultural landscape looks to these immigrants and the contributions they make to it, and she outlines the experiences and views of the various South Asian groups. Statistics and tables provide information on migration, population, income, and employment. Biographical profiles of noted South Asian Americans, a glossary of terms, and selected maps and photos complete the text.

The opening chapter introduces the reader to South Asian history, culture, and politics, material on which the rest of the book draws because of its continuing relevance to South Asians settled in the United States. Leonard provides a fascinating look at the early South Asian immigrant Punjabi Mexican American community whose second and third generations are grappling with the issue of being Mexican, Hindu, and American. A comparative examination of immigrant groups from India, Pakistan, Bangladesh, Sri Lanka, Nepal, and Afghanistan illuminates the similarities and differences of their rich cultural and religious traditions, the social fabric of their communities, and how these immigrants have adapted to American life. Leonard looks closely at the diversity of cultural traditions--music, dance, poetry, foods, fashion, yoga, fine arts, entertainment, and literature--and how these traditions have changed in the United States. Keeping the family together is important to these immigrants. Leonard examines family issues, second generation identities, adolescence, making marriages, and wedding traditions. This work provides a wealth of information for students and interested readers to help them understand South Asian immigrant life, culture, and contributions to American life.

Diasporas large-scale ethnic migrations have been a source of growing concern as we try to understand the nature of community, identity and nationalism. Traditionally, diaspora communities have been understood to be pariah communities, and most work on diasporas has focused on specific groups such as the Jewish or African Diaspora. This book is unique in arguing against traditional interpretations and in taking a comparative look at a range of diasporas, including the Jewish, Arab, Chinese, Japanese, Indian, Maltese, Greek and Armenian diasporas.Taking the past four centuries into consideration, the authors examine diaspora trading networks across the globe on both a regional and international level. They investigate the common patterns and practices in the enterprises of diaspora peoples and entrepreneurs. The regions covered include Western Europe, the Mediterranean, South West Asia and the Indian Ocean, and South East Asia. Global networks of diaspora trading groups were crucial to international trade well before the twentieth century, yet because they were not part of established institutions they have remained elusive to economists, sociologists and historians.Through an understanding of diaspora trading networks, we learn not only about diaspora communities but also about the roots of the modern global economy.

The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the return of the Baroque expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond WilliamsGCO charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

While the term "culture wars" often designates the heated arguments in the English-speaking world spiraling around race, the canon, and affirmative action, in fact these discussions have raged in diverse sites and languages. Race in Translation charts the transatlantic traffic of the debates within and between three zones--the U.S., France, and Brazil. Stam and Shohat trace the literal and figurative translation of these multidirectional intellectual debates, seen most recently in the emergence of postcolonial studies in France, and whiteness studies in Brazil. The authors also interrogate an ironic convergence whereby rightist politicians like Sarkozy and Cameron join hands with some leftist intellectuals like Benn Michaels, i ek, and Bourdieu in condemning "multiculturalism" and "identity politics." At once a report from various "fronts" in the culture wars, a mapping of the germane literatures, and an argument about methods of reading the cross-border movement of ideas, the book constitutes a major contribution to our understanding of the Diasporic and the Transnational."

This compelling volume brings together original essays that explore the relationship between food and identity in everyday life in the Caribbean. The Caribbean history of colonialism and migration has fostered a dynamic and diverse form of modernity, which continues to transform with the impact of globalization and migration out of the Caribbean. One of the founders of the anthropology of food, Richard Wilk provides a preface to this exciting and interdisciplinary collection of essays offering insight into the real issues of food politics which contribute to the culinary cultures of the Caribbean. Based on rich contemporary ethnographies, the volume reveals the ways in which food carries symbolic meanings which are incorporated into the many different facets of identity experienced by people in the Caribbean. Many of the chapters focus on the ways in which consumers align themselves with particular foods as a way of making claims about their identities. Development and political and economic changes in the Caribbean bring new foods to the contemporary dinner table, a phenomenon that may subsequently destabilize the foundations of culinary identities. "Food and Identity in the Caribbean" reveals the ways in which some of the connections between food and identity persist against the odds whilst in other contexts new relationships between food and identity are forged.

In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

In Assessing the Landscape of Taiwan and Korean Studies in Comparison, the chapters offer a reflection on the state of the field of Taiwan and Korea Studies. For the editors, the volume's purpose was to identify not just their similarities, but also a reflection on their differences. Both have national identities formed in a colonial period. The surrender of Japan in 1945 ignited the light of independence for Korea, but this would be ideologically split within five years. For Taiwan, that end forced it into a born-again form of nationalism with the arrival of the Chinese Nationalists. Taiwan and South Korea's economic development illustrate a progressive transition and key to understanding this is the relationship between 'modernization' and 'democracy'. By looking at Korea and Taiwan, the chapters in the volume broaden an understanding of the interconnectivity of the region.

The words and grammatical structure of a given language are the most basic building blocks of thought and communication; they reflect the ways speakers conceptualize themselves and their world and communicate with others. Since language reflects a culture's biases and inequities, a socially constructed, gendered power differential between men and women may lead each to have very different relationships to language. The essays in this collection explore some of the ways in which power and its expression (or repression) is gendered. The contributors seek to discover contexts and patterns within which power is articulated, reproduced, and ultimately transformed. While some contributors provide primarily descriptive examinations of presumed gender differences, others seek to critique or deconstruct these supposed meanings associated with gender and power relationships. An important collection for scholars and researchers involved with communication and with gender issues.

This study shows that, despite numerous surface similarities, the popular culture of the 1930s was different from that of the 1920s in a variety of ways, and not only because of the Great Depression. It was a period of quiet desperation and shifting values, one in which nickels and dimes replaced dollars as the currency of popular culture, and in which the emphasis was on finding methods to occupy idle time and idle minds. Popular culture during the 1930s is important for understanding not only how Americans coped, but why they did so with such good humor and so little of the discontent visible elsewhere in the world. An appreciation of popular culture during the 1930s is essential to understanding other aspects of the decade.

In the final years of the Soviet Union and into the 1990s, Soviet Jews immigrated to Israel at an unprecedented rate, bringing about profound changes in Israeli society and the way immigrants understood their own identity. In this volume ex-Soviets in Israel reflect on their immigration experiences, allowing readers to explore this transitional cultural group directly through immigrants' thoughts, memories, and feelings, rather than physical artifacts like magazines, films, or books. Drawing on their fieldwork as well as on analyses of the Russian-language Israeli media and Internet forums, Larisa Fialkova and Maria N. Yelenevskaya present a collage of cultural and folk traditions--from Slavic to Soviet, Jewish, and Muslim--to demonstrate that the mythology of Soviet Jews in Israel is still in the making. The authors begin by discussing their research strategies, explaining the sources used as material for the study, and analyzing the demographic profile of the immigrants interviewed for the project. Chapters use immigrants' personal recollections to both find fragments of Jewish tradition that survived despite the assimilation policy in the USSR and show how traditional folk perception of the Other affected immigrants' interaction with members of their receiving society. The authors also investigate how immigrants' perception of time and space affected their integration, consider the mythology of Fate and Lucky Coincidences as a means of fighting immigrant stress, examine folk-linguistics and the role of the lay-person's view of languages in the life of the immigrant community, and analyze the transformation of folklore genres and images of the country of origin under new conditions. As the biggest immigration wave from a single country in Israel's history, the ex-Soviet Jews make a fascinating case study for a variety of disciplines. Ex-Soviets in Israel will be of interest to scholars who work in Jewish and immigration studies, modern folklore, anthropology, and sociolinguistics.