The second edition of Consumer Culture brings this successful introductory textbook right up-to-date for students who are interested in the nature and role of consumption in modern societies. It introduces the importance of new object-based studies for consumer culture, as well as adding new chapters on branding and the rise of ethical consumption. Drawing on a wide range of studies, and using contemporary illustrations from the media and popular culture, the author examines the rise of consumer culture and the changing relations between the production and consumption of cultural goods. She argues that consumer culture has become increasingly stylized and now provides an important context for everyday creativity. The author explores the way an individual s position in social groups structured by class, gender, race and age affects the nature of his or her participation in consumer culture. She also argues that this has contributed to changes in the way in which individuals belong to these social groups. The powerful role consumption plays in our lives is thus revealed as consumer culture is seen to provide new ways of creating social and political identities.

For all that has been written about Renaissance Florence we know relatively little about its musical life, its religious life, and the aspirations of its average citizens. This book contributes significantly to all understanding of all of these by documenting and interpreting the corporate patronage of an important Florentine musical repertory over a period of some 200 years. From the late thirteenth to the early sixteenth centuries at least twelve lay confraternities sponsored a widespread musical activity involving a specialized network of singers and instrumentalists. The meticulous records kept by these companies reveal a wealth of information about the musicians' conditions and patterns of activity, the central role of music in the companies' vernacular liturgy (especially as conditioned by bequests), and vital performance practice issues such as the role of instruments in vocal performance, the shift from monophonic to polyphonic practice, and the interaction of written and unwritten musical traditions. Because the companies were, in many respects, both a microcosm and characteristic manifestation of this remarkable Renaissance city, the author also seeks to explain how mendicant spirituality, guild society, and devotional images and imagination provide the essential context for understanding the function and significance of laudesi practice and repertoire. This book well be welcomed not only by musicologists, but by Italianists and late medieval and early modern scholars in general.

Focusing on the experiences of Russian migrants to the United Kingdom, this book explores the connection between migrations, homes and identities. It evaluates several approaches to studying them, and is structured around a series of case studies on attitudes to homemaking, food and cooking, and clothing.

How has America censored British films? In this original, fascinating book, Anthony Slide answers this question, making full use for the first time of the recently opened US Production Code Administration files. Film by film from the 1930s through to the 1960s, he tells the inside story of the ongoing dialogue between the British film making industry and the American censors. The book shows graphically how the Production Code system operated, revealing how the censors viewed moral issues, violence, bad language and matters of decorum as well as revealing acute national differences, such as American concern over the British preoccupation with toilets. It also dispels myths, depicting chief censor Joseph Breen and his staff as knowledgeable people who sympathized with and admired the British film industry.

The belief in telepathy is still widely held and yet it remains much disputed by scientists. Roger Luckhurst explores the origins of the term in the late nineteenth century. Telepathy mixed physical and mental sciences, new technologies and old superstitions, and it fascinated many famous people in the late Victorian era: Sigmund Freud, Thomas Huxley, Henry James, Robert Louis Stevenson, and Oscar Wilde. This is an exciting and accessible study, written for general readers as much as scholars and students.

This book illuminates our understanding of what happens when different cultures meet. Twelve cultural historians explore the mechanism and inner dynamic of such encounters, and demonstrate that while they often occur on the wave of global forces and influences, they only acquire meaning locally, where culture inherently resides.

This book offers a theoretically sophisticated and empirically rich study of the intersections of contemporary Christianity and youth culture, focusing on evangelical engagements with punk, hip hop, surfing, and skateboarding. Ibrahim Abraham draws on interviews and fieldwork with dozens of musicians and sports enthusiasts in the USA, UK, Australia, and South Africa, and the analysis of evangelical subcultural media including music, film, and extreme sports Bibles. Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures makes innovative use of multiple theories of youth cultures and subcultures from sociology and cultural studies, and introduces the "serious leisure perspective" to the study of religion, youth, and popular culture. Engaging with the experiences of Pentecostal punks, surfing missionaries, township rappers, and skateboarding youth pastors, this book makes an original contribution to the sociology of religion, youth studies, and the study of religion and popular culture.

