With great care and judicious inclusion of noteworthy material, Gunde has provided a one-stop reference on the contributions of the Chinese and their way of life. In one volume, the essence of China--past and present--is brilliantly captured. The extensive coverage includes chapters on the land, history, and people; thought and religion; literature and art; music and dance; food and clothing; architecture and housing; family and gender; and holidays and leisure activities. The volume is further enhanced by a chronology, guide to pronunciation, glossary, suggested readings, numerous photos, and volume map.

China is ever-important on the global stage as the world's second-largest and most populous country. Up-to-date and written with warmth, eloquence, and authority, "Culture and Customs of China" will be a popular source for students and the interested reader seeking to understand the modern people and culture in the context of an ancient history.

Every human society has a lineup of base, wicked, unethical characters-real and fictional-that are regarded as villainous. This book explores how western societies have used those they label villains to delineate insiders from outsiders; political, social, economic, and cultural behaviors deemed a threat to the order, harmony, and well-being of society itself; and normal as opposed to abnormal psychological behavior. Part One addresses how nature and those identified as ""barbarians"" were villainized as sinister ""others"" bent on destroying humanity and western civilization. Part Two considers how certain villainous types-tyrants, traitors, and tramps (aka ""femme fatales"")-challenged and reinforced western thinking with regard to legitimate governance, loyalty to one's people, and proper male/female roles and relationships. Part Three looks at how sociopathic gangsters and grifters and psychopathic murderers have served as models of evil and/or unprincipled behavior, and, in so doing, highlighted what we regard as moral and rightful conduct. In tandem with these villainous types, this study also considers two distinct though related phenomena, the dramatic shrinking of what is now considered villainous in the West, and the proliferation of all manner of odd and over-the-top villains in western pop culture and mass media.

From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-22, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.

In the last half century, ways of thinking about the Holocaust have changed somewhat dramatically. In this volume, noted scholars reflect on how their own thinking about the Holocaust has changed over the years. In their personal stories they confront the questions that the Holocaust has raised for them and explore how these questions have been evolving. Contributors include John T. Pawlikowski, Richard L. Rubenstein, Michael Berenbaum, and Eva Fleischner.

This is the first ethnography to be written about a Campeche Maya community. It examines the surviving Maya traditional technologies and sacred cosmologies and discusses the potential for combining these with modern knowledge and technologies to form an efficient new system that will not only provide for ecologically responsible development but will also make possible the cultural survival of this threatened indigenous population.

This book presents a reconfiguration of the concepts of community in Latin countries as well as the community quality of life and well-being of different groups: children, young people, older adults, migrants. The traditional concept of community has changed together with the way people participate in community spaces. Community nowadays is more than a geographic concentration; it is related to social support, inter-subjectivity, participation, consensus, common beliefs, joint effort aiming at a major objective, and intense and extensive relationships. This volume presents unique experiences about culture, social development, health, water, armed conflicts, the digital media, and sports within communities, written by authors from Latin countries. This volume is a valuable resource for researchers, students, and policy makers in quality of life studies.

"A lively and interesting overview of guns in American life; past, present, and future...Guns in America: A Reader will serve most promisingly as a long-awaited introduction to a complex and controversial issue."
--"Left History"

Firearms have long been at the core of our national narratives. From the Puritans' embrace of guns to beat back the "devilish Indian" to our guilty delight in the extralegal exploits of Dirty Harry, Americans have relied on the gun to right wrongs, both real and imagined.

The extent to which guns have been woven into our nation's mythology suggests that the current debate is only partly about guns themselves and equally about conflicting cultural values and competing national identities. Belying the gun debate are a host of related issues: contesting conceptions of community, the proper relationship between the individual and the state, and the locus of responsibility for maintaining order.

Guns in America documents and analyzes the history of firearms in America, exploring various aspects of gun manufacture, ownership, and useaand more importantly, the cultural and political implications which this history reveals.

Eschewing single-minded partisanship and emphasizing nuance and compromise, Jan E. Dizard and Robert Merrill Muth have assembled a diverse array of writings from all points on the ideological spectrum. The documents span the whole of American history, from Puritan sermons to contemporary NRA documents. The result is an indispensable panorama of the never-ending controversies over gun control, crime, hunting, and militias.

In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how "The Twilight Zone, The Prisoner, Twin Peaks," and "The X-Files" display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas.

Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.

The technical problems confronting different societies and periods, and the measures taken to solve them, form the concern of this annual collection of essays. It deals with the history of technical discovery and change, and explores the relationship of technology to other aspects of life - social, cultural and economic. The book shows how technological development has shaped, and been shaped by, the society in which it occurred.