ICT Acceptance, Investment and Organization: Cultural Practices and Values in the Arab World is a unique source of information outlining the importance of Information Communication Technology (ICT) adoption and diffusion. This book covers the Arab world's strong need for access to information systems, while still paying close attention to their culture and localization of practices. These values and beliefs are not only linked to factors such as language, governance and religion, but also influenced by cultural, political and legal issues. These are important factors that could have a far-reaching impact on their overall success or failure.

What's for dinner? Not just in America, but around the world? And how is it cooked, what's the historical significance of that food, how is it served and consumed, and who gets to clean up? This book provides fascinating insight into how dinner is defined in countries around the world. Almost universally, "dinner" is a key meal in most countries around the world, whether it be a simple dish of rice and beans, a slice of pizza on the go, or a multi-course formal meal. What do the specifics of how a meal is eaten-by hand instead of with utensils, for example-say about a specific culture? This fascinating one-volume reference guide examines all aspects of dinner in international settings, enabling insightful cross-cultural comparisons and an understanding of the effects of modernization and globalization on food habits. Some 50 countries are covered in chapters focusing on present-day meal habits in Europe, Asia, the Middle East, Africa, and North and South America. The commentary covers everything about the meal, such as the time, the cooking and preparation, shopping for ingredients, the clean-up process, gender-based participation roles, conversation or other social interactions, and etiquette-just about everything that happens at the table. The book is ideal for classroom teaching and learning, as the entries and photos are conducive to teaching students about other cultures, directly supporting the National Geography Standards. Students will be able to make informed comparisons between their own lives and the various cultural experiences described in the book. Provides intimate insights into a broad range of international food habits, thereby affording readers a glimpse into the daily lives of people around the world and offering immense opportunities for cross cultural comparisons Compares cooking methods, gender roles regarding food and meals, and the places of children or extended relatives at meal time Underscores how food culture is universally and intrinsically related to ethnicity, family, and meal-time tradition Presents a combination of reference narrative, photographs, and recipes that make this a one-stop reference source ideal for students learning about other cultures

This text examines religion as a form of collective memory. This is a memory held in place by Europe's institutional churches, educational systems, and the mass media - all of which are themselves responding to rapid social and economic change Europe's religious memory is approached in the following ways: as vicarious; as a particularly European characteristic; as precarious, especially among young people; and as it is portrayed by the media. The memory may fragment, be disputed, and in extreme cases, disappear. Alternatives may emerge. The challenge for European societies is to affirm healthy mutations in religious memory and discourage others. The book also examines the increasing diversity of Europe's religious life This book is intended for scholars and students of Sociology, Religion, Politics, European Studies, and Philosophy.

This book brings together the perspectives of eminent and emerging scholars on contemporary issues relevant to the practice, pedagogy and institutionalization of the humanities in the three Chinese contexts of Hong Kong, Taiwan, and mainland China. It addresses the need to investigate how humanities discussions, often exclusively drawn from, and grounded in, western contexts, are today being played out in these three places. The humanities in contemporary Chinese contexts may have different social and pedagogical roles, and a consideration of them will enable people to moderate, and perhaps even refute, claims made in the recent (re)readings of the humanities. As Asian universities rise in the global rankings and as east-west university collaborations and partnerships become more common, it is important that the nature, practice and institutionalization of the humanities in Hong Kong, Taiwan, and mainland China are explored and described for English readers. Exploring new perspectives arising from an examination of the humanities in these places, this volume aims neither to establish a position of polarity, which would pit western sites against Chinese ones, nor to argue for universal sameness. Rather, the goal is to find nuanced correspondences and differences between these various backgrounds, so that there is a greater understanding of the specificities of Chinese contexts. This will help shed light not only on the contexts in question, but also potentially on how to rearticulate the importance of the humanities in general, creating an intercultural dialogue focused on the humanities. As the global university strives to move the different traditions of learning closer together through international rankings, rubrics, and shared research agendas, it is important that we explore these locations of potential cultural exchange.

The process of food production and distribution has grown into a global corporate system in recent years. This has caused significant impacts on sustainability on an international scale, particularly for developing nations. Establishing Food Security and Alternatives to International Trade in Emerging Economies is a pivotal reference source for the latest scholarly research on agricultural trade relations and trade liberalization in the context of developing countries. Highlighting a range of pertinent topics such as crop productivity, rural development, and value-added agriculture, this book is ideally designed for academics, researchers, graduate students, and practitioners interested in the current state of global food markets. Topics Covered: The many academic areas covered in this publication include, but are not limited to: Climate Change Crop Productivity Food Safety Maritime Piracy Rural Development Trade Policies Value-Added Agriculture

This volume brings together the work of leading film scholars from the UK, France and the US who assess a dominant art form's engagement with expressions of national identity at key moments in French cinematic history, from its origins at the end of the nineteenth century, through the inter-war period, the Occupation, the post-Liberation era, and the New Wave, up to the current state of the industry. The essays go against the grain in their attempts to construct an alternative history of French cinema, whether by bringing to light overlooked films or by examining well-known, indeed even 'over-exposed' films or filmmakers in a new light. In re-evaluating the work of Georges MEliEs, Jacques Becker, Jean Renoir, Diane Kurys, FranAois Truffaut, Jean-Luc Godard and Jean-Jacques Beineix, the contributors to this volume focus on the paradoxical centrality of the marginal in constructions of national identity. In doing so, they reveal the structure of 'l'exception franAaise', in which French culture makes an exception for itself by suppressing alterity within it. This multi-faceted assessment of French visual culture and identity will be of interest to students and scholars in French studies, media and film studies, cultural studies and French history.

"It would have been inconceivable," wrote Henry Kissinger in his best-selling book "Diplomacy, ""that the architects of NATO would have seen as the end result of victory in the Cold War greater diversity within the Alliance." In "Twilight of the West, " Christopher Coker offers an interpretation of why the Western Alliance is in serious trouble and why it may have entered the twilight of its collective life.Divided into three parts, the book first looks at the cultural forces that brought the Western powers together in 1941 and prompted them to build an Atlantic Community. Where the Alliance failed, however, was in taking hold where it counted most--in the European imagination. The second part addresses the present-day consciousness of both Europe and the United States as they prepare for the twenty-first century. In the final section, Coker examines two key questions: whether the West can escape the undertow of violence that marks the end of the millennium and whether the challenges from East Asia and the Islamic world are of such magnitude that the West will have to reinvent itself.Throughout, Coker draws on a wide-ranging discussion of Western culture to understand the changes that are taking place in the Western world. Particular emphasis is placed on the changes in philosophy that helped shape the Alliance and its view of the rest of the world.

Evangelicalism appeared as a new pattern of Christian devotion at a moment in history when the foundations of Anglo-American society were shifting. The Spirit of Early Evangelicalism sheds new light on the nature of evangelical religion by locating its rise with reference to major movements of the 18th century, including Modernity, the Scientific Revolution, and the Enlightenment. Hindmarsh draws on a wide range of sources to make meaningful connections between the evangelical awakening and the history of science, law, art, and literature. Each of these fields placed a profound emphasis on nature and the authority of natural knowledge, and democratic debate was encouraged in the public sphere. In this context, evangelicals forcefully pressed their agenda for "true religion," believing it was still possible to experience "the life of God in the soul of man." The results were dramatic and disruptive. This book presents a fresh perspective and new research on the religious thought of leading evangelical figures such as John and Charles Wesley, George Whitefield, and Jonathan Edwards. It also traces the significance of evangelical spirituality for non-elites across multiple genres. From the scribbled marginalia of lay Methodists and the poetry of an African-American laywoman to the visual culture of grand manner portraits, lunar drawings, and satirical prints, Hindmarsh traces the meaning of evangelical devotion in a rich variety of contexts. By presenting devotion, culture, and ideas together, The Spirit of Early Evangelicalism shows the advent of evangelicalism to be a significant new episode in the history of Christian spirituality.

Mediating Memory in the Museum is a contribution to an emerging field of research which is situated at the interface between memory studies and museum studies. It highlights the role of museums in the proliferation of the so-called memory boom as well as the influence of memory discourses on international trends in museum cultures. By looking at a range of museums in Germany, Britain, France and Belgium, which address a diverse spectrum of topics such as migration, difficult and dark heritage, war, slavery and the GDR, Arnold-de Simine outlines the paradigm shifts in exhibiting practices associated with the transformation of traditional history museums and heritage sites into 'spaces of memory' over the past thirty years. She probes the political and ethical claims of new museums and maps the relevance of key concepts such as 'vicarious trauma', 'secondary witnessing', 'empathic unsettlement', 'prosthetic memory' and 'reflective nostalgia' in the museum landscape.