"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."

Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.

Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.

The book offers a detailed introduction to contemporary Chinese culture industry development. It starts with an analysis of the historical aspects and the contextual background rooted in the Reform & Opening-up policy. The second part discusses the development from the perspective of reality and introduces the different production modes for the country's most influential culture industries, since these are a unique feature of culture industry development in China. Lastly, the book clearly shows the strengths and weaknesses of culture industry development in China by comparing it with that of other countries against the backdrop of globalization.

This in depth analysis looks at how suicide was represented in the British press when 20 young people between the ages of 15 and 29 took their own lives in the South Wales Borough of Bridgend in 2008. The chapters highlight specific categories of description that journalists use to explain suicide to their readers. The study also examines the discourses that emerged around suicide that continue to perpetuate stigma and shame when suicide occurs today. Using her own experience of having lost a loved one to suicide, coupled with original research, the author gives a very frank explanation of why suicide is not accepted in society today.

This book demonstrates the power and distinctiveness of the contribution that sociolinguistics can make to our understanding of everyday communicative practice under changing social conditions. It builds on the approaches developed by Gumperz and Hymes in the 1970s and 80s, and it not only affirms their continuing relevance in analyses of the micropolitics of everyday talk in urban settings, but also argues for their value in emergent efforts to chart the heavily securitised environments now developing around us. Drawing on 10 years of collaborative work and ranging across disciplinary, interdisciplinary and applied perspectives, the book begins with guiding principles and methodology, shifts to empirically driven arguments in urban sociolinguistics, and concludes with studies of (in)securitised communication addressed to challenges ahead.

Using the 1893 and the 1993 World's Parliament of Religions as a focus for probing intercultural religious communication, this study describes more than a century's preoccupation with a provocative phenomenon called universal religion. It presents 12 enduringly significant speakers whose rhetorical effectiveness, combined with their concepts of universal religion, forge an intercultural synthesis combining Eastern religions and Western thought. This volume will interest scholars and students of both religion and rhetoric as well as the general public. It provides a deeper appreciation of such well-known communicators as Emerson and Thoreau, as well as an introduction to the significant contributions of thinkers such as Roy, Sen, Besant, Vivekananda, Tagore, Radhakrishnan, Gandhi, Jenkins Lloyd Jones, John Haynes Holmes, and Preston Bradley. The 1893 Parliament of The World's Religions and the 1993 World's Parliament of Religions are described by contemporary historians as watersheds in human history and turning points in humanity's spiritual progress. These parliaments are the two occasions when the world's religious leaders have gathered, and the events symbolize a growing preoccupation with an emerging universal religion evolving through interreligious communication. The 1893 Parliament is recognized for commencing interreligious dialogue and encouraging comparative religion; the 1993 Parliament is remembered for networking the worldwide religious and spiritual communities. This volume describes a little-known but highly important minority movement in which a comparatively few communicators in India and the United States have progessively synthesized Eastern religion and Western thought. The work examines these speakers and their speeches by placing this distinctive rhetorical discourse within their historical times and cultural contexts; specifying the concepts about universal religion proposed by each speaker; and indicating their contributions to an emerging and evolving religion that is universal.

In the first half of the nineteenth century most leading French Romantic authors wrote travel books. French Romantic Travel Writing is the first study exclusively devoted to surveying the travelogues they produced and the reasons for, and significance of, this trend. Whilst 'the journey' was one of Romanticism's central images, suggesting as it did a dynamic, expanding, and evermore complex world in which artists' lives were increasingly experienced as wanderings and endless quests, the fashion for Romantic travel books was more marked in France than in Germany or England. Chateaubriand, Stael, Stendhal, Nodier, Hugo, Lamartine, Nerval, Gautier, Sand, Custine, Quinet, Merimee, Dumas, and Tristan all wrote one or more travelogues, including at least four masterpieces-Hugo's Le Rhin (1842), Nerval's Voyage en Orient (1851), and Stendhal's two Rome, Naples et Florence (1817 and 1826). The book explores the reasons for this difference from England and Germany. These include French foreign and cultural policies, as well as the particular needs of Parisian publishers. It puts forward the case for the collective achievement of these Romantic travel books, compared to those of most later writers in nineteenth-century France. A distinctive feature of the survey is its belief in the value of concentrating on the text of these books as published by their authors, as opposed to manuscript and peripheral material.

"Antique', 'vintage', 'previously owned', 'gently used', 'cast-off' n the world of second hand encompasses as many attitudes as there are names for it. The popular perception is that second- hand shops are largely full of junk, yet the rise of vintage fashion and the increasing desire for consumer individuality show that second hand shopping is also very much about style. Drawing on six years of original research, Second-Hand Cultures explores what happens when the often contradictory motivations behind style and survival strategies are brought together. What does second hand buying and selling tell us about the state of contemporary consumption? How do items that begin life as new get recycled and reclaimed? How do second hand goods challenge the future of retail consumption and what do the unique shopping environments in which they are found tell us about the social relations of exchange?Answering these questions and many more, this book fills a major gap in consumption studies. Gregson and Crewe argue that second hand cultures are critical to any understanding of how consumption is actually practised. Following the life stories of goods as they travel into and through second hand sites, the authors look at the work of traders as well as consumers' investments in second hand merchandise n including gifting and collecting as well as rituals of personalization and possession. Through its revealing investigation into the practices and customs that make up these unconventional retail worlds, this much-needed study carefully unpacks the persuasive allure of the 'previously owned'.

Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era as represented in cinema and television.

In late nineteenth-century America, Simon Newcomb was the nation's most celebrated scientist and--irascibly, doggedly, tirelessly--he made the most of it. Officially a mathematical astronomer heading a government agency, Newcomb spent as much of his life out of the observatory as in it, acting as a spokesman for the nascent but restive scientific community of his time.
Newcomb saw the "scientific method" as a potential guide for all disciplines and a basis for all practical action, and argued passionately that it was of as much use in the halls of Congress as in the laboratory. In so doing, he not only sparked popular support for American science but also confronted a wide spectrum of social, cultural, and intellectual issues. This first full-length study of Newcomb traces the development of his faith in science and ranges over topics of great public debate in the Gilded Age, from the reform of economic theory to the recasting of the debate between science and religion. Moyer's portrait of a restless, eager mind also illuminates the bustle of late nineteenth-century America.

This book offers a first rate selection of academic articles on Latin American bioethics. It covers different issues, such as vulnerability, abortion, biomedical research with human subjects, environment, exploitation, commodification, reproductive medicine, among others. Latin American bioethics has been, to an important extent, parochial and unable to meet stringent international standards of rational philosophical discussion. The new generations of bioethicists are changing this situation, and this book demonstrates that change. All articles are written from the perspective of Latin American scholars from several disciplines such as philosophy and law. Working with the tools of analytical philosophy and jurisprudence, this book defends views with rational argument, and opening for pluralistic discussion.

Due to the recent advances in computers and technology as a whole, Knowledge Management has taken on a whole new importance. In our society we need KM to ensure that we apply knowledge correctly to differing situations and effectively use that information at the correct times. Global Aspects and Cultural Perspectives on Knowledge Management: Emerging Dimensions presents new technologies, approaches, issues, solutions, and cases that can help an organization implement a knowledge management (KM) initiative or provide a knowledge base for the practitioner/academic researcher. This book presents the issues that drive the technologies, processes, methodologies, techniques, and practices used to implement KM in a variety of ways and in the multi-faceted modern environment that we find ourselves in today.

Culture, understood broadly, lay at the heart of contrasting right-wing strategies for government in France during the pivotal decade of 2002-2012. Looking at issues of secularism, education, televisual performance, public memory and nation-branding Ahearne analyses how presidents Chirac and Sarkozy sought to redefine contemporary French identity.

Describes the political structure of some of the Native American tribes of North America, as well as their social conditions and their relationship to the U.S. government.

From the first European contact with Tahiti in 1767, the myth of the South Sea maiden has endured through many incarnations. Although the maiden frequently provided an idealized antidote to Western women's self-assertion, the South Pacific also afforded a space where boundaries between the sexes could be relaxed and transgressed. From James Cook and Captain Bligh to James Michener and Margaret Mead, the Island girl has occupied a special place in the erotic imagination of the West. In a sweeping study that embraces history, literature, visual arts, anthropology and film, this study gives fresh insight into the myths and reality of a Western icon.

While women from far off lands have always been presented as exotic and alluring, the South Sea maiden has come to symbolize feminine sexuality, as an integral part of the adventure, sensuality, and romance of the South Pacific. Everyone from early explorers to 19th century writers and artists to latter day anthropologists, film makers, and tourism promoters have extolled their virtues and their bodies. Sturma looks behind the popular clich DEGREESD'es to reveal how the myth-making process reflected not only Western desires, but the cut and thrust of changing sexual politics. The result is an intriguing look at both South Sea image-makers and the women whom they found so seductive.