The book contains a selection of papers focusing on the idea of crossing boundaries in literary and cultural texts composed in English. The authors come from different methodological schools and analyse texts coming from different periods and cultures, trying to find common ground (the theme of the volume) between the apparently generically and temporarily varied works and phenomena. In this way, a plethora of perspectives is offered, perspectives which represent a high standard both in terms of theoretical reflection and in-depth analysis of selected texts. Consequently, the volume is addressed to a wide scope of both scholars and students working in the field of English and American literary and cultural studies; furthermore, it will be of interest also to students interested in theoretical issues linked with investigations into literature and culture.

Why does Christianity feel the need to impose its customs and beliefs on the rest of the world? And why has an impulse driven at least partially by sincere concern for the "salvation" of others so often played into the hands of ruthless colonizers with more cynical aims?

Bringing together scholars in literature, history, and religion, Christian Encounters with the Other Approaches these questions by analyzing literary accounts of historically famous sites of conversion. Covering the Renaissance through to the present and spanning much of the globe, the volume discusses a range of authors and their works--from Daniel Defoe's Robinson Crusoe and Stephen Riggs's ethnographic representations of the Sioux, to Salvation Army pamphleteers and Victorian missionaries, to China, to the works of Cameroonian novelist Mongo Beti, Guatemalan Nobel laureate Rigoberta Menchu, and Japanese novelist Shusaku Endo.

Using a cultural studies approach, each account discusses the missionaries' intentions, how these were perceived, and what social forces helped to shape the messages that were preached, as well as fascinating accounts of counter-conversions, in which "the other" is not only exoticized but valorized and empowered."

The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public.
Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design.
This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.

Awareness of eco-literature has recalled the central ideology of environmentalism - "to think globally and act locally." As this volume shows, various tags of contemporary discourse have emerged, including transnational, cosmopolitan, hybridity, diaspora, and generally cultural. These concerns highlight such global environmental problems as biodiversity, climate change, and developing new forms of interconnectedness with local and regional communities. In this context, contemporary discourse becomes of immediate concern in understanding the environmental crisis. In a way, reading different cultures and experiences can contribute to a contemporary discourse that can facilitate an environmental sensibility and develop a unique ecological approach.

Increasing interest is being shown in the intersections between literary and cultural history and in the material dimensions of the text. Evelyn B. Tribble argues that far from being extratextual, as many scholars have contended, marginal commentary and text fuse together to form the page's inscribed identity. By tracing the connections between marginal apparatus, authority, and authorship, she demonstrates that changes in book production had profound consequences for the changing relations among readers, writers, and cultural authority in the early modern period. Margins and Marginality is, to date, the only book-length study of the marginal apparatus of Renaissance books.

"Reconnecting Consumers, Producers and Food" presents a detailed and empirically grounded analysis of alternatives to current models of food provision. The book offers insights into the identities, motives and practices of individuals engaged in reconnecting producers, consumers and food. Arguing for a critical revaluation of the meanings of choice and convenience, "Reconnecting Consumers, Producers and Food" provides evidence to support the construction of a more sustainable and equitable food system which is built on the relationships between people, communities and their environments.

This edited collection brings together distinguished scholars across a range of academic disciplines to explore how the European Union engages with culture. The book examines the ways in which cultural issues have been framed at the EU level and the policies and instruments to which they have given vent.

How can the culturally diverse communities of America live justly and fruitfully together? Not by assimilation into the dominant culture -- nor by fighting for the freedom to pursue our own self-interest at the cost of our repressing both the wounds and the promising potential of our own cultural roots. This book offers a theory and practice of transformation that shows, especially through literature, education, and politics, how we can create a multicultural society that liberates our being as a fulfillment of the story of democracy. Perhaps for the first time in American history we are seeing the personal, political, historical, and sacred faces of women, people of color, and all ethnic groups as they tell their stories. It is this emerging scholarship that constitutes the new multicultural and feminine face of the story of democracy.

This book offers the first comprehensive and in-depth exploration of the way Chinese humor fits into broader discourses on Chinese identity and modernity in an increasingly globalized world throughout the period of modern China. It brings together the expertise of scholars from a variety of disciplines - history, literature, linguistics, anthropology, sociology and the study of popular culture - to examine the many forms and modes in which political humor is expressed in modern China: films, cartoons, the visual arts, oral performances and online satire.